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Pastoral Repast, 1769. Creator: Francois BoucherPastoral Repast, 1769
View of the Church of Boccadasse in Genoa and the promontory of Portofino, before 1881. Creator: UnknownView of the Church of Boccadasse in Genoa and the promontory of Portofino, before 1881. The viewer looks across a stretch of water from a rocky shoreline
Hind Forced Down in the Snow, after 1857. Creator: UnknownHind Forced Down in the Snow, after 1857. In the 1857 Salon Courbet showed his celebrated "Hind Forced Down in the Snow, " (92.5 x 147 cm)
Venice, Morning, c1864. Creator: Felix Francois Georges Philibert ZiemVenice, Morning, c1864. Dominating the right foreground are a gondola and a moored sailing vessel. Left, in the middle ground, are other craft
Bordeaux, the Harbor, 1874. Creator: Eugene Louis BoudinBordeaux, the Harbor, 1874. A direct link between the Barbizon generation and the impressionists, Boudin encouraged Monet to paint landscapes directly from nature
Christ on the Cross, 1846. Creator: Eugene DelacroixChrist on the Cross, 1846. Sharply silhouetted against the darkened sky is the dying Christ. A couple of gesturing spectators appear at the left
Christ on the Sea of Galilee, 1854. Creator: Eugene DelacroixChrist on the Sea of Galilee, 1854. This scene is based on an incident recounted in three Gospels of the New Testament: a furious storm breaks out while Jesus
Collision of the Moorish Horsemen, 1843-1844. Creator: Eugene DelacroixCollision of the Moorish Horsemen, 1843-1844. Delacroix uses fluid brush work to capture the colour and movement of an Arab Fantasia, or ceremonial cavalry charge, mimicking battle
Sketch for the Battle of Poitiers, 1829-1830. Creator: Eugene DelacroixSketch for the Battle of Poitiers, 1829-1830. Delacroix often preferred to depict subjects from France's medieval past rather than from Greek or Roman antiquity
Early Morning, mid 19th century. Creator: Emile van Marcke de LummenEarly Morning, mid 19th century. A white cow drinking in the foreground is about to be joined by three other cows progressing at intervals toward the pool
The Approach of a Storm, c1872. Creator: Emile van Marcke de LummenThe Approach of a Storm, c1872
The Café-Concert, c1879. Creator: Edouard ManetThe Cafe-Concert, c1879. Here, Manet captures the kaleidoscopic pleasures of Parisian nightlife. The figures are crowded into the compact space of the canvas
Portrait of Estelle Balfour, 1863-1865. Creator: Edgar DegasPortrait of Estelle Balfour, 1863-1865. Estelle Musson Balfour (1843-1909), the artist's cousin from New Orleans, visited France in 1863-65
Repose, 19th century. Creator: Constant TroyonRepose, 19th century. A sense of serenity permeates this scene of cattle at rest during a sunny day on the Normandy coast
Coast near Villers, c1859. Creator: Constant TroyonCoast near Villers, c1859. In this view of an impending storm near the resort village of Villers-sur-Mer, the artist presents a cross section of society
Windmills Near Zaandam, 1871. Creator: Claude MonetWindmills Near Zaandam, 1871. Following his exile in England during the Franco-Prussian War (1870-71), Monet stopped in Zaandam, a picturesque town near Amsterdam, from May through October of 1871
Springtime, 1872. Creator: Claude MonetSpringtime, 1872. Monet moved to Argenteuil, a suburban town on the right bank of the Seine River northwest of Paris, in late December 1871
Portrait of an Elderly Lady, c1820. Creator: UnknownPortrait of an Elderly Lady, c1820. This starkly realistic portrait shows a strong-featured old woman dressed in her finery staring directly at the viewer
A Portrait, 1852. Creator: Charles Louis Lucien MullerA Portrait, 1852. A black-haired woman, clad in black with a red scarf, is shown shoulder-length posed against a neutral greenish-grey, shadowy ground
Nymphs Listening to the Songs of Orpheus, 1853. Creator: Charles JalabertNymphs Listening to the Songs of Orpheus, 1853. Jalabert was praised by his contemporaries for his subtle, refined renderings of historical genre scenes
Sunset on the Coast at Villerville, 1855, with later retouching by the artist. Creator: Charles Francois DaubignySunset on the Coast at Villerville, 1855, with later retouching by the artist. Daubigny first visited Villerville in 1854 and returned each year thereafter
Replica of The Hémicycle, 1853. Creator: Charles BerangerReplica of The Hemicycle, 1853. This painting replicates Delaroche's most famous work, a mural in oils and wax (1836-41) in the auditorium of the Ecole des Beaux-Arts in Paris
The Church at Eragny, 1884. Creator: Camille PissarroThe Church at Eragny, 1884. This picture, with its staccato brushwork, shows Pissarro's interest in Pointillism, a technique of painting explored by the younger painter Georges Seurat
Route to Versailles, Louveciennes, 1869. Creator: Camille PissarroRoute to Versailles, Louveciennes, 1869. In 1869, Pissarro settled in Louveciennes, a suburban village northwest of Paris frequented by the Impressionists
Fête Champêtre, c1730. Creator: Bonaventure de BarFete Champetre, c1730. This painting was originally attributed to Jean Baptiste Joseph Pater, an artist who specialized in idealized park scenes with amorous couples, known as "fetes champetres
The Beach at Fécamp, 1875. Creator: Emile FlickThe Beach at Fecamp, 1875. Flick exhibited at the Paris Salons between 1870 and 1882. Although not a member of the impressionist group, he shared with them an interest in painting outdoors
Information, 1876. Creator: Alphonse de NeuvilleInformation, 1876. A mounted officer of the Engineers with map in hand is seeking directions from a peasant tending his flock with a dog. Another mounted soldier is visible in the background
The Attack at Dawn, 1877. Creator: Alphonse de NeuvilleThe Attack at Dawn, 1877. The scene is a French town in the Jura region, near the Swiss border. As a bugler sounds the alarm
In the Trenches, 1874. Creator: Alphonse de NeuvilleIn the Trenches, 1874. Members of the Garde Mobile (French expeditionary forces) are huddled in a shallow trench during the Franco-Prussian War of 1870-71
The Terrace at Saint-Germain, Spring, 1875. Creator: Alfred SisleyThe Terrace at Saint-Germain, Spring, 1875. In this panoramic view of the Seine River valley near the town of St.-Germain-en-Laye
View of Saint-Mammès, c1880. Creator: Alfred SisleyView of Saint-Mammes, c1880. In 1880, Sisley moved from Paris to Veneux-Nadon, a few miles southeast of Fontainebleau, and remained in the region for the rest of his life
The Suicide, c1836. Creator: Alexandre Gabriel DescampsThe Suicide, c1836. The palette, pistol, and note lying on the floor suggest the tragic sequence of events that has taken place. An artist overcome by adversity has taken his life
Pandora, 1873. Creator: Alexandre CabanelPandora, 1873. Cabanel, a professor of painting at the Ecole des Beaux-Arts in Paris, specialized in portraits of "High Society." Here
Portrait of Napoleon III, 1868. Creator: Adolphe YvonPortrait of Napoleon III, 1868. Yvon served as the principal battle-painter of France's Second Empire (1852-70), executing a number of monumental canvases for the palace at Versailles
Iffland's Jager, 1786. Creator: Daniel Nikolaus ChodowieckiIffland's Jager, 1786
April: A Garden, published 1599. Creator: Antonio TempestaApril: A Garden, published 1599. From The Twelve Months I, pl. 4
The Giants Attempting to Storm Olympus, published 1606. Creators: Antonio Tempesta, Wilhelm JansonThe Giants Attempting to Storm Olympus, published 1606. From The Metamorphoses of Ovid, pl. 6
Costumes de Différents Pays, Femme de l'Isle de Candie, c1797. Creator: Jacques Grasset de Saint-SauveurCostumes de Differents Pays, Femme de l'Isle de Candie, c1797
Costumes de Différents Pays, Catalanne, c1797. Creator: Jacques Grasset de Saint-SauveurCostumes de Differents Pays, Catalanne, c1797
Illustration for Gellert's Six Fables and Six Stories, 1775. Creator: Daniel Nikolaus ChodowieckiIllustration for Gellert's Six Fables and Six Stories, 1775
La Suisse appellerait ça ne pas reconnaitre la propriété littéraire, 1866. Creator: ChamLa Suisse appellerait ca ne pas reconnaitre la propriete litteraire, 1866. Series: Actualites; Periodical: Le Charivari, Thursday, 29 March 1866
Mr. Thiers embrasse un membre de la comission de permanence et lui prouve combien... 1872. Creator: ChamMr. Thiers embrasse un membre de la comission de permanence et lui prouve combien la mer l'a fortifie, 1872. Series: Actualites; Periodical: Le Charivari, Thursday, 26 September 1872
Costumes de Différent Pays, Femme Parée des Environs de la Tête de Buch Landes de Bordeaux, c1797Costumes de Different Pays, Femme Paree des Environs de la Tete de Buch Landes de Bordeaux, c1797
Costumes de Différent Pays, Homme des Landes de Bordeaux Mettant ses Échasses, c1797Costumes de Different Pays, Homme des Landes de Bordeaux Mettant ses Echasses, c1797
Costumes de Différent Pays, Marchand d'Agneaux des Landes de Bordeaux, c1797Costumes de Different Pays, Marchand d'Agneaux des Landes de Bordeaux, c1797
Illustration for Uprightness and Hypocrisy, 1793. Creator: Daniel Nikolaus ChodowieckiIllustration for Uprightness and Hypocrisy, 1793. From almanac: Pocket Calender of Gotting for the year 1794
Mother and Child in Prayer, 19th century. Creator: Eugene Francois FinesMother and Child in Prayer, 19th century
