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Etching And Engraving Collection (page 12)

Background imageEtching And Engraving Collection: Plate XXXVII (37): Mars. From 'Museum Florentinum'

Plate XXXVII (37): Mars. From "Museum Florentinum"
Plate XXXVII (37): Mars. From " Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734

Background imageEtching And Engraving Collection: Bacchus accompanied by a Bacchante and a faun, 1768. Creators: Carlo Faucci

Bacchus accompanied by a Bacchante and a faun, 1768. Creators: Carlo Faucci
Bacchus accompanied by a Bacchante and a faun, 1768

Background imageEtching And Engraving Collection: Plate 6: Ulysses driving a burning stake into Polyphemus eye, 1756

Plate 6: Ulysses driving a burning stake into Polyphemus eye, 1756

Background imageEtching And Engraving Collection: Plate 7: the blinded Polyphemus, guarding the entrance of his cavern

Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins, 1756

Background imageEtching And Engraving Collection: Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his ship... 1756

Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his ship... 1756
Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck, 1756

Background imageEtching And Engraving Collection: Plate 27: Dona Rodriguez, who is speaking at night with Don Quixote

Plate 27: Dona Rodriguez, who is speaking at night with Don Quixote, is surprised by the ladies of the Duchess (La Dame Rodrigue,s entretenant de nuit avec Don Quichotte)

Background imageEtching And Engraving Collection: Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea, 1756

Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea, 1756

Background imageEtching And Engraving Collection: Plate 24: Ulysses's companions stealing the oxen sacred to Apollo, 1756

Plate 24: Ulysses's companions stealing the oxen sacred to Apollo, 1756

Background imageEtching And Engraving Collection: Plate 22: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari

Plate 22: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari
Plate 22: two nude figures wearing veils, 1756

Background imageEtching And Engraving Collection: Plate 19: figure seen from behind with left hand raised, 1756

Plate 19: figure seen from behind with left hand raised, 1756

Background imageEtching And Engraving Collection: Plate 18: two nude figures wearing veils, seen from behind, 1756

Plate 18: two nude figures wearing veils, seen from behind, 1756

Background imageEtching And Engraving Collection: Plate 17: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari

Plate 17: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari
Plate 17: two nude figures wearing veils, 1756

Background imageEtching And Engraving Collection: Plate 20: bearded figure, half clothed, 1756. Creators: Bartolomeo Crivellari

Plate 20: bearded figure, half clothed, 1756. Creators: Bartolomeo Crivellari
Plate 20: bearded figure, half clothed, 1756

Background imageEtching And Engraving Collection: Plate 15: mythological figure wearing a helmet and holding a shield, 1756

Plate 15: mythological figure wearing a helmet and holding a shield, 1756

Background imageEtching And Engraving Collection: Childrens Games (Jeux des Enfants), 1731. Creator: Francois Bernard Lepicie

Childrens Games (Jeux des Enfants), 1731. Creator: Francois Bernard Lepicie
Childrens Games (Jeux des Enfants), 1731

Background imageEtching And Engraving Collection: The Coquettish Widow, 1724. Creator: Francois Bernard Lepicie

The Coquettish Widow, 1724. Creator: Francois Bernard Lepicie
The Coquettish Widow, 1724

Background imageEtching And Engraving Collection: Plate 16: mythological figure holding a mirror, 1756. Creators: Bartolomeo Crivellari

Plate 16: mythological figure holding a mirror, 1756. Creators: Bartolomeo Crivellari
Plate 16: mythological figure holding a mirror, 1756

Background imageEtching And Engraving Collection: Plate 10: Ulysses compelling Circe to restore his companions human shapes

Plate 10: Ulysses compelling Circe to restore his companions human shapes, which she had changed into monsters, 1756

Background imageEtching And Engraving Collection: Saint John the Baptist preaching to a crowd, ca. 1729. Creator: Francois Bernard Lepicie

Saint John the Baptist preaching to a crowd, ca. 1729. Creator: Francois Bernard Lepicie
Saint John the Baptist preaching to a crowd, ca. 1729

Background imageEtching And Engraving Collection: Plate 8: Ulysses receiving the winds in a leather bag from Aeolus, 1756

Plate 8: Ulysses receiving the winds in a leather bag from Aeolus, 1756

Background imageEtching And Engraving Collection: The Battle of Qos-qulaq, 1774. Creator: Benoit-Louis Prevost

The Battle of Qos-qulaq, 1774. Creator: Benoit-Louis Prevost
The Battle of Qos-qulaq, 1774

Background imageEtching And Engraving Collection: Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at l... 1756

Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at l... 1756
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left, 1756

Background imageEtching And Engraving Collection: Three bearded men, one wearing fur, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling

Three bearded men, one wearing fur, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
Three bearded men, one wearing fur, 1756

Background imageEtching And Engraving Collection: A standing man in a niche reaching forward with one arm, 1756

A standing man in a niche reaching forward with one arm, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
A standing man in a niche reaching forward with one arm, 1756

Background imageEtching And Engraving Collection: Plate 40: the division of the elect from the reprobate, 1756

Plate 40: the division of the elect from the reprobate, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
Plate 40: the division of the elect from the reprobate, 1756

Background imageEtching And Engraving Collection: Minerva assisting Prometheus as he attempts to scale the heavens, 1756

Minerva assisting Prometheus as he attempts to scale the heavens, 1756. Creators: Bartolomeo Crivellari
Minerva assisting Prometheus as he attempts to scale the heavens, 1756

Background imageEtching And Engraving Collection: Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children, 1756

Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children, 1756

Background imageEtching And Engraving Collection: Love Doctor (L amour medecin), ca. 1730-50. Creator: C. Mathey

Love Doctor (L amour medecin), ca. 1730-50. Creator: C. Mathey
Love Doctor (L amour medecin), ca. 1730-50

Background imageEtching And Engraving Collection: Plate 6: Saint Josephs dream, with the Virgin Mary at left

Plate 6: Saint Josephs dream, with the Virgin Mary at left and an angel above who points to the Holy Spirit, 1777

Background imageEtching And Engraving Collection: Vignette for the first chant of Roland Furieux, 18th century

Vignette for the first chant of Roland Furieux, 18th century. Segue Rinaldo il suo destrier Baiardo Ed Angelica incontra che fuggia

Background imageEtching And Engraving Collection: Saint Jerome kneeling before a crucifix, with a skull and lion, ca. 1550-60

Saint Jerome kneeling before a crucifix, with a skull and lion, ca. 1550-60

Background imageEtching And Engraving Collection: The Great Victory of Qurman, 1770. Creator: Augustin de Saint-Aubin

The Great Victory of Qurman, 1770. Creator: Augustin de Saint-Aubin
The Great Victory of Qurman, 1770

Background imageEtching And Engraving Collection: The Battle of Tonguzluq, 1773. Creator: Augustin de Saint-Aubin

The Battle of Tonguzluq, 1773. Creator: Augustin de Saint-Aubin
The Battle of Tonguzluq, 1773

Background imageEtching And Engraving Collection: Saint Paul preaching at center, standing in a crowd in a columned interior, pointing

Saint Paul preaching at center, standing in a crowd in a columned interior, pointing upwards toward putti who hold a scroll, 1681-1725

Background imageEtching And Engraving Collection: A Sibyl, 1540-45. Creator: Antonio Fantuzzi

A Sibyl, 1540-45. Creator: Antonio Fantuzzi
A Sibyl, 1540-45

Background imageEtching And Engraving Collection: Portrait of Cardinal Infante Ferdinand of Austria, 1728

Portrait of Cardinal Infante Ferdinand of Austria, 1728

Background imageEtching And Engraving Collection: Judith standing with her foot on the head of Holofernes, ca. 1729

Judith standing with her foot on the head of Holofernes, ca. 1729. Formerly attributed as after Raphael

Background imageEtching And Engraving Collection: Winter (L Hyver), 1740-60. Creator: Antoine R. Tronchon

Winter (L Hyver), 1740-60. Creator: Antoine R. Tronchon
Winter (L Hyver), 1740-60

Background imageEtching And Engraving Collection: Summer (L Ete), 1740-60. Creator: Antoine R. Tronchon

Summer (L Ete), 1740-60. Creator: Antoine R. Tronchon
Summer (L Ete), 1740-60

Background imageEtching And Engraving Collection: General Washington, ca. 1794. Creator: Thomas Holloway

General Washington, ca. 1794. Creator: Thomas Holloway
General Washington, ca. 1794

Background imageEtching And Engraving Collection: Pastime in Ancient Egypt, 1876. Creator: Charles William Sharpe

Pastime in Ancient Egypt, 1876. Creator: Charles William Sharpe
Pastime in Ancient Egypt, 1876

Background imageEtching And Engraving Collection: The angel appearing to Hagar in the wilderness as she folds her hands next to the sleep

The angel appearing to Hagar in the wilderness as she folds her hands next to the sleeping Ishmael, 1700-28

Background imageEtching And Engraving Collection: Saint Louis presenting his sword to Christ, after a ceiling design, 1755-90

Saint Louis presenting his sword to Christ, after a ceiling design, 1755-90

Background imageEtching And Engraving Collection: The Battle of Yesil-kol-nor, 1772. Creators: Charles Nicolas Cochin

The Battle of Yesil-kol-nor, 1772. Creators: Charles Nicolas Cochin
The Battle of Yesil-kol-nor, 1772

Background imageEtching And Engraving Collection: The Story that Stops Time (L Histoire qui arrete le temps), 1708-54

The Story that Stops Time (L Histoire qui arrete le temps), 1708-54

Background imageEtching And Engraving Collection: An accident while traveling, a kneeling man fixing a broken saddle, a horse pissing at

An accident while traveling, a kneeling man fixing a broken saddle, a horse pissing at the left, 1740-50

Background imageEtching And Engraving Collection: Le Paysan qui avait offenseson Seigneur, from Contes et nouvelles en vers pa

Le Paysan qui avait offenseson Seigneur, from Contes et nouvelles en vers pa
Le Paysan qui avait offense son Seigneur, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l imprimerie de P. Didot, l an III de la Republique, 1795, published in 1795

Background imageEtching And Engraving Collection: Virgin and Child, 19th century. Creators: Cesare Ferreri, Lorenzo Metalli

Virgin and Child, 19th century. Creators: Cesare Ferreri, Lorenzo Metalli
Virgin and Child, 19th century



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