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Oliver Goldsmith Collection

Background imageOliver Goldsmith Collection: Plate 7 for Oliver Goldsmith's The Vicar of Wakefield, 1776. Creator: Daniel Berger

Plate 7 for Oliver Goldsmith's The Vicar of Wakefield, 1776. Creator: Daniel Berger
Plate 7 for Oliver Goldsmith's The Vicar of Wakefield, 1776

Background imageOliver Goldsmith Collection: Plate 5 for Oliver Goldsmith's The Vicar of Wakefield, 1776. Creator: Daniel Berger

Plate 5 for Oliver Goldsmith's The Vicar of Wakefield, 1776. Creator: Daniel Berger
Plate 5 for Oliver Goldsmith's The Vicar of Wakefield, 1776

Background imageOliver Goldsmith Collection: Plate 1 for Oliver Goldsmith's The Vicar of Wakefield, 1776. Creator: Daniel Berger

Plate 1 for Oliver Goldsmith's The Vicar of Wakefield, 1776. Creator: Daniel Berger
Plate 1 for Oliver Goldsmith's The Vicar of Wakefield, 1776

Background imageOliver Goldsmith Collection: Ancient houses in the Temple, and the grave of Oliver Goldsmith, 1860

Ancient houses in the Temple, and the grave of Oliver Goldsmith, 1860. Creators: Unknown, Oliver Goldsmith
Ancient houses in the Temple, and the grave of Oliver Goldsmith, [London], 1860. On an evening in April, 1774, it is recorded, the poet was buried without the building of the Temple Church. Mr

Background imageOliver Goldsmith Collection: Plate 10 for Oliver Goldsmith's The Vicar of Wakefield, 1776. Creator: Daniel Berger

Plate 10 for Oliver Goldsmith's The Vicar of Wakefield, 1776. Creator: Daniel Berger
Plate 10 for Oliver Goldsmith's The Vicar of Wakefield, 1776

Background imageOliver Goldsmith Collection: Plate 9 for Oliver Goldsmith's The Vicar of Wakefield, 1776. Creator: Daniel Berger

Plate 9 for Oliver Goldsmith's The Vicar of Wakefield, 1776. Creator: Daniel Berger
Plate 9 for Oliver Goldsmith's The Vicar of Wakefield, 1776

Background imageOliver Goldsmith Collection: Plate 6 for Oliver Goldsmith's The Vicar of Wakefield, 1776. Creator: Daniel Berger

Plate 6 for Oliver Goldsmith's The Vicar of Wakefield, 1776. Creator: Daniel Berger
Plate 6 for Oliver Goldsmith's The Vicar of Wakefield, 1776

Background imageOliver Goldsmith Collection: Plate 4 for Oliver Goldsmith's The Vicar of Wakefield, 1776. Creator: Daniel Berger

Plate 4 for Oliver Goldsmith's The Vicar of Wakefield, 1776. Creator: Daniel Berger
Plate 4 for Oliver Goldsmith's The Vicar of Wakefield, 1776

Background imageOliver Goldsmith Collection: She Stoops to Conquer, New York, [1930s]. Creator: Unknown

She Stoops to Conquer, New York, [1930s]. Creator: Unknown
She Stoops to Conquer, New York, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Background imageOliver Goldsmith Collection: She Stoops to Conquer, [193-]. Creator: Unknown

She Stoops to Conquer, [193-]. Creator: Unknown
She Stoops to Conquer, [193-]. Federal Theatre Presents - "She Stoops to Conquer" by Oliver Goldsmith'. The Federal Theatre Project, created by the U.S

Background imageOliver Goldsmith Collection: She Stoops to Conquer, Jacksonville, FL, 1938. Creator: Unknown

She Stoops to Conquer, Jacksonville, FL, 1938. Creator: Unknown
She Stoops to Conquer, Jacksonville, FL, 1938. Florida Federal Theatre Presents - Oliver Goldsmith's - "She Stoops to Conquer"'. The Federal Theatre Project, created by the U.S

Background imageOliver Goldsmith Collection: Yon Widow'd Solitary Thing, 1833. Creator: Unknown

Yon Widow'd Solitary Thing, 1833. Creator: Unknown
Yon Widow'd Solitary Thing, 1833. Poor woman gathering watercress from a river, illustration to lines from The Deserted Village by Oliver Goldsmith

Background imageOliver Goldsmith Collection: Oliver Goldsmith, n.d. Creator: Joseph Marchi

Oliver Goldsmith, n.d. Creator: Joseph Marchi
Oliver Goldsmith, n.d

Background imageOliver Goldsmith Collection: Scene from 'The Vicar of Wakefield', at the New Strand Theatre, 1850. Creator: Unknown

Scene from "The Vicar of Wakefield", at the New Strand Theatre, 1850. Creator: Unknown
Scene from "The Vicar of Wakefield", at the New Strand Theatre, [London] 1850. Mr. Tom Taylor has dramatised for this theatre the substantive story of Goldsmith's ever-delightful

Background imageOliver Goldsmith Collection: 'Honeywood introducing the Bailiffs to Miss Richland as his friends', by W. P. Frith, R.A... 1862

"Honeywood introducing the Bailiffs to Miss Richland as his friends", by W. P. Frith, R.A... 1862
"Honeywood introducing the Bailiffs to Miss Richland as his friends", by W. P. Frith, R.A. in the Sheepshanks Collection, Kensington Museum, 1862. Engraving of a painting

Background imageOliver Goldsmith Collection: The Dance and The Departure Illustrations from The Deserted Village, England, 1790 / 1800

The Dance and The Departure Illustrations from The Deserted Village, England, 1790 / 1800
The Dance and The Departure Illustrations from The Deserted Village, England, 1790/1800. Scene inspired by a poem by Oliver Goldsmith, after engraving by John Keyse Sherwin

Background imageOliver Goldsmith Collection: The Whistonian Controversy, from the picture by Mulready R. A

The Whistonian Controversy, from the picture by Mulready R. A
The Whistonian Controversy, from the picture by Mulready R.A. in the Exhibition of the Royal Academy, 1844. Illustration after a painting by William Mulready

Background imageOliver Goldsmith Collection: Goldsmiths House, Lissoy, 1845. Creator: Unknown

Goldsmiths House, Lissoy, 1845. Creator: Unknown
Goldsmiths House, Lissoy, 1845. The childhood home of Irish writer and dramatist Oliver Goldsmith: About six miles from Athlone, in the County Longford, is situated the small

Background imageOliver Goldsmith Collection: The Fair Penitent, from The Vicar of Wakefield, May 1, 1817. May 1, 1817

The Fair Penitent, from The Vicar of Wakefield, May 1, 1817. May 1, 1817
The Fair Penitent, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: The Surprise, from The Vicar of Wakefield, May 1, 1817. May 1, 1817

The Surprise, from The Vicar of Wakefield, May 1, 1817. May 1, 1817
The Surprise, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: Domestic Arrangements in Prison, from The Vicar of Wakefield, May 1, 1817

Domestic Arrangements in Prison, from The Vicar of Wakefield, May 1, 1817
Domestic Arrangements in Prison, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: The Vicar in company with Strolling Players, from The Vicar of Wakefield'

The Vicar in company with Strolling Players, from The Vicar of Wakefield"
The Vicar in company with Strolling Players, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: The Vicar Preaching to the Prisoners, from The Vicar of Wakefield, May 1

The Vicar Preaching to the Prisoners, from The Vicar of Wakefield, May 1
The Vicar Preaching to the Prisoners, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: The Stage. George Primrose as Horatio, from The Vicar of Wakefield'

The Stage. George Primrose as Horatio, from The Vicar of Wakefield"
The Stage. George Primrose as " Horatio, " from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: A Connoisseur, from The Vicar of Wakefield, May 1817. May 1817

A Connoisseur, from The Vicar of Wakefield, May 1817. May 1817
A Connoisseur, from " The Vicar of Wakefield", May 1817

Background imageOliver Goldsmith Collection: The Family Picture, from The Vicar of Wakefield, May 1, 1817. May 1, 1817

The Family Picture, from The Vicar of Wakefield, May 1, 1817. May 1, 1817
The Family Picture, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: The Gross of Green Spectacles, from The Vicar of Wakefield, May 1817

The Gross of Green Spectacles, from The Vicar of Wakefield, May 1817
The Gross of Green Spectacles, from " The Vicar of Wakefield", May 1817

Background imageOliver Goldsmith Collection: Attendance on a Nobleman, from The Vicar of Wakefield, May 1, 1817

Attendance on a Nobleman, from The Vicar of Wakefield, May 1, 1817
Attendance on a Nobleman, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: Fortune-telling, from The Vicar of Wakefield, May 1, 1817. May 1, 1817

Fortune-telling, from The Vicar of Wakefield, May 1, 1817. May 1, 1817
Fortune-telling, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: Hunting the Slipper, from The Vicar of Wakefield, May 1, 1817. May 1, 1817

Hunting the Slipper, from The Vicar of Wakefield, May 1, 1817. May 1, 1817
Hunting the Slipper, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: The Weddings, from The Vicar of Wakefield, May 1, 1817. May 1, 1817

The Weddings, from The Vicar of Wakefield, May 1, 1817. May 1, 1817
The Weddings, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: The Scold, with News of Olivia, from The Vicar of Wakefield, May 1, 1817

The Scold, with News of Olivia, from The Vicar of Wakefield, May 1, 1817
The Scold, with News of Olivia, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: The Vicars Family on their Road to Church, from The Vicar of Wakefield'

The Vicars Family on their Road to Church, from The Vicar of Wakefield"
The Vicars Family on their Road to Church, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: The Departure from Wakefield, from The Vicar of Wakefield, May 1, 1817

The Departure from Wakefield, from The Vicar of Wakefield, May 1, 1817
The Departure from Wakefield, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: The Welcome, from The Vicar of Wakefield, May 1, 1817. May 1, 1817

The Welcome, from The Vicar of Wakefield, May 1, 1817. May 1, 1817
The Welcome, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: The Social Evening, from The Vicar of Wakefield, May 1, 1817. May 1, 1817

The Social Evening, from The Vicar of Wakefield, May 1, 1817. May 1, 1817
The Social Evening, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: Mr. Burchells First Visit, from The Vicar of Wakefield, May 1, 1817

Mr. Burchells First Visit, from The Vicar of Wakefield, May 1, 1817
Mr. Burchells First Visit, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: Frontispiece: The Vicar of Wakefield, from The Vicar of Wakefield, May 1

Frontispiece: The Vicar of Wakefield, from The Vicar of Wakefield, May 1
Frontispiece: The Vicar of Wakefield, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: Sophia Rescued from the Water, from The Vicar of Wakefield, May 1, 1817

Sophia Rescued from the Water, from The Vicar of Wakefield, May 1, 1817
Sophia Rescued from the Water, from " The Vicar of Wakefield", May 1, 1817

Background imageOliver Goldsmith Collection: Goldsmith, (1728-1774), 1830. Creator: Unknown

Goldsmith, (1728-1774), 1830. Creator: Unknown
Goldsmith, (1728-1774), 1830. Oliver Goldsmith (1728-1774) Irish novelist, playwright and poet, educated at to Trinity College, Dublin who is best known for his novel The Vicar of Wakefield (1766)

Background imageOliver Goldsmith Collection: The good man of Islington setting out to church, c1879. Creator: Randolph Caldecott

The good man of Islington setting out to church, c1879. Creator: Randolph Caldecott
The good man of Islington setting out to church, c1879. In Islington there lived a man, Of whom the world might say, That still a godly race he ran, Whene er he went to pray

Background imageOliver Goldsmith Collection: Neighbours dressing the good man of Islingtons bite, c1879. Creator: Randolph Caldecott

Neighbours dressing the good man of Islingtons bite, c1879. Creator: Randolph Caldecott
Neighbours dressing the good man of Islingtons bite, c1879. The wound it seem d both sore and sad To every christian eye; And while they swore the dog was mad, They swore the man would die

Background imageOliver Goldsmith Collection: Customer in a pawn shop, c1885, (1934). Creator: Randolph Caldecott

Customer in a pawn shop, c1885, (1934). Creator: Randolph Caldecott
Customer in a pawn shop, c1885, (1934). Scene from Oliver Goldsmiths poem " An Elegy on the Glory of Her Sex, Mrs. Mary Blaize", illustrated by Randolph Caldecott

Background imageOliver Goldsmith Collection: People outside a pawn shop, c1885, (1934). Creator: Randolph Caldecott

People outside a pawn shop, c1885, (1934). Creator: Randolph Caldecott
People outside a pawn shop, c1885, (1934). Scene from Oliver Goldsmiths poem " An Elegy on the Glory of Her Sex, Mrs. Mary Blaize", illustrated by Randolph Caldecott

Background imageOliver Goldsmith Collection: Neighbours rushing to help the good man of Islington, c1879. Creator: Randolph Caldecott

Neighbours rushing to help the good man of Islington, c1879. Creator: Randolph Caldecott
Neighbours rushing to help the good man of Islington, c1879. The wondering neighbours ran; And swore the dog had lost his wits, To bite so good a man

Background imageOliver Goldsmith Collection: Her love was sought... By twenty beaux and more, c1885, (1934). Creator: Randolph Caldecott

Her love was sought... By twenty beaux and more, c1885, (1934). Creator: Randolph Caldecott
Her love was sought...By twenty beaux and more, c1885, (1934). Her love was sought, I do aver, By twenty beaux and more; The King himself has follow d her, When she has walk d before

Background imageOliver Goldsmith Collection: Master Bill Primrose preparing to sing the story, c1879. Creator: Randolph Caldecott

Master Bill Primrose preparing to sing the story, c1879. Creator: Randolph Caldecott
Master Bill Primrose preparing to sing the story, c1879. Good people all, of every sort, Give ear unto my song; And if you find it wondrous short, It cannot hold you long

Background imageOliver Goldsmith Collection: The good man of Islington dressing, c1879. Creator: Randolph Caldecott

The good man of Islington dressing, c1879. Creator: Randolph Caldecott
The good man of Islington dressing, c1879. A kind and gentle heart he had, To comfort friends and foes; The naked every day he clad, When he put on his clothes



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