Edward T Collection (page 2)

The Toast, 1890s, (1946). Artist: Anders Leonard Zorn
The Toast, 1890s, (1946). Print after the painting A Toast In The Idun Society, 1892. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase

Nude Woman at the Door of Her Room, c. 1879, (1946). Artist: Edgar Degas
Nude Woman at the Door of Her Room, c.1879, (1946). From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase. [The Hyperion Press, Paris, 1946]

The Steeple of Saint-Nicolas-Les-Arras, c. 1870s, (1946). Artist: Jean-Baptiste-Camille Corot
The Steeple of Saint-Nicolas-Les-Arras, c.1870s, (1946). View of the church in the village of Saint-Nicolas-lez-Arras in the Pas-de-Calais department of Northern France

Manao Tupapau (The Spirit of the Dead Watches), c. 1892, (1946). Artist: Paul Gauguin
Manao Tupapau (The Spirit of the Dead Watches), c.1892, (1946). Print after a painting, Spirit of the Dead Watching (Manao tupapau), of Gauguins young Tahitian wife Teha amana lying naked

A Change of Residence, c. 1899, (1946). Artist: Paul Gauguin
A Change of Residence, c.1899, (1946). Changement de Residence in French, print made during Gauguins second visit to Tahiti

Portrait of Dr. Gachet, c. 1890, (1946). Artist: Vincent van Gogh
Portrait of Dr. Gachet, c.1890, (1946). Print also known as Portrait of Dr Gachet with Pipe, of Doctor Paul Gachet who took care of Van Gogh during the final months of his life

The Bathers, 1946. Artist: Paul Cezanne
The Bathers, 1946. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase. [The Hyperion Press, Paris, 1946]

The Drawing Lesson, c. 1888-1890, (1946). Artist: Berthe Morisot
The Drawing Lesson, c.1888-1890, (1946). Self-portrait of Morisot and her daughter Julie Manet, who like her mother was a painter

Portrait of the Artist, c. 1900, (1946). Artist: Paul Cezanne
Portrait of the Artist, c.1900, (1946). Print after Cezannes Self-Portrait With Beret. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase

Two Bathers, 1946. Artist: Pierre-Auguste Renoir
Two Bathers, 1946. Les deux baigneuses in French). From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase. [The Hyperion Press, Paris, 1946]

The Box with the Gilded Mask, 1893, (1946). Artist: Henri de Toulouse-Lautrec
The Box with the Gilded Mask, 1893, (1946). La Loge au mascaron dorU in French, illustraion for a theatre programme for Marcel LuguetAEs play The Missionary (Le Missionnaire)

Half-Length Portrait of Dieterle, c. 1899, (1946). Artist: Pierre-Auguste Renoir
Half-Length Portrait of Dieterle, c.1899, (1946). Print after a painting, Mademoiselle Dieterle La Merveilleuse. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T

Brandes in Her Dressing Room, c. 1895, (1946). Artist: Henri de Toulouse-Lautrec
Brandes in Her Dressing Room, c.1895, (1946). Portrait of French comedienne JosUphine Brunschwig, also known as Marthe BrandTHs (1862-1930)

Miss Ida Heath, English Dancer, c. 1894, (1946). Artist: Henri de Toulouse-Lautrec
Miss Ida Heath, English Dancer, c.1894, (1946). A high-kicking woman on stage. Parisian fin-de-siecle nightlife was colourful, with can-can artistes performing without underwear

Au Hanneton, c. 1898, (1946). Artist: Henri de Toulouse-Lautrec
Au Hanneton, c.1898, (1946). At the Hanneton ; a woman sitting alone at a table at Le Hanneton, one of several women-owned Parisian cafUs that catered for an almost exclusively female

Miss May Belfort Welcoming, c. 1895, (1946). Artist: Henri de Toulouse-Lautrec
Miss May Belfort Welcoming, c.1895, (1946). Portrait of the Irish singer, May Belfort, who lived and worked in Paris. She gained notoriety for her song, Daddy wouldn t buy me a bow-wow

The Banks of Loing, c. 1880s, (1946). Artist: Alfred Sisley
The Banks of Loing, c.1880s, (1946). Landscape with boats on the Canal du Loing at Saint-MammTHs in France. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T

Noa Noa, c. 1890s, (1946). Artist: Paul Gauguin
Noa Noa, c.1890s, (1946). During his first visit to Tahiti (1891-1893), Paul Gauguin documented his experiences in his travel journal, Noa Noa

The Mill at Cuincy, 1871-1872, (1946). Artist: Jean-Baptiste-Camille Corot
The Mill at Cuincy, 1871-1872, (1946). Mill near near Douai, in the Nord departement in northern France. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase

The Peacocks, 1869, (1946). Artist: Rodolphe Bresdin
The Peacocks, 1869, (1946). Rodolphe Bresdin (1822-1885) was self-taught and restricted himself exclusively to drawing and printmaking

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