mail_outline sales@mediastorehouse.com
Dr. Syntax at the Funeral of His Wife, 1820. Artist: Thomas RowlandsonDr. Syntax at the Funeral of His Wife, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
The Banns Forbidden, 1820. Artist: Thomas RowlandsonThe Banns Forbidden, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
The Visist of Dr Syntax to the Widow Hopefull at York, 1820. Artist: Thomas RowlandsonThe Visist of Dr Syntax to the Widow Hopefull at York, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Dr Syntax visits a Boarding School for young Ladies, 1820. Artist: Thomas RowlandsonDr Syntax visits a Boarding School for young Ladies, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Dr Syntax & The Foundling, 1820. Artist: Thomas RowlandsonDr Syntax & The Foundling, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Dr Syntax and the Superannuated Fox Hunter, 1820. Artist: Thomas RowlandsonDr Syntax and the Superannuated Fox Hunter, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Doctor Syntax & The Bees, 1820. Artist: Thomas RowlandsonDoctor Syntax & The Bees, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Little Red Riding Hood, 1903. From A Peep into Fairyland, by E. F. & C. Manning. [Frederick Warne & Co. London, New York, 1903]
Puss in Boots, 1903. From A Peep into Fairyland, by E. F. & C. Manning. [Frederick Warne & Co. London, New York, 1903]
Snow-white and Rose-red, 1903. From A Peep into Fairyland, by E. F. & C. Manning. [Frederick Warne & Co. London, New York, 1903]
Hop-o -my-Thumb, 1903. From A Peep into Fairyland, by E. F. & C. Manning. [Frederick Warne & Co. London, New York, 1903]
The Sleeping Beauty, 1903. From A Peep into Fairyland, by E. F. & C. Manning. [Frederick Warne & Co. London, New York, 1903]
Robinson Crusoe, chapbook cut, 18th century (1964). A print from A History of Wood Engraving, by Douglas Percy Bliss, Spring Books, London, 1964. (Colorised black and white print)
Les Cent et un Robert Macaire, 1840 (1947). Artist: Honore DaumierLes Cent et un Robert Macaire, 1840 (1947). From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]
Christian Meeting Evangelist, 1767, (1947). Illustration from John Bunyans Pilgrims Progress. From The English Bible, by Sir Herbert Grierson [Collins, London, 1947]
She Went Straight To Her Uncle, 1892. Artist: Sidney E PagetShe Went Straight To Her Uncle, 1892. Illustration from The Adventure of the Beryl Coronet by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III
At My Cry He Dropped It, 1892. Artist: Sidney E PagetAt My Cry He Dropped It, 1892. Illustration from The Adventure of the Beryl Coronet by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III
He Burst Into Convulsive Sobbing, 1892. Artist: Sidney E PagetHe Burst Into Convulsive Sobbing, 1892. Illustration from The Adventure of the Blue Carbuncle by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III
She Raised Her Veil, 1892. Artist: Sidney E PagetShe Raised Her Veil, 1892. Illustration from The Adventure of the Speckled Band by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III
The Boots Made of Buffalo Leather, 1901. Artist: Edward Henry WehnertThe Boots Made of Buffalo Leather, 1901. From Grimms Household Stories collected by the Brothers Grimm. [George Routledge & Sons, Limited, London, 1901]
The Drummer and the Giant, 1901. Artist: Edward Henry WehnertThe Drummer and the Giant, 1901. From Grimms Household Stories collected by the Brothers Grimm. [George Routledge & Sons, Limited, London, 1901]
Briar Rose, 1901. Artist: Edward Henry WehnertBriar Rose, 1901. The Briar Rose is the basis of Sleeping Beauty by Charles Perrault. From Grimms Household Stories collected by the Brothers Grimm. [George Routledge & Sons, Limited, London, 1901]
The Almond Tree, 1901. Artist: Edward Henry WehnertThe Almond Tree, 1901. The Juniper Tree is a German fairy tale collected by the Brothers Grimm. In some editions the story is called The Almond Tree
The Mock Turtle, Alice and The Gryphon, 1889. Artist: John TennielThe Mock Turtle, Alice and The Gryphon, 1889. Lewis Carrolls (1832-1898) Alice in Wonderland as illustrated by John Tenniel (1820-1914). From Alices Adventures in Wonderland by Lewis Carroll
The Gryphon asleep in the sun, 1889. Artist: John TennielThe Gryphon asleep in the sun, 1889. Lewis Carrolls (1832-1898) Alice in Wonderland as illustrated by John Tenniel (1820-1914). From Alices Adventures in Wonderland by Lewis Carroll. [Macmillan & Co
The Cheshire Cat looking down at the Red King and Queen having an argument, 1889. Artist: John TennielThe Cheshire Cat looking down at the Red King and Queen having an argument, 1889. Lewis Carrolls (1832-1898) Alice in Wonderland as illustrated by John Tenniel (1820-1914)
Alice carrying the stork, and talking to the Duchess, 1889. Artist: John TennielAlice carrying the stork, and talking to the Duchess, 1889. Lewis Carrolls (1832-1898) Alice in Wonderland as illustrated by John Tenniel (1820-1914)
The Fair Penitent. Laetitia in Penitence Finds Relief and Protection From Her Parents, c1811. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]
The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789. Artist: John Raphael SmithThe Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]
Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. Artist: John Raphael SmithDressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]
Act III Scene i from Much Ado About Nothing, c19th century. From A Collection of Prints illustrating the Dramatic Works of Shakespeare, by Josiah Boydell. [, , c19th century.]
John Reeve as Harry Alias, in One, Two, Three, Four, Five, c1829. Artist: James NorthcoteJohn Reeve as Harry Alias, in One, Two, Three, Four, Five, c1829. John Reeve (1799-1838) a English comic actor specialising in mimicry
Le Sultan Samarcande, 1922, (1923). Artist: Leon BakstLe Sultan Samarcande, 1922, (1923). Painting held at the Thyssen-Bornemisza Collection, Madrid. From International Studio, March 1923. [International Studio, Inc. New York, 1923]
Puck, from a water-colour drawing by Stoddart, after Reynolds, (1789), 1903. Artist: Thomas StothardPuck, from a water-colour drawing by Stoddart, after Reynolds, 1789. Puck, also known as Robin Goodfellow, is a character in William Shakespeares play A Midsummer Nights Dream
Constantia, c1788. After George Morland (1763-1804). From The Connoisseur Extra Number I: George Morland, by J. T. Herbert Baily. [Otto Limited, London, 1906]
Domestic Happiness, Laetitia with her Parents, 1789. Artist: John Raphael SmithDomestic Happiness, Laetitia with her Parents, 1789. After George Morland (1763-1804). From The Connoisseur Extra Number I: George Morland, by J. T. Herbert Baily. [Otto Limited, London, 1906]
Preliminary sketch for The Wife of Bath, c1917. Artist: Hugh ThomsonPreliminary sketch for The Wife of Bath, c1917. An illustration from Geoffrey Chaucers the Wife of Baths Tale from Canterbury Tales
Honest Jack Falstaff, c20th century. Artist: William John WainwrightHonest Jack Falstaff, c20th century. From The Studio Volume 65. [London Offices of the Studio, London, 1915]
Christian and Hopeful in the Dungeon, c1916. Artist: William StrangChristian and Hopeful in the Dungeon, c1916. An illustration from John Bunyans The Pilgrims Progress. An English nonconformist preacher and writer
Christian Fights Apollyon, c1916. Artist: William StrangChristian Fights Apollyon, c1916. An illustration from John Bunyans The Pilgrims Progress. An English nonconformist preacher and writer
The Slough of Despond, c1916. Artist: William StrangThe Slough of Despond, c1916. An illustration from John Bunyans The Pilgrims Progress. An English nonconformist preacher and writer
Christian is Troubled, c1916. Artist: William StrangChristian is Troubled, c1916. An illustration from John Bunyans The Pilgrims Progress. An English nonconformist preacher and writer
Mrs. Tibbs and Mr. Evenson, c1900. Artist: George CruikshankMrs. Tibbs and Mr. Evenson, c1900. An illustration for Sketches by Boz by Charles Dickens. From Hard Times and Sketches by Boz, Volume XI, by Charles Dickens. [Blackwood, Le Bas & Co. London, c1900]
Curtain Up On Mr. Therm, 1951. An advert for The Gas Coucil. From a guide to the Festival of Britain, 1951
Fagin, 1939. Fagin is a character from the novel Oliver Twist by Charles Dickens (1812-1870). From the Dickens Character Series produced by Copes Cigarettes, 1939
The Artful Dodger, 1939. The Artful Dodger is a character from the novel Oliver Twist by Charles Dickens (1812-1870). From the Dickens Character Series produced by Copes Cigarettes, 1939
Diana Vernon, 1937. Artist: Alexander K MacDonaldDiana Vernon. Diana Die Vernon is the heroine of Walter Scotts 1817 historical novel Rob Roy. From the John Player & Sons cigarette card series Famous Beauties, 1937
The Elopement: Laetitia (Lydia) seduced from her Friends under a promise of Marriage, 1789), 1925The Elopement: Laetitia (Lydia) seduced from her Friends under a promise of Marriage, 1789. Plate 2 of The Laetitia Series