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Official opening of the Blackwall Tunnel, Poplar, London, 1897. The Prince and Princess of Wales in a horse-drawn carriage accompanied by other carriages and soldiers in a royal parade
Bust of Queen Mary, consort of King George V, 1914. Artist: George FramptonBust of Queen Mary, consort of King George V, 1914
Hyde Park during a military review by Princess Alexandra, London, 1863Hyde Park during a military review by Princess Alexandra, consort of the Prince of Wales, London, 1863
A companion to the Q-ns ass... 1821A Companion to the Q(uee)-ns Ass in a Band Box, 1821. Lord Francis Conyngham sits on a zebra with a human face (Alderman Wood)
Mother Cole, 1821. An inebriated Queen Caroline is shown slumped in an armchair with a glass of brandy in her hand; behind her stands a servile
An Irish wake... 1821An Irish wake, or the Whisky Club singing a requiem to the manes of the persecuted and - Queen, 1821. George IV, William Curtis, Viscount Castlereagh
Bat, Cat and Mat, how happy could I be with either, 1821. Queen Caroline, Bergami and Matthew Wood dance arm in arm on a road between Calais and St Omer
Delicious Dreams! Castles in the air! Glorious prospects!, 1821. Queen Caroline and her supporters (Flinn, Hume, Lady Anne Hamilton, Alderman Wood)
Grand entrance to Bamboozl em, 1821. Queen Caroline and Alderman Matthew Wood heading a procession through the City, met by a group of Radical reformers
Humpty Dumpty sat on a Wall... 1821. Artist: Richard DightonHumpty Dumpty sat on a Wall... 1821. Alderman Wood lies in the mud outside Brandenburgh House. The cartoon refers to the fact that although Wood supported her
A late arrival at Mother Wood s, 1820. Queen Caroline appears on the balcony of Alderman Sir Matthew Woods house before a street full of traffic
The exile restored... 1820The exile restored or the spies, spawns & spewers of scurrility abuse & defamation set to work, 1820. Sir John Stoddart sitting on a chair
A citizen of the world searching for a wise prince, 1771. A blindfolded man walks an empty street carrying a lantern and wearing a long, furred civic gown
The excursion to Cain Wood, 1771. Lord Mansfield and Augusta, Princess of Wales, flying through the air on a broomstick, towards Ken Wood and John Wilkes
The effects of petitions and remonstrances, 1770. Augusta, the Princess of Wales, sitting on a sofa with the Earl of Bute
Carlton House, Westminster, London, 1821. Artist: J SidgwickCarlton House, Westminster, London, 1821. View of Carlton House with the coach of Queen Caroline, consort of George IV, in procession surrounded by a crowd
Scene on the Thames at Brandenburgh House, Hammersmith, London, 1820. Artist: F VincentScene on the Thames at Brandenburgh House, Hammersmith, London, 1820. The Watermen and Lightermen of the River Thames and parishioners of St Saviour
Indelicate Investigation or the Spying D-glass s, 1813. Artist: George CruikshankIndelicate Investigation or the Spying D-glass s, 1813. Lady Douglas and her husband kneel on the floor, peering through spyglasses at the Princess of Wales lying on a sofa
Royal reception on London Bridge, 1863. ArtistRoyal reception on London Bridge, 1863. Scene of the reception of Princess Alexandra of Denmark at the triumphal arch, London Bridge, with a guard of honour of the Honorable Artillery Company
Queen Carolines processionLuciferas procession, Fairy-queen, 1821. Queen Caroline as Lucifera sitting in a coach made of objects which figured in the evidence against her
Design for a new coat of arms... 1821Design for a new coat of arms dedicated to Mothers Wood, Windsor & Co & all the fancy queens, 1821. This is an anti-Queen Caroline satire which refers to her alleged infidelity
An old friend with a new face or the baron in disguise, 1821. A bison with the head of Bartolomeo Pergami is embraced by Queen Caroline
The man of the woods & the cat-o -mountain, 1821. A monkey with Alderman Matthew Woods head squats beside a plump cat with the head of Queen Caroline; he puts his left hand on her shoulder
Moments of pleasure, 1820. Queen Caroline, seated on a couch receives the news of the Bill of Pains and Penalties being dropped and Alderman Matthew Wood dances around in front of her
The secret insult! or bribery & corruption rejected!!!, 1820. Queen Caroline stands facing Lord Hutchinson, who begs her to abandon her claim to the throne; on the right is Alderman Matthew Wood in
Stewards Court of the Manor of Torre Devon, 1820. ArtistStewards Court of the Manor of Torre Devon, 1820. Scene of the House of Lords as arranged for the Bill of Pains and Penalties intended to strip Queen Caroline of her tittles
View of the residence of Queen Caroline in Portman Street, Marylebone, London, c1820
Brandenburgh House, Hammersmith, London, 1820 (1821). View of Brandenburgh House during the addresses declaring loyalty to Queen Caroline during the governmental attempts to deprive her of her title
Royal procession passing the east end of St Pauls Cathedral, City of London, 1863. Procession of HRH Albert Edward Prince of Wales, and HRH Alexandra Princess of Denmark
View of London Bridge on the night of the arrival of the Princess Alexandra of Denmark, 1863. Showing the bridge decorated with flags and illuminated, casting reflections on the River Thames
Incense tripod used on London Bridge, 1863. It was used to commemorate the ceremonial reception when the Prince of Wales (later Edward VII) arrived in London with his bride
Honi soit qui mal y pense, 1821. A crowd gazing at prints in Humphreys shop window. All the prints are careful copies from the series published by Humphrey attacking Queen Caroline
View showing part of the Jubilee Procession of King George V and Queen Mary, May 6 1935. Crowds line the street to watch the coach pass, with soldiers and policemen lining the route
Wedding ceremony of Prince Edward and Princess Alexandra in St Georges Chapel at Windsor Castle, 1863, with bridesmaids in the foreground and wedding guests to the sides
Princess Alexandra processing up the nave of St Georges Chapel, Windsor Castle, 1863. The Princess is being escorted by the Crown Prince of Prussia and the Duke of Saxe Coburg
Princess Alexandra preparing for her wedding ceremony, 1863. The Princess is sitting in front of a mirror in her temporary dressingroom at St Georges Chapel, Windsor Castle
Royal cortege for the marriage of Prince Edward and Princess Alexandra, 1863Royal corte ge for the marriage of Prince Edward and Princess Alexandra, 1863. The corte ge is passing through the temporary entrance to St Georges Chapel at Windsor Castle
Princess Alexandra getting in her coach to leave Windsor Castle for her wedding, March 1863. Troops in formation can also be seen behind
Princess Alexandras arrival at Bricklayers Arms Station, Bermondsey, London, 1863. Princess Alexandra arrives in London for her marriage to King Edward VII
View of the Coronation luncheon for King George V and Queen Mary consort, London, 1911View of the Coronation luncheon for King George V and Queen Mary consort in the Guildhall, London, 1911
Caroline, Consort of George IV, 1820. Artist: C DyerCaroline, Queen Consort of George IV, 1820, as she appeared at the balcony at Alderman Matthew Woods on her arrival in London
Returning Justice lifts aloft her Scale, 1821. Caroline of Brunswick, between Bergami and Alderman Wood, falls from the tilting summit of a breaking pillar which rests on the word Adultery
A Wooden Substitute, or Any Port in a Storm, 1821. Alderman Wood takes Caroline of Brunswicks left arm, staring at her and grinning inanely; in the background Bergami stands with arms raised
The Q-ns Ass in a Band-box, 1821. Caroline of Brunswick, inside a box, sits on a zebra which stands in a round band-box; the zebra, with the head of Alderman Wood
The Royal Extinguisher, or the King of Brobdingnag & the Lilliputians, 1821. George IV, surrounded by admiring ministers, holds up an extinguisher made of paper
View of the River Thames at Brandenburgh House, Hammersmith, London, 1821. ArtistView of the Watermen and Lightermen of the River Thames at Brandenburgh House, Hammersmith, London, 1821. Presenting a loyal address to Caroline of Brunswick during the governmental attempts to
Re-opening of St Pauls Cathedral, London, 1930. View of King George V and Queen Mary, consort of the King, processing down Ludgate Hill, following the re-opening of St Pauls Cathedral on 5th June
Mansion House (exterior), London, 1863. Artist: Day & SonScene of King Edward VII and Queen Alexandra passing by Mansion House, London on their wedding day, March 7th 1863. The royal couple are seated in a carriage between the ranks of the guards