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Feathers Collection (page 26)

Background imageFeathers Collection: James V of Scotland, (1806)

James V of Scotland, (1806). King James V (1512-1542) was King of the Scots 1513-1542)

Background imageFeathers Collection: James III, (c19th century). Artist: Taylor

James III, (c19th century). Artist: Taylor
James III, (c19th century). Portrait of King James III of Scotland (1452-1488}

Background imageFeathers Collection: Kafir of the Bechuana, 1848

Kafir of the Bechuana, 1848. A man from what is now Botswana. Kafir, an offensive term, is no longer used. An engraving from the Natural History of Man, by James Cowles Prichard

Background imageFeathers Collection: The War Dance, by the Ojibbeway Indians, 1848. Artist: Harris

The War Dance, by the Ojibbeway Indians, 1848. Artist: Harris
The War Dance, by the Ojibbeway Indians: The Flying Cloud, Tobacco, The Moonlight Night, The Flying Gull. 1848. An engraving from the Natural History of Man, by James Cowles Prichard

Background imageFeathers Collection: Ak-quee-we-zaints, The Boy, 1848. Artist: Harris

Ak-quee-we-zaints, The Boy, 1848. Artist: Harris
Ak-quee-we-zaints, The Boy, 1848. Native American in traditional costume. An engraving from the Natural History of Man, by James Cowles Prichard, published by Hippolyte Bailliere, (London)

Background imageFeathers Collection: Not-een-a-akm, The Strong Wind, the interpreter, 1848. Artist: Harris

Not-een-a-akm, The Strong Wind, the interpreter, 1848. Artist: Harris
Not-een-a-akm, The Strong Wind, the interpreter, 1848. An engraving from the Natural History of Man, by James Cowles Prichard, published by Hippolyte Bailliere, (London, third edition, 1848)

Background imageFeathers Collection: Heo-a-h co-a-h -cotes-min, a Flat head Warrior, 1848. Artist: Harris

Heo-a-h co-a-h -cotes-min, a Flat head Warrior, 1848. Artist: Harris
Heo-a-h co-a-h -cotes-min, a Flat head Warrior, 1848. Native American with a painted face. An engraving from the Natural History of Man, by James Cowles Prichard, published by Hippolyte Bailliere

Background imageFeathers Collection: Meach-o-shin-gaw, The Little White Bear, A Konza Warrior, 1848. Artist: Harris

Meach-o-shin-gaw, The Little White Bear, A Konza Warrior, 1848. Artist: Harris
Meach-o-shin-gaw, The Little White Bear, A Konza Warrior, 1848. Native American in traditional dress. An engraving from the Natural History of Man, by James Cowles Prichard

Background imageFeathers Collection: Wah-ro-nee-sah, The Surrounder, An Otoe Chief, 1848. Artist: Harris

Wah-ro-nee-sah, The Surrounder, An Otoe Chief, 1848. Artist: Harris
Wah-ro-nee-sah, The Surrounder, An Otoe Chief, 1848. Native American with earrings, feathers and animal claws. An engraving from the Natural History of Man, by James Cowles Prichard

Background imageFeathers Collection: Muck-a-tah-mish-o-kah-kaik, The Black Hawk, A Sac Chief, 1848. Artist: Harris

Muck-a-tah-mish-o-kah-kaik, The Black Hawk, A Sac Chief, 1848. Artist: Harris
Muck-a-tah-mish-o-kah-kaik, The Black Hawk, A Sac Chief, 1848. A man from the Sac or Sauk people in North America. An engraving from the Natural History of Man, by James Cowles Prichard

Background imageFeathers Collection: Thayendaneega, a Mohawk chief, 1848

Thayendaneega, a Mohawk chief, 1848. An engraving from the Natural History of Man, by James Cowles Prichard, published by Hippolyte Bailliere, (London, third edition, 1848)

Background imageFeathers Collection: James III of Scotland

James III of Scotland. Portrait of King James (1452-1488) who was too much imposed on by parasites of low rank

Background imageFeathers Collection: Louis Philippe II, Duke of Orleans, (19th century)

Louis Philippe II, Duke of Orleans, (19th century). Philippe Egalite (1747-1793) supported the French Revolution, but was guillotined during the Terror

Background imageFeathers Collection: Prince Leopold of Saxe-Coburg-Saalfeld, 1831. Artist: J Thomson

Prince Leopold of Saxe-Coburg-Saalfeld, 1831. Artist: J Thomson
Prince Leopold of Saxe-Coburg-Saalfeld, 1831. Portrait of Leopold I of the Belgians, later of Saxe-Coburg and Gotha (1790-1865)

Background imageFeathers Collection: A Goldfinch and his Mistress, 1796. Artist: Isaac Cruikshank

A Goldfinch and his Mistress, 1796. Artist: Isaac Cruikshank
A Goldfinch and his Mistress, 1796. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)

Background imageFeathers Collection: A French Family, 1790. Artist: Samuel Alken

A French Family, 1790. Artist: Samuel Alken
A French Family, 1790. An anti-French view of our continental cousins: a dog wearing clothes, a man with an effete hairstyle, a child showing her legs

Background imageFeathers Collection: The New-fashioned Phaeton, 1776

The New-fashioned Phaeton, 1776. Sic itur ad astra - Thus do we reach the stars. Illustration from Social Caricature in the Eighteenth Century

Background imageFeathers Collection: Phaetona, or Modern Female Taste, 1776. Artist: Colley

Phaetona, or Modern Female Taste, 1776. Artist: Colley
Phaetona, or Modern Female Taste, 1776. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds])

Background imageFeathers Collection: High Change in Bond Street - ou - la Politesse du Grand Monde, 1796

High Change in Bond Street - ou - la Politesse du Grand Monde, 1796. Illustration from Social Caricature in the Eighteenth Century

Background imageFeathers Collection: People of consequence, 1794. Artist: John O Keeffe

People of consequence, 1794. Artist: John O Keeffe
People of consequence, 1794. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageFeathers Collection: Such things are, That such things are we must allow, but such things never were till now, 1787

Such things are, That such things are we must allow, but such things never were till now, 1787. A satire on the unflattering fashions of the day

Background imageFeathers Collection: Comforts of Bath: The Games, or Assembly with Card Players, 1798. Artist: Thomas Rowlandson

Comforts of Bath: The Games, or Assembly with Card Players, 1798. Artist: Thomas Rowlandson
Comforts of Bath: The Games, or Assembly with Card Players, 1798. The smart set enjoying the season at Bath, home of the famous Roman baths and Pump Room

Background imageFeathers Collection: And catch the living manners as they rise, 1794

And catch the living manners as they rise, 1794. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse

Background imageFeathers Collection: Shepherds, I have lost my waist! Have you seen my body?... 1795. Artist: Richard Newton

Shepherds, I have lost my waist! Have you seen my body?... 1795. Artist: Richard Newton
Shepherds, I have lost my waist! Have you seen my body? Sacrificed to modern taste, I m quite a hoddy doddy!, 1795. A satire on the unflattering fashions of the day

Background imageFeathers Collection: Parasols for 1795

Parasols for 1795. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageFeathers Collection: Exaltation of Faros daughters, 1796

Exaltation of Faros daughters, 1796. Albinia, Countess of Buckinghamshire (left) and Lady Archer are ridiculed in the stocks, as the mob throw rotten vegetables at them

Background imageFeathers Collection: Characters in High Life... 1795

Characters in High Life... 1795
Characters in High Life sketched at The New Rooms Opera House - Delightful Task! to teach the young idea how to shoot, 1795. Illustration from Social Caricature in the Eighteenth Century

Background imageFeathers Collection: Modern Elegance: A Portrait, 1796

Modern Elegance: A Portrait, 1796. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)

Background imageFeathers Collection: 1784, or the Fashions of the Day, 1784. Artist: Thomas Rowlandson

1784, or the Fashions of the Day, 1784. Artist: Thomas Rowlandson
1784, or the Fashions of the Day, 1784. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Background imageFeathers Collection: The Two Patriotic Duchesses on their canvass requesting the favour of an early poll, 1784

The Two Patriotic Duchesses on their canvass requesting the favour of an early poll, 1784. Artist: Thomas Rowlandson
The Two Patriotic Duchesses on their canvass requesting the favour of an early poll, 1784. Illustration from Social Caricature in the Eighteenth Century

Background imageFeathers Collection: The Optic Curls, 18th century

The Optic Curls, 18th century. Gentleman theatre goers use one of their female companions elaborate curls as opera glasses. Illustration from Social Caricature in the Eighteenth Century

Background imageFeathers Collection: Hints to the ladies to take care of their heads, 1776

Hints to the ladies to take care of their heads, 1776. An elaborate hairdo catches fire. Illustration from Social Caricature in the Eighteenth Century

Background imageFeathers Collection: The Preposterous Head Dress or The Feathered Lady, 1776

The Preposterous Head Dress or The Feathered Lady, 1776. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily

Background imageFeathers Collection: A group of Dyaks, c1900

A group of Dyaks, c1900. Indigenous people from South East Asia. Illustration from The Life & Times of Queen Victoria, Vol II, by Robert Wilson

Background imageFeathers Collection: Part of the American gold medal-winning rowing eight, Berlin Olympics, 1936

Part of the American gold medal-winning rowing eight, Berlin Olympics, 1936. A print from Olympia 1936, Die Olympischen Spiele 1936, Volume II, Cigaretten-Bilderdienst, Hamburg, 1936

Background imageFeathers Collection: Mameluke chief, 1798. Artist: James Gillray

Mameluke chief, 1798. Artist: James Gillray
Mameluke chief, 1798. Supposed to be, a correct representation of a Mamaluke Chief; from a Sketch by a French Officer by whom he was taken Prisoner

Background imageFeathers Collection: Ladies fashions, late 19th century

Ladies fashions, late 19th century. Illustration from Le Coquet fashion magazine

Background imageFeathers Collection: Egyptian Vulture, c19th century

Egyptian Vulture, c19th century

Background imageFeathers Collection: Bird of Paradise, 19th century. Artist: A Mesnel

Bird of Paradise, 19th century. Artist: A Mesnel
Bird of Paradise, 19th century

Background imageFeathers Collection: Edward, the Black Prince, (1775). Artist: Richard Godfrey

Edward, the Black Prince, (1775). Artist: Richard Godfrey
Edward, the Black Prince, (1775). Edward of Woodstock (1330-1376), Prince of Wales, was the eldest son of King Edward III of England and the father of King Richard II

Background imageFeathers Collection: Lady Peel, early 19th century, (1912). Artist: C Coppier

Lady Peel, early 19th century, (1912). Artist: C Coppier
Lady Peel, early 19th century, (1912). A print from The Connoisseur, (London, 1912)

Background imageFeathers Collection: Juvenile Retirement, 18th century, (1912). Artist: L Edwards

Juvenile Retirement, 18th century, (1912). Artist: L Edwards
Juvenile Retirement, 18th century, (1912). A print from The Connoisseur, (London, 1912)

Background imageFeathers Collection: Aborigines of North America, 1873. Artist: JJ Crew

Aborigines of North America, 1873. Artist: JJ Crew
Aborigines of North America, 1873. From Left to right: Iriouois (Iroquois), Assiniboine, Crow, Pawnee woman, Assiniboine in gala dress, Dakotah (Lakota) or Sioux warrior

Background imageFeathers Collection: King George V touches the Citys Sword, at Temple Bar, London, 1930s

King George V touches the Citys Sword, at Temple Bar, London, 1930s. Illustration from George V and Edward VIII, A Royal Souvenir, by FGH Salusbury

Background imageFeathers Collection: King George V of Great Britain and the German Kaiser, Berlin, 1913

King George V of Great Britain and the German Kaiser, Berlin, 1913. George V was Kaiser Wilhelms uncle. Wilhelm II, Emperor of Germany, King of Prussia

Background imageFeathers Collection: Henry IV Costume, (1885)

Henry IV Costume, (1885). Henry was king of France from 1589 to 1610. Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Background imageFeathers Collection: Ballet Costume, (1885). Artist: Martin

Ballet Costume, (1885). Artist: Martin
Ballet Costume, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Background imageFeathers Collection: Neptune Costume, African Costume, 1885. Artist: Martin

Neptune Costume, African Costume, 1885. Artist: Martin
Neptune Costume, African Queen Costume, 1885. Costumes from the Opera The Queen of Golconda by Gaetano Donizetti (1797-1848)



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