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George Du Maurier Collection

Background imageGeorge Du Maurier Collection: Development of Mesmeric Science, 1883. Artist: George du Maurier

Development of Mesmeric Science, 1883. Artist: George du Maurier
Development of Mesmeric Science, 1883. The fatal Mesmeric Duel in the Bois de Boulogne, between the Chevalier Lenoir, of Paris, and Professor Schwartz, of Berlin

Background imageGeorge Du Maurier Collection: Christmas poem, 1860. Creator: Unknown

Christmas poem, 1860. Creator: Unknown
Christmas poem, 1860. A happy Christmas-tide to every one! Though from the festal board some guests are gone. And yet not gone, for to each vacant place There cometh one who hath an angel's face

Background imageGeorge Du Maurier Collection: George Du Maurier, c1900. Creator: Unknown

George Du Maurier, c1900. Creator: Unknown
George Du Maurier, c1900. Franco-British cartoonist and writer. Engraving after a photograph by Messrs. Barraud Ltd. From "Cassell's History of England, Vol. IX"

Background imageGeorge Du Maurier Collection: Barrington bore it all with exemplary patience, 1878/1879. Creator: George du Maurier

Barrington bore it all with exemplary patience, 1878/1879. Creator: George du Maurier
Barrington bore it all with exemplary patience, 1878/1879

Background imageGeorge Du Maurier Collection: The Woman That Was. Creator: George du Maurier

The Woman That Was. Creator: George du Maurier
The Woman That Was

Background imageGeorge Du Maurier Collection: Two Children in the Snow. Creator: George du Maurier

Two Children in the Snow. Creator: George du Maurier
Two Children in the Snow

Background imageGeorge Du Maurier Collection: And mist or glim, I'd sail with him, if he would sail with me--, c. 1865. Creator: George du Maurier

And mist or glim, I'd sail with him, if he would sail with me--, c. 1865. Creator: George du Maurier
--And mist or glim, I'd sail with him, if he would sail with me--, c. 1865

Background imageGeorge Du Maurier Collection: Harper's 1897, The January Number Contains White Man's Africa, by Poultney Bigelow... c1897

Harper's 1897, The January Number Contains White Man's Africa, by Poultney Bigelow... c1897
Harper's 1897, The January Number Contains White Man's Africa, by Poultney Bigelow. - The Martian, by Du Maurier, - Farce, by W. D

Background imageGeorge Du Maurier Collection: English Society, George Du Maurier, Harper & Brothers Publishers New York, c1897

English Society, George Du Maurier, Harper & Brothers Publishers New York, c1897. Creator: Edward Penfield
English Society, George Du Maurier, Harper & Brothers Publishers New York, c1897. [Publisher: Harper Publications; Place: New York]

Background imageGeorge Du Maurier Collection: The Mystery of Mirbridge, by James Payn. 'What! Is it possible that you will not tell him

The Mystery of Mirbridge, by James Payn. "What! Is it possible that you will not tell him
The Mystery of Mirbridge, by James Payn. " What! Is it possible that you will not tell him?", 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume38. July to December, 1888

Background imageGeorge Du Maurier Collection: The 'Silver Fete'at the Anglo-Danish Exhibition in aid of the Victoria Hospital for Children

The "Silver Fete"at the Anglo-Danish Exhibition in aid of the Victoria Hospital for Children
The " Silver Fete" at the Anglo-Danish Exhibition in aid of the Victoria Hospital for Children, 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume38. July to December, 1888

Background imageGeorge Du Maurier Collection: Amusements for the Sea-side (verso) (Punch, or the London Char... 1873. Creator: Unknown

Amusements for the Sea-side (verso) (Punch, or the London Char... 1873. Creator: Unknown
Amusements for the Sea-side (verso) (Punch, or the London Charivari, September 20, 1873, pp. 113-14), 1873. " Hullo, Charley! Nothing the matter, I hope

Background imageGeorge Du Maurier Collection: Hypnotism, 1891

Hypnotism, 1891. Male hypnotist putting a young woman into an hypnotic trance. Animal magnetism or hypnotism had a revival at the end of the 19th century

Background imageGeorge Du Maurier Collection: Varnishing Day at the Royal Academy, 1877. Artist: George Du Maurier

Varnishing Day at the Royal Academy, 1877. Artist: George Du Maurier
Varnishing Day at the Royal Academy, 1877. From the 19th June 1877 edition of Punch Magazine

Background imageGeorge Du Maurier Collection: A Conscious Martyr, 1881 (1891). Artist: George du Maurier

A Conscious Martyr, 1881 (1891). Artist: George du Maurier
A Conscious Martyr, 1881 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Background imageGeorge Du Maurier Collection: Awkward Incident in Fashionable Life, 1876 (1891). Artist: Swain

Awkward Incident in Fashionable Life, 1876 (1891). Artist: Swain
Awkward Incident in Fashionable Life, 1876 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Background imageGeorge Du Maurier Collection: Music at Home, 1872 (1891). Artist: George du Maurier

Music at Home, 1872 (1891). Artist: George du Maurier
Music at Home, 1872 (1891). Study of an amateur comic singer struggling with an unsympathising audience. A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I

Background imageGeorge Du Maurier Collection: Modest Assurance, 1879 (1891). Artist: Swain

Modest Assurance, 1879 (1891). Artist: Swain
Modest Assurance, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

Background imageGeorge Du Maurier Collection: Circumstantial Evidence, 1879 (1891). Artist: George du Maurier

Circumstantial Evidence, 1879 (1891). Artist: George du Maurier
Circumstantial Evidence, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

Background imageGeorge Du Maurier Collection: Episodes in High Life, 1879 (1891). Artist: George du Maurier

Episodes in High Life, 1879 (1891). Artist: George du Maurier
Episodes in High Life, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

Background imageGeorge Du Maurier Collection: Alarming Scarcity, 1874 (1891). Artist: George du Maurier

Alarming Scarcity, 1874 (1891). Artist: George du Maurier
Alarming Scarcity, 1874 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

Background imageGeorge Du Maurier Collection: Rivals in Social Success, 1880 (1891). Artist: George du Maurier

Rivals in Social Success, 1880 (1891). Artist: George du Maurier
Rivals in Social Success, 1880 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

Background imageGeorge Du Maurier Collection: A Speciality, 1882 (1891). Artist: George du Maurier

A Speciality, 1882 (1891). Artist: George du Maurier
A Speciality, 1882. A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

Background imageGeorge Du Maurier Collection: A Brilliant Idea, 1881 (1891). Artist: George du Maurier

A Brilliant Idea, 1881 (1891). Artist: George du Maurier
A Brilliant Idea, 1881 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: A Different Thing, 1877 (1891). Artist: George du Maurier

A Different Thing, 1877 (1891). Artist: George du Maurier
A Different Thing, 1877 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: Impenitent, 1878 (1891). Artist: George du Maurier

Impenitent, 1878 (1891). Artist: George du Maurier
Impenitent, 1878 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: International Reciprocity, 1879 (1891). Artist: George du Maurier

International Reciprocity, 1879 (1891). Artist: George du Maurier
International Reciprocity, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: The Terrors of the Law, 1881 (1891). Artist: George du Maurier

The Terrors of the Law, 1881 (1891). Artist: George du Maurier
The Terrors of the Law, 1881 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: Doux Souvenir de Fontainebleau, 1886 (1891). Artist: George du Maurier

Doux Souvenir de Fontainebleau, 1886 (1891). Artist: George du Maurier
Doux Souvenir de Fontainebleau, 1886 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: Amenities of the Tennis Lawn, 1883 (1891). Artist: George du Maurier

Amenities of the Tennis Lawn, 1883 (1891). Artist: George du Maurier
Amenities of the Tennis Lawn, 1883 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: Tempora Mutantur!, 1886 (1891). Artist: George du Maurier

Tempora Mutantur!, 1886 (1891). Artist: George du Maurier
Tempora Mutantur!, 1886 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: A Reminiscence of Lords Cricket Ground (Eton vs Harrow), 1878 (1891). Artist: George du Maurier

A Reminiscence of Lords Cricket Ground (Eton vs Harrow), 1878 (1891). Artist: George du Maurier
A Reminiscence of Lords Cricket Ground (Eton vs Harrow), 1878 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: Barbarous Technicalities of Lawn Tennis, 1882 (1891). Artist: George du Maurier

Barbarous Technicalities of Lawn Tennis, 1882 (1891). Artist: George du Maurier
Barbarous Technicalities of Lawn Tennis, 1882 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: Comforting, 1882 (1891). Artist: George du Maurier

Comforting, 1882 (1891). Artist: George du Maurier
Comforting, 1882 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: A Business-like Offer, 1886 (1891). Artist: George du Maurier

A Business-like Offer, 1886 (1891). Artist: George du Maurier
A Business-like Offer, 1886 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: Induction, 1878 (1891). Artist: George du Maurier

Induction, 1878 (1891). Artist: George du Maurier
Induction, 1878 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: The Main Chance, 1878 (1891). Artist: George du Maurier

The Main Chance, 1878 (1891). Artist: George du Maurier
The Main Chance, 1878 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: Music at Home, 1885 (1891). Artist: George du Maurier

Music at Home, 1885 (1891). Artist: George du Maurier
Music at Home, 1885 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: Consolation, 1880 (1891). Artist: George du Maurier

Consolation, 1880 (1891). Artist: George du Maurier
Consolation, 1880 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: A Struggle for Supremacy, 1875 (1891). Artist: George du Maurier

A Struggle for Supremacy, 1875 (1891). Artist: George du Maurier
A Struggle for Supremacy, 1875 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: Excess a Fault, 1875 (1891). Artist: Swain

Excess a Fault, 1875 (1891). Artist: Swain
Excess a Fault, 1875 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: Its not so difficult to speak French, after all, 1882 (1891). Artist: George du Maurier

Its not so difficult to speak French, after all, 1882 (1891). Artist: George du Maurier
Its not so difficult to speak French, after all, 1882 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891

Background imageGeorge Du Maurier Collection: Social Beings, 1876 (1891). Artist: George du Maurier

Social Beings, 1876 (1891). Artist: George du Maurier
Social Beings, 1876 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch

Background imageGeorge Du Maurier Collection: Disastrous Result of Beautymania, 1879 (1891). Artist: George du Maurier

Disastrous Result of Beautymania, 1879 (1891). Artist: George du Maurier
Disastrous Result of Beautymania, 1879 (1891). The last new beauty, having an innocent cast of countenance, has been painted, sculptured, and photographed with her head on one side

Background imageGeorge Du Maurier Collection: The Ruling Passion, 1872 (1891). Artist: George du Maurier

The Ruling Passion, 1872 (1891). Artist: George du Maurier
The Ruling Passion, 1872 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Background imageGeorge Du Maurier Collection: Circumstantial Evidence, 1886 (1891). Artist: George du Maurier

Circumstantial Evidence, 1886 (1891). Artist: George du Maurier
Circumstantial Evidence, 1886 (1891). Edwin: I ve just found a shot in my bit of partridge!. Angelina: How odd, so have I! Poor things, they ve had to shoot it twice!

Background imageGeorge Du Maurier Collection: Two Thrones, 1879 (1891). Artist: George du Maurier

Two Thrones, 1879 (1891). Artist: George du Maurier
Two Thrones, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Background imageGeorge Du Maurier Collection: The Festive Season, 1883 (1891). Artist: George du Maurier

The Festive Season, 1883 (1891). Artist: George du Maurier
The Festive Season, 1883 (1891). Mistress: And you may all of you ask a friend to dinner, you know; and, Smithers, you can ask your wife. Butler: Thanks you, ma am; I think not, if you please



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