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Field Lane Ragged School, Smithfield, City of London, 1850. Artist: George CruikshankField Lane Ragged School, Smithfield, City of London, 1850. Interior view of the Field Lane Ragged School showing adults attempting to teach a group of disorderly children
View of oyster boats at Billingsgate Wharf, City of London, 1810
The grand Duke of Middleburg or late Ld. C-t-m & Commdore Cur-ts paying their respects on their return from the glorious expedition, 1809. Lord Chatham weeps as he hands his sword to George III
Mixing a recipe for corns, 1835. Artist: George CruikshankMixing a recipe for corns, 1835. A thin woman sits in a chair brewing a mixture from a recipe. The table is crowded with phials and bottles
Jealousy, 1835. Artist: George CruikshankJealousy, 1835. A man seated at a table has his right fist on an anonymous letter and clutches his brow with his left hand
Indigestion, 1835. Artist: George CruikshankIndigestion, 1835. A man sits in his bedroom next to Christmas pudding and a bottle of SODA. One demon proffers toast, another pours water down the mans neck, others carry trays of food
The head ache, 1835. Artist: George CruikshankThe head ache, 1835. A man with an agonised expression is attacked by demons: one drills his head, another with a gimlet; another brandishes a poker, another sings into his ear
The Cholic, 1835. Artist: George CruikshankThe Cholic, 1835. A thin woman seated on a settee screams as a horde of demons haul on both ends of a rope wound three times round her waist, while other demons attack her with knives, pins
The Blue Devils, 1835. Artist: George CruikshankThe Blue Devils, 1835. A man sits before a fireplace which contains only a coal mans bill, while small demons surround him
Results of the northern excursion, 1822. Artist: George CruikshankResults of the northern excursion, 1822. The image shows George IV and Sir William Curtis. The King is rubbing his fingers, a gesture known as playing the Scotch fiddle
Bonapartes coach on show at Bullocks Museum, Piccadilly, Westminster, London, 1835A swarm of English bees hiving in the Imperial carriage!! - Who would have thought it!!! !!! !!! A scene at the London Museum
John Nash on the spire of All Souls Church, Langham Place, Westminster, London, 1824Nashional taste!!!; 1824; showing the architect John Nash spiked by the seat of his trousers on the spire of All Souls Church, Langham Place, St Marylebone, Westminster, London
Bonnie Willie, 1822. Artist: George CruikshankBonnie Willie, 1822. Showing a corpulent Sir William Curtis in Highland costume standing against a background of sea, sky and mountain
The Royal Extinguisher, or the King of Brobdingnag & the Lilliputians, 1821. George IV, surrounded by admiring ministers, holds up an extinguisher made of paper
Locomotion, London, c1820. Artist: George CruikshankLocomotion, London, c1820. In the centre a man wearing steam driven boots has ground to a halt, as the fire has gone out, below a servant attempts to start a blaze with a pair of belows
The Picadilly nuisance, London, 1818; a disorderly mass of pedestrians, including a fruit seller in the foreground, fills the pavement outside the White Horse coaching terminus
Walking the streets of London, 1818. Artist: George CruikshankWalking the streets of London, 1818; four views: top left, How to stop up the passage, top right How to make the most of the mud, bottom left How to carry a stick, bottom right
Gambols on the River Thames, Feby, 1814. Artist: George CruikshankGambols on the River Thames, Feby, 1814, shows a frost fair in the region of Blackfriars Bridge, London. To the right a waterman watches another man play skittles
A scene in Kensington Gardens - or - fashion and frights of 1829; showing a fashion-promenade in Kensington Gardens, London; women wearing huge over-trimmed hats
Field Lane Ragged School, London, c1850. Interior view of the Field Lane Ragged School, with adults attempting to teach a group of disorderly children
The Cato Street conspirators... 1820. Artist: George CruikshankThe Cato Street conspirators... 1820. Three Bow Street officers have entered the loft above the stable; the foremost, Richard Smithers
Monstrosities of 1821, 1835. ArtistMonstrosities of 1821, 1835. A number of men and women dressed in the exaggerated fashions of the period, promenading in the park. Their dandyism is echoed by a black poodle on the right
Monstrosities of 1819, and 1820, 1835. ArtistMonstrosities of 1819, and 1820, 1835. Candies and dandyzettes promenade in a park
Sketch for an Al-bum, 1835. Artist: George CruikshankSketch for an Al-bum, 1835. A high wind is blowing in the same direction as the riders and pedestrians, causing the buttocks of the persons in the picture to be accentuated either by the pressure of
Ancient and modern military dandies, 1835. Artist: George CruikshankAncient and modern military dandies, 1835. Officers in tight fitting elaborate uniforms examine armour in a museum. A satire on the elaborate Regency fashions
View of a Skittle Ground at Hampstead, 1813. Artist: George CruikshankView of a Skittle Ground at Hampstead, 1813. Two scenes: above; five men sit or stand round a tabe with a punch bowl and glasses, some smoking pipes
The Drunkards Children, c1847. Artist: George CruikshankThe Drunkards Children, c1847; showing the interior of a room in the Old Bailey with the drunkards children together for the last time
Scene at Horse Guards Parade, London, 1816. The Prince Regent (later King George IV) is portrayed as the mortar known as the Regents Bomb
Exhibition at the Royal Horticultural Society, London, 1826. Artist: George CruikshankExhibition at the Royal Horticultural Society, London, 1826. An unusual exhibition in the Great Room of the Horticultural Society in Lower Regent Street, Westminster, London
Purity of the River Thames, 1832. Artist: George CruikshankSatire on the purity of the water in the River Thames showing Cadwalla-der Tudor Edwards Vaughan, water king of Southwark, addressing subjects of his borough at low tide by London Bridge
A whistling shop : Tom & Jerry visiting Logic, on board the Fleet, Fleet PrisonA whistling shop : Tom & Jerry visiting Logic, on board the Fleet. A scene at the Fleet Prison, London, 1821 showing characters smoking, drinking and playing cards
The Boy Dies on the Transportation Ship, 1848. Artist: George CruikshankThe Boy Dies on the Transportation Ship, 1848. Plate 7 from The Drunkards Children, a folio of prints by George Cruikshank inspired by the Temperance Movement
A Game of Chess, 1948. Artist: George CruikshankA Game of Chess, 1948. From British Chess, by Kenneth Matthews. [Collins, London, 1948]. (Colorised black and white print)
Cruikshanks Exhibition of Bloomers in Hyde Park, 1852, c1870. Artist: George CruikshankCruikshanks Exhibition of Bloomers in Hyde Park, 1852, c1870. George Cruikshanks original satirical etchings first published for The Comic Almanack in 1852
Hyde Park Corner in 1822, c1870. Artist: George CruikshankHyde Park Corner in 1822, c1870. Hyde Park Corner is an area of London, located around a major road junction at the southeastern corner of Hyde Park
An Unthankful Fellow, 1829. Artist: George CruikshankAn Unthankful Fellow, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Taken in Tow - A Scene on a Rope walk, 1829. Artist: George CruikshankTaken in Tow - A Scene on a Rope walk, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Church & State, 1829. Artist: George CruikshankChurch & State, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
The Shop for Bargains, 1829. Artist: George CruikshankThe Shop for Bargains, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Black Eyed Sue the bold smuggler and Will Watch the look out man, 1829. Artist: George CruikshankBlack Eyed Sue the bold smuggler and Will Watch the look out man, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
A Bustling Woman, 1829. Artist: George CruikshankA Bustling Woman, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
The New Police Act, 1829. Artist: George CruikshankThe New Police Act, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Is the Labourer worthy of his hire?, 1829. Artist: George CruikshankIs the Labourer worthy of his hire?, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Miss Nomer, 1829. Artist: George CruikshankMiss Nomer, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Elbow Room, 1829. Artist: George CruikshankElbow Room, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Lithography, 1829. Artist: George CruikshankLithography, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Forte Piano, 1829. Artist: George CruikshankForte Piano, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Horatio Sparkins, c1900. Artist: George CruikshankHoratio Sparkins, c1900. An illustration for Sketches by Boz by Charles Dickens. From Hard Times and Sketches by Boz, Volume XI, by Charles Dickens. [Blackwood, Le Bas & Co. London, c1900]
