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Study Collection

Background imageStudy Collection: Study from Jerusalem. Creator: Anna Katarina Boberg

Study from Jerusalem. Creator: Anna Katarina Boberg
Study from Jerusalem, Unknown date

Background imageStudy Collection: Head of a Bear, c1480 (1945). Artist: Leonardo da Vinci

Head of a Bear, c1480 (1945). Artist: Leonardo da Vinci
Head of a Bear, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageStudy Collection: Olimpio Fusco, c. 1900-1910. Creator: John Singer Sargent

Olimpio Fusco, c. 1900-1910. Creator: John Singer Sargent
Olimpio Fusco, c. 1900-1910

Background imageStudy Collection: Study for A Sunday on La Grande Jatte, 1884. Creator: Georges-Pierre Seurat

Study for A Sunday on La Grande Jatte, 1884. Creator: Georges-Pierre Seurat
Study for " A Sunday on La Grande Jatte", 1884

Background imageStudy Collection: Vladimir Ilich Lenin, Russian Bolshevik leader, in the Kremlin, Moscow, Russia, October 1918

Vladimir Ilich Lenin, Russian Bolshevik leader, in the Kremlin, Moscow, Russia, October 1918. Lenin (1870-1924) became leader of the Bolshevik faction of the Russian Social Democratic

Background imageStudy Collection: Study of Fish: Two Tench, a Trout and a Perch, c1822-1824. Artist: JMW Turner

Study of Fish: Two Tench, a Trout and a Perch, c1822-1824. Artist: JMW Turner
Study of Fish: Two Tench, a Trout and a Perch, c1822-1824. From the Tate collection, London

Background imageStudy Collection: AI IMAGE - Portrait of Pope Francis, 2023. Creator: Heritage Images

AI IMAGE - Portrait of Pope Francis, 2023. Creator: Heritage Images
AI IMAGE - Portrait of Pope Francis, 2023. Argentinian pontiff, born Jorge Mario Bergoglio in 1936, elected as Pope in 2013

Background imageStudy Collection: Three Studies of Horses, c1480 (1945). Artist: Leonardo da Vinci

Three Studies of Horses, c1480 (1945). Artist: Leonardo da Vinci
Three Studies of Horses, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageStudy Collection: Study of a Rearing Horse, c1480 (1945). Artist: Leonardo da Vinci

Study of a Rearing Horse, c1480 (1945). Artist: Leonardo da Vinci
Study of a Rearing Horse, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageStudy Collection: A Horseman, c1480 (1945). Artist: Leonardo da Vinci

A Horseman, c1480 (1945). Artist: Leonardo da Vinci
A Horseman, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageStudy Collection: Allegories of Pleasure and Pain and of Envy, c1480 (1945). Artist: Leonardo da Vinci

Allegories of Pleasure and Pain and of Envy, c1480 (1945). Artist: Leonardo da Vinci
Allegories of Pleasure and Pain and of Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageStudy Collection: St Jerome in his Study, 1514 (1906). Artist: Albrecht Durer

St Jerome in his Study, 1514 (1906). Artist: Albrecht Durer
St Jerome in his Study, 1514 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

Background imageStudy Collection: Study of hands, 15th century (1930). Artist: Leonardo da Vinci

Study of hands, 15th century (1930). Artist: Leonardo da Vinci
Study of hands, 15th century (1930). Found in the Windsor collection. From Apollo magazine, volume XII, no 71 (November 1930)

Background imageStudy Collection: Study of the Duke of York, 1923. Artist: John Singer Sargent

Study of the Duke of York, 1923. Artist: John Singer Sargent
Study of the Duke of York, 1923. A gift to Lady Elizabeth Bowes-Lyon from the American Ambassador. A print from The Illustrated London News Wedding Number, 28th April 1923

Background imageStudy Collection: A Horseman Trampling on a Fallen Foe, c1480 (1945). Artist: Leonardo da Vinci

A Horseman Trampling on a Fallen Foe, c1480 (1945). Artist: Leonardo da Vinci
A Horseman Trampling on a Fallen Foe, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageStudy Collection: Studies of Horses and of Horses Heads, c1480 (1945). Artist: Leonardo da Vinci

Studies of Horses and of Horses Heads, c1480 (1945). Artist: Leonardo da Vinci
Studies of Horses and of Horses Heads, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageStudy Collection: Lapwing or Peewit - Vnel lus vulga ris, c1910, (1910). Artist: George James Rankin

Lapwing or Peewit - Vnel lus vulga ris, c1910, (1910). Artist: George James Rankin
Lapwing or Peewit - Vnel lus vulga ris, c1910, (1910). From Britains Birds and Their Nests, by A. Landsborough Thomson. [The Waverley Book Company, Limited, W. & R

Background imageStudy Collection: Study of a Hare, 1502. Artist: Albrecht Durer

Study of a Hare, 1502. Artist: Albrecht Durer
Study of a Hare, 1502. Head detail of a Hare. From a private collection

Background imageStudy Collection: Trees (study for La Grande Jatte), 1884. Creator: Georges-Pierre Seurat

Trees (study for La Grande Jatte), 1884. Creator: Georges-Pierre Seurat
Trees (study for La Grande Jatte), 1884

Background imageStudy Collection: Tree Trunks (study for La Grande Jatte), 1884. Creator: Georges-Pierre Seurat

Tree Trunks (study for La Grande Jatte), 1884. Creator: Georges-Pierre Seurat
Tree Trunks (study for La Grande Jatte), 1884

Background imageStudy Collection: Study of a Womans Head, c1480 (1945). Artist: Leonardo da Vinci

Study of a Womans Head, c1480 (1945). Artist: Leonardo da Vinci
Study of a Womans Head, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageStudy Collection: Sketch by Sir William Orpen, c1914 (1932). Artist: William Newenham Montague Orpen

Sketch by Sir William Orpen, c1914 (1932). Artist: William Newenham Montague Orpen
Sketch by Sir William Orpen, c1914 (1932). From The Studio Volume 104. [The Offices of the Studio, London, 1932]

Background imageStudy Collection: Stags heads, 1898. Artist: Henry Moore

Stags heads, 1898. Artist: Henry Moore
Stags heads, 1898. From studies by Henry Moore. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

Background imageStudy Collection: Study of Lady Elizabeth Bowes-Lyon, 1923. Artist: John Singer Sargent

Study of Lady Elizabeth Bowes-Lyon, 1923. Artist: John Singer Sargent
Study of Lady Elizabeth Bowes-Lyon, 1923. Presented to her by Prince Paul of Serbia as a wedding present prior to her marriage to the Duke of York, the future King George VI

Background imageStudy Collection: Allegory with wolf and eagle, c1516 (1954). Artist: Leonardo da Vinci

Allegory with wolf and eagle, c1516 (1954). Artist: Leonardo da Vinci
Allegory with wolf and eagle, c1516 (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Background imageStudy Collection: William Morriss study, Kelmscott Manor, Kelmscott, Oxfordshire, 1901

William Morriss study, Kelmscott Manor, Kelmscott, Oxfordshire, 1901. From The Connoisseur magazine (December 1901)

Background imageStudy Collection: St George and the Dragon, c1506. Artist: Leonardo da Vinci

St George and the Dragon, c1506. Artist: Leonardo da Vinci
St George and the Dragon, c1506. From the collection of the Royal Library, Windsor Castle, Windsor, England

Background imageStudy Collection: Gowns - A Study, by Lady Beatrice Graham, 1907. Artist: Soldan & Co

Gowns - A Study, by Lady Beatrice Graham, 1907. Artist: Soldan & Co
Gowns - A Study, by Lady Beatrice Graham, 1907. Printed with Mander Brothers inks. From The British Printer Vol. XX. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1907]

Background imageStudy Collection: Studies of Cats and of a Dragon, c1480 (1945). Artist: Leonardo da Vinci

Studies of Cats and of a Dragon, c1480 (1945). Artist: Leonardo da Vinci
Studies of Cats and of a Dragon, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageStudy Collection: Oyster-Catcher - Haemat opus ostral egus, c1910, (1910). Artist: George James Rankin

Oyster-Catcher - Haemat opus ostral egus, c1910, (1910). Artist: George James Rankin
Oyster-Catcher - Haemat opus ostral egus, c1910, (1910). From Britains Birds and Their Nests, by A. Landsborough Thomson. [The Waverley Book Company, Limited, W. & R

Background imageStudy Collection: A Marine Study, c1830, (1906-7). Artist: JMW Turner

A Marine Study, c1830, (1906-7). Artist: JMW Turner
A Marine Study, c1830. A marine study in chalk, ink wash and pen and ink. From The Studio Volume 39 [London Offices of the Studio, London, 1906-7.]

Background imageStudy Collection: Mortimer Menpes, Sketched by Himself, 1899

Mortimer Menpes, Sketched by Himself, 1899. A print from The Magazine of Art, Cassell and Company, Limited, 1899

Background imageStudy Collection: Mikhail Alekseevich Pavlov During the Time of Wintering, 1912. Creator: Nikolay Vasilyevich Pinegin

Mikhail Alekseevich Pavlov During the Time of Wintering, 1912. Creator: Nikolay Vasilyevich Pinegin
Mikhail Alekseevich Pavlov During the Time of Wintering, 1912. From a collection consisting of an album and individual photographs from the family archive of geologist Mikhail Alekseevich Pavlov

Background imageStudy Collection: 'A Rabbi in his Study', c1887-1953. Creator: Alois Heinrich Priechenfried

'A Rabbi in his Study', c1887-1953. Creator: Alois Heinrich Priechenfried
'A Rabbi in his Study', c1887-1953.

Background imageStudy Collection: 'L'Andalouse', 1927. Creator: Francis Picabia

'L'Andalouse', 1927. Creator: Francis Picabia
'L'Andalouse', 1927. Francis Picabia's early works were in the Impressionist style. After 1912 he developed a style of abstract cubism with orphic elements contibuting to Dadaism.

Background imageStudy Collection: 'Woman Lying On Her Belly', c1920. Creator: Francis Picabia

'Woman Lying On Her Belly', c1920. Creator: Francis Picabia
'Woman Lying On Her Belly', c1920. Francis Picabia's early works were in the Impressionist style. After 1912 he developed a style of abstract cubism with orphic elements contibuting to

Background imageStudy Collection: 'Naked Masculine', c1920. Creator: Francis Picabia

'Naked Masculine', c1920. Creator: Francis Picabia
Naked Masculine', c1920. Francis Picabia's early works were in the Impressionist style. After 1912 he developed a style of abstract cubism with orphic elements contibuting to Dadaism.

Background imageStudy Collection: 'Man of Profile Upright Washing', C1920. Creator: Francis Picabia

'Man of Profile Upright Washing', C1920. Creator: Francis Picabia
'Man of Profile Upright Washing', c1920. Francis Picabia's early works are in the Impressionist style. After 1912 he developed a style of abstract cubism with orphic elements which

Background imageStudy Collection: Vertumnus and Pomona. Creator: Rembrandt Harmensz van Rijn

Vertumnus and Pomona. Creator: Rembrandt Harmensz van Rijn
Vertumnus and Pomona

Background imageStudy Collection: Young man kneeling before a standing man in oriental dress. Creator: Rembrandt Harmensz van Rijn

Young man kneeling before a standing man in oriental dress. Creator: Rembrandt Harmensz van Rijn
Young man kneeling before a standing man in oriental dress

Background imageStudy Collection: Two studies of one woman. Creator: Rembrandt Harmensz van Rijn

Two studies of one woman. Creator: Rembrandt Harmensz van Rijn
Two studies of one woman

Background imageStudy Collection: Three studies of a man seen in profile. Creator: Rembrandt Harmensz van Rijn

Three studies of a man seen in profile. Creator: Rembrandt Harmensz van Rijn
Three studies of a man seen in profile

Background imageStudy Collection: Three studies of an archer. Creator: Rembrandt Harmensz van Rijn

Three studies of an archer. Creator: Rembrandt Harmensz van Rijn
Three studies of an archer

Background imageStudy Collection: The Four Evangelists, from c.1616 until 1624. Creator: Pieter Soutman

The Four Evangelists, from c.1616 until 1624. Creator: Pieter Soutman
The Four Evangelists, from c.1616 until 1624. The Evangelists are seated together at a table, each engaged in the writing of his Gospel. Matthew's attribute is an angel, Mark's a lion

Background imageStudy Collection: Two studies of an elderly woman's head. Creator: Jacob van Campen

Two studies of an elderly woman's head. Creator: Jacob van Campen
Two studies of an elderly woman's head

Background imageStudy Collection: Study of heads with turbans. Creator: Jacob Symonsz. Pynas

Study of heads with turbans. Creator: Jacob Symonsz. Pynas
Study of heads with turbans

Background imageStudy Collection: Study of a Hand, early-mid 18th century. Creator: Georg Engelhard Schroder

Study of a Hand, early-mid 18th century. Creator: Georg Engelhard Schroder
Study of a Hand, early-mid 18th century

Background imageStudy Collection: Riddarfjärden. A Stockholm Study, 1898. Creator: Eugène Jansson

Riddarfjärden. A Stockholm Study, 1898. Creator: Eugène Jansson
Riddarfjarden. A Stockholm Study, 1898



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