Panoramic Photography Collection (page 5)

Salto Grande (Rio Paranapanema), 1895. Artist: Francisco Henszler
Salto Grande (Rio Paranapanema), 1895. From Sao Paulo by Gustavo Koenigswald. [S. Paulo, 1895]

The Installation of the Knights of the Order of the Bath, The Kings Offering, 1928. Artist: Frank O Salisbury
The Installation of the Knights of the Order of the Bath, The Kings Offering, 1928. From The Illustrated London News Silver Jubilee Record Number 1910-1935

The Furies Departing, 1880. Artist: Flaxman
The Furies Departing, 1880. Furies Departing from Athena, Apollo and Oreste. From Stories from the Greek Tragedies by the Rev. Alfred J. Church, M.A. [Seeley, Jackson, & Halliday, London, 1880]

The Dead Brothers, 1880. Artist: Flaxman
The Dead Brothers, 1880. Thanatos was the god or personified spirit (daimon) of non-violent death. His touch was gentle, likened to that of his twin brother Hypnos (Sleep)

Globe Making, 1917. An image of the George Philip & Sons Ltd. establishment. From The British Printer Vol. XXIV. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1917]

Carrying heavy goods under instead of above the axle, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

By tram and mule, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

Under the Chamberlains Court Guildhall, 1886. Artist: Henry Hodge
Area Under the Chamberlains Court Guildhall, 1886. Lithographic print of an original from the Discriptive Account of the Guildhall of the City of London, 1886

The concentration camp at Frith Hill, Camberley, 1914, (1915). From The Manchester Guardian History of the War, Vol. II. - 1914-15. [John Heywood Ltd, London, 1915]

British 18-Pounder Gun, 1915. From The Manchester Guardian History of the War Vol. III - 1915.. [John Heywood Ltd, London, 1915]

Venus and Anchises, c1889, (c1915). Artist: Sir William Blake Richmond
Venus and Anchises, c1889, (c1915). Held by National Museums Liverpool. From Famous Pictures of the World, c1900

Copper Engraving by Rafael Schiamirossi, illustrating The Lunge, 1610, (1936). Artist: Rafael Schiamirossi
Copper Engraving by Rafael Schiamirossi, illustrating The Lunge, 1610, (1936). The illustration is part of the treatise Gran Simulacro dell arte e dell uso della scherma

A Scene on the Up-Country Railway. Passing a Tea Estate at Nanu Oya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Kandy. Sacred Elephants of the Temple Bathing, c1890, (1910). Artist: Alfred William Amandus Plate
Kandy. Sacred Elephants of the Temple Bathing, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Lace Makers. - Ceylon Lace is entirely hand made, c1890, (1910). Artist: Alfred William Amandus Plate
Lace Makers. - Ceylon Lace is entirely hand made, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

A Sail with Sledges. South of Cape Richthofen. 6 June, 1896, (1897). Artist: August Eiebakke
A Sail with Sledges. South of Cape Richthofen. 6 June, 1896, (1897). From Farthest North, Vol. 2 by Fridtjof Nansen. [Archibald Constable and Company, London, 1897]

Studies of the Head of Cesare Borgia from Three Points of View, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Head of Cesare Borgia from Three Points of View, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Nordens View of Windsor Castle, 1607. 1895. Artist: John Norden
Nordens View of Windsor Castle, 1607. 1895. From The Governors Guide to Windsor Castle, by the Most Noble The Marquis of Lorne, K.T. [Cassell and Company, Limited, London, 1895]

Potato Harvest, 1844, (c1915). Artist: Jozef Israels
Potato Harvest, 1844, (c1915). From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

The San Isidro Meadow, 1788 (1939). Artist: Francisco Goya
The San Isidro Meadow, 1788 (1939). The sensations of life and hustle and bustle of crowds sitting in a meadow with landscape opening onto the Manzanares River with panoramic view of Madrid

El Juicio De Paris, (The Judgment of Paris), 1639, (c1934). Artist: Peter Paul Rubens
El Juicio De Paris, (The Judgment of Paris), 1639, (c1934). Commissioned by Philip IV of Spain, to illustrate a story from Greek mythology, Paris

Ninfas Sorprendidas Por Satiros, (Diana and Nymphs Surprised by Satyrs), 1639-1640, (c1934). Artist: Peter Paul Rubens
Ninfas Sorprendidas Por Satiros, (Diana and Nymphs Surprised by Satyrs), 1639-1640, (c1934). Diana appears on far right of composition with her nymphs attacked by a group of satyrs in a forest

The Baton of a Russian Field Marshal, c19th century
The Baton of a Russian Field Marshal. Wooden baton with detachable end, covered with gold enamel and decorated with green bulrushes. Each end is decorated with a double-headed imperial eagle

The Baton of Marshal Jourdan, 1798-1809, c19th century
The Baton of Marshal Jourdan, 1798-1809. Wooden baton covered with blue velvet and decorated with golden eagles. The object belonged to the Marshal Jean-Baptiste Jourdan (1762-1833)

A Cigarette Machine Room, 1926. From Players Cigarettes - From Plantation to Smoker: A Series of 25 [John Player & Sons, London, 1926]

Loading Tobacco at Norfolk, Virginia. 1926. From Players Cigarettes - From Plantation to Smoker: A Series of 25 [John Player & Sons, London, 1926]

Feed End of Drying Machine, 1926. From Players Cigarettes - From Plantation to Smoker: A Series of 25 [John Player & Sons, London, 1926]

Sorting Tobacco, 1926. From Players Cigarettes - From Plantation to Smoker: A Series of 25 [John Player & Sons, London, 1926]

Delivering Tobacco at Curing Barn, 1926. From Players Cigarettes - From Plantation to Smoker: A Series of 25 [John Player & Sons, London, 1926]

Removing Tobacco Plants from Bed, 1926. From Players Cigarettes - From Plantation to Smoker: A Series of 25 [John Player & Sons, London, 1926]

The Frown, 1842, (1917). Artist: Thomas Webster
The Frown, 1842, (1917). From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

A Thought-Form of Love and Peace Protection and Benediction, c1916, (1917). Artists: Charles Leadbeater, Annie Bessant
A Thought-Form of Love and Peace Protection and Benediction, c1916, (1917). Sent Forth By One Who Has The Power And Has Earned The Right To Bless

The Railway Station, 1862, (1917). Artist: William Powell Frith
The Railway Station, 1862, (1917). Painting held at the Royal Holloway, University of London, London. From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

The wicker-work vendor, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

The Botafogo end of the fashionable Rua Sao Clemente. Corcovado in the distance, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

A Breezy Day at Ayat, c1880, (1904). Artist: Robert George Talbot Kelly
A Breezy Day at Ayat, c1880, (1904). From Egypt, by R. Talbot Kelly. [Adam & Charles Black, London, 1904]

Tel-El-Kebir, c1880, (1904). Artist: Robert George Talbot Kelly
Tel-El-Kebir, c1880, (1904). From Egypt, by R. Talbot Kelly. [Adam & Charles Black, London, 1904]

Hop Picking, late 18th century, (1912). Artist: William Hamilton
Hop Picking, late 18th century, (1912). Hops are grown up poles and wires and picked in September. Hop-picking, though it was considered suitable for women and children, was not easy work

Winchester Cathedral, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Dunkirk, c1641, (1903). From Social England, Volume IV, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1903]

Water Lilies, c1870. Artist: James Aumonier
Water Lilies, c1870. From The Studio Volume 48. [London Offices of the Studio, London, 1909-10]

La Santa Salute, from San Giorgio, Venice, c1872. Artist: William Collingwood Smith
La Santa Salute, from San Giorgio, Venice, c1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

An Encampment of the First Gipsies in Central Europe, c1604, (1907). Artists: Unknown, Jacques Callot
An Encampment of the First Gipsies in Central Europe, c1604, (1907). From The Worlds History, Volume V, by Dr. H. F. Helmolt. [William Heinemann, London, 1907]

Milking in the Field, c1847. Artist: Samuel Palmer
Milking in the Field, c1847. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Seascape, c1895. Artist: Albert Ernest Markes
Seascape, c1895. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Seascape, c1896. Artist: Albert Ernest Markes
Seascape, c1896. Painting held at the Williamson Art Gallery & Museum, Birkenhead. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Sir Malcolm Campbell in his new Blue Bird at Dayton Beach, Florida, 1935, (1935). On March 7th, 1935, Campbell beat his own world speed record by attaining 216.816 miles an hour

In January 1927, Major Malcolm Campbell in his famous Bluebird broke the worlds land speed record at Pendine Sands, c1927, (1935). Malcolm Campbell (1885-1948) in Bluebird

All Professionally Made to Order for Quick Shipping