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Victoria And Albert Museum Collection (page 3)

Background imageVictoria And Albert Museum Collection: The Virgin Annunciate, marble statue, 1519, (1881). Creator: Charles Martin Hodges

The Virgin Annunciate, marble statue, 1519, (1881). Creator: Charles Martin Hodges
The Virgin Annunciate, marble statue, 1519, (1881). Etching of a sculpture of a kneeling woman, made at Lucca, Italy, by Nicolao di Matteo Civitali in the early 16th century

Background imageVictoria And Albert Museum Collection: Mortar, 14th century?, (1881). Creator: W E Mackaness

Mortar, 14th century?, (1881). Creator: W E Mackaness
Mortar, 14th century?, (1881). Etching of a mortar, a receptacle used in cooking or pharmacy, in which ingredients are crushed or ground

Background imageVictoria And Albert Museum Collection: Lamentation over the dead Christ, marble panel, c1470-1475, (1881). Creator: J. I

Lamentation over the dead Christ, marble panel, c1470-1475, (1881). Creator: J. I
Lamentation over the dead Christ, marble panel, c1470-1475, (1881). Etching of a carved relief made by Bartolomeo Bellano in the early 1470s for the church of SS Trinita in Padua, Italy

Background imageVictoria And Albert Museum Collection: Ivory book cover depicting God the Father, early 15th century, (1881). Creator: J Brooke

Ivory book cover depicting God the Father, early 15th century, (1881). Creator: J Brooke
Ivory book cover depicting God the Father, early 15th century, (1881). Etching of the pierced relief cover of a book, made in Paris or Flanders

Background imageVictoria And Albert Museum Collection: The Hildesheim Portable Altar, c1160-1170, (1881). Creator: W Jones

The Hildesheim Portable Altar, c1160-1170, (1881). Creator: W Jones
The Hildesheim Portable Altar, c1160-1170, (1881). Etching of a consecrated tablet for use as an altar, made in the 12th century at Hildesheim in Germany, possibly for the Cathedral of Hildesheim

Background imageVictoria And Albert Museum Collection: Mandore, 1640, (1881). Creator: D Jones

Mandore, 1640, (1881). Creator: D Jones
Mandore, 1640, (1881). Etching of a mandore, an early version of the mandolin, in carved pearwood, ebony veneer and ivory. It was made by Boissart in France and is dated 1640

Background imageVictoria And Albert Museum Collection: January, decorative wall tiles, c1860s, (1881). Creator: J M Benson

January, decorative wall tiles, c1860s, (1881). Creator: J M Benson
January, decorative wall tiles, c1860s, (1881). Detail of interior decoration in the Grill Room (now the Poynter Room) of the South Kensington Museum

Background imageVictoria And Albert Museum Collection: Mace, 1696, (1881). Creator: W. W. McCarty

Mace, 1696, (1881). Creator: W. W. McCarty
Mace, 1696, (1881). Etching of a silver ceremonial mace made in the late 17th century by Robert Goble in Cork, Ireland. From " The South Kensington Museum"

Background imageVictoria And Albert Museum Collection: Powder flask, c1580-1600, (1881). Creator: W Wise

Powder flask, c1580-1600, (1881). Creator: W Wise
Powder flask, c1580-1600, (1881). Etching of a gilt bronze powder flask in the shape of a section of antler, made in Germany, possibly Nuremberg or Augsburg, in the late 16th century

Background imageVictoria And Albert Museum Collection: Silver tankard, c1625, (1881). Creator: J Brooke

Silver tankard, c1625, (1881). Creator: J Brooke
Silver tankard, c1625, (1881). Etching of a silver-gilt lidded cup made by Esaias zur Linden in Nuremberg, Germany, in the early 17th century

Background imageVictoria And Albert Museum Collection: Crucifixion scene, crozier, 1330-1340, (1881). Creator: W Wise

Crucifixion scene, crozier, 1330-1340, (1881). Creator: W Wise
Crucifixion scene, crozier, 1330-1340, (1881). Etching of the carved ivory head of a pastoral staff, made in Paris in the early 14th century

Background imageVictoria And Albert Museum Collection: Pewter container, c1300, (1881). Creator: M Sullivan

Pewter container, c1300, (1881). Creator: M Sullivan
Pewter container, c1300, (1881). Etching of a pyx (container for storing consecrated bread used in the catholic mass) or salt cellar, made in England in the early 14th century

Background imageVictoria And Albert Museum Collection: Head of a pastoral staff, 14th century?, (1881). Creator: W. M. McGill

Head of a pastoral staff, 14th century?, (1881). Creator: W. M. McGill
Head of a pastoral staff, 14th century?, (1881). Etching of an ivory crozier head made in Paris, the openwork volute either being from the fourteenth or the nineteenth century

Background imageVictoria And Albert Museum Collection: Coconut cup, c1585, (1881). Creator: Js Goepel

Coconut cup, c1585, (1881). Creator: Js Goepel
Coconut cup, c1585, (1881). Etching of a mounted coconut, made in the late 16th century, possibly in Hamburg, Germany. The cup is decorated with malachite on the silver gilt mounts

Background imageVictoria And Albert Museum Collection: Bronze vase, 16th or 19th century, (1881). Creator: R I Stevenson

Bronze vase, 16th or 19th century, (1881). Creator: R I Stevenson
Bronze vase, 16th or 19th century, (1881). Etching of a vase with handles in the form of acanthus leaves, made in northern Italy, possibly Venice. The dating of this object has not been problematic

Background imageVictoria And Albert Museum Collection: Reliquary, early 13th century, (1881). Creator: Js Goepel

Reliquary, early 13th century, (1881). Creator: Js Goepel
Reliquary, early 13th century, (1881). Etching of a silver-gilt and rock crystal reliquary made in France by Hugo d Oignies, a lay brother at Oignies Priory

Background imageVictoria And Albert Museum Collection: Walnut cabinet, mid 16th century?, (1881). Creator: J Randall

Walnut cabinet, mid 16th century?, (1881). Creator: J Randall
Walnut cabinet, mid 16th century?, (1881). Etching of a piece of carved furniture, possibly made in France and dating from c1550. It is supported on feet in the form of animal claws

Background imageVictoria And Albert Museum Collection: Standing pyx, c1490-1520, (1881). Creator: Thomas Riley

Standing pyx, c1490-1520, (1881). Creator: Thomas Riley
Standing pyx, c1490-1520, (1881). Etching of a pyx made in Cordoba, Spain, late 15th-early 16th century. A pyx is a container for storing communion bread - the host - used during catholic mass

Background imageVictoria And Albert Museum Collection: Bronze inkstand, mid 16th century, (1881). Creator:s Thomas

Bronze inkstand, mid 16th century, (1881). Creator:s Thomas
Bronze inkstand, mid 16th century, (1881). Etching of an inkstand supported by three figures of satyrs, decorated with masks and foliated ornament. It was made in Italy, probably Padua

Background imageVictoria And Albert Museum Collection: Detail of the Syon Cope, 1310-1320. (1881). Creator: J. I. Williamson

Detail of the Syon Cope, 1310-1320. (1881). Creator: J. I. Williamson
Detail of the Syon Cope, 1310-1320. (1881). Etching of embroidered figures on an ecclesiastical cape made in England in the early 14th century

Background imageVictoria And Albert Museum Collection: Design for a ceiling, c1860s, (1881). Creator: Unknown

Design for a ceiling, c1860s, (1881). Creator: Unknown
Design for a ceiling, c1860s, (1881). Decorative design for one of the two staircases leading to the lecture theatre at the South Kensington Museum in London

Background imageVictoria And Albert Museum Collection: Walnut mirror frame, early-mid 19th century, (1881). Creator: Frederick Albert Slocombe

Walnut mirror frame, early-mid 19th century, (1881). Creator: Frederick Albert Slocombe
Walnut mirror frame, early-mid 19th century, (1881). Etching of a carved walnut wood frame of tabernacle form, made in Italy c1800-c1850

Background imageVictoria And Albert Museum Collection: Silver casket, 1840s, (1881). Creator: W Jones

Silver casket, 1840s, (1881). Creator: W Jones
Silver casket, 1840s, (1881). Etching of a silver and enamel filigree casket probably made in Vienna between 1840 and 1850

Background imageVictoria And Albert Museum Collection: Brass plaque, 1881. Creator: Z Pritchard

Brass plaque, 1881. Creator: Z Pritchard
Brass plaque, 1881. Etching of an undated metalwork plaque with floral decoration, acquired by the South Kensington Museum in 1855

Background imageVictoria And Albert Museum Collection: Cup and lid, c1600, (1881). Creator: Js Dominy

Cup and lid, c1600, (1881). Creator: Js Dominy
Cup and lid, c1600, (1881). Etching of a silver-gilt cup made in Strasburg, Germany, at the beginning of the 17th century

Background imageVictoria And Albert Museum Collection: Bookrest, 1540-1580, (1881). Creator: William Catley

Bookrest, 1540-1580, (1881). Creator: William Catley
Bookrest, 1540-1580, (1881). Etching of a hinged wooden reading stand, made in Italy in the mid-late 16th century. The carved decoration features a unicorn and birds among stylised foliage

Background imageVictoria And Albert Museum Collection: The Symmachi Panel, late 4th or early 5th century, (1881). Creator: W Wise

The Symmachi Panel, late 4th or early 5th century, (1881). Creator: W Wise
The Symmachi Panel, late 4th or early 5th century, (1881). Etching of a diptych leaf in carved ivory made in Rome, Italy. It shows a priestess beneath an oak tree

Background imageVictoria And Albert Museum Collection: Window grille, 1700-1750, (1881). Creator: J Brooke

Window grille, 1700-1750, (1881). Creator: J Brooke
Window grille, 1700-1750, (1881). Etching of a wrought iron grille made in Germany, early-mid 18th century. From " The South Kensington Museum", a book of engraved illustrations

Background imageVictoria And Albert Museum Collection: Walnut wood armchair, c1685-1710, (1881). Creator: William Catley

Walnut wood armchair, c1685-1710, (1881). Creator: William Catley
Walnut wood armchair, c1685-1710, (1881). Etching of a chair in carved walnut with with scrolled fronts legs and arms, made in Venice, late 17th-early 18th century

Background imageVictoria And Albert Museum Collection: Oak box, 14th century, (1881). Creator: Frederick Albert Slocombe

Oak box, 14th century, (1881). Creator: Frederick Albert Slocombe
Oak box, 14th century, (1881). Etching of a small carved oak container with panels of gothic tracery, made c1300-1400 in France

Background imageVictoria And Albert Museum Collection: Monstrance, c1450, (1881). Creator: Frederick Albert Slocombe

Monstrance, c1450, (1881). Creator: Frederick Albert Slocombe
Monstrance, c1450, (1881). Etching of a religious object, made in Italy in the mid 15th century. A monstrance or ostensorium is a liturgical vessel used in the Roman Catholic Church to display sacred

Background imageVictoria And Albert Museum Collection: Staffordshire Processes, design for stained glass window, c1870, (1881). Creator: Unknown

Staffordshire Processes, design for stained glass window, c1870, (1881). Creator: Unknown
Staffordshire Processes, design for stained glass window, c1870, (1881). Design For Window on the North Side of the Gallery...Containing Pottery in the South Kensington Museum, by William Bell Scott

Background imageVictoria And Albert Museum Collection: Horn, 11th century, (1881). Creator: A A Bradbury

Horn, 11th century, (1881). Creator: A A Bradbury
Horn, 11th century, (1881). Etching of an oliphant, (ivory horn), with metal mounts, made 1000-1100 AD, possibly in Italy

Background imageVictoria And Albert Museum Collection: The Annunciation, diptych, mid 19th century, (1881). Creator: J P Fraser

The Annunciation, diptych, mid 19th century, (1881). Creator: J P Fraser
The Annunciation, diptych, mid 19th century, (1881). Etching of a small folding tabernacle in gilt bronze, silver, niello, bone and horn

Background imageVictoria And Albert Museum Collection: Walnut cassone, 1570, (1881). Creator: Frederick Marriott

Walnut cassone, 1570, (1881). Creator: Frederick Marriott
Walnut cassone, 1570, (1881). Etching of a carved wooden cassone or chest, one of a pair made in Rome in the late 16th century

Background imageVictoria And Albert Museum Collection: Carved ivory mirror back, c1310-1320, (1881). Creator: D Jones

Carved ivory mirror back, c1310-1320, (1881). Creator: D Jones
Carved ivory mirror back, c1310-1320, (1881). Etching of a mirror case made in Paris in the early 14th century. The Gothic design incorporates four crawling monsters or lions carved around the outer

Background imageVictoria And Albert Museum Collection: Central Recess in the Principal Quadrangle, c1860s?, (1881). Creator: John Watkins

Central Recess in the Principal Quadrangle, c1860s?, (1881). Creator: John Watkins
Central Recess in the Principal Quadrangle, c1860s?, (1881). View of part of the facade of the Lecture Theatre on the north side of the quadrangle of the South Kensington Museum

Background imageVictoria And Albert Museum Collection: Sarcophagus of Santa Giustina, c1476, (1881). Creator: Bernard Collier

Sarcophagus of Santa Giustina, c1476, (1881). Creator: Bernard Collier
Sarcophagus of Santa Giustina, c1476, (1881). Etching of a marble tomb made c1476, probably for the church of Santa Giustina at Padua in Italy, by Gregorio di Allegretto

Background imageVictoria And Albert Museum Collection: Carved walnut wood bellows, 1550-1600, (1881). Creator: D Jones

Carved walnut wood bellows, 1550-1600, (1881). Creator: D Jones
Carved walnut wood bellows, 1550-1600, (1881). Etching of a pair of bellows, made mid-late 16th century in Italy, possibly in Rome or Florence

Background imageVictoria And Albert Museum Collection: Candle snuffers, 16th century?, (1881). Creator: W Wise

Candle snuffers, 16th century?, (1881). Creator: W Wise
Candle snuffers, 16th century?, (1881). Etching of a pair of snuffers, possibly made in Italy. The shafts of the handles are in the form of human figures

Background imageVictoria And Albert Museum Collection: Reliquary, 1497, (1881). Creator: W F Randall

Reliquary, 1497, (1881). Creator: W F Randall
Reliquary, 1497, (1881). Etching of a reliquary (a container for the relics of saints), made in Italy in the late 15th century, possibly by Cristoforus de Luca

Background imageVictoria And Albert Museum Collection: Casket, c1180-1200, (1881). Creator: William Catley

Casket, c1180-1200, (1881). Creator: William Catley
Casket, c1180-1200, (1881). Etching of a (pearwood?) box, made in the late 12th century, probably in North Rhine-Westphalia, Germany

Background imageVictoria And Albert Museum Collection: Design for a lunette with portrait of Prince Albert, c1863, (1881). Creator: A Reid

Design for a lunette with portrait of Prince Albert, c1863, (1881). Creator: A Reid
Design for a lunette with portrait of Prince Albert, c1863, (1881). Decorative double arch and screen surmounted by a mosaic portrait of Albert, Prince Consort (1819-1861)

Background imageVictoria And Albert Museum Collection: Crucifix, (1881). Creator: W. M. McGill

Crucifix, (1881). Creator: W. M. McGill
Crucifix, (1881). Etching of a cross described as silver gilt church plate, continental. From " The South Kensington Museum", a book of engraved illustrations, with descriptions

Background imageVictoria And Albert Museum Collection: Spoon and fork, 15th century, (1881). Creator: T Charbonnier

Spoon and fork, 15th century, (1881). Creator: T Charbonnier
Spoon and fork, 15th century, (1881). Etching of a rock-crystal and silver gilt spoon and fork, possibly made in Flanders

Background imageVictoria And Albert Museum Collection: Reliquary, 14th century, (1881). Creator: W. M. McGill

Reliquary, 14th century, (1881). Creator: W. M. McGill
Reliquary, 14th century, (1881). Etching of a medieval reliquary (a container for the relics of saints). The polygonal crystal container is mounted in silver

Background imageVictoria And Albert Museum Collection: The St Nicholas Crozier, mid 12th century, (1881). Creator: A A Bradbury

The St Nicholas Crozier, mid 12th century, (1881). Creator: A A Bradbury
The St Nicholas Crozier, mid 12th century, (1881). Etching of the carved ivory head of a pastoral staff, an important Romanesque piece made c1150-1170 in England, or possibly in France

Background imageVictoria And Albert Museum Collection: Bronze knocker, c1560, (1881). Creators: M Sullivan, Danese Cattaneo

Bronze knocker, c1560, (1881). Creators: M Sullivan, Danese Cattaneo
Bronze knocker, c1560, (1881). Etching of a door-knocker in the form of embracing mermaids and cherubs, made in Italy, (possibly Venice) by Danese Cattaneo



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