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Victoria And Albert Museum Collection

Background imageVictoria And Albert Museum Collection: Charge of the French Cuirassiers at Waterloo, 1874, (c1915). Artist

Charge of the French Cuirassiers at Waterloo, 1874, (c1915). Artist: Felix Henri Emmanuel Philippoteaux
Charge of the French Cuirassiers at Waterloo, 1874, (c1915). Held by the Victoria and Albert Museum, London. From International Art: Past and Present by Alfred Yockney

Background imageVictoria And Albert Museum Collection: Landing at Greenwich, c1780. Artist: Thomas Rowlandson

Landing at Greenwich, c1780. Artist: Thomas Rowlandson
Landing at Greenwich, c1780. Watercolour held at The Victoria and Albert Museum, London. From The Studio Volume 124. [The Studio Ltd, London & New York, 1942]

Background imageVictoria And Albert Museum Collection: Painting of a princess listening to female musicians

Painting of a princess listening to female musicians
Painting of a princess with a huqqa listening to female musicians in a palace garden, from Guler in the Punjab, from the V&As collection

Background imageVictoria And Albert Museum Collection: The Green Dining-room at South Kensington Museum, c1870. Creator: Unknown

The Green Dining-room at South Kensington Museum, c1870. Creator: Unknown
The Green Dining-room at South Kensington Museum, c1870. Interior of what is now the Victoria & Albert Museum in London. Decoration designed by William Morris (1834-1896)

Background imageVictoria And Albert Museum Collection: Salisbury Cathedral, 1823, (c1915). Artist: John Constable

Salisbury Cathedral, 1823, (c1915). Artist: John Constable
Salisbury Cathedral, 1823, (c1915). The painting is part of the collection of the Victoria & Albert Museum, London. From International Art: Past and Present by Alfred Yockney

Background imageVictoria And Albert Museum Collection: The Milkmaid, 1860, (c1915). Artist: Birket Foster

The Milkmaid, 1860, (c1915). Artist: Birket Foster
The Milkmaid, 1860, (c1915). Held by the Victoria and Albert Museum, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Background imageVictoria And Albert Museum Collection: Across Mounts Bay, c1880. Artist: Elizabeth Adela Forbes

Across Mounts Bay, c1880. Artist: Elizabeth Adela Forbes
Across Mounts Bay, c1880. Painting held in the Victoria and Albert Museum, London. From The Studio Volume 47. [London Offices of the Studio, London, 1909]

Background imageVictoria And Albert Museum Collection: Chinese statuette of Kuan-Yin as a Bodhisattva, 12th century

Chinese statuette of Kuan-Yin as a Bodhisattva, 12th century
Late Sung dynasty Chinese statuette of Kuan-Yin, a goddess of mercy, as a Bodhisattva (Buddha-to-be) in wood with traces of gilt and painting

Background imageVictoria And Albert Museum Collection: Maiden Meditation, 1847, (c1915). Artist: Charles West Cope

Maiden Meditation, 1847, (c1915). Artist: Charles West Cope
Maiden Meditation, 1847, (c1915). Held by the Victoria and Albert Museum, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Background imageVictoria And Albert Museum Collection: Portrait of Smeralda Bandinelli, ca 1475. Artist: Botticelli, Sandro (1445-1510)

Portrait of Smeralda Bandinelli, ca 1475. Artist: Botticelli, Sandro (1445-1510)
Portrait of Smeralda Bandinelli, ca 1475. Found in the collection of Victoria and Albert Museum

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Samson slaying a Philistine, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Samson slaying a Philistine, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Bronze group of Samson slaying a Philistine; inscribed on the base "Adrianus Fries Hagiensis Batvvs f

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Silver-gilt tankard; the Lynn Cup; chrismatory, 1862

The Loan Collection, South-Kensington: Silver-gilt tankard; the Lynn Cup; chrismatory, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Silver-gilt tankard of hexagonal form, narrow in the centre, widening towards the base, ornamented with masks and scrolls, on granulated ground in panels

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Chalice, cups, ewer, pyx, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Chalice, cups, ewer, pyx, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. A silver-gilt chalice, the work of Master Bartholomew, of Atri...supposed to have...[belonged] to Pope Boniface VIII...around the stem is...[an]

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Cups, tankard, casket, salt, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Cups, tankard, casket, salt, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Silver-gilt standing-cup; silver cup; silver-gilt beaker; crystal tankard, "The Poison-Cup"; casket; silver-gilt salt

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Silver parcel-gilt nef, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Silver parcel-gilt nef, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Silver parcel-gilt nef or ship of unusually large dimensions, the body of the ship and above the stand embossed with elaborate ornaments

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Oliver Cromwell's watch, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Oliver Cromwell's watch, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Oliver Cromwell's watch. This watch was made about 1625. The maker, John Midnall, in Fleet-street

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Silver-gilt nef, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Silver-gilt nef, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Silver-gilt nef; the hull, with two tiers of guns; the deck, which takes off as a cover

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Silver and silver-gilt spoons, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Silver and silver-gilt spoons, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862....a group of silver and silver-gilt spoons, all of the seventeenth century, belonging to Messrs. E. Waterton and W. Stirling

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Flask, spoon, coffret, reliquary... 1862. Creator: Unknown

The Loan Collection, South-Kensington: Flask, spoon, coffret, reliquary... 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Small silver flask...ornamented in repousse, with strapwork and flowers...a crest of a griffin's head in the centre

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Mother-of-pearl cup; Cellini Ewer; vase, 1862

The Loan Collection, South-Kensington: Mother-of-pearl cup; Cellini Ewer; vase, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Cup, in form of a partridge; the body formed of overlapping pieces of mother-of-pearl in imitation of feathers...Circa 1600. Baron L. de Rothschild

Background imageVictoria And Albert Museum Collection: The Loan Collection of works of art at South Kensington Museum, 1862. Creator: Unknown

The Loan Collection of works of art at South Kensington Museum, 1862. Creator: Unknown
The Loan Collection of works of art at South Kensington Museum, [London], 1862. Display in what became the Victoria and Albert Museum, of pieces...of the mediaeval renaissance

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Silver-gilt ewer, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Silver-gilt ewer, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Silver-gilt rose-water ewer. The ewer is oviform, with very high handle, in form of a hydra or monster with three heads, winged body, and forelegs

Background imageVictoria And Albert Museum Collection: Self-portrait, ca 1780-1790. Creator: Füssli (Fuseli), Johann Heinrich (1741-1825)

Self-portrait, ca 1780-1790. Creator: Füssli (Fuseli), Johann Heinrich (1741-1825)
Self-portrait, ca 1780-1790. Found in the Collection of the Victoria and Albert Museum

Background imageVictoria And Albert Museum Collection: Relative position of the proposed India Museum and other public institutions, 1876. Creator: Unknown

Relative position of the proposed India Museum and other public institutions, 1876. Creator: Unknown
Relative position of the proposed India Museum and other public institutions, 1876. 1. Proposed Site for the India and Colonial Museums; 2. Government Offices; 3. India Office; 4

Background imageVictoria And Albert Museum Collection: Museum of Science and Art, in Course of Construction, on the Kensington-Gore Estate, 1856

Museum of Science and Art, in Course of Construction, on the Kensington-Gore Estate, 1856. Creator: Unknown
Museum of Science and Art, in Course of Construction, on the Kensington-Gore Estate, [London], 1856. Iron building...purposed to contain the large and valuable collections...belonging to the Dept

Background imageVictoria And Albert Museum Collection: Tristan Quilt or Tristan and Isolde Quilt (Detail), Second Half of 14th cen

Tristan Quilt or Tristan and Isolde Quilt (Detail), Second Half of 14th cen.. Creator: Anonymous master
Tristan Quilt or Tristan and Isolde Quilt (Detail), Second Half of 14th century. Found in the collection of the Victoria and Albert Museum

Background imageVictoria And Albert Museum Collection: Three Graces, 1840s. Creators: William Henry Fox Talbot, Antonio Canova

Three Graces, 1840s. Creators: William Henry Fox Talbot, Antonio Canova
Three Graces, 1840s

Background imageVictoria And Albert Museum Collection: Casket, c1400, (1881). Creator: Frederick Albert Slocombe

Casket, c1400, (1881). Creator: Frederick Albert Slocombe
Casket, c1400, (1881). Etching of a wooden box with carved lid made in Germany at the beginning of the 15th century. On the front is a man-headed eagle with the German inscription Mit willen dien ich

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: The Dunvegan Cup, 1862. Creator: Unknown

The Loan Collection, South-Kensington: The Dunvegan Cup, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. The "Dunvegan Cup, " a cup or "mether" of yew, square above and rounded from the centre downwards

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Alto-relievo, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Alto-relievo, 1862. Creator: Unknown
The Loan Collection, South-Kensington: Alto-relievo, 1862. Alto-relievo; three cupids supporting the Papal tiara, cross-keys, and other insignia

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Ivory tankard, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Ivory tankard, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Tankard, mounted in silver-gilt, the drum richly carved with a mythological subject, the Marriage of Jupiter and Juno, &c.: on the cover

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: keys, 1862. Creator: Unknown

The Loan Collection, South-Kensington: keys, 1862. Creator: Unknown
The Loan Collection, South-Kensington: keys, 1862. Two steel keys, elaborately ornamented, of the sixteenth century. Rev. J. Beck'. From "Illustrated London News", 1862

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Queen Elizabeth's prayer-book, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Queen Elizabeth's prayer-book, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Queen Elizabeth's Prayer-book, bound in gold and enamelled, the workmanship of George Heriot

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Gold rosary worn by Mary Queen of Scots... 1862

The Loan Collection, South-Kensington: Gold rosary worn by Mary Queen of Scots... 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. The gold rosary and crucifix of Mary Stuart, Queen of Scots. The heads are large and entirely of gold, and were originally enriched with enamel

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Missal of Claude, Queen of Francis I. 1862. Creator: Unknown

The Loan Collection, South-Kensington: Missal of Claude, Queen of Francis I. 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. A magnificent missal, painted on vellum, with illuminated capitals, and whole leaves painted with illustrations from Scripture history

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Pen-case of Henry VI. 1862. Creator: Unknown

The Loan Collection, South-Kensington: Pen-case of Henry VI. 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. The pencase of King Henry VI. This pencase, of leather, or cuir bouilli, ornamented with gilt roses and crowns, was left by King Henry VI

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Hemispherical cat's-eye, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Hemispherical cat's-eye, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Large hemispherical cat's-eye (supposed to. be the largest known). It is mounted in massive pure gold

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Pyx, ewer, cup, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Pyx, ewer, cup, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Ciborium, or pyx, in gilt metal, ornamented with plaques of niello-work and enamelled glass pastes

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Sevigné-gold open filigree-work set with pearls, 1862

The Loan Collection, South-Kensington: Sevigné-gold open filigree-work set with pearls, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Sevigne [brooch] of gold open filigree scrolls, set with pearls. Spanish work, seventeenth century. Rev. J. Beck'

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Largest known pearl, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Largest known pearl, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. A very large pearl, straight-sided, widening towards the lower part, which has a dark opalised tint. This pearl (the largest known) weighs 3oz. is 2in

Background imageVictoria And Albert Museum Collection: The Loan Collection, South-Kensington: Stag's horn ewer, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Stag's horn ewer, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Ewer, in stag's horn, mounted and inlaid with ivory, most elaborately and minutely carved in many compartments with hunting-subjects; apparently

Background imageVictoria And Albert Museum Collection: The Lady with the Monkey, 1897. Creator: Beardsley, Aubrey

The Lady with the Monkey, 1897. Creator: Beardsley, Aubrey
The Lady with the Monkey, 1897. Found in the collection of Victoria and Albert Museum

Background imageVictoria And Albert Museum Collection: Elijah and the Widows Son, 1864. Creator: Ford Madox Brown

Elijah and the Widows Son, 1864. Creator: Ford Madox Brown
Elijah and the Widows Son, 1864. The Prophet Elijah descends down a flight of stairs on carrying a boy brought back to life from death. The boys mother kneels with her arms held up in prayer

Background imageVictoria And Albert Museum Collection: Elijah Restoring the Widows Son, 1943. Creator: Ford Madox Brown

Elijah Restoring the Widows Son, 1943. Creator: Ford Madox Brown
Elijah Restoring the Widows Son, 1868, (1943). Biblical scene, depiction of a story from the first Book of Kings. The prophet Elijah brings a child - still in his funeral shroud - down from

Background imageVictoria And Albert Museum Collection: Gold book cover, 19th century, (1881). Creator: John Watkins

Gold book cover, 19th century, (1881). Creator: John Watkins
Gold book cover, 19th century, (1881). Etching of an embossed and enamelled book cover, made in Europe, probably in the 19th century

Background imageVictoria And Albert Museum Collection: Writing tablets, 1690-1700, (1881). Creator: W Harbutt

Writing tablets, 1690-1700, (1881). Creator: W Harbutt
Writing tablets, 1690-1700, (1881). Etching of ivory tablets with gilded silver cover, made by J C Schmidt in Augsburg, Germany, in the late 17th century

Background imageVictoria And Albert Museum Collection: Silver-handled knife, c1470?, (1881). Creator: Js Dominy

Silver-handled knife, c1470?, (1881). Creator: Js Dominy
Silver-handled knife, c1470?, (1881). Etching of a knife ascribed to Pollaiuolo, decorated with scenes including the Judgment of Paris and the Judgment of Solomon

Background imageVictoria And Albert Museum Collection: Pyxis, c964 AD, (1881). Creator: M Sullivan

Pyxis, c964 AD, (1881). Creator: M Sullivan
Pyxis, c964 AD, (1881). Etching of a small cylindrical ivory box made in the mid 10th century, at Medina Azahara, Cordoba, Spain



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