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Joseph Swain Collection (page 8)

Background imageJoseph Swain Collection: Home-(Rule)-Opathy, 1874. Artist: Joseph Swain

Home-(Rule)-Opathy, 1874. Artist: Joseph Swain
Home-(Rule)-Opathy, 1874. Mr Isaac Butt, the moderate leader of the Irish Home Rule Party opens a box labelled Home Rule. Ireland sits by her small fire with her meagre possessions on a stool beside

Background imageJoseph Swain Collection: Female School of Art, 1874. Artist: Joseph Swain

Female School of Art, 1874. Artist: Joseph Swain
Female School of Art, 1874. An elegant young man with time on his hands poses for a roomful of young women in a straight reversal of the usual roles

Background imageJoseph Swain Collection: Womans Wrongs, 1874. Artist: Joseph Swain

Womans Wrongs, 1874. Artist: Joseph Swain
Womans Wrongs, 1874. A brutish working-class husband prepares to beat his wife who still bears the insignia of previous violence

Background imageJoseph Swain Collection: Black Sheep, 1874. Artist: Joseph Swain

Black Sheep, 1874. Artist: Joseph Swain
Black Sheep, 1874. This cartoon shows the Archbishop of Canterbury rooting out the black sheep from amongst his flock and sending them back towards Rome

Background imageJoseph Swain Collection: The Good Little Vitler, 1874. Artist: Joseph Swain

The Good Little Vitler, 1874. Artist: Joseph Swain
The Good Little Vitler, 1874. The little victualler is rewarded by the new Conservative Home Secretary, RA Cross. The previous Home Secretary, HA Bruce

Background imageJoseph Swain Collection: Dearly Bought, 1874. Artist: Joseph Swain

Dearly Bought, 1874. Artist: Joseph Swain
Dearly Bought, 1874. Sir Garnet Wolseley is depicted presenting Britannia with King King Coffees state umbrella. British troops in the background stand guard over the dejected native King

Background imageJoseph Swain Collection: The Levee of the Season, 1874. Artist: Joseph Swain

The Levee of the Season, 1874. Artist: Joseph Swain
The Levee of the Season, 1874. Queen Victoria reviews her troops. These were the men who had fought in the Ashanti Campaign recently under the leadership of Sir Garnet Wolseley

Background imageJoseph Swain Collection: Paradise and the Peri, 1874. Artist: Joseph Swain

Paradise and the Peri, 1874. Artist: Joseph Swain
Paradise and the Peri, 1874. Mr Disraeli is taken by the wings of happiness. The General Election of the 5th March 1874 had seen the Conservatives, under the leadership of Mr Disraeli

Background imageJoseph Swain Collection: Degenerate Days!!, 1874. Artist: Joseph Swain

Degenerate Days!!, 1874. Artist: Joseph Swain
Degenerate Days!!, 1874. A publican and his customer discuss the forthcoming General Election. After being in power since 1868, the Liberal Prime Minister, Gladstone

Background imageJoseph Swain Collection: General election, (1874?). Artist: Joseph Swain

General election, (1874?). Artist: Joseph Swain
General election, (1874?). A shrouded figure holds up the ballot box whilst, in the mists and gloom at the figures feet, the Liberal Prime Minister, Gladstone

Background imageJoseph Swain Collection: Terrible Result of the Higher Education of Women!, 1874. Artist: Joseph Swain

Terrible Result of the Higher Education of Women!, 1874. Artist: Joseph Swain
Terrible Result of the Higher Education of Women!, 1874. The beautiful young women go into dinner on the arms of the elderly professors

Background imageJoseph Swain Collection: The Latest in Russia Bonds, 1874. Artist: Joseph Swain

The Latest in Russia Bonds, 1874. Artist: Joseph Swain
The Latest in Russia Bonds, 1874. Mr Punch, trailing a garland of roses, stands atop a pedestal labelled Hymen. In the foreground

Background imageJoseph Swain Collection: The Vatican Hatter, 1874. Artist: Joseph Swain

The Vatican Hatter, 1874. Artist: Joseph Swain
The Vatican Hatter, 1874 - who looks very like Pope Pius IX - shows the new Archbishop of Westminster a cardinals hat and apologises that he hasn t got one to fit Dr Manning

Background imageJoseph Swain Collection: Low(e) art and whitewash, 1873. Artist: Joseph Swain

Low(e) art and whitewash, 1873. Artist: Joseph Swain
Low(e) art and whitewash, 1873. Mr Robert Lowe slaps whitewash onto the sturdy figure of a policeman. The British police had been under fire in recent years following various scandals both in London

Background imageJoseph Swain Collection: Neighbours In Council, 1869. Artist: John Tenniel

Neighbours In Council, 1869. Artist: John Tenniel
Neighbours In Council, 1869. France and Britannia were each facing their problems, although, as is often the case, France is depicted as a weaker version of Britannia

Background imageJoseph Swain Collection: The Irish Treason Shop, 1869. Artist: Joseph Swain

The Irish Treason Shop, 1869. Artist: Joseph Swain
The Irish Treason Shop, 1869. The Fenian movement was still causing the British Government problems. The movement had not been pacified by the measures introduced through the recent Irish Bill

Background imageJoseph Swain Collection: From The Great Pyramid. (A Bird s-Eye View of The Canal and Its Consequences. ), 1869

From The Great Pyramid. (A Bird s-Eye View of The Canal and Its Consequences. ), 1869. Artist: Joseph Swain
From The Great Pyramid. (A Bird s-Eye View of The Canal and Its Consequences.), 1869. In November 1869 the Suez Canal was formally opened

Background imageJoseph Swain Collection: A Perilous Passage, 1869. Artist: Joseph Swain

A Perilous Passage, 1869. Artist: Joseph Swain
A Perilous Passage, 1869. Napoleon III of France was struggling against a wave of unpopularity at the time. He had introduced a number of measures to try and calm the situation

Background imageJoseph Swain Collection: How Not To Do It, 1869. Artist: Joseph Swain

How Not To Do It, 1869. Artist: Joseph Swain
How Not To Do It, 1869. The Fenian movement was still causing the British Government problems. The movement had not been pacified by the measures introduced through the recent Irish Bill

Background imageJoseph Swain Collection: Bob and The Bobby, Or Only His Fun, 1869. Artist: Joseph Swain

Bob and The Bobby, Or Only His Fun, 1869. Artist: Joseph Swain
Bob and The Bobby, Or Only His Fun, 1869. Robert Lowe, the Chancellor of the Exchequer, had proposed devaluing the sovereign by one per cent

Background imageJoseph Swain Collection: Big Bogey in Ireland, 1869. Artist: Joseph Swain

Big Bogey in Ireland, 1869. Artist: Joseph Swain
Big Bogey in Ireland, 1869. The Cardinal forbids his little catholic children from joining their Protestant friends in the National School

Background imageJoseph Swain Collection: Well Rowed All!, 1869. Artist: Joseph Swain

Well Rowed All!, 1869. Artist: Joseph Swain
Well Rowed All!, 1869. This cartoon refers to the development of a special relationship between Britain and the United States

Background imageJoseph Swain Collection: Destiny and Fete, Or Time Works Wonders, 1869. Artist: Joseph Swain

Destiny and Fete, Or Time Works Wonders, 1869. Artist: Joseph Swain
Destiny and Fete, Or Time Works Wonders, 1869. Napoleon III of France was struggling against a wave of unpopularity at the time

Background imageJoseph Swain Collection: A Change for The Better, 1869. Artist: Joseph Swain

A Change for The Better, 1869. Artist: Joseph Swain
A Change for The Better, 1869. After his success in the 1868 General Election, Mr Gladstone became the new Prime Minister

Background imageJoseph Swain Collection: An Arduous Quest, 1878. Artist: Joseph Swain

An Arduous Quest, 1878. Artist: Joseph Swain
An Arduous Quest, 1878. Mr Punch asks Father Christmas what he is looking for. Father Christmas replies that he is looking for peace on earth, and goodwill towards men

Background imageJoseph Swain Collection: Nous avons change tout cela!, 1878. Artist: Joseph Swain

Nous avons change tout cela!, 1878. Artist: Joseph Swain
Nous avons change tout cela!, (We ve changed all that!), 1878. Britannia, wearing a Union Jack apron, brandishes a bunch of twigs above her head

Background imageJoseph Swain Collection: Poor Buffer, 1878. Artist: Joseph Swain

Poor Buffer, 1878. Artist: Joseph Swain
Poor Buffer, 1878. The Ameer of Afghanistan, holding a tiny shield and raised sword, straddles the buffers of a Russian steam train

Background imageJoseph Swain Collection: The Shadow on the Hills, 1878. Artist: Joseph Swain

The Shadow on the Hills, 1878. Artist: Joseph Swain
The Shadow on the Hills, 1878. An armed man in a turban, possibly a native sepoy, who represents India stands looking into the distance

Background imageJoseph Swain Collection: Hot Pies!, 1879. Artist: Joseph Swain

Hot Pies!, 1879. Artist: Joseph Swain
Hot Pies!, 1879. A group of politicians are devouring pies representing countries. Lord Lytton, the viceroy of India, dressed as a waiter, brings another pie, to which Disraeli ( Master Benjamin )

Background imageJoseph Swain Collection: The Dogs of War, 1876. Artist: Joseph Swain

The Dogs of War, 1876. Artist: Joseph Swain
The Dogs of War, 1876. A Russian struggles to control a group of dogs, representing the Balkans, which are pulling at their leashes, eager to chase Murad V, the new Sultan of the Ottoman empire

Background imageJoseph Swain Collection: Justice to the Rescue!, 1876. Artist: Joseph Swain

Justice to the Rescue!, 1876. Artist: Joseph Swain
Justice to the Rescue!, 1876. Uncle Sam and John Bull, representing Britain and the United States of America, are tearing up the Extradition Treaty of 1842



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