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Relationship Collection (page 4)

Background imageRelationship Collection: Table of the degrees of Consanguinity, a page from Liber Floridus, 12th century

Table of the degrees of Consanguinity, a page from Liber Floridus, 12th century. Consanguinity is the property of having the same genetic lineage as another person

Background imageRelationship Collection: Dona Antonia Ifenarrietta and Her Son, 1631. Artist: Diego Velasquez

Dona Antonia Ifenarrietta and Her Son, 1631. Artist: Diego Velasquez
Dona Antonia Ifenarrietta and Her Son, 1631. From the Museo del Prado, Madrid

Background imageRelationship Collection: The Carmelite Nuns in the Warming Hall, mid 18th century. Artist: Charles Guillot

The Carmelite Nuns in the Warming Hall, mid 18th century. Artist: Charles Guillot
The Carmelite Nuns in the Warming Hall, mid 18th century. From the Musee d Art et d Histoire, St Denis, France

Background imageRelationship Collection: The Temple of Vesta at Tivoli, Rome, 1831. Artist: Landelot-Theodore Turpin de Crisse

The Temple of Vesta at Tivoli, Rome, 1831. Artist: Landelot-Theodore Turpin de Crisse
The Temple of Vesta at Tivoli, Rome, 1831. From the Musee des Beaux-Arts, Angers, France

Background imageRelationship Collection: The Virgin and Child with Angels, 1512. Artist: Francesco dei Tatti

The Virgin and Child with Angels, 1512. Artist: Francesco dei Tatti
The Virgin and Child with Angels, 1512. From the Musee des Beaux-Arts de Nancy, France

Background imageRelationship Collection: Madonna and Child, c1510. Artist: Titian

Madonna and Child, c1510. Artist: Titian
Madonna and Child, c1510. From the Metropolitan Museum of Art, New York, USA

Background imageRelationship Collection: Paternal Admonition, 1654-1655. Artist: Gerard Terborch II

Paternal Admonition, 1654-1655. Artist: Gerard Terborch II
Paternal Admonition, 1654-1655. From a private collection

Background imageRelationship Collection: Adoration of the Magi, 1380s. Artist: Bartolo di Fredi

Adoration of the Magi, 1380s. Artist: Bartolo di Fredi
Adoration of the Magi, 1380s. From the Pinacoteca Nazionale, Siena, Italy

Background imageRelationship Collection: Virgin of Humility, 15th century. Artist: Giovanni di Paolo

Virgin of Humility, 15th century. Artist: Giovanni di Paolo
Virgin of Humility, 15th century

Background imageRelationship Collection: Descent from the Cross, 16th century. Artist: Jacopo Bassano il vecchio

Descent from the Cross, 16th century. Artist: Jacopo Bassano il vecchio
Descent from the Cross, 16th century. From the Museu Nacional de Arte Antiga, Lisbon, Portugal

Background imageRelationship Collection: The Lovers, Chubei and Umegawa, late 18th / early 19th century. Artist: Kitagawa Utamaro

The Lovers, Chubei and Umegawa, late 18th / early 19th century. Artist: Kitagawa Utamaro
The Lovers, Chubei and Umegawa, late 18th/early 19th century. From the British Museum, London

Background imageRelationship Collection: Adoration of the Magi, 1507. Artist: Hans Baldung

Adoration of the Magi, 1507. Artist: Hans Baldung
Adoration of the Magi, 1507. From the Staatliche Museen, Berlin

Background imageRelationship Collection: Madonna and Child, late 14th / early 15th century. Artist: Taddeo di Bartolo

Madonna and Child, late 14th / early 15th century. Artist: Taddeo di Bartolo
Madonna and Child, late 14th/early 15th century

Background imageRelationship Collection: Flirt, 1841. Artist: Miklos Barabas

Flirt, 1841. Artist: Miklos Barabas
Flirt, 1841. From the Musee des Beaux Arts, Budapest

Background imageRelationship Collection: The Haymakers, 1880. Artist: Jules Bastien-Lepage

The Haymakers, 1880. Artist: Jules Bastien-Lepage
The Haymakers, 1880. From the Musee d Orsay, Paris

Background imageRelationship Collection: Epiphany, late 14th / early 15th century. Artist: Taddeo di Bartolo

Epiphany, late 14th / early 15th century. Artist: Taddeo di Bartolo
Epiphany, late 14th/early 15th century

Background imageRelationship Collection: Scene from the life of Hannibal, 18th century. Artist: Claudio Francesco Beaumont

Scene from the life of Hannibal, 18th century. Artist: Claudio Francesco Beaumont
Scene from the life of Hannibal, 18th century. From a private collection

Background imageRelationship Collection: Woman with a Child Afraid of a Dog, 17th century. Artist: Rembrandt Harmensz van Rijn

Woman with a Child Afraid of a Dog, 17th century. Artist: Rembrandt Harmensz van Rijn
Woman with a Child Afraid of a Dog, 17th century. From the Museum of Fine Art, Budapest

Background imageRelationship Collection: Old Man Playing with Child, 1635-1640. Artist: Rembrandt Harmensz van Rijn

Old Man Playing with Child, 1635-1640. Artist: Rembrandt Harmensz van Rijn
Old Man Playing with Child, 1635-1640. From the British Museum, London

Background imageRelationship Collection: The Prodigal Son in the Tavern (Rembrandt and Saskia), c1635. Artist: Rembrandt Harmensz van Rijn

The Prodigal Son in the Tavern (Rembrandt and Saskia), c1635. Artist: Rembrandt Harmensz van Rijn
The Prodigal Son in the Tavern (Rembrandt and Saskia), c1635. From the Dresden Gallery, Dresden, Germany

Background imageRelationship Collection: David and Jonathan, 1642. Artist: Rembrandt Harmensz van Rijn

David and Jonathan, 1642. Artist: Rembrandt Harmensz van Rijn
David and Jonathan, 1642

Background imageRelationship Collection: Haman Recognizes His Fate, c1665. Artist: Rembrandt Harmensz van Rijn

Haman Recognizes His Fate, c1665. Artist: Rembrandt Harmensz van Rijn
Haman Recognizes His Fate, c1665

Background imageRelationship Collection: The Parable of the Labourers in the Vineyard, 1637. Artist: Rembrandt Harmensz van Rijn

The Parable of the Labourers in the Vineyard, 1637. Artist: Rembrandt Harmensz van Rijn
The Parable of the Labourers in the Vineyard, 1637. From the Hermitage Museum, St Petersburg, Russia

Background imageRelationship Collection: Assuerus, Haman and Esther, 1660. Artist: Rembrandt Harmensz van Rijn

Assuerus, Haman and Esther, 1660. Artist: Rembrandt Harmensz van Rijn
Assuerus, Haman and Esther, 1660. From the Pushkin Museum of Fine Art, Moscow

Background imageRelationship Collection: The Adoration of the Magi, 1632. Artist: Rembrandt Harmensz van Rijn

The Adoration of the Magi, 1632. Artist: Rembrandt Harmensz van Rijn
The Adoration of the Magi, 1632

Background imageRelationship Collection: Madame Corot, Mother of the Artist, c1845. Artist: Jean-Baptiste-Camille Corot

Madame Corot, Mother of the Artist, c1845. Artist: Jean-Baptiste-Camille Corot
Madame Corot, Mother of the Artist, c1845. From the Scottish National Gallery, Edinburgh

Background imageRelationship Collection: Reine de joie ( Queen of Joy ), 1892. Artist: Henri de Toulouse-Lautrec

Reine de joie ( Queen of Joy ), 1892. Artist: Henri de Toulouse-Lautrec
Reine de joie ( Queen of Joy ), 1892. Reine de joie (Queen of Joy), a novel by Victor Joze is remembered today for Toulouse-Lautrecs poster and his cruel depiction of the books characters

Background imageRelationship Collection: Unidentified Flemish proverb, late 16th / early 17th century. Artist: Pieter Brueghel the Younger

Unidentified Flemish proverb, late 16th / early 17th century. Artist: Pieter Brueghel the Younger
Unidentified Flemish proverb, late 16th/early 17th century. From a private collection

Background imageRelationship Collection: Tobit and Anna, 1626. Artist: Rembrandt Harmensz van Rijn

Tobit and Anna, 1626. Artist: Rembrandt Harmensz van Rijn
Tobit and Anna, 1626. From the Rijksmuseum, Amsterdam

Background imageRelationship Collection: Louis XIII, 17th century. Artist: Simon Vouet

Louis XIII, 17th century. Artist: Simon Vouet
Louis XIII, 17th century. Louis XIII, King of France from 1610-1643, depicted between two figures representing France and Navarre. From the Musee du Louvre, Paris

Background imageRelationship Collection: The Mother of the Gracchi, c1780. Artist: Joseph Benoit Suvee

The Mother of the Gracchi, c1780. Artist: Joseph Benoit Suvee
The Mother of the Gracchi, c1780. Cornelia, mother of the Gracchi, presents her children, saying: Here are my riches and my jewels. From the Musee du Louvre, Paris

Background imageRelationship Collection: The Water Feature of the Grove of the Museum of Marly, late 18th / early 19th century

The Water Feature of the Grove of the Museum of Marly, late 18th / early 19th century. Artist: Hubert Robert
The Water Feature of the Grove of the Museum of Marly, late 18th/early 19th century

Background imageRelationship Collection: Allegory of France and Navarre, 1740. Artist: Francois Boucher

Allegory of France and Navarre, 1740. Artist: Francois Boucher
Allegory of France and Navarre, 1740. Cartoon for a tapestry, Palais de Justice, Rouen, France

Background imageRelationship Collection: Scene of married life, ca 1306. Artist: Memmo di Filippuccio (active 1303-1345)

Scene of married life, ca 1306. Artist: Memmo di Filippuccio (active 1303-1345)
Scene of married life, ca 1306. Found in the collection of the Palazzo Comunale, San Gimignano

Background imageRelationship Collection: Lovers, 1914-1915. Artist: Schiele, Egon (1890?1918)

Lovers, 1914-1915. Artist: Schiele, Egon (1890?1918)
Lovers, 1914-1915. Found in the collection of the Leopold Museum, Vienna

Background imageRelationship Collection: Virgin and Child with Saint Dominic and Saint Hyacinth, 1740-1750. Artist: Giovanni Battista Tiepolo

Virgin and Child with Saint Dominic and Saint Hyacinth, 1740-1750. Artist: Giovanni Battista Tiepolo
Virgin and Child with Saint Dominic and Saint Hyacinth, 1740-1750. From the Art Institute of Chicago, Illinois, USA

Background imageRelationship Collection: The Four Times of the Day: Morning, 1739. Artist: Nicolas Lancret

The Four Times of the Day: Morning, 1739. Artist: Nicolas Lancret
The Four Times of the Day: Morning, 1739. From the National Gallery, London

Background imageRelationship Collection: A Woman Playing the Theorbo-Lute and a Cavalier, c1658. Artist: Gerard Terborch II

A Woman Playing the Theorbo-Lute and a Cavalier, c1658. Artist: Gerard Terborch II
A Woman Playing the Theorbo-Lute and a Cavalier, c1658. From the Metropolitan Museum of Art, New York, USA

Background imageRelationship Collection: The Virgin and Child, c1570-1576. Artist: Titian

The Virgin and Child, c1570-1576. Artist: Titian
The Virgin and Child, c1570-1576. From the National Gallery, London

Background imageRelationship Collection: The New Science, 1887

The New Science, 1887. Palm-reading and spiritualism were popular pastimes in the Victorian period. However, the damage that a reading could do to a happy relationship is illustrated in this cartoon



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