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Ludovico Ariosto Collection

Background imageLudovico Ariosto Collection: Plate 11 for Ariosto's Orlando Furioso, 1772. Creators: Daniel Nikolaus Chodowiecki, Daniel Berger

Plate 11 for Ariosto's Orlando Furioso, 1772. Creators: Daniel Nikolaus Chodowiecki, Daniel Berger
Plate 11 for Ariosto's Orlando Furioso, 1772. From Almanac Genealogique, 1772. Italian epic poem written by Ludovico Ariosto in the early 16th century

Background imageLudovico Ariosto Collection: Plate 5 for Ariosto's Orlando Furioso, 1772. Creators: Daniel Nikolaus Chodowiecki, Daniel Berger

Plate 5 for Ariosto's Orlando Furioso, 1772. Creators: Daniel Nikolaus Chodowiecki, Daniel Berger
Plate 5 for Ariosto's Orlando Furioso, 1772. From Almanac Genealogique, 1772. Italian epic poem written by Ludovico Ariosto in the early 16th century

Background imageLudovico Ariosto Collection: Plate 10 for Ariosto's Orlando Furioso, 1772. Creator: Daniel Berger

Plate 10 for Ariosto's Orlando Furioso, 1772. Creator: Daniel Berger
Plate 10 for Ariosto's Orlando Furioso, 1772. From Almanac Genealogique, 1772

Background imageLudovico Ariosto Collection: Plate 9 for Ariosto's Orlando Furioso, 1772. Creator: Daniel Berger

Plate 9 for Ariosto's Orlando Furioso, 1772. Creator: Daniel Berger
Plate 9 for Ariosto's Orlando Furioso, 1772. From Almanac Genealogique, 1772

Background imageLudovico Ariosto Collection: Plate 2 for Ariosto's Orlando Furioso, 1772. Creator: Daniel Berger

Plate 2 for Ariosto's Orlando Furioso, 1772. Creator: Daniel Berger
Plate 2 for Ariosto's Orlando Furioso, 1772. From Almanac Genealogique, 1772

Background imageLudovico Ariosto Collection: Plate 1 for Ariosto's Orlando Furioso, 1772. Creator: Daniel Berger

Plate 1 for Ariosto's Orlando Furioso, 1772. Creator: Daniel Berger
Plate 1 for Ariosto's Orlando Furioso, 1772. From Almanac Genealogique, 1772

Background imageLudovico Ariosto Collection: The Beaucousin Collection at the National Gallery - 'Ariosto' by Titian, 1860. Creator: Unknown

The Beaucousin Collection at the National Gallery - "Ariosto" by Titian, 1860. Creator: Unknown
The Beaucousin Collection at the National Gallery - "Ariosto" by Titian, 1860. Engraving of a painting later attributed to Palma Vecchio and titled Portrait of a Poet, c1516

Background imageLudovico Ariosto Collection: A Reciter of 'Orlando Furioso' at the Molo, Naples, 1839. Creator: Constantin Hansen

A Reciter of "Orlando Furioso" at the Molo, Naples, 1839. Creator: Constantin Hansen
A Reciter of "Orlando Furioso" at the Molo, Naples, 1839

Background imageLudovico Ariosto Collection: Orlando and Angelica Arrive at Charlemagne's Camp. Creator: Jean-Honore Fragonard

Orlando and Angelica Arrive at Charlemagne's Camp. Creator: Jean-Honore Fragonard
Orlando and Angelica Arrive at Charlemagne's Camp

Background imageLudovico Ariosto Collection: Isabella Abandons Her Home to Follow Odorico and His Men. Creator: Jean-Honore Fragonard

Isabella Abandons Her Home to Follow Odorico and His Men. Creator: Jean-Honore Fragonard
Isabella Abandons Her Home to Follow Odorico and His Men

Background imageLudovico Ariosto Collection: Orlando Kills the Orc with an Anchor. Creator: Jean-Honore Fragonard

Orlando Kills the Orc with an Anchor. Creator: Jean-Honore Fragonard
Orlando Kills the Orc with an Anchor

Background imageLudovico Ariosto Collection: Rinaldo, Astride Baiardo, Flies Off in Pursuit of Angelica, c. 1795. Creator: Jean-Honore Fragonard

Rinaldo, Astride Baiardo, Flies Off in Pursuit of Angelica, c. 1795. Creator: Jean-Honore Fragonard
Rinaldo, Astride Baiardo, Flies Off in Pursuit of Angelica, c. 1795

Background imageLudovico Ariosto Collection: Bradamante Tries to Catch Hold of the Hippogryph [recto], 1780s. Creator: Jean-Honore Fragonard

Bradamante Tries to Catch Hold of the Hippogryph [recto], 1780s. Creator: Jean-Honore Fragonard
Bradamante Tries to Catch Hold of the Hippogryph [recto], 1780s

Background imageLudovico Ariosto Collection: Angelica Is Exposed to the Orc, 1780s. Creator: Jean-Honore Fragonard

Angelica Is Exposed to the Orc, 1780s. Creator: Jean-Honore Fragonard
Angelica Is Exposed to the Orc, 1780s

Background imageLudovico Ariosto Collection: Angelica in Chains, 1859. Creator: Ingres, Jean Auguste Dominique (1780-1867)

Angelica in Chains, 1859. Creator: Ingres, Jean Auguste Dominique (1780-1867)
Angelica in Chains, 1859. Found in the collection of the Museu de Arte de S£o Paulo

Background imageLudovico Ariosto Collection: Rinaldo turning in Shame from the Magic Shield, ca 1744. Creator: Tiepolo, Giambattista (1696-1770)

Rinaldo turning in Shame from the Magic Shield, ca 1744. Creator: Tiepolo, Giambattista (1696-1770)
Rinaldo turning in Shame from the Magic Shield, ca 1744. Found in the collection of the National Gallery, London

Background imageLudovico Ariosto Collection: Norandino and Lucina Discovered by the Ogre, ca 1624. Creator: Lanfranco, Giovanni (1582-1647)

Norandino and Lucina Discovered by the Ogre, ca 1624. Creator: Lanfranco, Giovanni (1582-1647)
Norandino and Lucina Discovered by the Ogre, ca 1624. Found in the collection of the Galleria Borghese, Rome

Background imageLudovico Ariosto Collection: Plate 4 for Ariosto's Orlando Furioso, 1772. Creator: Daniel Berger

Plate 4 for Ariosto's Orlando Furioso, 1772. Creator: Daniel Berger
Plate 4 for Ariosto's Orlando Furioso, 1772. Book: Almanac Genealogique, 1772

Background imageLudovico Ariosto Collection: Angelica lying across the lap of Medoro and writes their names on a tree trunk, 1784-1836

Angelica lying across the lap of Medoro and writes their names on a tree trunk, 1784-1836. Angelica e Medoro in varj modi / legati insieme di diversi nodi

Background imageLudovico Ariosto Collection: The Challenge Of Rodomont To Rogero, 1827. Creator: Henry Perronet Briggs

The Challenge Of Rodomont To Rogero, 1827. Creator: Henry Perronet Briggs
The Challenge Of Rodomont To Rogero, 1827

Background imageLudovico Ariosto Collection: Angelica and Medoro; the couple embracing, Medoro carving their names in the bark of a

Angelica and Medoro; the couple embracing, Medoro carving their names in the bark of a tree; Cupid holding a torch in the background, ca. 1570. After Teodoro Ghisi

Background imageLudovico Ariosto Collection: Ruggiero Rescuing Angelica, 1565. Creator: Cornelis Cort

Ruggiero Rescuing Angelica, 1565. Creator: Cornelis Cort
Ruggiero Rescuing Angelica, 1565

Background imageLudovico Ariosto Collection: Vignette for the first chant of Roland Furieux, 18th century

Vignette for the first chant of Roland Furieux, 18th century. Segue Rinaldo il suo destrier Baiardo Ed Angelica incontra che fuggia

Background imageLudovico Ariosto Collection: Canto 13, Stanza 38, from Orlando Furioso, 1772-74. 1772-74. Creator: Nicolas de Launay

Canto 13, Stanza 38, from Orlando Furioso, 1772-74. 1772-74. Creator: Nicolas de Launay
Canto 13, Stanza 38, from Orlando Furioso, 1772-74. [A chi l petto, a chi l ventre, a chi la testa, / A chi rompe le gambe, a chi le braccia]

Background imageLudovico Ariosto Collection: Canto 22, Stanza 86, from Orlando Furioso, 1772. 1772. Creator: Nicolas de Launay

Canto 22, Stanza 86, from Orlando Furioso, 1772. 1772. Creator: Nicolas de Launay
Canto 22, Stanza 86, from Orlando Furioso, 1772. [Lo scudo non pur lor gli occhi abbarbaglia, / Ma fa che ogn altro senso attonito erra]

Background imageLudovico Ariosto Collection: Canto 42, Stanza 64, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay

Canto 42, Stanza 64, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay
Canto 42, Stanza 64, from Orlando Furioso, 1774. [Gli disse quel che dianzi dir non volle: / Sappi, Rinaldo, il nomee mio e lo Sdegno, / Venuto sol per sciorti il giogo indegno]

Background imageLudovico Ariosto Collection: Canto 39, Stanza 57, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay

Canto 39, Stanza 57, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay
Canto 39, Stanza 57, from Orlando Furioso, 1774. [Che nel tirar, che fece il fiato in suso / Tutto il voto, maraviglioso caso]

Background imageLudovico Ariosto Collection: Canto 31, Stanza 70, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay

Canto 31, Stanza 70, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay
Canto 31, Stanza 70, from Orlando Furioso, 1774. [Si che una sorte uguale ambi li getta / Nell acqua, e gran rimbombo al ciel ne riede]

Background imageLudovico Ariosto Collection: Canto 14, Stanza 45, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay

Canto 14, Stanza 45, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay
Canto 14, Stanza 45, from Orlando Furioso, 1774. [Scudi spezza, elmi schiaccia, e un colpo spesso / Spegne i cavalli a i cavalieri appresso]

Background imageLudovico Ariosto Collection: Angelica and Medoro; they stand next to a stream as Medoro carves their names into a tr

Angelica and Medoro; they stand next to a stream as Medoro carves their names into a tree, a putto is seated at left with a torch and another putto walks towards them with a goat, 1590-98

Background imageLudovico Ariosto Collection: Canto 26, Stanza 39, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay

Canto 26, Stanza 39, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay
Canto 26, Stanza 39, from Orlando Furioso, 1774. [Sappiate che costor che qui scritto hanno nel marmo i nomi, al mondo mai non furo]

Background imageLudovico Ariosto Collection: The Damsel and Orlando, ca. 1793. Creator: Benjamin West

The Damsel and Orlando, ca. 1793. Creator: Benjamin West
The Damsel and Orlando, ca. 1793

Background imageLudovico Ariosto Collection: Angelica and Medoro, possibly early 1630s. Creator: Jacques Blanchard

Angelica and Medoro, possibly early 1630s. Creator: Jacques Blanchard
Angelica and Medoro, possibly early 1630s

Background imageLudovico Ariosto Collection: Portrait of Ludovico Ariosto (1474-1533), First Half of 16th cen Creator: Anonymous

Portrait of Ludovico Ariosto (1474-1533), First Half of 16th cen Creator: Anonymous
Portrait of Ludovico Ariosto (1474-1533), First Half of 16th Century. Private Collection

Background imageLudovico Ariosto Collection: Immortalia - the nymph of immortality, 1783. Creator: Kauffmann, Angelika (1741-1807)

Immortalia - the nymph of immortality, 1783. Creator: Kauffmann, Angelika (1741-1807)
Immortalia - the nymph of immortality, 1783. Private Collection

Background imageLudovico Ariosto Collection: Angelica and the wounded Medoro, ca 1860. Artist: Delacroix, Eugene (1798-1863)

Angelica and the wounded Medoro, ca 1860. Artist: Delacroix, Eugene (1798-1863)
Angelica and the wounded Medoro, ca 1860. Found in the collection of the Art Gallery of New South Wales

Background imageLudovico Ariosto Collection: The sorceress Melissa, ca 1521-1525

The sorceress Melissa, ca 1521-1525. Found in the Collection of Galleria Borghese, Rome

Background imageLudovico Ariosto Collection: The Hermit and the Sleeping Angelica, ca 1627

The Hermit and the Sleeping Angelica, ca 1627. Found in the Collection of Art History Museum, Vienne

Background imageLudovico Ariosto Collection: Angelica and Medoro, 1716

Angelica and Medoro, 1716. Found in the Collection of Muzeul National Brukenthal, Sibiu

Background imageLudovico Ariosto Collection: The sorceress Melissa. Artist: Dossi, Dosso (ca. 1486-1542)

The sorceress Melissa. Artist: Dossi, Dosso (ca. 1486-1542)
The sorceress Melissa. Found in the collection of Galleria Borghese, Rome

Background imageLudovico Ariosto Collection: Roland and Angelica

Roland and Angelica. Private Collection

Background imageLudovico Ariosto Collection: Residence of John Hoole, Great Queen Street, Lincolns Inn Fields, London, 1840. Artist: C J Smith

Residence of John Hoole, Great Queen Street, Lincolns Inn Fields, London, 1840. Artist: C J Smith
Residence of John Hoole, the translator of Ariosto, Great Queen Street, Lincolns Inn Fields, London, 1840. The home of John Hoole (1727-1803)

Background imageLudovico Ariosto Collection: Ludovico Ariosto, Italian Renaissance poet, (1836). Artist: Robert Hart

Ludovico Ariosto, Italian Renaissance poet, (1836). Artist: Robert Hart
Ludovico Ariosto, Italian Renaissance poet, (1836). Ariosto (1474-1533), pictured wearing a laurel crown, was the author of the epic poem Orlando Furioso (1516)

Background imageLudovico Ariosto Collection: Ruggiero Rescuing Angelica. Artist: Ingres, Jean Auguste Dominique (1780-1867)

Ruggiero Rescuing Angelica. Artist: Ingres, Jean Auguste Dominique (1780-1867)
Ruggiero Rescuing Angelica. Found in the collection of Louvre, Paris

Background imageLudovico Ariosto Collection: A Man with a Quilted Sleeve (Ludovico Ariosto), c. 1510. Artist: Titian (1488-1576)

A Man with a Quilted Sleeve (Ludovico Ariosto), c. 1510. Artist: Titian (1488-1576)
A Man with a Quilted Sleeve (Ludovico Ariosto), c. 1510. Found in the collection of the National Gallery, London

Background imageLudovico Ariosto Collection: Portrait of a Poet (Ludovico Ariosto), c. 1516. Artist: Palma il Vecchio, Jacopo

Portrait of a Poet (Ludovico Ariosto), c. 1516. Artist: Palma il Vecchio, Jacopo, the Elder (1480-1528)
Portrait of a Poet (Ludovico Ariosto), c. 1516. Found in the collection of the National Gallery, London

Background imageLudovico Ariosto Collection: Portrait of Ludovico Ariosto (1474-1533), 1730. Artist: Orsolini, Carlo (1704-1780)

Portrait of Ludovico Ariosto (1474-1533), 1730. Artist: Orsolini, Carlo (1704-1780)
Portrait of Ludovico Ariosto (1474-1533), 1730. From a private collection

Background imageLudovico Ariosto Collection: Angelica saved by Ruggiero, 1819-1839. Artist: Ingres, Jean Auguste Dominique (1780-1867)

Angelica saved by Ruggiero, 1819-1839. Artist: Ingres, Jean Auguste Dominique (1780-1867)
Angelica saved by Ruggiero, 1819-1839. Found in the collection of the National Gallery, London



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