Lady Lever Art Gallery Collection

Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais
Sir Isumbras at the Ford, 1857, (c1915). The painting is held by the Lady Lever Art Gallery, Port Sunlight. From International Art: Past and Present by Alfred Yockney

Lancaster, from the Aqueduct Bridge, c1825. Artist: JMW Turner
Lancaster, from the Aqueduct Bridge, c1825. Painting housed in the Lady Lever Art Gallery, Liverpool. From The Connoisseur Volume LXXXVIII, edited by C. Reginald Grundy

The Scapegoat, 1854-56, (1911). Artist: William Holman Hunt
The Scapegoat, 1854-56. Painting held at the Lady Lever Art Gallery, Liverpool. From A History of Painting Volume VIII by Haldane MacFall [T. C. and E. C. Jack, Lodon & Edinburgh, 1911.]

The Garden of the Hesperides, ca 1892. Artist: Leighton, Frederic, 1st Baron Leighton (1830-1896)
The Garden of the Hesperides, ca 1892. Found in the collection of the Lady Lever Art Gallery, Liverpool

Cromwell on His Farm, 1874, (1918). Artist: Ford Madox Brown
Cromwell on His Farm, 1874, (1918). Painting held at the Lady Lever Art Gallery, Liverpool. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Secretaire commode, c1785 Artist: George Brookshaw
Secretaire commode, c1785. The medallions are all derived from Angelica Kauffmanns work. Representing: ?Una and the Lion? (on top), the lovers ?Damon and Musidora? and ?Paris and Oenone?

Cleopatras Arrival in Cilicia, 1821. Artist: William Etty
Cleopatras Arrival in Cilicia, 1821. Painting housed at the Lady Lever Gallery, Liverpool. From The Studio Volume 85. [London Offices of the Studio, London, 1923]

The Young Duke, 1888. Artist: William Quiller Orchardson
The Young Duke, 1888. Painting held in the Lady Lever Art Gallery, Liverpool. From The Studio Volume 82. [London Offices of the Studio, London, 1921]

Rivington Water, 1910. Artist: Alfred Edward East
Rivington Water, 1910. Painting held in Lady Lever Art Gallery. From The Studio Volume 82. [London Offices of the Studio, London, 1921]

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