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Francisco De Goya Collection

Background imageFrancisco De Goya Collection: The Naked Maja, c1800. Artist: Francisco Goya

The Naked Maja, c1800. Artist: Francisco Goya
The Naked Maja, (la Maja Desnuda), c1800. One of two paintings of the same woman in the same pose and also one of the few nude portraits in Spain at this time

Background imageFrancisco De Goya Collection: Portrait of Field Marshal Arthur Wellesley, 1st Duke of Wellington, c1814. Artist: Francisco Goya

Portrait of Field Marshal Arthur Wellesley, 1st Duke of Wellington, c1814. Artist: Francisco Goya
Portrait of Field Marshal Arthur Wellesley, 1st Duke of Wellington, c1814. Found in the collection of the National Gallery, London

Background imageFrancisco De Goya Collection: Little Prisoner, 1867. Creator: Francisco de Goya (Spanish, 1746-1828)

Little Prisoner, 1867. Creator: Francisco de Goya (Spanish, 1746-1828)
Little Prisoner, 1867

Background imageFrancisco De Goya Collection: Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco Goya

Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco Goya
Plate 80 from Los Caprichos : It is time (Ya es hora.), 1799

Background imageFrancisco De Goya Collection: Ridiculous Dream, 1819-1823. Artist: Francisco Goya

Ridiculous Dream, 1819-1823. Artist: Francisco Goya
Ridiculous Dream, 1819-1823. Plate 3 of Proverbs, published in 1864. The series is also known as disparates (absurdities) or suenos (dreams)

Background imageFrancisco De Goya Collection: Saint Ambrose, c. 1796-1799. Creator: Francisco de Goya (Spanish, 1746-1828)

Saint Ambrose, c. 1796-1799. Creator: Francisco de Goya (Spanish, 1746-1828)
Saint Ambrose, c. 1796-1799. This work belongs to a series depicting Ambrose, Jerome, Augustine, and Gregory, key figures of early Catholicism

Background imageFrancisco De Goya Collection: Truth, Time and History, late 18th-early 19th century. Creator: Francisco Goya

Truth, Time and History, late 18th-early 19th century. Creator: Francisco Goya
Truth, Time and History, late 18th-early 19th century

Background imageFrancisco De Goya Collection: The Architect Ventura Rodriguez, 1784. Creator: Francisco Goya

The Architect Ventura Rodriguez, 1784. Creator: Francisco Goya
The Architect Ventura Rodriguez, 1784

Background imageFrancisco De Goya Collection: Poetry and Poets, 1800s. Creator: Francisco Goya

Poetry and Poets, 1800s. Creator: Francisco Goya
Poetry and Poets, 1800s. Poetry is symbolised by a woman with a lyre. She is seated near the top of Mount Helicon, abode of the muses, goddesses of poetry

Background imageFrancisco De Goya Collection: Portrait of Don Ramón Satué, 1823. Creator: Francisco Goya

Portrait of Don Ramón Satué, 1823. Creator: Francisco Goya
Portrait of Don Ramon Satue, 1823. Other Title(s): Portrait of Don Ramon Satue y Allue (1765-1824) Alcalde de Corte (Judge of the Fifth Chamber of the Council of Castile in La Corte)

Background imageFrancisco De Goya Collection: Skinned Head of an Ox, 1688-1691. Creators: Francisco Goya, Felice Boselli

Skinned Head of an Ox, 1688-1691. Creators: Francisco Goya, Felice Boselli
Skinned Head of an Ox, 1688-1691

Background imageFrancisco De Goya Collection: Costume of the Time of Goya, n.d. Creator: Mariano Jose Maria Bernardo Fortuny y Carbo

Costume of the Time of Goya, n.d. Creator: Mariano Jose Maria Bernardo Fortuny y Carbo
Costume of the Time of Goya, n.d

Background imageFrancisco De Goya Collection: Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco Goya

Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco Goya
Pllate 60 from Los Caprichos : Trials (Ensayos.), 1799

Background imageFrancisco De Goya Collection: Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799

Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799
Plate 25 from Los Caprichos : If he broke the pot (Si quebro el Cantaro.), 1799

Background imageFrancisco De Goya Collection: La Maja Desnuda, (The Naked Maja), c. 1797-1800, (c1934). Artist: Francisco Goya

La Maja Desnuda, (The Naked Maja), c. 1797-1800, (c1934). Artist: Francisco Goya
La Maja Desnuda, (The Naked Maja), c.1797-1800, (c1934). Possibly commissioned by Manuel de Godoy, to hang in his private collection An image of Venus in the nude

Background imageFrancisco De Goya Collection: Majas on a Balcony, ca. 1800-1810. Creator: Francisco Goya

Majas on a Balcony, ca. 1800-1810. Creator: Francisco Goya
Majas on a Balcony, ca. 1800-1810

Background imageFrancisco De Goya Collection: Standing male nude, 1789, (1943). Creator: Francisco Goya

Standing male nude, 1789, (1943). Creator: Francisco Goya
Standing male nude, 1789, (1943). Drawing in the Real Academia de Bellas Artes de San Carlos de Valencia, Spain. From " Europaische Handzeichnungen"

Background imageFrancisco De Goya Collection: The injured Mason, 1786-1787 (1939). Artist: Francisco Goya

The injured Mason, 1786-1787 (1939). Artist: Francisco Goya
The injured Mason, 1786-1787 (1939). Two workers carry another, who has been wounded in a work accident. The scaffolding in the background reveals the underlying subject as workersś safety

Background imageFrancisco De Goya Collection: La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Artist: Francisco Goya

La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Artist: Francisco Goya
La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Rococo cartoon produced by Spanish artist Francisco de Goya for tapestries at the Royal Palace of El Pardo

Background imageFrancisco De Goya Collection: El Pelele, (The Straw Manikin), 1791-1792, (c1934). Artist: Francisco Goya

El Pelele, (The Straw Manikin), 1791-1792, (c1934). Artist: Francisco Goya
El Pelele, (The Straw Manikin), 1791-1792, (c1934). Four young women laugh and play, blanket-tossing a doll or manikin. The blanket-tossing of a doll is used here by Goya as a clear allegory of

Background imageFrancisco De Goya Collection: Do not shout you idiot, 1799. Artist: Francisco Goya

Do not shout you idiot, 1799. Artist: Francisco Goya
Do not shout you idiot, 1799. Published in Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageFrancisco De Goya Collection: The Hanged Monk, c. 1810. Creator: Francisco Goya

The Hanged Monk, c. 1810. Creator: Francisco Goya
The Hanged Monk, c. 1810

Background imageFrancisco De Goya Collection: Winter Scene, c. 1786. Creator: Francisco Goya

Winter Scene, c. 1786. Creator: Francisco Goya
Winter Scene, c. 1786

Background imageFrancisco De Goya Collection: Portrait of General JoseManuel Romero, c. 1810. Creator: Francisco Goya

Portrait of General JoseManuel Romero, c. 1810. Creator: Francisco Goya
Portrait of General Jose Manuel Romero, c. 1810

Background imageFrancisco De Goya Collection: El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806

El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806

Background imageFrancisco De Goya Collection: Portrait of Isidoro Maiquez, c. 1807. Creator: Francisco Goya

Portrait of Isidoro Maiquez, c. 1807. Creator: Francisco Goya
Portrait of Isidoro Maiquez, c. 1807

Background imageFrancisco De Goya Collection: Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806. Creator: Francisco Goya

Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806. Creator: Francisco Goya
Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806

Background imageFrancisco De Goya Collection: Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, c. 1806

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, c. 1806

Background imageFrancisco De Goya Collection: Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806. Creator: Francisco Goya

Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806. Creator: Francisco Goya
Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806

Background imageFrancisco De Goya Collection: Friar Pedro Wrests the Gun from El Maragato, c. 1806. Creator: Francisco Goya

Friar Pedro Wrests the Gun from El Maragato, c. 1806. Creator: Francisco Goya
Friar Pedro Wrests the Gun from El Maragato, c. 1806

Background imageFrancisco De Goya Collection: Boy on a Ram, 1786 / 87. Creator: Francisco Goya

Boy on a Ram, 1786 / 87. Creator: Francisco Goya
Boy on a Ram, 1786/87

Background imageFrancisco De Goya Collection: Friar Pedro Binds El Maragato with a Rope, c. 1806. Creator: Francisco Goya

Friar Pedro Binds El Maragato with a Rope, c. 1806. Creator: Francisco Goya
Friar Pedro Binds El Maragato with a Rope, c. 1806

Background imageFrancisco De Goya Collection: The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de Goya

The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de Goya
The Duke of Wellington, c. 1812

Background imageFrancisco De Goya Collection: Senora Sabasa Garcia, c. 1806 / 1811. Creator: Francisco Goya

Senora Sabasa Garcia, c. 1806 / 1811. Creator: Francisco Goya
Senora Sabasa Garcia, c. 1806/1811

Background imageFrancisco De Goya Collection: Charles IV of Spain as Huntsman, c. 1799 / 1800. Creator: Workshop of Francisco de Goya

Charles IV of Spain as Huntsman, c. 1799 / 1800. Creator: Workshop of Francisco de Goya
Charles IV of Spain as Huntsman, c. 1799/1800

Background imageFrancisco De Goya Collection: BartolomeSureda y Miserol, c. 1803 / 1804. Creator: Francisco Goya

BartolomeSureda y Miserol, c. 1803 / 1804. Creator: Francisco Goya
Bartolome Sureda y Miserol, c. 1803/1804

Background imageFrancisco De Goya Collection: Young Lady Wearing a Mantilla and Basquina, c. 1800 / 1805. Creator: Francisco Goya

Young Lady Wearing a Mantilla and Basquina, c. 1800 / 1805. Creator: Francisco Goya
Young Lady Wearing a Mantilla and Basquina, c. 1800/1805

Background imageFrancisco De Goya Collection: Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon, 1783

Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon, 1783

Background imageFrancisco De Goya Collection: Victor Guye, 1810. Creator: Francisco Goya

Victor Guye, 1810. Creator: Francisco Goya
Victor Guye, 1810

Background imageFrancisco De Goya Collection: Therese Louise de Sureda, c. 1803 / 1804. Creator: Francisco Goya

Therese Louise de Sureda, c. 1803 / 1804. Creator: Francisco Goya
Therese Louise de Sureda, c. 1803/1804

Background imageFrancisco De Goya Collection: Don Antonio Noriega, 1801. Creator: Francisco Goya

Don Antonio Noriega, 1801. Creator: Francisco Goya
Don Antonio Noriega, 1801

Background imageFrancisco De Goya Collection: The Marquesa de Pontejos, c. 1786. Creator: Francisco Goya

The Marquesa de Pontejos, c. 1786. Creator: Francisco Goya
The Marquesa de Pontejos, c. 1786

Background imageFrancisco De Goya Collection: Portrait of a Young Man, ca. 1820. Creator: Formerly attributed to Goya

Portrait of a Young Man, ca. 1820. Creator: Formerly attributed to Goya
Portrait of a Young Man, ca. 1820

Background imageFrancisco De Goya Collection: Philip IV on horseback, after Velazquez, 1778. Creator: Francisco Goya

Philip IV on horseback, after Velazquez, 1778. Creator: Francisco Goya
Philip IV on horseback, after Velazquez, 1778

Background imageFrancisco De Goya Collection: Plate 28 from The Disasters of War (Los Desastres de la Guerra): Rabbl

Plate 28 from The Disasters of War (Los Desastres de la Guerra): Rabble. (Populacho.), 1810 (published 1863)

Background imageFrancisco De Goya Collection: Plate 79 from The Disasters of War (Los Desastres de la Guerra

Plate 79 from The Disasters of War (Los Desastres de la Guerra): Truth has died. (Murio la verdad.), after 1814-15 (published 1863)

Background imageFrancisco De Goya Collection: Plate 26 from The Disasters of War (Los Desastres de la Guerra): One

Plate 26 from The Disasters of War (Los Desastres de la Guerra): One can t look. (No se puede mirar.), 1810-20, published 1863

Background imageFrancisco De Goya Collection: Plate 32 from the Tauromaquia : Two teams of picadors thrown one after the other by a

Plate 32 from the Tauromaquia : Two teams of picadors thrown one after the other by a
Plate 32 from the Tauromaquia :Two teams of picadors thrown one after the other by a single bull. 1816



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