The Studio Collection (page 4)

Study of a womans head, 1899. Artist: Hans Unger
Study of a womans head, 1899. Plate taken from The Studio magazine, volume 15, no 70 (London, 16th January 1899)

A shepherd with his flock by a river, 1899. Artist: Robert Hermann Sterl
A shepherd with his flock by a river, 1899. Plate taken from The Studio magazine, volume 15, no 70 (London, 16th January 1899)

Winter, 1899. Artist: Paul Baum
Winter, 1899. Plate taken from The Studio magazine, volume 15, no 70 (London, 16th January 1899)

Study of an old womans head, 1899. Artist: Charles Cottet
Study of an old womans head, 1899. Plate taken from The Studio magazine, volume 15, no 70 (London, 16th January 1899)

Portrait of a man, 1899. Artist: Charles Cottet
Portrait of a man, 1899. Plate taken from The Studio magazine, volume 15, no 70 (London, 16th January 1899)

Le Repas D Adieu, 1899. Artist: Charles Cottet
Le Repas D Adieu, 1899. First sketch in colour for the centre panel of Au Pays de la Mer. Plate taken from The Studio magazine, volume 15, no 70 (London, 16th January 1899)

Bottom in scene from William Shakespeares Midsummer Nights Dream, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

John Everett Millais (1829-1896), British artist, 1898. Artist: Charles Samuel Keene
John Everett Millais (1829-1896), British artist, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

A Vollendam Worthy, 1898. Artist: Nico Jungmann
A Vollendam Worthy, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

A Vollendam Native, 1898. Artist: Nico Jungmann
A Vollendam Native, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

On the Wall, Vollendam, 1898. Artist: Nico Jungmann
On the Wall, Vollendam, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

Orphans, 1898. Artist: E Borough Johnson
Orphans, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

Study of a Dutch boatman, 1898. Artist: Nico Jungmann
Study of a Dutch boatman, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

A Salvation Army Shelter, 1898. Artist: E Borough Johnson
A Salvation Army Shelter, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

Study of a womans head, 1896 (1898). Artist: E Borough Johnson
Study of a womans head, 1896 (1898). Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

Pan reading to a woman by a brook, 1898. Artist: Aubrey Beardsley
Pan reading to a woman by a brook, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

A woman sitting on a rearing horse, 1898. Artist: Aubrey Beardsley
A woman sitting on a rearing horse, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

Cliff Towers, 1898. Artist: C Harrison
Cliff Towers, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

Women relaxing by the sea, 1898. Artist: Charles Conder
Women relaxing by the sea, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

Charles Conder (1868-1909), English painter, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

L Imploration, 1898. Artist: Henri Jules Ferdinand Bellery-Defonaines
L Imploration, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

The old bridge at Kirkmichael, Perth and Kinross, Scotland, 1898. Artist: Aberbrothock
The old bridge at Kirkmichael, Perth and Kinross, Scotland, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

A set of decorative initial letters, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

The log house Idaho, near Ringwood, Hampshire, 1898. Artist: Edward William Charlton
The log house Idaho, near Ringwood, Hampshire, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

Les Trois Freres, 1898. Artist: Ottilie Wilhelmine Roederstein
Les Trois Freres, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

Shoki and Attendant Demons, 1898. Artist: Kawanabe Kyosai
Shoki and Attendant Demons, 1898. Fom a kakemono by Kawanabe Kyosai. Zhong Kui (Shoki) is a figure of Chinese mythology. Traditionally regarded as a vanquisher of ghosts and evil beings

A hawk, 1898. Artist: Kawanabe Kyosai
A hawk, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

Young Kyosai Sketching the Severed Head, 1898. Artist: Kawanabe Kyosai
Young Kyosai Sketching the Severed Head, 1898.Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

The Dreamers, 1898. Artist: Georges McCulloch
The Dreamers, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

Portrait of a woman, 1898. Plate taken from The Studio magazine, volume 14, no 66 (London, 15th September 1898)

St Ives, Cornwall, 1898. Artist: Robert Norton Nance
St Ives, Cornwall, 1898. Lead pencil sketch. Plate taken from The Studio magazine, volume 14, no 66 (London, 15th September 1898)

A woodcut after a statue by Rodin, 1898. Artist: Auguste Lepere
A woodcut after a statue by Rodin, 1898. Plate taken from The Studio magazine, volume 14, no 66 (London, 15th September 1898)

The Knight and his Companions, 1898. Artist: Byam Shaw
The Knight and his Companions, 1898. Plate taken from The Studio magazine, volume 14, no 66 (London, 15th September 1898)

La Route Zelandaise, 1898. Artist: Albert Baertsoen
La Route Zelandaise, 1898. Plate taken from The Studio magazine, volume 14, no 66 (London, 15th September 1898)

La Grande Rue, Flandre, 1898. Artist: Albert Baertsoen
La Grande Rue, Flandre, 1898. Plate taken from The Studio magazine, volume 14, no 66 (London, 15th September 1898)

Vieux Canal, 1898. Artist: Albert Baertsoen
Vieux Canal, 1898. Plate taken from The Studio magazine, volume 14, no 66 (London, 15th September 1898)

Le Vieux Port, Veere, 1898. Artist: Albert Baertsoen
Le Vieux Port, Veere, 1898. Plate taken from The Studio magazine, volume 14, no 66 (London, 15th September 1898)

Albert Baertsoen (1866-1922), Belgian printmaker, 1898. Plate taken from The Studio magazine, volume 14, no 66 (London, 15th September 1898)

The Promise of Sleep, 1898. Artist: A Birkenruth
The Promise of Sleep, 1898. Plate taken from The Studio magazine, volume 14, no 66 (London, 15th September 1898)

Let Me Think of the Comfortable Family Dinners. 1862, (1923). Artist: Charles Edmund Brock
Let Me Think of the Comfortable Family Dinners. 1862, (1923). Dreamthorp: a Book of Essays Written in the Country, had a running theme in an understanding that human finiteness contributes to our

From Christmas. Alexander Smiths Essays Dreamthorp, 1862, (1923). Artist: Charles Edmund Brock
From Christmas. Alexander Smiths Essays Dreamthorp, 1862, (1923). Charles Edmund Brock (1870-1938) was a widely published English painter, line artist and book illustrator

But This Course Did Not Please His Subjects. 1899, (1923). Artist: Byam Shaw
But This Course Did Not Please His Subjects. 1899, (1923). (Griselda) From Tales from Boccaccio (Joseph Jacobs). A woman whose husband tests her loyalty by convincing her that he killed their

Viola: Yet A Barful Strife! Whoe er I Woo, Myself Would Be His Wife. 1923. Artist: W Heath Robinson
Viola: Yet A Barful Strife! Whoe er I Woo, Myself Would Be His Wife. 1923. From Twelfth Night, Act 1, Scene 4 (Shakespeare). A ship is wrecked on the rocks

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