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Manuscript Collection (page 2)

Background imageManuscript Collection: April - the Chateau de Dourdan, 15th century, (1939). Creator: Jean Limbourg

April - the Chateau de Dourdan, 15th century, (1939). Creator: Jean Limbourg
April - the Chateau de Dourdan, 15th century, (1939). Avril - Le Chateau De Dourdan. Engagement scene with a couple exchanging rings in front of witnesses

Background imageManuscript Collection: March - the Chateau de Lusignan, 15th century, (1939). Creators: Paul Limbourg, Jean Colombe

March - the Chateau de Lusignan, 15th century, (1939). Creators: Paul Limbourg, Jean Colombe
March - the Chateau de Lusignan, 15th century, (1939). Mars - Le Chateau De Lusignan. Agricultural activities: ploughing with oxen, pruning grape vines, a shepherd with sheep

Background imageManuscript Collection: February - village under the snow, 15th century, (1939). Creator: Paul Limbourg

February - village under the snow, 15th century, (1939). Creator: Paul Limbourg
February - village under the snow, 15th century, (1939). Fevrier - Le Village Sous La Neige. Winter scene with a man chopping firewood, beehives, a dovecote, sheep in a pen, and birds eating grain

Background imageManuscript Collection: November - feeding pigs on acorns, 15th century, (1939). Creator: Jean Colombe

November - feeding pigs on acorns, 15th century, (1939). Creator: Jean Colombe
November - feeding pigs on acorns, 15th century, (1939). Novembre - La Glandee. Swineherd with mastiff grazing his pigs among the oak trees, using a stick to knock down the acorns

Background imageManuscript Collection: June - the palace and the Sainte-Chapelle, 15th century, (1939). Creators: Hermann Limbourg

June - the palace and the Sainte-Chapelle, 15th century, (1939). Creators: Hermann Limbourg
June - the palace and the Sainte-Chapelle, 15th century, (1939). Juin - Le Palais Et La Sainte-Chapelle. Barefoot peasants hay-making in the fields: men wield scythes as they cut the grass

Background imageManuscript Collection: March (Les Tres Riches Heures du duc de Berry), 1412-1416. Creator: Limbourg brothers

March (Les Tres Riches Heures du duc de Berry), 1412-1416. Creator: Limbourg brothers
March (Les Tres Riches Heures du duc de Berry), 1412-1416. Found in the Collection of Muse e Conde, Chantilly

Background imageManuscript Collection: Whitsun, illuminated capital letter in the Episcopal Sacramentary of Elna, manuscript

Whitsun, illuminated capital letter in the Episcopal Sacramentary of Elna, manuscript on parchment made, probably in the scriptorium of the Cathedral of Elna (Roussillon), c. 1275-1300

Background imageManuscript Collection: The Battle of Caen in 1346 (Miniature from the Grandes Chroniques de France by Jean Froissart)

The Battle of Caen in 1346 (Miniature from the Grandes Chroniques de France by Jean Froissart), ca 1475. Found in the Collection of Bibliothe que Nationale de France

Background imageManuscript Collection: Francois Leclerc du Tremblay (1577-1638), 1704

Francois Leclerc du Tremblay (1577-1638), 1704
Franc ois Leclerc du Tremblay (1577-1638), 1704. Found in the Collection of Rijksmuseum, Amsterdam

Background imageManuscript Collection: Reaping and binding sheaves (From the Luttrell Psalter), ca 1330. Artist: Anonymous

Reaping and binding sheaves (From the Luttrell Psalter), ca 1330. Artist: Anonymous
Reaping and binding sheaves (From the Luttrell Psalter), ca 1330. Found in the collection of British Library

Background imageManuscript Collection: A Page from the Egerton Bohun Psalter-Hours, (1370), 1937

A Page from the Egerton Bohun Psalter-Hours, (1370), 1937
A Page from the Egerton Bohun Psalter-Hours, 1370. This is one of a group of manuscripts made for members of the Bohun family, who were earls of Hereford, Essex

Background imageManuscript Collection: Siege scene, c1260, (1843). Artist: Henry Shaw

Siege scene, c1260, (1843). Artist: Henry Shaw
Siege scene, c1260, (1843). Copy of a manuscript illustration showing a party preparing to attempt the breach which has been made in the tower

Background imageManuscript Collection: King David Playing the Harp, 1622. Artist: Honthorst, Gerrit, van (1590-1656)

King David Playing the Harp, 1622. Artist: Honthorst, Gerrit, van (1590-1656)
King David Playing the Harp, 1622. Found in the collection of the Centraal Museum, Utrecht

Background imageManuscript Collection: The coronation of Baldwin II on 1118. Miniature from the Historia by William of Tyre, 1460s

The coronation of Baldwin II on 1118. Miniature from the Historia by William of Tyre, 1460s. Artist: Anonymous
The coronation of Baldwin II on 1118. Miniature from the Historia by William of Tyre, 1460s. Found in the collection of the Bibliotheque de Geneve

Background imageManuscript Collection: The Eight Circled Cross, 800 AD, (20th century)

The Eight Circled Cross, 800 AD, (20th century). A 20th-century copy of the illustrated manuscript, produced by Celtic monks around AD 800

Background imageManuscript Collection: Christ appearing to David and a group of Camaldolese monks, 1390-1410

Christ appearing to David and a group of Camaldolese monks, 1390-1410. Artist: Andrea di Bartolo (bef. 1389-1428)
Christ appearing to David and a group of Camaldolese monks, 1390-1410. Found in the collection of the Free Library of Philadelphia

Background imageManuscript Collection: Fragment of wall painting from the tomb of Nebamun, Thebes, Egypt, 18th Dynasty, c1350 BC

Fragment of wall painting from the tomb of Nebamun, Thebes, Egypt, 18th Dynasty, c1350 BC. Though a standard subject for a Theban tomb painting, this banquet scene is one of the finest examples

Background imageManuscript Collection: Manuscript Illumination with the Presentation in the Temple in an Initial S, 1450-60

Manuscript Illumination with the Presentation in the Temple in an Initial S, 1450-60
Manuscript Illumination with the Presentation in the Temple in an Initial S, from a Gradual, 1450-60

Background imageManuscript Collection: Peacock-shaped Hand Washing Device (recto); Text Page, Arabic Prose (verso), 1315

Peacock-shaped Hand Washing Device (recto); Text Page, Arabic Prose (verso), 1315. This leaf from a 1315 Syrian copy of Ibn al-Razzaz al-Jazaris The Book of Knowledge of Ingenious Mechanical Devices

Background imageManuscript Collection: The Canterbury Pilgrimage, late 15th century, (1843). Artist: Henry Shaw

The Canterbury Pilgrimage, late 15th century, (1843). Artist: Henry Shaw
The Canterbury Pilgrimage, late 15th century, (1843). A 19th-century version of Chaucers pilgrims from a manuscript of Lydgates Storie of Thebes

Background imageManuscript Collection: Erotic scenes, Early 19th cen

Erotic scenes, Early 19th cen.. Private Collection

Background imageManuscript Collection: Emblem 50. The dragon killed the woman and she killed him, and both are covered in blood, 1816

Emblem 50. The dragon killed the woman and she killed him, and both are covered in blood, 1816
Emblem 50. The dragon killed the woman and she killed him, and both are covered in blood. From "Atalanta fugiens" by Mich, 1816. Private Collection

Background imageManuscript Collection: Emblem 49. The philosophical child recognizes three fathers, like Orion, 1816

Emblem 49. The philosophical child recognizes three fathers, like Orion, 1816
Emblem 49. The philosophical child recognizes three fathers, like Orion. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageManuscript Collection: Emblem 48. The king gets an illness from drinking water, but when healed by doctors he..., 1816

Emblem 48. The king gets an illness from drinking water, but when healed by doctors he..., 1816
Emblem 48. The king gets an illness from drinking water, but when healed by doctors he regains health. From "Atalanta f, 1816. Private Collection

Background imageManuscript Collection: Emblem 47. The wolf coming from the staircase and the dog coming from the staircase have..., 1816

Emblem 47. The wolf coming from the staircase and the dog coming from the staircase have..., 1816
Emblem 47. The wolf coming from the staircase and the dog coming from the staircase have bitten each other. From "Atalanta fugiens" v, 1816. Private Collection

Background imageManuscript Collection: Emblem 46. Two eagles, one from the east, the other from the west, come together, 1816

Emblem 46. Two eagles, one from the east, the other from the west, come together, 1816
Emblem 46. Two eagles, one from the east, the other from the west, come together. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageManuscript Collection: Emblem 45. The sun and its shadow accomplish the work, 1816. Creator: Merian, Matthäus

Emblem 45. The sun and its shadow accomplish the work, 1816. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 45. The sun and its shadow accomplish the work. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageManuscript Collection: Emblem 44. Through deceit Typhon kills Osiris and scatters his members

Emblem 44. Through deceit Typhon kills Osiris and scatters his members, which in turn brings...,1816 Creator: Merian
Emblem 44. Through deceit Typhon kills Osiris and scatters his members, which in turn brings together Isis, as far as is known, 1816. Private Collection

Background imageManuscript Collection: Emblem 43. Listen to the talking vulture, who in no way deceives you, 1816

Emblem 43. Listen to the talking vulture, who in no way deceives you, 1816
Emblem 43. Listen to the talking vulture, who in no way deceives you. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageManuscript Collection: Emblem 42. To him who is in Chymicis be nature, reason, experience and reading..., 1816

Emblem 42. To him who is in Chymicis be nature, reason, experience and reading..., 1816
Emblem 42. To him who is in Chymicis be nature, reason, experience and reading as a guide, staff, glasses and, 1816. Private Collection

Background imageManuscript Collection: Emblem 41. Adonis is slain by a boar, and as Venus comes running she colours the Roses..., 1816

Emblem 41. Adonis is slain by a boar, and as Venus comes running she colours the Roses..., 1816
Emblem 41. Adonis is killed by a wild boar. As Venus wanted to help him, she colored the roses red with blood. Ow, 1816. Private Collection

Background imageManuscript Collection: Emblem 40. Make two waters into one, and it will be the water of health, 1816

Emblem 40. Make two waters into one, and it will be the water of health, 1816
Emblem 40. Make two waters into one, and it will be the water of health. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageManuscript Collection: Emblem 39. Oedipus, after defeating the Sphynx and killing his father, takes his mother..., 1816

Emblem 39. Oedipus, after defeating the Sphynx and killing his father, takes his mother..., 1816
Emblem 39. Oedipus, after defeating the Sphynx and killing his father, takes his mother as his wife. From "Atalanta fugiens" by Mich, 1816. Private Collection

Background imageManuscript Collection: Emblem 38. The Rebis like a hermaphrodite is born from two mountains, Mercurius and Venus, 1816

Emblem 38. The Rebis like a hermaphrodite is born from two mountains, Mercurius and Venus, 1816
Emblem 38. The Rebis like a hermaphrodite is born from two mountains, Mercurius and Venus. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageManuscript Collection: Emblem 37. Three things are sufficient for mastery, the white smoke, which is water..., 1816

Emblem 37. Three things are sufficient for mastery, the white smoke, which is water..., 1816
Emblem 37. Three things are sufficient for mastery, the white smoke, which is water, the green lion, the ore Hermes, and the embroidery, 1816. Private Collection

Background imageManuscript Collection: Emblem 36. This stone is cast on the earth and lifted up on the mountains, dwells in the air

Emblem 36. This stone is cast on the earth and lifted up on the mountains, dwells in the air and is fed in rivers, that is, 1816. Private Collection

Background imageManuscript Collection: Emblem 35. Like Ceres Triptolemum, Thetis brought Achillem to get used to the fire, so

Emblem 35. Like Ceres Triptolemum, Thetis brought Achillem to get used to the fire, so the ..., 1816 Creator: Merian
Emblem 35. Like Ceres Triptolemum, Thetis brought Achillem to get used to the fire, so the artist should use the stone, 1816. Private Collection

Background imageManuscript Collection: Emblem 34. He is conceived in a water bath and born in the air, but when he turns..., 1816

Emblem 34. He is conceived in a water bath and born in the air, but when he turns..., 1816
Emblem 34. He is conceived in a water bath and born in the air, but when he turns red he leaves the water. From "Atala, 1816. Private Collection

Background imageManuscript Collection: Emblem 33. The hermaphrodite, lying like a dead person in darkness, needs fire, 1816

Emblem 33. The hermaphrodite, lying like a dead person in darkness, needs fire, 1816
Emblem 33. The hermaphrodite, lying like a dead person in darkness, needs fire. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageManuscript Collection: Emblem 32. The coral as it grows under the water and is hardened by air, so does the stone, 1816

Emblem 32. The coral as it grows under the water and is hardened by air, so does the stone, 1816
Emblem 32. The coral as it grows under the water and is hardened by air, so does the stone. From "Atalanta fugiens" v, 1816. Private Collection

Background imageManuscript Collection: Emblem 31. The king, swimming in the sea, cries out with a loud voice: Whoever saves me..., 1816

Emblem 31. The king, swimming in the sea, cries out with a loud voice: Whoever saves me..., 1816
Emblem 31. The king, swimming in the sea, cries out with a loud voice: Whoever saves me will receive a great gift. From "At, 1816. Private Collection

Background imageManuscript Collection: Emblem 30. The sun needs the moon, like the rooster needs the hens, 1618. Creator: Merian, Matthäus

Emblem 30. The sun needs the moon, like the rooster needs the hens, 1618. Creator: Merian, Matthäus
Emblem 30. The sun needs the moon, like the rooster needs the hens. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageManuscript Collection: Emblem 28. The king bathes in the airy bath and is rid of the black bile by Pharut, 1618

Emblem 28. The king bathes in the airy bath and is rid of the black bile by Pharut, 1618
Emblem 28. The king bathes in the airy bath and is rid of the black bile by Pharut. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageManuscript Collection: Emblem 27. Whoever wants to go in the philosopher's rose garden without the key is like a..., 1618

Emblem 27. Whoever wants to go in the philosopher's rose garden without the key is like a..., 1618
Emblem 27. Whoever wants to go in the philosopher's rose garden without the key is like a man who wants to go without feet, 1618. Private Collection

Background imageManuscript Collection: Emblem 26. The fruit of human wisdom is the wood of life, 1618

Emblem 26. The fruit of human wisdom is the wood of life, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 26. The fruit of human wisdom is the wood of life. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageManuscript Collection: Emblem 25. The dragon does not die unless killed by his brother and sister, which are Sol..., 1618

Emblem 25. The dragon does not die unless killed by his brother and sister, which are Sol..., 1618
Emblem 25. The dragon does not die unless killed by his brother and sister, which are Sol & Luna. A, 1618. Private Collection

Background imageManuscript Collection: Emblem 24. The wolf ate the king, and how he burned the life back to him, 1618

Emblem 24. The wolf ate the king, and how he burned the life back to him, 1618
Emblem 24. The wolf ate the king, and how he burned the life back to him. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageManuscript Collection: Emblem 23. It rains gold as Pallas is born at Rhodes and the sun is at Venus, 1618

Emblem 23. It rains gold as Pallas is born at Rhodes and the sun is at Venus, 1618
Emblem 23. It rains gold as Pallas is born at Rhodes and the sun is at Venus. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection



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