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Cloth Gallery

Available as Prints and Gift Items

Choose from 202 pictures in our Cloth collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


Hatsune no Baba; Bakurocho, ca. 1857., ca. 1857. Creator: Ando Hiroshige
Hatsune no Baba; Bakurocho, ca. 1857., ca. 1857. Creator: Ando Hiroshige
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Dye House at Konya-cho, Kanda, 1857., 1857. Creator: Ando Hiroshige
Dye House at Konya-cho, Kanda, 1857., 1857. Creator: Ando Hiroshige
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MARTINIQUE - Type et Costume Créole, ca. 1920. Creator: Louis Bauer
MARTINIQUE - Type et Costume Créole, ca. 1920. Creator: Louis Bauer
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Les nymphes scrupuleuses, 1784. Creator: Geraud Vidal
Les nymphes scrupuleuses, 1784. Creator: Geraud Vidal
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Plaid Homespun Cloth, c. 1937. Creator: Clyde L. Cheney
Plaid Homespun Cloth, c. 1937. Creator: Clyde L. Cheney
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Plaid Homespun, 1935/1942. Creator: Clyde L. Cheney
Plaid Homespun, 1935/1942. Creator: Clyde L. Cheney
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Plaid Homespun Coverlet, 1935/1942. Creator: Clyde L. Cheney
Plaid Homespun Coverlet, 1935/1942. Creator: Clyde L. Cheney
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Woven Striped Linsey Wooley, 1935/1942. Creator: Clyde L. Cheney
Woven Striped Linsey Wooley, 1935/1942. Creator: Clyde L. Cheney
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Homespun Quilt, c. 1937. Creator: Julie C Brush
Homespun Quilt, c. 1937. Creator: Julie C Brush
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Handspun Bedspread, c. 1937. Creator: Julie C Brush
Handspun Bedspread, c. 1937. Creator: Julie C Brush
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Homespun Bedspread, 1935/1942. Creator: Julie C Brush
Homespun Bedspread, 1935/1942. Creator: Julie C Brush
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Underneath Cloth, c. 1938. Creator: Marie Alain
Underneath Cloth, c. 1938. Creator: Marie Alain
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MARTINIQUE - Type et Costume Créole, ca. 1920. Creator: Louis Bauer Featured Print

MARTINIQUE - Type et Costume Créole, ca. 1920. Creator: Louis Bauer

The title of this French colonial postcard "MARTINIQUE - Type et Costume Creole" exemplifies the standard naming structure that categorized "exotic" native subjects in the form of ethnic and occupational "types." Presenting the image subjects in this way conveyed the perception of them as "tame" colonial subjects capable of assimilation into European ways of life. The colonial postcard, popular in the first two decades of the 20th century, came to represent both the technological triumphs of western photography - in printing and mass production - and the political triumphs of European conquest and expansion. These postcards also promoted tourism to the French Caribbean, painting the region as a safe, favorable, and exotic travel destination.The woman in this image wears a traditional, five-piece French Caribbean formal ensemble called a douillette, which is derived from the grand robe worn by early French settlers. Prior to Emancipation, dress codes required enslaved women to wear a chemise jupe, an informal bodice and skirt ensemble

© Heritage Art/Heritage Images

Drapers shop, 1951. Creator: Shirley Markham
Drapers shop, 1951. Creator: Shirley Markham
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Madonna and Child with Saint Elizabeth and Saint John the Baptist, c. 1535
Madonna and Child with Saint Elizabeth and Saint John the Baptist, c. 1535
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Saint Veronica [obverse], c. 1470/1475. Creator: Hans Memling
Saint Veronica [obverse], c. 1470/1475. Creator: Hans Memling
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Portrait of a Young Woman, c. 1525. Creator: Giuliano Bugiardini
Portrait of a Young Woman, c. 1525. Creator: Giuliano Bugiardini
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Textile Merchant, c. 1840. Creator: Unknown
Textile Merchant, c. 1840. Creator: Unknown
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Peaceable Kingdom, c. 1834. Creator: Edward Hicks
Peaceable Kingdom, c. 1834. Creator: Edward Hicks
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Penn's Treaty with the Indians, c. 1840/1844. Creator: Edward Hicks
Penn's Treaty with the Indians, c. 1840/1844. Creator: Edward Hicks
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Christ Carrying the Cross, early 1620s. Creator: Cornelis van Poelenburch
Christ Carrying the Cross, early 1620s. Creator: Cornelis van Poelenburch
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The Veil of Veronica, c. 1618/1622. Creator: Domenico Fetti
The Veil of Veronica, c. 1618/1622. Creator: Domenico Fetti
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Amoghasiddhi, the Buddha of the Northern Pure Land, ca. 1200-50. Creator: Unknown
Amoghasiddhi, the Buddha of the Northern Pure Land, ca. 1200-50. Creator: Unknown
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Chakrasamvara and consort Vajravarahi, 1450-1500. Creator: Unknown
Chakrasamvara and consort Vajravarahi, 1450-1500. Creator: Unknown
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Acala, The Buddhist Protector, equivalent to February / March 1322. Creator: Unknown
Acala, The Buddhist Protector, equivalent to February / March 1322. Creator: Unknown
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Drapers shop, 1951. Creator: Shirley Markham Featured Print

Drapers shop, 1951. Creator: Shirley Markham

Draper's shop, 1951. Shirley Markham (1931-1999) studied Graphic Design and Illustration at Central School of Art in London from 1950-1952. The writer, artist, poet, and illustrator Mervyn Peake (1911-1968) was one of her tutors, and her style of drawing was also influenced by other British illustrators such as Edward Ardizzone, Quentin Blake and Edward Bawden. Markham spent time in the Dolomite Mountains in Italy, and also visited Rome, sketching classical buildings. After graduating from Central, she worked as a graphic designer, producing book illustrations, cartoons for comics, menus and programmes. She gave up her promising career however when she got married in 1957. Middle-class women at that time were expected to devote their energies to bringing up children and running the home, and despite her obvious talent, she lacked the confidence to return to illustration. Her portfolio remained in the family attic for many years, but now her work is published here for the first time

© Shirley Markham Collection / Heritage-Images

Mandala of Chandra, God of the Moon, late 14th-early 15th century. Creator: Unknown
Mandala of Chandra, God of the Moon, late 14th-early 15th century. Creator: Unknown
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Sr. H. Myddleton, (1560-1631), 1830. Creator: Unknown
Sr. H. Myddleton, (1560-1631), 1830. Creator: Unknown
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Jockey with Cap, possibly 1890s. Creator: Edgar Degas
Jockey with Cap, possibly 1890s. Creator: Edgar Degas
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The Tub, c. 1889. Creator: Edgar Degas
The Tub, c. 1889. Creator: Edgar Degas
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Face of Christ on St. Veronica's Veil, 1735. Creator: Dudesert
Face of Christ on St. Veronica's Veil, 1735. Creator: Dudesert
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Title page: a smiling man holds a corner of a cloth tied to a fig tree
Title page: a smiling man holds a corner of a cloth tied to a fig tree
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The Rainbow, 1893. Creator: Felix Bracquemond
The Rainbow, 1893. Creator: Felix Bracquemond
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The Sudarium Held by Two Angels, ca. 1515. Creator: Daniel Hopfer
The Sudarium Held by Two Angels, ca. 1515. Creator: Daniel Hopfer
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Face of Christ on St. Veronica's Cloth, 1649. Creator: Claude Mellan
Face of Christ on St. Veronica's Cloth, 1649. Creator: Claude Mellan
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Woman Folding Cloth, late 18th-early 19th century. Creator: Hokusai
Woman Folding Cloth, late 18th-early 19th century. Creator: Hokusai
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Attire, late 18th-early 19th century. Creator: Hokusai
Attire, late 18th-early 19th century. Creator: Hokusai
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Interior of a Power-Loom factory, 1844. Creator: Unknown
Interior of a Power-Loom factory, 1844. Creator: Unknown
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Interior of a Power-Loom factory, 1844. Creator: Unknown Featured Print

Interior of a Power-Loom factory, 1844. Creator: Unknown

Interior of a Power-Loom factory, 1844. We are persuaded that the annexed engraving will be interesting to our readers, in connection with the great question of "The Factory Bill," which has just been disposed of by the Legislature.
The power-loom is now generally used in the cotton manufacture, for the weaving of plain cloth, and for the various kinds of twilled and figured goods; and Dr. Cooke Taylor considers that manual labour, at least for the coarser kinds of goods, must rapidly fall into disuse. In one respect, the power-loom has a very obvious advantage over the hand-loom...the lathe is easily adjusted to give a certain steady blow...power-loom cloth is always of a more equable and regular texture than that woven by hand'. From "Illustrated London News", 1844, Vol I

© The Print Collector/Heritage Images

Six Jewel Rivers from Various Provinces (Shokoku Mu-Tamagawa), 1857., 1857
Six Jewel Rivers from Various Provinces (Shokoku Mu-Tamagawa), 1857., 1857
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Fulling Cloth at the Jewel River (Kinuta no Tamagawa), ca. 1768., ca. 1768
Fulling Cloth at the Jewel River (Kinuta no Tamagawa), ca. 1768., ca. 1768
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The Jewel River at Chofu (Chofu no Tamagawa), ca. 1768., ca. 1768
The Jewel River at Chofu (Chofu no Tamagawa), ca. 1768., ca. 1768
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Evening Snow on the Nurioke, from the series Eight Parlor Views, ca. 1766., ca. 1766
Evening Snow on the Nurioke, from the series Eight Parlor Views, ca. 1766., ca. 1766
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St. Veronica with the Sudarium, after Michelangelo, 1540-66., 1540-66
St. Veronica with the Sudarium, after Michelangelo, 1540-66., 1540-66
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Malay Woman on Java, 1860s-70s. Creator: Unknown
Malay Woman on Java, 1860s-70s. Creator: Unknown
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Nymph of the Spring, ca. 1545-50. Creator: Lucas Cranach the Younger
Nymph of the Spring, ca. 1545-50. Creator: Lucas Cranach the Younger
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Portrait of Jnanatapa Attended by Lamas and Mahasiddhas, ca. 1350. Creator: Unknown
Portrait of Jnanatapa Attended by Lamas and Mahasiddhas, ca. 1350. Creator: Unknown
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Chakrasamvara Mandala, ca. 1100. Creator: Unknown
Chakrasamvara Mandala, ca. 1100. Creator: Unknown
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Textiles, Paracas Culture, Peru, 2015. Creator: Luis Rosendo
Textiles, Paracas Culture, Peru, 2015. Creator: Luis Rosendo
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Weaver of cloth, 1782. Creator: Pierre Sonnerat (after) (1745-1814)
Weaver of cloth, 1782. Creator: Pierre Sonnerat (after) (1745-1814)
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A Dyback, or Astrologer, 1804. Creator: Franz Balthazar Solvyns (1760-1824)
A Dyback, or Astrologer, 1804. Creator: Franz Balthazar Solvyns (1760-1824)
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