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211 items
The Virgin and Child with Saint John, 1480. Artist: Filippino LippiThe Virgin and Child with Saint John, 1480. From the collection of the National Gallery, London
Madonna and Child with Angels, c1455. Artist: Filippino LippiMadonna and Child with Angels, c1455. From the collection of the Galleria degli Uffizi, Florence, Italy
The Virgin and Child with Saints Jerome and Dominic, c1485. Artist: Filippino LippiThe Virgin and Child with Saints Jerome and Dominic, c1485. From the collection of the National Gallery, London
Moses Brings forth Water out of the Rock, c1500. Artist: Filippino LippiMoses Brings forth Water out of the Rock, c1500. From the collection of the National Gallery, London
Portrait of an Old Man, 1485. Artist: Filippino LippiPortrait of an Old Man, 1485. From the collection of the Galleria degli Uffizi, Florence, Italy
The Virgin and Child, c1450-1460. Artist: Filippino LippiThe Virgin and Child, c1450-1460. The coat of arms in the left spandrel is that of the Florentine Strozzi family. It is a later addition and may not have been part of the original commission
Giovanni della Volta with his Wife and Children, c1547. Artist: Lorenzo LottoGiovanni della Volta with his Wife and Children, c1547. Found in the collection of the National Gallery, London
To rise and to fall, 1799. Artist: Francisco GoyaTo rise and to fall, 1799. Plate 56 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression
The men in sacks, 1819-1823. Artist: Francisco GoyaThe men in sacks, 1819-1823. Plate 8 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition
Matrimonial nightmare, 1819-1823. Artist: Francisco GoyaMatrimonial nightmare, 1819-1823. Plate 7 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams)
Abducting horse, 1819-1823. Artist: Francisco GoyaAbducting horse, 1819-1823. Tale of a man who turned into a horse, abducts the woman he loves after killing her husband, plate 10 of Proverbs, published in 1864
General Riddle, 1819-1823. Artist: Francisco GoyaGeneral Riddle, 1819-1823. Plate 9 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition
Happy fantasy, 1819-1823. Artist: Francisco GoyaHappy fantasy, 1819-1823. Plate 12 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition
Riddle of the poor, 1819-1823. Artist: Francisco GoyaRiddle of the poor, 1819-1823. Plate 11 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams)
Carnival fantasy, 1819-1823. Artist: Francisco GoyaCarnival fantasy, 1819-1823. Plate 14 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition
A way of flying, 1819-1823. Artist: Francisco GoyaA way of flying, 1819-1823. Plate 13 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition
The exhortations, 1819-1823. Artist: Francisco GoyaThe exhortations, 1819-1823. Plate 16 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition
Even thus he cannot make her out, 1799. Artist: Francisco GoyaEven thus he cannot make her out, 1799. Plate 7 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression
Nobody knows himself, 1799. Artist: Francisco GoyaNobody knows himself, 1799. Plate 6 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression
Queen Maria Luisa Teresa of Parma, Prime Minister of Spain, 1799. Artist: Francisco GoyaQueen Maria Luisa Teresa of Parma, Prime Minister of Spain, 1799. Plate 5 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression
Nannys boy, 1799. Artist: Francisco GoyaNannys boy, 1799. Plate 4 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political liberalism
Here comes the bogeyman, 1799. Artist: Francisco GoyaHere comes the bogeyman, 1799. Plate 3 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression
The sleep of reason produces monsters, 1799. Artist: Francisco GoyaThe sleep of reason produces monsters, 1799. From Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
The spin finely, 1799. Artist: Francisco GoyaThe spin finely, 1799. Plate 44 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political
Correction, 1799. Artist: Francisco GoyaCorrection, 1799. Plate 46 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political
There is plenty to suck, 1799. Artist: Francisco GoyaThere is plenty to suck, 1799. Plate 45 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression
Cannibals savouring human remains, 1800-1808. Artist: Francisco GoyaCannibals savouring human remains, 1800-1808. Savage brandishing head and arm of human, Musee des Beaux-Arts et d Archeologie, Besancon, France
The Shepherd, c1760-1820. Artist: Francisco GoyaThe Shepherd, c1760-1820. Private collection
The Injured Mason, 1786-1787. Artist: Francisco GoyaThe Injured Mason, 1786-1787. An injured laborer is carried by his colleagues, Prado Museum, Madrid, Spain
Men with faces hidden, c1760-1820. Artist: Francisco GoyaMen with faces hidden, c1760-1820. Located in the collection at, Prado Museum, Madrid, Spain
The Milkmaid of Bordeaux, c1824. Artist: Francisco GoyaThe Milkmaid of Bordeaux, c1824. Located in the collection at, Prado Museum, Madrid, Spain. One of the artists final paintings
The Pottery Vendor, 1778. Artist: Francisco GoyaThe Pottery Vendor, 1778. Located in the collection at, Prado Museum, Madrid, Spain
La Cometa, (The Kite), 1778. Artist: Francisco GoyaLa Cometa, (The Kite), 1778. Located in the collection at, Prado Museum, Madrid, Spain
The Stilts, c1785. Artist: Francisco GoyaThe Stilts, c1785. Located in the collection at, Prado Museum, Madrid, Spain
The Grape Harvest, 1786-1787. Artist: Francisco GoyaThe Grape Harvest, 1786-1787. Spanish peasant woman harvesting grapes, Prado Museum, Madrid, Spain
The Parosol, 1777. Artist: Francisco GoyaThe Parosol, 1777. Located in the collection at, Prado Museum, Madrid, Spain
Loyalty, 1819-1823. Artist: Francisco GoyaLoyalty, 1819-1823. Plate 17 of Proverbs, published in 1864.The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition
Riddle of Fury, 1819-1823. Artist: Francisco GoyaRiddle of Fury, 1819-1823. Plate 6 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition
Funereal Riddle, 1819-1823. Artist: Francisco GoyaFunereal Riddle, 1819-1823. Plate 18 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition
Clear Fantasy, 1819-1823. Artist: Francisco GoyaClear Fantasy, 1819-1823. Plate 15 of Proverbs, published in 1864.The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition
The Shamefaced One, 1799. Artist: Francisco GoyaThe Shamefaced One, 1799. Plate 54 of Los Caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political
Medea, 1862. Artist: Eugene DelacroixMedea, 1862. From the collection of the Louvre, Paris, France
St George Fighting the Dragon or Perseus Delivering Andromeda, 1847. Artist: Eugene DelacroixSt George Fighting the Dragon or Perseus Delivering Andromeda, 1847. From the collection of the Louvre, Paris, France
The Shipwreck of Don Juan, 1840. Artist: Eugene DelacroixThe Shipwreck of Don Juan, 1840. From the collection of the Louvre, Paris, France
Lion Devouring a Rabbit, 19th century. Artist: Eugene DelacroixLion Devouring a Rabbit, 19th century
The Banks of the Marne, Villa on the Bank of a River, c1888. Artist: Paul CezanneThe Banks of the Marne, Villa on the Bank of a River, c1888. From the collection of the State Hermitage Museum, St Petersburg, Russia
Woman seated in blue, 1902-1906. Artist: Paul CezanneWoman seated in blue, 1902-1906. From the collection of the Pushkin State Museum of Fine Arts, Moscow
Bethsabee, 1885-1890. Artist: Paul CezanneBethsabee, 1885-1890. From the collection of the Musee d Orsay, Paris, France