Tempera And Gold On Wood Collection (page 2)

Madonna and Child. Creator: Master of the Lanckoronski Annunciation
Madonna and Child

Madonna and Child with Two Angels, ca. 1481-82. Creator: Vittore Crivelli
Madonna and Child with Two Angels, ca. 1481-82

Goddess of Chaste Love, 1468-75. Creator: Francesco di Giorgio Martini
Goddess of Chaste Love, 1468-75

Madonna and Child with the Donor, Pietro de Lardi, Presented by Saint Nicholas, ca. 1420-30

The Miraculous Communion of Saint Catherine of Siena. Creator: Giovanni di Paolo
The Miraculous Communion of Saint Catherine of Siena

Saint John the Evangelist Raises Drusiana, ca. 1460. Creator: Giovanni di Paolo
Saint John the Evangelist Raises Drusiana, ca. 1460

The Presentation of Christ in the Temple, ca. 1435. Creator: Giovanni di Paolo
The Presentation of Christ in the Temple, ca. 1435

Saint Catherine of Siena Exchanging Her Heart with Christ. Creator: Giovanni di Paolo
Saint Catherine of Siena Exchanging Her Heart with Christ

Saint Catherine of Siena Beseeching Christ to Resuscitate Her Mother, ca. 1447-65

The Mystic Marriage of Saint Catherine of Siena. Creator: Giovanni di Paolo
The Mystic Marriage of Saint Catherine of Siena

An Apostle, ca. 1471-73. Creator: Carlo Crivelli
An Apostle, ca. 1471-73

The Presentation in the Temple, probably ca. 1430. Creator: Alvaro Pirez
The Presentation in the Temple, probably ca. 1430

The Man of Sorrows, ca. 1430. Creator: Michele Giambono
The Man of Sorrows, ca. 1430

Triptych with the Adoration of the Magi, c. 1424. Creator: Unknown
Triptych with the Adoration of the Magi, c. 1424. This small winged altarpiece, called a triptych, was undoubtedly made for private use

Virgin and Child, 1400s. Creator: Icilio Federico Joni (Italian, 1866-1946), possibly
Virgin and Child, 1400s. This picture has at times been seen as a forgery due to its seemingly excellent state of preservation and the simplicity of the composition

Virgin and Child, 1400s. Creator: Unknown
Virgin and Child, 1400s

Virgin and Child Enthroned, 1419. Creator: Battista di Biagio Sanguigni (Italian
Virgin and Child Enthroned, 1419. Rather than depicting a single moment in time, this gold-ground painting symbolically encapsulates Christ

Virgin and Child Adored by Saints Mary Magdalene and Nicolas of Bari; Christ Crucified with the Virgin and Saint John the Evangelist, 1400s

The Adoration of the Magi, c. 1424. Creator: Unknown
The Adoration of the Magi, c. 1424. This small winged altarpiece, called a triptych, was undoubtedly made for private use

St. Peter and St. Paul; St. George and St. James the Greater, c. 1424. Creator: Unknown
St. Peter and St. Paul; St. George and St. James the Greater, c. 1424. This small winged altarpiece, called a triptych, was undoubtedly made for private use

St. Francis Kneeling before Christ on the Cross, 1437-1444. Creator: Sassetta (Italian, 1392-1450)
St. Francis Kneeling before Christ on the Cross, 1437-1444. Because of his simplicity, piety, and devotion to all living creatures

St. Christopher and St. Erasmus; St. Barbara and another female saint, c. 1424. Creator: Unknown
St. Christopher and St. Erasmus; St. Barbara and another female saint, c. 1424. This small winged altarpiece, called a triptych, was undoubtedly made for private use

St. Catherine of Siena and the Beggar, 1460s. Creator: Giovanni di Paolo (Italian, c
St. Catherine of Siena and the Beggar, 1460s. Saint Catherine (1347-1380) was the daughter of a prosperous Sienese cloth dyer

St. Francis of Assisi Receiving the Stigmata, c. 1430. Creator: Bicci di Lorenzo (Italian
St. Francis of Assisi Receiving the Stigmata, c. 1430. Although born into a wealthy merchant family, St. Francis (1181-1226) rejected all wordly goods, dedicating himself to chastity, humility

Pinnacle with Angel, c. 1340. Creator: Niccolo di Segna (Italian), circle of
Pinnacle with Angel, c. 1340. These pinnacles were originally set on top of a multipanel altarpiece that has now been lost

The Crucifixion, c. 1360s. Creator: Andrea da Firenze (Italian, 1379)
The Crucifixion, c. 1360s. This panel was probably part of a small altarpiece of private devotion. The artist was active in Florence and Siena following the Black Death

Panel from a Cassone: The Race of the Palio in the Streets of Florence, 1418. Creator
Panel from a Cassone: The Race of the Palio in the Streets of Florence, 1418. A cassone was a wooden chest used for the storage of clothing

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