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Handwriting Collection (page 2)

Background imageHandwriting Collection: Emblem 21. Make a circle of man and woman, out of it a square, out of that into a triangle..., 1618

Emblem 21. Make a circle of man and woman, out of it a square, out of that into a triangle..., 1618
Emblem 21. Make a circle of man and woman, out of it a square, out of that into a triangle, make a circle, and you shall have, 1618. Private Collection

Background imageHandwriting Collection: Emblem 20. Nature teaches nature to overcome fire. From 'Atalanta fugiens' by Michael Maier, 1618

Emblem 20. Nature teaches nature to overcome fire. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Emblem 19. If you kill one of the four, soon they will all die, 1618

Emblem 19. If you kill one of the four, soon they will all die, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 19. If you kill one of the four, soon they will all die. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Emblem 18. Fire makes fiery, not gold, but gold. From 'Atalanta fugiens' by Michael Maier, 1618

Emblem 18. Fire makes fiery, not gold, but gold. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Emblem 16. This lion has no feathers, but that one has. From 'Atalanta fugiens' by Michael..., 1618

Emblem 16. This lion has no feathers, but that one has. From "Atalanta fugiens" by Michael..., 1618
Emblem 16. This lion has no feathers, but that one has. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Emblem 17. A fourfold ball of fire governs this work. From 'Atalanta fugiens' by Michael Maier

Emblem 17. A fourfold ball of fire governs this work. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Emblem 15. The potter's work, consisting of dry and wet, shall teach you, 1618

Emblem 15. The potter's work, consisting of dry and wet, shall teach you, 1618
Emblem 15. The potter's work, consisting of dry and wet, shall teach you. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Emblem 14. This is the dragon eating its own tail. From 'Atalanta fugiens' by Michael Maier, 1618

Emblem 14. This is the dragon eating its own tail. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Emblem 12. The stone that Saturn ate and spat out before Jupiter's son is remembered..., 1618

Emblem 12. The stone that Saturn ate and spat out before Jupiter's son is remembered..., 1618
Emblem 12. The stone that Saturn ate and spat out before Jupiter's son is remembered on the mountain, 1618. Private Collection

Background imageHandwriting Collection: Emblem 10. Give fire to fire, Mercurius to Mercurius, and it is enough for you, 1618

Emblem 10. Give fire to fire, Mercurius to Mercurius, and it is enough for you, 1618
Emblem 10. Give fire to fire, Mercurius to Mercurius, and it is enough for you. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 13. The brass of the wise is addicted to dropsy and wants to be bathed seven times..., 1618
Emblem 13. The brass of the wise is addicted to dropsy and wants to be bathed seven times in the river like Naaman the leper in the Jordan. Ow, 1618. Private Collection

Background imageHandwriting Collection: Emblem 3. Go to the woman who washes her smiles, do the same, 1618

Emblem 3. Go to the woman who washes her smiles, do the same, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 3. Go to the woman who washes her smiles, do the same. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Emblem 2. The earth is his wet nurse. From 'Atalanta fugiens' by Michael Maier, 1618

Emblem 2. The earth is his wet nurse. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Emblem 1. The wind carried him in his belly. From 'Atalanta fugiens' by Michael Maier, 1618

Emblem 1. The wind carried him in his belly. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Hermes Trismegistus. From De divinatione et magicis praestigiis, 1616

Hermes Trismegistus. From De divinatione et magicis praestigiis, 1616. Creator: Bry, Johann Theodor de (1561-1623)
Hermes Trismegistus. From De divinatione et magicis praestigiis, 1616. Private Collection

Background imageHandwriting Collection: Saturn. (Planetarum effectus et eorum in signis zodiaci), 1585

Saturn. (Planetarum effectus et eorum in signis zodiaci), 1585. Creator: Sadeler, Jan (Johannes), the Elder (1550-1600)
Saturn. (Planetarum effectus et eorum in signis zodiaci), 1585. Private Collection

Background imageHandwriting Collection: De lapide philosophorum: Philosopher's Stone. From Alchymia by Andreas Libavius, 1606

De lapide philosophorum: Philosopher's Stone. From Alchymia by Andreas Libavius, 1606. Private Collection

Background imageHandwriting Collection: De lapide philosophorum: Philosopher's Stone. From Alchymia by Andreas Libavius, 1606

De lapide philosophorum: Philosopher's Stone. From Alchymia by Andreas Libavius, 1606. Private Collection

Background imageHandwriting Collection: The Alchemical World Landscape, from Opus medico-chymicum by Johann Daniel Mylius, 1618

The Alchemical World Landscape, from Opus medico-chymicum by Johann Daniel Mylius, 1618. Private Collection

Background imageHandwriting Collection: Azoth, Sive Aureliae Occultae Philosophorum... by Basilius Valentinus, 1613. Creator: Unknown artist

Azoth, Sive Aureliae Occultae Philosophorum... by Basilius Valentinus, 1613. Creator: Unknown artist
Azoth, Sive Aureliae Occultae Philosophorum... by Basilius Valentinus, 1613. Private Collection

Background imageHandwriting Collection: Azoth, Sive Aureliae Occultae Philosophorum... by Basilius Valentinus, 1613. Creator: Unknown artist

Azoth, Sive Aureliae Occultae Philosophorum... by Basilius Valentinus, 1613. Creator: Unknown artist
Azoth, Sive Aureliae Occultae Philosophorum... by Basilius Valentinus, 1613. Private Collection

Background imageHandwriting Collection: Azoth, Sive Aureliae Occultae Philosophorum... by Basilius Valentinus, 1613. Creator: Unknown artist

Azoth, Sive Aureliae Occultae Philosophorum... by Basilius Valentinus, 1613. Creator: Unknown artist
Azoth, Sive Aureliae Occultae Philosophorum... by Basilius Valentinus, 1613. Private Collection

Background imageHandwriting Collection: Phanes, the Orphic deity, Second quarter of the 2nd century. Creator: Klassische Antike Kunst

Phanes, the Orphic deity, Second quarter of the 2nd century. Creator: Klassische Antike Kunst
Phanes, the Orphic deity, Second quarter of the 2nd century. Found in the Collection of the Galleria Estense, Modena.

Background imageHandwriting Collection: Emblem 29. As the salamander lives in fire, so does the stone, 1618

Emblem 29. As the salamander lives in fire, so does the stone, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 29. As the salamander lives in fire, so does the stone. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: The red angels of Mars and the golden angels of the sun. ?From 'The Sworn Book of..., 15th century

The red angels of Mars and the golden angels of the sun. ?From "The Sworn Book of..., 15th century
The red angels of Mars and the golden angels of the sun. ?From "The Sworn Book of Honorius" (BL Royal 17 A), 15th century. Found in the Collection of the British Library.

Background imageHandwriting Collection: Angels of Saturn, Jupiter, Mars, Sun and Venus, 15th century. Creator: Unknown artist

Angels of Saturn, Jupiter, Mars, Sun and Venus, 15th century. Creator: Unknown artist
Angels of Saturn, Jupiter, Mars, Sun and Venus. From "The Sworn Book of Honorius" (BL Royal 17 A), 15th century. Found in the Collection of the British Library.

Background imageHandwriting Collection: Emblem 6. Sow only gold in the white leafed earth. From 'Atalanta fugiens' by Michael Maier, 1618

Emblem 6. Sow only gold in the white leafed earth. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Emblem 5. Put the toad on the woman's breast so that it sucks, and the woman dies, and the..., 1618

Emblem 5. Put the toad on the woman's breast so that it sucks, and the woman dies, and the..., 1618
Emblem 5. Put the toad on the woman's breast so that it sucks, and the woman dies, and the toad will grow very large with milk. Out of, 1618. Private Collection

Background imageHandwriting Collection: Emblem 4. Add the brother to the sister and give them the cup of love, 1618

Emblem 4. Add the brother to the sister and give them the cup of love, 1618
Emblem 4. Add the brother to the sister and give them the cup of love. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Emblem 7. The young bird flies from the nest and falls back into the nest, 1618

Emblem 7. The young bird flies from the nest and falls back into the nest, 1618
Emblem 7. The young bird flies from the nest and falls back into the nest. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: The Gutenberg Bible, 1455. Creator: Unknown artist

The Gutenberg Bible, 1455. Creator: Unknown artist
The Gutenberg Bible, 1455. Found in the Collection of the Staatsbibliothek zu Berlin.

Background imageHandwriting Collection: Emblem 11. Machet knows the Latona and tears up the books, 1618

Emblem 11. Machet knows the Latona and tears up the books, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 11. Machet knows the Latona and tears up the books. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Emblem 9. Lock the tree and the old man in a house full of dew, and whoever eats its fruit..., 1618

Emblem 9. Lock the tree and the old man in a house full of dew, and whoever eats its fruit..., 1618
Emblem 9. Lock the tree and the old man in a house full of dew, and whoever eats its fruit will be rejuvenated. Out of ", 1618. Private Collection

Background imageHandwriting Collection: Emblem 8. Take the egg and hit it with a glowing sword, 1618

Emblem 8. Take the egg and hit it with a glowing sword, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 8. Take the egg and hit it with a glowing sword. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Scraper, compass and adze, Selkups, 1920. Creator: A. G. Vargin

Scraper, compass and adze, Selkups, 1920. Creator: A. G. Vargin
Scraper, compass and adze, Selkups, 1920. V. I. Surikov Museum of Art in Krasnoiarsk

Background imageHandwriting Collection: Women's fur coat for extraordinary occasions, 1925. Creator: Aleksei Vasilevich Voshchakin

Women's fur coat for extraordinary occasions, 1925. Creator: Aleksei Vasilevich Voshchakin
Women's fur coat for extraordinary occasions, 1925. Novosibirsk State Museum of Regional History and Folklife

Background imageHandwriting Collection: Queen Sophia of Sweden & Norway, 1900. Creator: Gosta Florman. Queen Sophia of Sweden & Norway, 1900

Queen Sophia of Sweden & Norway, 1900. Creator: Gosta Florman. Queen Sophia of Sweden & Norway, 1900
Queen Sophia of Sweden & Norway, 1900

Background imageHandwriting Collection: Dendropicos fuscescens (Cardinal woodpecker)and Estrilda astrild (Common waxbill), 1777-1786

Dendropicos fuscescens (Cardinal woodpecker)and Estrilda astrild (Common waxbill), 1777-1786

Background imageHandwriting Collection: Oreotragus oreotragus (Klipspringer), 1777-1786. Creator: Robert Jacob Gordon

Oreotragus oreotragus (Klipspringer), 1777-1786. Creator: Robert Jacob Gordon
Oreotragus oreotragus (Klipspringer), 1777-1786. Klipspringer (Oreotragus Oreotragus), the ram, on a mountain plateau; with Rhenish (Rijnlandse) scale

Background imageHandwriting Collection: Agricultural Labourers Union at the Memorial Hall, Farringdon-Street...1876. Creator: Unknown

Agricultural Labourers Union at the Memorial Hall, Farringdon-Street...1876. Creator: Unknown
Agricultural Labourers Union at the Memorial Hall, Farringdon-Street, [London]: Delegates signing Petition, 1876. About a thousand persons from different parts of the country were present

Background imageHandwriting Collection: Allegorical Sketch, 1815. Creator: Benjamin West

Allegorical Sketch, 1815. Creator: Benjamin West
Allegorical Sketch, 1815. This ink drawing is a "holograph"- a document written entirely by the hand of the person whose signature it bears

Background imageHandwriting Collection: Beach at Cape May, c1840. Creator: Alfred Jacob Miller

Beach at Cape May, c1840. Creator: Alfred Jacob Miller
Beach at Cape May, c1840. Two men seated on folding stools sit on the sand despite clouds of annoying insects. Cape May, New Jersey, is among the oldest American seaside resorts

Background imageHandwriting Collection: Portrait of Governor William Moultrie, 1802. Creator: Charles Fraser

Portrait of Governor William Moultrie, 1802. Creator: Charles Fraser
Portrait of Governor William Moultrie, 1802

Background imageHandwriting Collection: A Baltimore Watchman, 19th century. Creator: Alfred Jacob Miller

A Baltimore Watchman, 19th century. Creator: Alfred Jacob Miller
A Baltimore Watchman, 19th century

Background imageHandwriting Collection: Man and woman in Masquerade costumes, 1804-1866. Creator: Paul Gavarni

Man and woman in Masquerade costumes, 1804-1866. Creator: Paul Gavarni
Man and woman in Masquerade costumes, 1804-1866

Background imageHandwriting Collection: Two Men in Fancy Dress Costumes, 1804-1866. Creator: Paul Gavarni

Two Men in Fancy Dress Costumes, 1804-1866. Creator: Paul Gavarni
Two Men in Fancy Dress Costumes, 1804-1866

Background imageHandwriting Collection: Portrait of a Man, 1845. Creator: Charles Loring Elliott

Portrait of a Man, 1845. Creator: Charles Loring Elliott
Portrait of a Man, 1845. This may be a self-portrait of the prolific 19th-century American painter Charles Loring Elliott

Background imageHandwriting Collection: View of the orangery in the Kungstradgarden, decorated on the occasion of Duke Karl's...in 1774

View of the orangery in the Kungstradgarden, decorated on the occasion of Duke Karl's...in 1774
View of the orangery in the Kungstradgarden, decorated on the occasion of Duke Karl's betrothal to Princess Hedvig Elisabet Charlotta of Oldenburg in 1774



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