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Handwriting Collection

Background imageHandwriting Collection: Letter from Mary Queen of Scots to Queen Elizabeth I, Sheffield, 29 October 1571

Letter from Mary Queen of Scots to Queen Elizabeth I, Sheffield, 29 October 1571. Artist: Mary Queen of Scots
Letter from Mary Queen of Scots to Queen Elizabeth I, Sheffield, 29 October 1571. Letter, in French, from Mary Queen of Scots, to Queen Elizabeth

Background imageHandwriting Collection: Olimpio Fusco, c. 1900-1910. Creator: John Singer Sargent

Olimpio Fusco, c. 1900-1910. Creator: John Singer Sargent
Olimpio Fusco, c. 1900-1910

Background imageHandwriting Collection: Letter from John Hampden to Colonel Bulstrode after the Battle of Edgehill, 31st October 1642

Letter from John Hampden to Colonel Bulstrode after the Battle of Edgehill, 31st October 1642. Artist: John Hampden
Letter from John Hampden to Colonel Bulstrode after the Battle of Edgehill, 31st October 1642. Letter written from Northampton by John Hampden to Colonel Bulstrode

Background imageHandwriting Collection: Procavia capensis (Rock hyrax or dassie), 1777-1786. Creator: Robert Jacob Gordon

Procavia capensis (Rock hyrax or dassie), 1777-1786. Creator: Robert Jacob Gordon
Procavia capensis (Rock hyrax or dassie), 1777-1786

Background imageHandwriting Collection: The Titanic Slip, c1910s, (1928)

The Titanic Slip, c1910s, (1928)
The Titanic Slip, 1928. From A History of Lloyd s, by Charles Wright and C. Ernest Fayle. [Macmillan and Company Limited, London, 1928]

Background imageHandwriting Collection: Allegories of Pleasure and Pain and of Envy, c1480 (1945). Artist: Leonardo da Vinci

Allegories of Pleasure and Pain and of Envy, c1480 (1945). Artist: Leonardo da Vinci
Allegories of Pleasure and Pain and of Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageHandwriting Collection: Letter from Sir Issac Newton to William Briggs, 20th June 1682. Artist: Isaac Newton

Letter from Sir Issac Newton to William Briggs, 20th June 1682. Artist: Isaac Newton
Letter from Sir Issac Newton to William Briggs, 20th June 1682. Letter written from Trinity College, Cambridge by Newton to William Briggs, MD

Background imageHandwriting Collection: Letter from James Edward Stuart to Simon Fraser, Lord Lovat, St Germains, 3rd May 1703

Letter from James Edward Stuart to Simon Fraser, Lord Lovat, St Germains, 3rd May 1703. Artist: James Stuart
Letter from James Edward Stuart to Simon Fraser, Lord Lovat, St Germains, 3rd May 1703. Letter from James Edward Stuart, the pretender, signed James R, to Simon Fraser, Lord Lovat

Background imageHandwriting Collection: Letter from William Cecil to Sir Christopher Hatton, 12th September 1586

Letter from William Cecil to Sir Christopher Hatton, 12th September 1586. Artist: Sir William Cecil, 1st Baron Burghley
Letter from William Cecil to Sir Christopher Hatton, Vice Chamberlain, 12th September 1586. Letter from Sir William Cecil, 1st Baron Burghley

Background imageHandwriting Collection: Portrait of Charles Ashmead Schaeffer (1843-1898), 1870s. Creator: Purdy & Frear

Portrait of Charles Ashmead Schaeffer (1843-1898), 1870s. Creator: Purdy & Frear
Portrait of Charles Ashmead Schaeffer (1843-1898), 1870s

Background imageHandwriting Collection: Thomas Truxtun, 1799. Creator: Charles Balthazar Julien Fevret de Saint-Memin

Thomas Truxtun, 1799. Creator: Charles Balthazar Julien Fevret de Saint-Memin
Thomas Truxtun, 1799

Background imageHandwriting Collection: Landscape, c1480 (1945). Artist: Leonardo da Vinci

Landscape, c1480 (1945). Artist: Leonardo da Vinci
Landscape, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageHandwriting Collection: Letter from Queen Mary (1542-1587) to the Abbot of Dunfermline, 1889. Artist: James Stillie

Letter from Queen Mary (1542-1587) to the Abbot of Dunfermline, 1889. Artist: James Stillie
Letter from Queen Mary to the Abbot of Dunfermline. A letter from Mary, Queen of Scots (1542-1587) to George Durie (died 1577) Abbot of Dumfermling

Background imageHandwriting Collection: Letter by Arabella Stuart to the Countess of Shrewsbury, late 16th - early 17th century (1865)

Letter by Arabella Stuart to the Countess of Shrewsbury, late 16th - early 17th century (1865)
Letter by Arabella Stuart to her aunt, the Countess of Shrewsbury, late 16th - early 17th century (1865). A direct descendant of Henry VII, Arabella Stuart, Duchess of Somerset

Background imageHandwriting Collection: Signatures of Henry VII, Elizabeth of York, Henry VIII and Catherine of Aragon, 16th century

Signatures of Henry VII, Elizabeth of York, Henry VIII and Catherine of Aragon, 16th century. Artist: King Henry VIII
Signatures of Henry VII, Elizabeth of York, Henry VIII and Catherine of Aragon, 16th century. Royal signatures in a Book of Hours of the Virgin and and other Offices, in Latin

Background imageHandwriting Collection: John Cassin, 1806. Creator: Charles Balthazar Julien Fevret de Saint-Memin

John Cassin, 1806. Creator: Charles Balthazar Julien Fevret de Saint-Memin
John Cassin, 1806

Background imageHandwriting Collection: Studies of Cats and of a Dragon, c1480 (1945). Artist: Leonardo da Vinci

Studies of Cats and of a Dragon, c1480 (1945). Artist: Leonardo da Vinci
Studies of Cats and of a Dragon, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageHandwriting Collection: Two Drawings of the Heart, c1480 (1945). Artist: Leonardo da Vinci

Two Drawings of the Heart, c1480 (1945). Artist: Leonardo da Vinci
Two Drawings of the Heart, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageHandwriting Collection: Banner and poem, c15th century, (1840)

Banner and poem, c15th century, (1840). Facsimile of a banner attributed to St Edmund, king of the West Saxons (841-870 AD), and a poetical description of the devices represented upon them

Background imageHandwriting Collection: Letter by Oliver Cromwell to General Fairfax, 1646 (1865). Artist: Frederick George Netherclift

Letter by Oliver Cromwell to General Fairfax, 1646 (1865). Artist: Frederick George Netherclift
Letter by Oliver Cromwell to General Fairfax, 1646 (1865). Cromwell and Thomas Fairfax were the two senior generals on the Parliamentarian side in the English Civil War

Background imageHandwriting Collection: Graphiurus ocularis (Spectacled dormouse), 1777-1786. Creator: Robert Jacob Gordon

Graphiurus ocularis (Spectacled dormouse), 1777-1786. Creator: Robert Jacob Gordon
Graphiurus ocularis (Spectacled dormouse), 1777-1786

Background imageHandwriting Collection: Emblem 50. The dragon killed the woman and she killed him, and both are covered in blood, 1816

Emblem 50. The dragon killed the woman and she killed him, and both are covered in blood, 1816
Emblem 50. The dragon killed the woman and she killed him, and both are covered in blood. From "Atalanta fugiens" by Mich, 1816. Private Collection

Background imageHandwriting Collection: Emblem 49. The philosophical child recognizes three fathers, like Orion, 1816

Emblem 49. The philosophical child recognizes three fathers, like Orion, 1816
Emblem 49. The philosophical child recognizes three fathers, like Orion. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageHandwriting Collection: Emblem 48. The king gets an illness from drinking water, but when healed by doctors he..., 1816

Emblem 48. The king gets an illness from drinking water, but when healed by doctors he..., 1816
Emblem 48. The king gets an illness from drinking water, but when healed by doctors he regains health. From "Atalanta f, 1816. Private Collection

Background imageHandwriting Collection: Emblem 47. The wolf coming from the staircase and the dog coming from the staircase have..., 1816

Emblem 47. The wolf coming from the staircase and the dog coming from the staircase have..., 1816
Emblem 47. The wolf coming from the staircase and the dog coming from the staircase have bitten each other. From "Atalanta fugiens" v, 1816. Private Collection

Background imageHandwriting Collection: Emblem 46. Two eagles, one from the east, the other from the west, come together, 1816

Emblem 46. Two eagles, one from the east, the other from the west, come together, 1816
Emblem 46. Two eagles, one from the east, the other from the west, come together. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageHandwriting Collection: Emblem 45. The sun and its shadow accomplish the work, 1816. Creator: Merian, Matthäus

Emblem 45. The sun and its shadow accomplish the work, 1816. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 45. The sun and its shadow accomplish the work. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageHandwriting Collection: Emblem 44. Through deceit Typhon kills Osiris and scatters his members

Emblem 44. Through deceit Typhon kills Osiris and scatters his members, which in turn brings...,1816 Creator: Merian
Emblem 44. Through deceit Typhon kills Osiris and scatters his members, which in turn brings together Isis, as far as is known, 1816. Private Collection

Background imageHandwriting Collection: Emblem 43. Listen to the talking vulture, who in no way deceives you, 1816

Emblem 43. Listen to the talking vulture, who in no way deceives you, 1816
Emblem 43. Listen to the talking vulture, who in no way deceives you. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageHandwriting Collection: Emblem 42. To him who is in Chymicis be nature, reason, experience and reading..., 1816

Emblem 42. To him who is in Chymicis be nature, reason, experience and reading..., 1816
Emblem 42. To him who is in Chymicis be nature, reason, experience and reading as a guide, staff, glasses and, 1816. Private Collection

Background imageHandwriting Collection: Emblem 41. Adonis is slain by a boar, and as Venus comes running she colours the Roses..., 1816

Emblem 41. Adonis is slain by a boar, and as Venus comes running she colours the Roses..., 1816
Emblem 41. Adonis is killed by a wild boar. As Venus wanted to help him, she colored the roses red with blood. Ow, 1816. Private Collection

Background imageHandwriting Collection: Emblem 40. Make two waters into one, and it will be the water of health, 1816

Emblem 40. Make two waters into one, and it will be the water of health, 1816
Emblem 40. Make two waters into one, and it will be the water of health. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageHandwriting Collection: Emblem 39. Oedipus, after defeating the Sphynx and killing his father, takes his mother..., 1816

Emblem 39. Oedipus, after defeating the Sphynx and killing his father, takes his mother..., 1816
Emblem 39. Oedipus, after defeating the Sphynx and killing his father, takes his mother as his wife. From "Atalanta fugiens" by Mich, 1816. Private Collection

Background imageHandwriting Collection: Emblem 38. The Rebis like a hermaphrodite is born from two mountains, Mercurius and Venus, 1816

Emblem 38. The Rebis like a hermaphrodite is born from two mountains, Mercurius and Venus, 1816
Emblem 38. The Rebis like a hermaphrodite is born from two mountains, Mercurius and Venus. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageHandwriting Collection: Emblem 37. Three things are sufficient for mastery, the white smoke, which is water..., 1816

Emblem 37. Three things are sufficient for mastery, the white smoke, which is water..., 1816
Emblem 37. Three things are sufficient for mastery, the white smoke, which is water, the green lion, the ore Hermes, and the embroidery, 1816. Private Collection

Background imageHandwriting Collection: Emblem 36. This stone is cast on the earth and lifted up on the mountains, dwells in the air

Emblem 36. This stone is cast on the earth and lifted up on the mountains, dwells in the air and is fed in rivers, that is, 1816. Private Collection

Background imageHandwriting Collection: Emblem 35. Like Ceres Triptolemum, Thetis brought Achillem to get used to the fire, so

Emblem 35. Like Ceres Triptolemum, Thetis brought Achillem to get used to the fire, so the ..., 1816 Creator: Merian
Emblem 35. Like Ceres Triptolemum, Thetis brought Achillem to get used to the fire, so the artist should use the stone, 1816. Private Collection

Background imageHandwriting Collection: Emblem 34. He is conceived in a water bath and born in the air, but when he turns..., 1816

Emblem 34. He is conceived in a water bath and born in the air, but when he turns..., 1816
Emblem 34. He is conceived in a water bath and born in the air, but when he turns red he leaves the water. From "Atala, 1816. Private Collection

Background imageHandwriting Collection: Emblem 33. The hermaphrodite, lying like a dead person in darkness, needs fire, 1816

Emblem 33. The hermaphrodite, lying like a dead person in darkness, needs fire, 1816
Emblem 33. The hermaphrodite, lying like a dead person in darkness, needs fire. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageHandwriting Collection: Emblem 32. The coral as it grows under the water and is hardened by air, so does the stone, 1816

Emblem 32. The coral as it grows under the water and is hardened by air, so does the stone, 1816
Emblem 32. The coral as it grows under the water and is hardened by air, so does the stone. From "Atalanta fugiens" v, 1816. Private Collection

Background imageHandwriting Collection: Emblem 31. The king, swimming in the sea, cries out with a loud voice: Whoever saves me..., 1816

Emblem 31. The king, swimming in the sea, cries out with a loud voice: Whoever saves me..., 1816
Emblem 31. The king, swimming in the sea, cries out with a loud voice: Whoever saves me will receive a great gift. From "At, 1816. Private Collection

Background imageHandwriting Collection: Emblem 30. The sun needs the moon, like the rooster needs the hens, 1618. Creator: Merian, Matthäus

Emblem 30. The sun needs the moon, like the rooster needs the hens, 1618. Creator: Merian, Matthäus
Emblem 30. The sun needs the moon, like the rooster needs the hens. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Emblem 28. The king bathes in the airy bath and is rid of the black bile by Pharut, 1618

Emblem 28. The king bathes in the airy bath and is rid of the black bile by Pharut, 1618
Emblem 28. The king bathes in the airy bath and is rid of the black bile by Pharut. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Emblem 27. Whoever wants to go in the philosopher's rose garden without the key is like a..., 1618

Emblem 27. Whoever wants to go in the philosopher's rose garden without the key is like a..., 1618
Emblem 27. Whoever wants to go in the philosopher's rose garden without the key is like a man who wants to go without feet, 1618. Private Collection

Background imageHandwriting Collection: Emblem 26. The fruit of human wisdom is the wood of life, 1618

Emblem 26. The fruit of human wisdom is the wood of life, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 26. The fruit of human wisdom is the wood of life. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Emblem 25. The dragon does not die unless killed by his brother and sister, which are Sol..., 1618

Emblem 25. The dragon does not die unless killed by his brother and sister, which are Sol..., 1618
Emblem 25. The dragon does not die unless killed by his brother and sister, which are Sol & Luna. A, 1618. Private Collection

Background imageHandwriting Collection: Emblem 24. The wolf ate the king, and how he burned the life back to him, 1618

Emblem 24. The wolf ate the king, and how he burned the life back to him, 1618
Emblem 24. The wolf ate the king, and how he burned the life back to him. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageHandwriting Collection: Emblem 23. It rains gold as Pallas is born at Rhodes and the sun is at Venus, 1618

Emblem 23. It rains gold as Pallas is born at Rhodes and the sun is at Venus, 1618
Emblem 23. It rains gold as Pallas is born at Rhodes and the sun is at Venus. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection



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