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Choose a picture from our Images Dated 10th August 2009 Collection for your Wall Art and Photo Gifts
162 items
The Adoration of the Infant Jesus, 1930. Reproduced from a watercolour drawing by WG Thomas. A print from A History of Tapestry, by WG Thomson, Hodder and Stoughton, London, 1930
Washington DC, USA, 1843 (1955). A print from Mathew Brady Historian with a Camera by James D Horan, Bonanza Books, New York, 1955
Agni Deva, the fire divinity, 1325 (1886).Reduced facsimile of a woodcut dated in the second year of Shochiu (1325). Engraved by a priest named Riokin
The arms of William and Mary, 1689-1694 (1930). A print from A History of Tapestry, by WG Thomson, Hodder and Stoughton, London, 1930
The Chatsworth Hunting Tapestries, second of the series, 1930The Chatsworth Hunting Tapestries, second of the series, 15th century (1930). Formerly at Hardwick Hall, Derbyshire, then Chatsworth House, now in the Victoria and Albert Museum, London
The Chatsworth Hunting Tapestries, first of the series, 1930The Chatsworth Hunting Tapestries, first of the series, 15th century (1930). Formerly at Hardwick Hall, Derbyshire, then Chatsworth House, now in the Victoria and Albert Museum, London
General Tom Thumb, 19th century (1955). General Tom Thumb was the stage name of Charles Sherwood Stratton (1838-1883), an American celebrity who stopped growing normally when a child
Historical and allegorical figures, tapestry at Hampton Court Palace, Richmond, London, 1930. A print from A History of Tapestry, by WG Thomson, Hodder and Stoughton, London, 1930
The Loom of Penelope, from the Chuisi Vase, Etruscan, c400 BC (1930). Penelope with her son, Telemachus. A scene from the Odyssey
Egyptian weavers, c3000 BC (1930). From a painting in the Hypogeum of Beni-Hassan. A print from A History of Tapestry, by WG Thomson, Hodder and Stoughton, London, 1930
Napoleon at St Helena, 1886. A despondent Napoleon seated under a canopy, guarded by soldiers in armour and with weapons from much earlier than the time of his exile on St Helena
Rough sketching, 1736 (1886). From an engraving after Nishikawa Sukenobu in the E-hon tama kadzura. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston, Searle
Dove, 1886. After a painting by the Chinese Emperor Hiuzong (reigned 1100-1125). Engraved in the Wa-Kan mei-gwa yen. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low
The Eight Incidents of the Nirvana of Sakyamuni, 18th century, (1886)The Eight Incidents of the Nirvana of Sakyamuni, 18th century (1886). Sakyamuni (Sage of the Sakyas) is another name for Buddha
Falcon, 1886. After a painting by the Chinese Emperor Huizong (reigned 1100-1125). Engraved in the Wa-Kan mei-gwa yen. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low
Tiger (from life), 1803 (1886). From a painting on silk by Kiuho Toyei. Found in the collection of the British Museum. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low
Cranes, c1840 (1886). Artist: Wilhelm GreveCranes, c1840 (1886). Shijo School. From a painting on silk by Mori Ippo. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston, Searle, & Rivington, London, 1886
A Spring Morning on the River Yodo, c1870 (1886). Artist: Wilhelm GreveA Spring Morning on the River Yodo, c1870 (1886). Ganku School. From a painting on silk by Shiwogawa Bunrin. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston
Monkey, 1766 (1886). From the Soshiseki gwa-fu. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston, Searle, & Rivington, London, 1886
Suikaku ten, 1886. Suikaku ten (sui, a drill; kaku, outline; ten, style or manner). A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston, Searle, & Rivington, London
The Three Sake-tasters, c1700 (1886). Burlesque of an ancient picture typifying the three religions, Taoism, Buddhism, and Confucianism. From an engraving after Okumura Masanobu
The Poet and the Peerless Mountain, 1608 (1886). Facsimile of an engraving in the Ise Monogatari. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston, Searle
Japanese Beauties, 1776 (1886). Artist: Wilhelm GreveJapanese Beauties, 1776 (1886). Facsimile of a chromoxylograph after Katsukawa Shunsho, engraved in the Seiro Bijin Awase kagami (1776)
Shoki and the Demons, c1880 (1886). Artist: Wilhelm GreveShoki and the Demons, c1880 (1886). Shijo School. From a print on silk by Shibata Zeshin. Found in the collection of the British Museum
The Insect Daimio Cortege, 1878 (1886). Engraved in two blocks, from a drawing by Kiosai. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston, Searle, & Rivington
The Maniac, 18th or 19th century (1886). From a sketch by Hokusai (1759-1848), engraved by the Hokusai gwa-fu. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston
Wo-usn (known as Yamato Takeru), ancient Japanese hero, 19th century (1886). Prince Yamato Takeru is a legendary Japanese prince of the Yamato dynasty
Cha-na-yu, Garden in Kioto, 1886Cha-na-yu, Garden in Kyoto, Japan, 1886. From a woodcut after Takehara Shunchosai in the Miako riusen meisho dzu-ye. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low
Umashi Mate, ancient Japanese hero, 19th century (1886). From a drawing by Kikuchi Yosai, engraved in the Zen-ken ko-jitsu
The Mendicant Priest and the Wild Geese, late 17th or early 18th century (1886). From a picture by Hanabusa Itcho (1651-1724), engraved in the Itcho gwa-fu
The Drunken Philosopher, 18th century (1886). Kano School. From a painting by Kano Shiushin. From the Wa-kan mei gwa yen. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low
Chinese boys quarrelling, 17th century (1886). Kano School. From a painting by Kano Naonobu. From the Wa-kan meihitsu gwa ho
River scene, 16th century (1886). From a picture by Kano Motonobu, engraved in the Wa-kan mei-hitsu gwa-ho..A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston
The Rishi Li Tieh-kwai despatching his spirit to the Mountains of the Immortals, 17th century, (1886)The Rishi Li Tieh-kwai dispatching his spirit to the Mountains of the Immortals, 17th century, (1886). Kano School. From a picture after Kano Tanyu. From the Wa-kan meihitsu gwa yei
Hotei, 16th century (1886). From a picture by Kano Motonobu, engraved in the E-hon te-kagami. Hotei is one of the personages of the popular group of divinities known by the title of Shichi-fuku-jin
The Three Laughers, 16th century (1886). From a picture by Kano Motonobu, engraved in the Wa-kan mei-hitsu gwa-yei. Kano School
The Rambles of Motonobu, 18th century (1886). Artist: Witherby & CoThe Rambles of Motonobu, 18th century (1886). The artist Kano Motonobu (1476-1559) resting on a walk and enjoying the landscape around him. From a drawing by Nishikawa Sukenobu
Dragon, 15th century (1886). Sesshiu School. From a picture by Sesshiu (1421-1507), engraved in the Wa-Kan mei-hitsu gwa-yei
Chinese landscape, 15th century (1886). From a picture by Sesshiu (1421-1507), engraved in the Wa-Kan mei-hitsu gwa-ho. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low
Sesshiu and the Pictured Rats, 18th century (1886). From a drawing by Nishikawa Sukenobu. Engraved in the E-hon Yamato Hiji
Chinese priest on a mule, 15th century (1886). Sesshiu School. From a painting by Shiutoku, engraved in the E-hon te-kagami
Cock, 15th century (1886). From a painting by Oguri Sotan, engraved in the E-hon te-kagami. Chinese School. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston
Falcon and egret, 16th century (1886). From a picture by Sogo Chokuan. From the E-hon te Kagami, Chinese School. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston
Scene from the Nocturnal Journey of the Demon Legion, 15th century(?) (1886). From an ancient roll of the Tosa School. Engraved after pictures in the Kiyo-gwa yen
Arhat, Panthaka, 15th century (1886). From a painting by Meicho, engraved in the Wa-Kan mei-hitsu gwa-yei. Buddhist School
Arhat, Bhadra, 15th century (1886). From a painting by Meicho, engraved in the Wa-Kan mei-hitsu gwa-yei. Buddhist School. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low
The armour of Yoshitsune, 12th century (1886). A general of the Minamoto clan, Minamoto no Yoshitsune (1159-1189) is one of the greatest Japanese folk heroes. Preserved at Kasuga, Nara
Toba-ye, a corpse revival, 1886. From the E-hon te kagami. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston, Searle, & Rivington, London, 1886