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Picture Collection

Background imagePicture Collection: The Highland Shepherd - painted by R. Ansdell - from the Exhibition of the Royal Academy, 1856

The Highland Shepherd - painted by R. Ansdell - from the Exhibition of the Royal Academy, 1856. Creator: W Thomas
The Highland Shepherd - painted by R. Ansdell - from the Exhibition of the Royal Academy, 1856. Engraving of a painting....one of those happy transcripts of Highland life that has made Mr

Background imagePicture Collection: The latecomers, c1914. Creator: Albert Guillaume

The latecomers, c1914. Creator: Albert Guillaume
The latecomers, c1914

Background imagePicture Collection: Portrait de Sarah Bernhardt, 1876. Creator: Georges Jules Victor Clairin

Portrait de Sarah Bernhardt, 1876. Creator: Georges Jules Victor Clairin
Portrait de Sarah Bernhardt, 1876

Background imagePicture Collection: Figure de théâtre, c.1920. Creator: Paul Albert Laurens

Figure de théâtre, c.1920. Creator: Paul Albert Laurens
Figure de theatre, c.1920. Woman wearing plumed headdress, possibly backstage at a theatre

Background imagePicture Collection: Presumed portrait of Marie Taglioni (1804-1884), dancer, 1828. Creator: Unknown

Presumed portrait of Marie Taglioni (1804-1884), dancer, 1828. Creator: Unknown
Presumed portrait of Marie Taglioni (1804-1884), dancer, 1828

Background imagePicture Collection: Modern Rome, 1757. Creator: Giovanni Paolo Panini

Modern Rome, 1757. Creator: Giovanni Paolo Panini
Modern Rome, 1757

Background imagePicture Collection: Cognoscenti in a Room hung with Pictures, c1620

Cognoscenti in a Room hung with Pictures, c1620. In the left foreground men round a table under an open casement window with leaded lights examine books, prints and scientific instruments

Background imagePicture Collection: Private View at the Royal Academy, 1881, 1883 (1935). Artist: William Powell Frith

Private View at the Royal Academy, 1881, 1883 (1935). Artist: William Powell Frith
Private View at the Royal Academy, 1881, 1883 (1935). From The Studio Volume 109. [The Offices of the Studio, London, 1935]

Background imagePicture Collection: A Prayer to the Madonna, c1877-1912, (1912). Artist: Maurice Bompard

A Prayer to the Madonna, c1877-1912, (1912). Artist: Maurice Bompard
A Prayer to the Madonna, c1877-1912, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Background imagePicture Collection: 'Loch Ericht - a Bright Night', by A. Gilbert - from the last Winter Exhibition, 1864

"Loch Ericht - a Bright Night", by A. Gilbert - from the last Winter Exhibition, 1864. Creator: W Thomas
"Loch Ericht - a Bright Night", by A. Gilbert - from the last Winter Exhibition, 1864. Engraving of a painting. 'Loch Ericht, or Erochd, though either not mentioned at all

Background imagePicture Collection: Sketches from New York: entertainment in a lager beer saloon, 1864. Creator: Unknown

Sketches from New York: entertainment in a lager beer saloon, 1864. Creator: Unknown
Sketches from New York: entertainment in a lager beer saloon, 1864. 'Lager beer proper is composed of malt, hops, and water...It is lighter than the beer of England

Background imagePicture Collection: Visit of the Prince and Princess of Wales to Sweden:...ball given by the Dowager of Sweden

Visit of the Prince and Princess of Wales to Sweden:...ball given by the Dowager of Sweden..., 1864. Creator: Unknown
Visit of the Prince and Princess of Wales to Sweden: the ball given by the Dowager of Sweden...at Drottningholm, near Stockholm, 1864. The future King Edward VII and Queen Alexandra in Scandinavia

Background imagePicture Collection: 'The Challenge: A Puritan's Struggle between Honour and Conscience', by W. G. Orchardson..., 1864

"The Challenge: A Puritan's Struggle between Honour and Conscience", by W. G. Orchardson..., 1864
"The Challenge: A Puritan's Struggle between Honour and Conscience", by W. G. Orchardson, in the Winter Exhibition of Cabinet Pictures, 1864. Engraving of a painting

Background imagePicture Collection: 'The Waefu' Heart', by T. Duncan, A.R.A., in the gallery of the South Kensington Museum, 1864

"The Waefu' Heart", by T. Duncan, A.R.A., in the gallery of the South Kensington Museum, 1864. Engraving of a painting '...from the Sheepshanks' Collection of the South

Background imagePicture Collection: 'John Bunyan Reciting 'The Pilgrim's Progress'...in Bedford Gaol,...by G. F. Folingsby..., 1864

"John Bunyan Reciting 'The Pilgrim's Progress'...in Bedford Gaol,...by G. F. Folingsby..., 1864
"John Bunyan Reciting 'The Pilgrim's Progress' to his friends in Bedford Gaol", by G. F. Folingsby, of Munich, in the exhibition of Fine Arts at Melbourne, Australia, 1864

Background imagePicture Collection: 'Autumn on the Lago Maggiore', by F. Dillon, in the Exhibition of the British Institution, 1864

"Autumn on the Lago Maggiore", by F. Dillon, in the Exhibition of the British Institution, 1864. Engraving of a painting

Background imagePicture Collection: 'Summer,' by T. W. Keyl, in the exhibition of the British Institution, 1864. Creator: Pearson

"Summer," by T. W. Keyl, in the exhibition of the British Institution, 1864. Creator: Pearson
"Summer," by T. [sic] W. Keyl, in the exhibition of the British Institution, 1864. Engraving of a painting. 'It is not merely that the picture has a careful

Background imagePicture Collection: 'The Hop Queen', sculptured by G. Halse, in the Exhibition of the British Institution, 1864

"The Hop Queen", sculptured by G. Halse, in the Exhibition of the British Institution, 1864. '...it is not a portrait bust

Background imagePicture Collection: 'Norham Castle', from the photographed edition of the 'Liber Studiorum', by J. M. W. Turner, 1864

"Norham Castle", from the photographed edition of the "Liber Studiorum", by J. M. W. Turner, 1864. '...a photograph from any work of art...in which variety of colour is a

Background imagePicture Collection: ''The Offering'', by F. Wyburd, in the Exhibition of the British Institution, 1864

''The Offering'', by F. Wyburd, in the Exhibition of the British Institution, 1864. Creator: W Thomas
''The Offering'', by F. Wyburd, in the Exhibition of the British Institution, 1864. Engraving of a painting

Background imagePicture Collection: His Excellency the Earl of Carlisle opening the National Gallery of Ireland, 1864. Creator: Unknown

His Excellency the Earl of Carlisle opening the National Gallery of Ireland, 1864. Creator: Unknown
His Excellency the Earl of Carlisle opening the National Gallery of Ireland, 1864. The National Gallery of Ireland in Dublin houses the national collection of Irish and European art

Background imagePicture Collection: 'The Flyfisher', by W. Hunt, in the winter exhibition of the Water-colour Society, 1862

"The Flyfisher", by W. Hunt, in the winter exhibition of the Water-colour Society, 1862. Creator: W Thomas
"The Flyfisher", by W. Hunt, in the winter exhibition of the Water-colour Society, 1862. Engraving of a painting

Background imagePicture Collection: 'Lord Riverdale's Repentance': George rescuing his grandfather, drawn by A. Hunt, 1862

"Lord Riverdale's Repentance": George rescuing his grandfather, drawn by A. Hunt, 1862
"Lord Riverdale's Repentance" [by William J. Stewart]: George rescuing his grandfather, drawn by A. Hunt, 1862. 'That hand was nearer to him at that moment than he dreamt

Background imagePicture Collection: Birkett Foster's 'Pictures of English Landscape': the Stepping-stones, 1862

Birkett Foster's "Pictures of English Landscape": the Stepping-stones, 1862. Creator: Dalziel Brothers
Birkett Foster's "Pictures of English Landscape": the Stepping-stones, 1862. Among books recently published

Background imagePicture Collection: 'The Light of Other Days' - from a painting by J. T. Lucas, 1864. Creator: Mason Jackson

"The Light of Other Days" - from a painting by J. T. Lucas, 1864. Creator: Mason Jackson
"The Light of Other Days" - from a painting by J. T. Lucas, 1864. 'Old Watchman, thou who watchest not, We smile on thy non-vigil now: Sleep on, nor dream, thou slumbrous sot

Background imagePicture Collection: The Return, (see 'The Roundhead's Parole') - drawn by Samuel Read, 1864, Creator: Mason Jackson

The Return, (see "The Roundhead's Parole") - drawn by Samuel Read, 1864, Creator: Mason Jackson
The Return, (see "The Roundhead's Parole") - drawn by Samuel Read, 1864. Illustration to a short story. 'The barges went heavily back to Chillington with the returning tide

Background imagePicture Collection: 'Miguel el Musrab, Sheikh of the Anazeh Tribe', by Carl Haag…, Water-colour Society, 1862

"Miguel el Musrab, Sheikh of the Anazeh Tribe", by Carl Haag…, Water-colour Society, 1862. Creator: Unknown
"Miguel el Musrab, Sheikh of the Anazeh Tribe", by Carl Haag, in the Winter Exhibition of the Water-colour Society, 1862

Background imagePicture Collection: 'The Queen's Highway in the Sixteenth Century', by J. Hayllar..., 1864. Creator: W Thomas

"The Queen's Highway in the Sixteenth Century", by J. Hayllar..., 1864. Creator: W Thomas
"The Queen's Highway in the Sixteenth Century", by J. Hayllar, in the Winter Exhibition at the gallery of the Institute of Painters in Water-colours, 1864. Engraving of a painting

Background imagePicture Collection: 'Dead Swan and Peacock', by the late W. Duffield, 1864. Creator: W Thomas

"Dead Swan and Peacock", by the late W. Duffield, 1864. Creator: W Thomas
"Dead Swan and Peacock", by the late W. Duffield, 1864. Engraving of a painting. From "Illustrated London News", 1864.

Background imagePicture Collection: 'The Age of Innocence', by Sir Joshua Reynolds, in the South Kensington Museum, 1864

"The Age of Innocence", by Sir Joshua Reynolds, in the South Kensington Museum, 1864. Creator: W Thomas
"The Age of Innocence", by Sir Joshua Reynolds, in the South Kensington Museum, 1864. The charm of this picture '...resides in its unobtrusive truth, its delicate feeling

Background imagePicture Collection: Pictures from the 1603 Gospel, vestry of the Ipatievsky Monastery. Kostroma, 1911

Pictures from the 1603 Gospel, vestry of the Ipatievsky Monastery. Kostroma, 1911.

Background imagePicture Collection: Pictures from the 1603 Gospel, vestry of the Ipatievsky Monastery. Kostroma, 1911

Pictures from the 1603 Gospel, vestry of the Ipatievsky Monastery. Kostroma, 1911.

Background imagePicture Collection: 'Children Playing at Horses', by C. R. Leslie, in the late International Exhibition, 1862

"Children Playing at Horses", by C. R. Leslie, in the late International Exhibition, 1862. Creator: W Thomas
"Children Playing at Horses", by C. R. Leslie, in the late International Exhibition, 1862. 'We cannot seize and confine in words the delicate aroma of natural truth

Background imagePicture Collection: Exhibition of the Lincoln School of Art, 1864. Creator: Unknown

Exhibition of the Lincoln School of Art, 1864. Creator: Unknown
Exhibition of the Lincoln School of Art, 1864. '...the interior of the large room...occupied by the first public exhibition of paintings

Background imagePicture Collection: Pictures from the 1603 Gospel, vestry of the Ipatievsky Monastery. Kostroma, 1911

Pictures from the 1603 Gospel, vestry of the Ipatievsky Monastery. Kostroma, 1911.

Background imagePicture Collection: Pictures from the 1603 Gospel, vestry of the Ipatievsky Monastery. Kostroma, 1911

Pictures from the 1603 Gospel, vestry of the Ipatievsky Monastery. Kostroma, 1911.

Background imagePicture Collection: Pictures from the 1603 Gospel, vestry of the Ipatievsky Monastery. Kostroma, 1911

Pictures from the 1603 Gospel, vestry of the Ipatievsky Monastery. Kostroma, 1911.

Background imagePicture Collection: Dr. Ainger, Principal of St. Bees College, Cumberland…, 1862. Creator: Unknown

Dr. Ainger, Principal of St. Bees College, Cumberland…, 1862. Creator: Unknown
Dr. Ainger, Principal of St. Bees College, Cumberland - from a testimonial portrait recently presented to him by the students, 1862. Engraving from a photograph taken by Mr

Background imagePicture Collection: Pictures from the 1603 Gospel, sacristy of the Ipatievsky Monastery, Kostroma, 1911

Pictures from the 1603 Gospel, sacristy of the Ipatievsky Monastery, Kostroma, 1911.

Background imagePicture Collection: 'Nero after the Burning of Rome', by Carl Piloty, in the late International Exhibition, 1862

"Nero after the Burning of Rome", by Carl Piloty, in the late International Exhibition, 1862. Engraving of a painting

Background imagePicture Collection: 'After the Battle', by P. H. Calderon, A.R.A., 1864. Creator: W Thomas. 'After the Battle', by P

"After the Battle", by P. H. Calderon, A.R.A., 1864. Creator: W Thomas. "After the Battle", by P
"After the Battle", by P. H. Calderon, A.R.A., 1864. Engraving of a painting. 'A battle has raged in and around a Flemish village; the English have been victorious

Background imagePicture Collection: 'The Note and the Nosegay', by W. F. Yeames, in the Winter Exhibition, Pall-Mall, 1864

"The Note and the Nosegay", by W. F. Yeames, in the Winter Exhibition, Pall-Mall, 1864. Creator: W Thomas
"The Note and the Nosegay", by W. F. Yeames, in the Winter Exhibition, Pall-Mall, 1864. Engraving of a painting

Background imagePicture Collection: 'Master Slender and Anne Page', by Sir Augustus W. Callcott, R.A.,...South Kensington Museum, 1864

"Master Slender and Anne Page", by Sir Augustus W. Callcott, R.A.,...South Kensington Museum, 1864
"Master Slender and Anne Page", by Sir Augustus W. Callcott, R.A., in the Sheepshanks Collection, South Kensington Museum, 1864. Engraving of a painting

Background imagePicture Collection: 'A Herd of Bisons crossing a River Bottom on the Upper Missouri', by W. J. Hays, 1862

"A Herd of Bisons crossing a River Bottom on the Upper Missouri", by W. J. Hays, 1862. Creator: W Thomas
"A Herd of Bisons crossing a River Bottom on the Upper Missouri", by W. J. Hays, 1862. Engraving of a painting. 'In crossing the richer pastures of the river bottoms the herd will

Background imagePicture Collection: The War in America: the Confederates quitting Brownsville, Texas..., 1864. Creator: Unknown

The War in America: the Confederates quitting Brownsville, Texas..., 1864. Creator: Unknown
The War in America: the Confederates quitting Brownsville, Texas, on hearing of the approach of Federal transports, 1864. Engraving from a photograph by Mr. A. G. Wedge

Background imagePicture Collection: Presentation to the Countess of Yarborough of an equestrian portrait of her Ladyship..., 1864

Presentation to the Countess of Yarborough of an equestrian portrait of her Ladyship..., 1864. Creator: Unknown
Presentation to the Countess of Yarborough of an equestrian portrait of her Ladyship by the gentlemen of the Brocklesby Hunt, 1864

Background imagePicture Collection: 'Fluffy', by J. M. Jopling, in the Exhibition of the Institute of Painters in Water Colours, 1864

"Fluffy", by J. M. Jopling, in the Exhibition of the Institute of Painters in Water Colours, 1864. Engraving of a painting

Background imagePicture Collection: 'Saved', by F. W. Topham, in the exhibition of the Society of Painters in Water Colours, 1864

"Saved", by F. W. Topham, in the exhibition of the Society of Painters in Water Colours, 1864. Engraving. 'We must sympathise with the terror through which these humble Irish folk have



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