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The Fighting Temeraire, 1839. Artist: JMW TurnerThe Fighting Temeraire, 1839. The 98-gun ship Temeraire became known as the Fighting Temeraire after its role in Nelsons victory at the Battle of Trafalgar in 1805
Speculum Romanae Magnificentiae: St. Peter s, 16th century. 16th century. Creator: AnonSpeculum Romanae Magnificentiae: St. Peter s, 16th century
An Italian Garden, c1903. Artist: George Samuel ElgoodAn Italian Garden, c1903. From The Studio Volume 32. [London Offices of the Studio, London, 1904]
Orpheus, 1896. Artist: John MacAllan SwanOrpheus, 1896. Painting held at the Lady Lever Art Gallery, Liverpool. From The Studio Volume 73. [London Offices of the Studio, London, 1918]
The Dream of St Ursula, 1495, (1911)The Dream of St Ursula, 1495. after a tempera on canvas by Vittore Carpaccio (c1465-c1525). Original housed in the Gallerie dell Accademia, Venice. From A History of Painting Vol
Shoeing, 1844, (1938). Artist: Edwin Henry LandseerShoeing, 1844. Painting held at the Tate Britain, London. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]
Miss Jane Bowles, 1775, (1911). Artist: Sir Joshua ReynoldsMiss Jane Bowles, 1775, (1911). A portrait of Jane Bowles the eldest daughter of Oldfield Bowles (1739-1810), a landowner of North Aston, Oxfordshire. Painting held at The Wallace Collection, London
The Vale of Aylesbury, 1933. Artist: Rex WhistlerThe Vale of Aylesbury, 1933. This painting was used by Shell in the 1930s for an advertsing campaign. Painting housed at Upton House. From The Studio Volume 108
A Studio in Montparnasse, c1926, (1935). Creator: CRW NevinsonA Studio in Montparnasse, c1926, (1935). Nude model and cat by a tall window with a view of Paris rooftops. Painting in the Tate Gallery, London. From " Modern Masterpieces", Part 2
Marylebone Town Hall, One of the Most Eminent of Londons New Buildings, c1935. The Town Hall on Marylebone Road in central London opened in 1920
Between Two Fires, c1892, (1938). Artist: Francis Davis MilletBetween Two Fires, c1892. Painting held at the Tate Britain, London. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]
Folly Ditch, Jacobs Island, (c1878). Creator: UnknownFolly Ditch, Jacobs Island, (c1878). Jacobs Island, a notorious slum on the south bank of the River Thames in Bermondsey, London, was made famous in Charles Dickenss novel Oliver Twist
Mary, Lady Heveningham, c1532-1543 (1945). Artist: Hans Holbein the YoungerMary, Lady Heveningham, c1532-1543 (1945). Mary Shelton (1510/15-1570/71), wife of Sir Anthony Heveningham, daughter of Sir John Shelton, and cousin of Queen Anne
Madonna and Child, c1918. Artist: Jeanne LabrousseMadonna and Child, c1918. From The Studio Volume 73. [London Offices of the Studio, London, 1918]
Isolde, c1895, (1896). Artist: Aubrey BeardsleyIsolde, c1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]
Martinique Landscape, 1887. Artist: Paul GauguinMartinique Landscape, 1887. Painting held in the Scottish National Gallery. From The Studio Volume 103. [London Offices of the Studio, London, 1932]
Carnation, Lily, Lily, Rose, 1885-86, (1938). Artist: John Singer SargentCarnation, Lily, Lily, Rose, 1885-86. Painting held at the Tate Britain, London. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]
Ennui, c1914 (1935). Artist: Walter Richard SickertEnnui, c1914 (1935). After the painting by Walter Richard Sickert. From Modern Masterpieces Part 2. [George Newnes Ltd, London, 1935.]
The Old Fisherman, 1903. Artist: Joseph Edward SouthallThe Old Fisherman, 1903. From The Studio Volume 79, [London Offices of the Studio, London, 1920]
The Song of the Mad Prince, c1917. Artist: Harry ClarkeThe Song of the Mad Prince, c1917. A miniature stained glass panel designed by Harry Clarke (1889-1931). This panel was inspired by the Walter de la Mare (1873?1956) poem of the same name
Christchurch, Oxford, 1916. Artist: Edmund Hort NewChristchurch, Oxford, 1916. From The Studio Volume 80. [London Offices of the Studio, London, 1920]
A First Rate Taking in Stores, 1818. Artist: JMW TurnerA First Rate Taking in Stores, 1818. Painting held at the Tate, London. From The Studio Volume 120 [The Studio Ltd. London & New York, 1940]
Port Vendres, La Ville, c1925. Artist: Charles Rennie MackintoshPort Vendres, La Ville, c1925. From The Studio Volume 105. [The Offices of the Studio Ltd. London, 1933]
The waterfall of Amida behind the Kiso Road, c1832. (1925). Artist: HokusaiThe waterfall of Amida behind the Kiso Road, c1832. After a colour woodcut by Katsushika Hokusai (1760-1849). Original work housed in The British Museum
Old pub on the River Thames, London, 1926-1927. An old tavern on the riverside at Limehouse. Illustration from Wonderful London, edited by Arthur St John Adcock, Volume I
Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809 Artist: JMW TurnerShoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809. Painting on display at the National Gallery of Canada, Ottawa
Morella, c1920. Artist: Harry ClarkeMorella, c1920. An illustration for Tales of Mystery & Imagination by Edgar Allan Poe (1809-1849). From The Studio Volume 78, [London Offices of the Studio, London, 1919-20]
Newmarket Race Course, 1940. Racing in Newmarket was first recorded in the time of James I. Charles II was known to attend races on Newmarket Heath with his brother, the future James II
Las Meninas, 1656 (1939). Artist: Diego VelasquezLas Meninas, 1656 (1939). Infanta Margarita, is attended by two of the Queen`s meninas or maids-ofhonour: Maria Agustina Sarmiento and Isabel de Velasco
Faerie Queene, c1900. Artist: Walter CraneFaerie Queene, c1900. The Faerie Queene by Edmund Spenser (1553-1599), illustrated by Walter Crane (1845-1915). From Modern Pen Drawings: European and American, Edited by Charles Holme
The Punishment of Luxury, 1891 (1935). Artist: Giovanni SegantiniThe Punishment of Luxury, 1891 (1935). After the painting by Giovanni Segantini. From Modern Masterpieces Part 23. [George Newnes Ltd, London, 1935]
The Last of England, 1855. Artist: Ford Madox BrownThe Last of England, 1855. From World Famous Paintings edited by J Grieg Pirie [W.& G. Foyle Ltd. London, 1938]
Working drawings by William Morris (1834-1896), 1934. Artist: William MorrisWorking drawings by William Morris, 1934. Axminster carpet, 1873; Anemone pattern for silk and wool curtain material, 1874 and a painted wall decoration, c1877. From The Listener, 14 February 1934
Landing at Greenwich, c1780. Artist: Thomas RowlandsonLanding at Greenwich, c1780. Watercolour held at The Victoria and Albert Museum, London. From The Studio Volume 124. [The Studio Ltd, London & New York, 1942]
The Horns Tavern, Kennington, in 1820, (c1878). Creator: UnknownThe Horns Tavern, Kennington, in 1820, (c1878). The Horns tavern in Kennington, south London, acted as a meeting place, lecture hall and exhibition space
Edward refuses succour to his son at Crecy, 1346 (1864). Artist: James William Edmund DoyleEdward refuses succour to his son at Crecy, 1864. King Edward III, (1312- 1377) standing on a hillside refusing succour to his son Edward the Black Prince, (1330-1376)) at the at the Battle of Crecy
The Charmer, 1911. Artist: John William WaterhouseThe Charmer, 1911. From The Studio Volume 71. [London Offices of the Studio, London, 1917]
Savernake Forest, 1935. Artist: Paul NashSavernake Forest, 1935. After the painting by Paul Nash. From Modern Masterpieces Part 11. [George Newnes Ltd, London, 1935]
The 8th Army commander Bernard Law Montgomery, 1942. Artists: Sir John Alexander Hammerton, UnknownThe 8th Army commander Bernard Law Montgomery, 1942. Field Marshal Bernard Law Montgomery, 1st Viscount Montgomery of Alamein (1887-1976), nicknamed Monty and the Spartan General
A cricket match in progress at Lords cricket ground, London, 1912. From Imperial Cricket, edited by P F Warner and published by The London and Counties Press Association Ltd (London, 1912)
Barrels of molasses, West India Docks, London, 1926-1927. Artist: Langfier PhotoBarrels of molasses, West India Docks, London, 1926-1927. Illustration from Wonderful London, edited by Arthur St John Adcock, Volume I, published by Amalgamated Press, (London, 1926-1927)
The Vigil, c1884, (1938). Artist: John PettieThe Vigil, c1884. The Vigil of Arms was one of the religious exercises, which in the Middle Ages preceded the conferment of knighthood
Wet Winter Evening and a Book Lover in Bloomsbury, c1935. Creator: FinchamWet Winter Evening and a Book Lover in Bloomsbury, c1935. Shelves of books outside a shop in central London. From " Wonderful London, Volume 2", edited by Arthur St John Adcock
Duck-Shooting on Saratoga Lake, 1973, (1883). Artist: Matthew Somerville MorganDuck-Shooting on Saratoga Lake, 1873, (1883). From America Illustrated, edited by J. David Williams. [DeWolfe, Fiske & Company, Boston, 1883]
Fencing Match Between Mademoiselle La Chevaliere D Eon De Beaumont and Monsieur De Saint George, 1787. After Charles Jean Robineau. From Connoisseur Extra No. 5 - Old Sporting Prints by Ralph Nevill
Las Hilanderas, (The Spinners), 1657, (c1934). Artist: Diego VelasquezLas Hilanderas, (The Spinners), 1657, (c1934). Traditionally, believed to depict women workers in the tapestry workshop of Santa Isabel, iconography suggests Ovids Fable of Arachne
The Grenadier in Wilton Mews, Where Coachmen Drink No More, c1935. Creator: Unknown" The Grenadier" in Wilton Mews, Where Coachmen Drink No More, c1935. Public house in Belgravia, London, built in 1720 as the officers mess for the senior infantry regiment of the British
The Mitre tavern, London, 1926-1927. Artist: PatersonThe Mitre tavern, London, 1926-1927. The Mitre lies between Ely Place and Hatton Garden. From Wonderful London, volume II, edited by Arthur St John Adcock, published by Amalgamated Press (London)