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Thomas Rowlandson Collection (page 2)

Background imageThomas Rowlandson Collection: Crawley (An Excursion to Brighthelmstone), June 1, 1790. June 1, 1790

Crawley (An Excursion to Brighthelmstone), June 1, 1790. June 1, 1790
Crawley (An Excursion to Brighthelmstone), June 1, 1790

Background imageThomas Rowlandson Collection: Country Inn, 1787. 1787. Creator: Thomas Rowlandson

Country Inn, 1787. 1787. Creator: Thomas Rowlandson
Country Inn, 1787

Background imageThomas Rowlandson Collection: Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790. after 1790

Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790. after 1790
Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790

Background imageThomas Rowlandson Collection: Platonic Love, May 30, 1807. May 30, 1807. Creator: Thomas Rowlandson

Platonic Love, May 30, 1807. May 30, 1807. Creator: Thomas Rowlandson
Platonic Love, May 30, 1807

Background imageThomas Rowlandson Collection: Outside Half Hanger, Hanging Guard, Inside Half Hanger, September 1, 1798

Outside Half Hanger, Hanging Guard, Inside Half Hanger, September 1, 1798

Background imageThomas Rowlandson Collection: North View of Friar Bacons Study at Oxford, late 18th century, (1943). Creator

North View of Friar Bacons Study at Oxford, late 18th century, (1943). Creator
North View of Friar Bacons Study at Oxford, late 18th century, (1943). The tower to the left of Folly Bridge housed the study of Roger Bacon (c1214-1292), English experimental scientist

Background imageThomas Rowlandson Collection: Vauxhall Gardens, Lambeth, c1785, (1942). Creators: Robert Pollard, Francis Jukes

Vauxhall Gardens, Lambeth, c1785, (1942). Creators: Robert Pollard, Francis Jukes
Vauxhall Gardens, Lambeth, c1785, (1942). Vauxhall Gardens in south London was a pleasure ground open for public amusement, and filled with statues, landscaped walks, theatrical arches, a Rotunda

Background imageThomas Rowlandson Collection: The Great Subscription Room at Brookss, St. Jamess Street, London, 1808, (1947)

The Great Subscription Room at Brookss, St. Jamess Street, London, 1808, (1947)
The Great Subscription Room at Brooks s, St. Jamess Street, London, 1808, (1947). Interior of Brookss gentlemens club showing the segmental barrel vault ceiling

Background imageThomas Rowlandson Collection: Aerostation out at Elbows or The Itinerant Aeronaut, 1786. Artist: Thomas Rowlandson

Aerostation out at Elbows or The Itinerant Aeronaut, 1786. Artist: Thomas Rowlandson
Aerostation out at Elbows or The Itinerant Aeronaut, 1786. Illustration from Social Caricature in the Eighteenth Century

Background imageThomas Rowlandson Collection: The Anatomist, 1811. Artist: Thomas Rowlandson

The Anatomist, 1811. Artist: Thomas Rowlandson
The Anatomist, 1811. Cartoon showing the terror of a patient and his wife as a surgeon opens his bag of instruments. Seeing the skeleton in the cupboard

Background imageThomas Rowlandson Collection: Inner court, Fleet Prison, London, 1808-1811. Artist: Thomas Rowlandson

Inner court, Fleet Prison, London, 1808-1811. Artist: Thomas Rowlandson
Inner court, Fleet Prison, London, 1808-1811. Prisoners playing fives and skittles, and socialising. Fleet Prison was a prison for debt and contempt of court

Background imageThomas Rowlandson Collection: Smithfield Sharpers, or the Countryman Defrauded, [April 10, 1787], reissued 1809-1816

Smithfield Sharpers, or the Countryman Defrauded, [April 10, 1787], reissued 1809-1816. Creator: John Keyse Sherwin
Smithfield Sharpers, or the Countryman Defrauded, [April 10, 1787], reissued 1809-1816

Background imageThomas Rowlandson Collection: Caerphilly Castle, from 'Remarks on a Tour to North and South Wales, in the year 1797, 1800

Caerphilly Castle, from "Remarks on a Tour to North and South Wales, in the year 1797, 1800. Creator: John Hill
Caerphilly Castle, from " Remarks on a Tour to North and South Wales, in the year 1797", January 1, 1800

Background imageThomas Rowlandson Collection: A Welsh Landlady, from 'Remarks on a Tour to North and South Wales, in the year 1797, 1800

A Welsh Landlady, from "Remarks on a Tour to North and South Wales, in the year 1797, 1800. Creator: John Hill
A Welsh Landlady, from " Remarks on a Tour to North and South Wales, in the year 1797", January 1, 1800

Background imageThomas Rowlandson Collection: Ragland, from 'Remarks on a Tour to North and South Wales, in the year 1797', February 1, 1800

Ragland, from "Remarks on a Tour to North and South Wales, in the year 1797", February 1, 1800
Ragland, from " Remarks on a Tour to North and South Wales, in the year 1797", February 1, 1800

Background imageThomas Rowlandson Collection: Festiniog, from 'Remarks on a Tour to North and South Wales, in the year 1797', September 1, 1799

Festiniog, from "Remarks on a Tour to North and South Wales, in the year 1797", September 1, 1799
Festiniog, from " Remarks on a Tour to North and South Wales, in the year 1797", September 1, 1799

Background imageThomas Rowlandson Collection: The Union of the Wye with the Severn from Chepstow, from 'Remarks on a Tour to Wales', 1799

The Union of the Wye with the Severn from Chepstow, from "Remarks on a Tour to Wales", 1799
The Union of the Wye with the Severn from Chepstow, from " Remarks on a Tour to North and South Wales, in the year 1797", September 1799

Background imageThomas Rowlandson Collection: Woolverhampton, from 'Remarks on a Tour to North and South Wales, in the year 1797, August 26, 1799

Woolverhampton, from "Remarks on a Tour to North and South Wales, in the year 1797, August 26, 1799
Woolverhampton, from " Remarks on a Tour to North and South Wales, in the year 1797", August 26, 1799

Background imageThomas Rowlandson Collection: Coventry, from 'Remarks on a Tour to North and South Wales, in the year 1797', August 27, 1799

Coventry, from "Remarks on a Tour to North and South Wales, in the year 1797", August 27, 1799
Coventry, from " Remarks on a Tour to North and South Wales, in the year 1797", August 27, 1799

Background imageThomas Rowlandson Collection: Langollen, from 'Remarks on a Tour to North and South Wales, in the year 1797, September 1, 1799

Langollen, from "Remarks on a Tour to North and South Wales, in the year 1797, September 1, 1799
Langollen, from " Remarks on a Tour to North and South Wales, in the year 1797", September 1, 1799

Background imageThomas Rowlandson Collection: The Kings Apartments Conway Castle, from 'Remarks on a Tour to North and South Wales, 1799-1800

The Kings Apartments Conway Castle, from "Remarks on a Tour to North and South Wales, 1799-1800
The Kings Apartments Conway Castle, from " Remarks on a Tour to North and South Wales, in the year 1797", 1799-1800

Background imageThomas Rowlandson Collection: Cardiff Castle, from 'Remarks on a Tour to North and South Wales, in the year 1797, August 26, 1799

Cardiff Castle, from "Remarks on a Tour to North and South Wales, in the year 1797, August 26, 1799
Cardiff Castle, from " Remarks on a Tour to North and South Wales, in the year 1797", August 26, 1799

Background imageThomas Rowlandson Collection: Inside of a Kitchen at Newcastle, from 'Remarks on a Tour to North and South Wales', 1800

Inside of a Kitchen at Newcastle, from "Remarks on a Tour to North and South Wales", 1800. Creator: John Hill
Inside of a Kitchen at Newcastle, from " Remarks on a Tour to North and South Wales, in the year 1797", January 1, 1800

Background imageThomas Rowlandson Collection: Swansey, from 'Remarks on a Tour to North and South Wales, in the year 1797', February 1, 1800

Swansey, from "Remarks on a Tour to North and South Wales, in the year 1797", February 1, 1800
Swansey, from " Remarks on a Tour to North and South Wales, in the year 1797", February 1, 1800

Background imageThomas Rowlandson Collection: Caernarvon, from 'Remarks on a Tour to North and South Wales, in the year 1797, November 2, 1799

Caernarvon, from "Remarks on a Tour to North and South Wales, in the year 1797, November 2, 1799
Caernarvon, from " Remarks on a Tour to North and South Wales, in the year 1797", November 2, 1799

Background imageThomas Rowlandson Collection: Tintern Abbey, from 'Remarks on a Tour to North and South Wales, in the year 1797', January 1, 1800

Tintern Abbey, from "Remarks on a Tour to North and South Wales, in the year 1797", January 1, 1800
Tintern Abbey, from " Remarks on a Tour to North and South Wales, in the year 1797", January 1, 1800

Background imageThomas Rowlandson Collection: The Hanging Tower at Caerphilly, from 'Remarks on a Tour to North and South Wales, 1800

The Hanging Tower at Caerphilly, from "Remarks on a Tour to North and South Wales, 1800. Creator: John Hill
The Hanging Tower at Caerphilly, from " Remarks on a Tour to North and South Wales, in the year 1797", January 1, 1800

Background imageThomas Rowlandson Collection: Penmanmawr, from 'Remarks on a Tour to North and South Wales, in the year 1797, September 1, 1799

Penmanmawr, from "Remarks on a Tour to North and South Wales, in the year 1797, September 1, 1799
Penmanmawr, from " Remarks on a Tour to North and South Wales, in the year 1797", September 1, 1799

Background imageThomas Rowlandson Collection: Snowdon from Llanberris Lake, from 'Remarks on a Tour to North and South Wales, 1799

Snowdon from Llanberris Lake, from "Remarks on a Tour to North and South Wales, 1799. Creator: John Hill
Snowdon from Llanberris Lake, from " Remarks on a Tour to North and South Wales, in the year 1797", September 1, 1799

Background imageThomas Rowlandson Collection: Pont Aberglasslyn, from 'Remarks on a Tour to North and South Wales, in the year 1797, 1799

Pont Aberglasslyn, from "Remarks on a Tour to North and South Wales, in the year 1797, 1799. Creator: John Hill
Pont Aberglasslyn, from " Remarks on a Tour to North and South Wales, in the year 1797", September 1, 1799

Background imageThomas Rowlandson Collection: Nantz Mill, from 'Remarks on a Tour to North and South Wales, in the year 1797, September 1, 1799

Nantz Mill, from "Remarks on a Tour to North and South Wales, in the year 1797, September 1, 1799
Nantz Mill, from " Remarks on a Tour to North and South Wales, in the year 1797", September 1, 1799

Background imageThomas Rowlandson Collection: Portrait of Dr. Jeremiah Donovan, an army surgeon, 1809. Creator: James Hopwood the Elder

Portrait of Dr. Jeremiah Donovan, an army surgeon, 1809. Creator: James Hopwood the Elder
Portrait of Dr. Jeremiah Donovan, an army surgeon, 1809

Background imageThomas Rowlandson Collection: Caricatures Anglaises: Monsieur Craque Perruquier et Mademoiselle Flore, afte

Caricatures Anglaises: Monsieur Craque Perruquier et Mademoiselle Flore, afte... after August 1800. Creator: Anon
Caricatures Anglaises: Monsieur Craque Perruquier et Mademoiselle Flore, after August 1800

Background imageThomas Rowlandson Collection: T. Rowlandson. The Caricaturist, ca. 1900. ca. 1900. Creator: Anon

T. Rowlandson. The Caricaturist, ca. 1900. ca. 1900. Creator: Anon
T. Rowlandson. The Caricaturist, ca. 1900

Background imageThomas Rowlandson Collection: The Oyster Woman, c1780-1825. Creator: Thomas Rowlandson

The Oyster Woman, c1780-1825. Creator: Thomas Rowlandson
The Oyster Woman, c1780-1825. Rowlandson, by nature and through his interests, was constantly in touch with his surroundings

Background imageThomas Rowlandson Collection: Discomforts of an Epicure, 1787. Creator: Thomas Rowlandson

Discomforts of an Epicure, 1787. Creator: Thomas Rowlandson
Discomforts of an Epicure, 1787. According to available descriptions of Rowlandson, this is a self-portrait, of course exaggerated

Background imageThomas Rowlandson Collection: The Double Disaster, 1807. Creator: Thomas Rowlandson

The Double Disaster, 1807. Creator: Thomas Rowlandson
The Double Disaster, 1807....a rustic swain, whose philanderings have landed him in the midst of the perplexities of a double dilemma

Background imageThomas Rowlandson Collection: Taking a Mean Advantage, c1780-1825. Creator: Thomas Rowlandson

Taking a Mean Advantage, c1780-1825. Creator: Thomas Rowlandson
Taking a Mean Advantage, c1780-1825. A man leers at his female companions thigh which is revealed as she climbs over a gate

Background imageThomas Rowlandson Collection: The Suicide, c1780-1825. Creator: Thomas Rowlandson

The Suicide, c1780-1825. Creator: Thomas Rowlandson
The Suicide, c1780-1825. This is one of the few drawings of Rowlandsons where humor is not dominant. However, the sincerity of the wife, who has collapsed

Background imageThomas Rowlandson Collection: The Parsonage, c1780-1825. Creator: Thomas Rowlandson

The Parsonage, c1780-1825. Creator: Thomas Rowlandson
The Parsonage, c1780-1825. This drawing of The Parsonage is vigorous, emphatic, and one might say brilliant in Rowlandsons best manner

Background imageThomas Rowlandson Collection: Mr. Bannister and Miss Orser, c1780-1825. Creator: Thomas Rowlandson

Mr. Bannister and Miss Orser, c1780-1825. Creator: Thomas Rowlandson
Mr. Bannister and Miss Orser, c1780-1825. John Bannister was born at Deptford [London], May 12, 1760. He was the son of Charles Bannister, noted English actor

Background imageThomas Rowlandson Collection: Market Place, Cornwall, c1780-1825. Creator: Thomas Rowlandson

Market Place, Cornwall, c1780-1825. Creator: Thomas Rowlandson
Market Place, Cornwall, c1780-1825. " Market Place, Cornwall" is of the essence of Rowlandsons village-scene subjects

Background imageThomas Rowlandson Collection: The fair near the village church, c1780-1825. Creator: Thomas Rowlandson

The fair near the village church, c1780-1825. Creator: Thomas Rowlandson
The fair near the village church, c1780-1825. The absolute balance, arrangement, and rightness of the masses in shadow and light in relation to the line, with alternating weight and delicacy

Background imageThomas Rowlandson Collection: Jealousy, the Rival, 1803. Creator: Thomas Rowlandson

Jealousy, the Rival, 1803. Creator: Thomas Rowlandson
Jealousy, the Rival, 1803. Does not this drawing with its foreground arrangement of profoundly expressive figures become something greater than the subject might suggerst

Background imageThomas Rowlandson Collection: Country Scene in Cumberland, 1805. Creator: Thomas Rowlandson

Country Scene in Cumberland, 1805. Creator: Thomas Rowlandson
Country Scene in Cumberland, 1805. This scene with rustic cottage perched high in difficult and interesting terrain finds Rowlandson in a strongly masculine mood

Background imageThomas Rowlandson Collection: Posting in Germany, c1780-1825. Creator: Thomas Rowlandson

Posting in Germany, c1780-1825. Creator: Thomas Rowlandson
Posting in Germany, c1780-1825. Travellers outside an inn....we can see Rowlandson devoting himself to experimentation with chiaroscuro to discover to what degree

Background imageThomas Rowlandson Collection: Colonel Seaham, late 18th-early 19th century. Creator: Thomas Rowlandson

Colonel Seaham, late 18th-early 19th century. Creator: Thomas Rowlandson
Colonel Seaham, late 18th-early 19th century. An outstanding example of Rowlandsons portraiture is here illustraited in " Colonel Seaham"

Background imageThomas Rowlandson Collection: The Rivals, c1780-1825. Creator: Thomas Rowlandson

The Rivals, c1780-1825. Creator: Thomas Rowlandson
The Rivals, c1780-1825. These two young men, one a dashing young officer, the other a gallant but unattractive adventurer, are displaying their simulated affections to the complacent rich dowager



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