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Breton Landscape, c. 1900s, (1946). Artist: Henri RiviereBreton Landscape, c.1900s, (1946). Boats off the French coast of Brittany. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase
The Boy with the Sword, 1862, (1946). Artist: Edouard ManetThe Boy with the Sword, 1862, (1946). Etching after Manets painting, Boy Carrying a Sword, 1861. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase
Portrait of CUzanne, c. 1874, (1946). Artist: Camille PissarroPortrait of CUzanne, c.1874, (1946). Print after a painting of Pissarros friend and fellow artist Paul CUzanne (1839-1906)
The Goose Girl, c. 1870s, (1946). Artist: Camille PissarroThe Goose Girl, c.1870s, (1946). Print based on a painting, The Goose Girl at Montfoucault (White Frost), 1876. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T
The Lacemaker, 1946. Artist: Felicien Joseph Victor RopsThe Lacemaker, 1946. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase. [The Hyperion Press, Paris, 1946]
This Has Killed That, 1871, (1946). Artist: Honore DaumierThis Has Killed That, 1871, (1946). In French, Ceci a tuU cela. Woman pointing at a voting urn with the word oui ( yes ) floating above it
The Fall of Phaeton, late 19th century, (1946). Artist: Odilon RedonThe Fall of Phaeton, late 19th century, (1946). The ancient Greek myth of Phaeton (Phaethon), who asked to be allowed to drive the sun chariot for a day
Springtime, c. 1880s, (1946). Artist: Auguste RodinSpringtime, c.1880s, (1946). From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase. [The Hyperion Press, Paris, 1946]
Pegasus Captive, 1889, (1946). Artist: Odilon RedonPegasus Captive, 1889, (1946). Print also known as Captive Pegasus, inspired by Greek mythology. The winged horse Pegasus is held captive by Bellerophon
Pope Pius IX, 1946. Artist: Felix Hilaire BuhotPope Pius IX, 1946. Pius IX (born Giovanni Maria Mastai-Ferretti, 1792-1878) was Pope from 16 June 1846 until his death in 1878
The Toast, 1890s, (1946). Artist: Anders Leonard ZornThe Toast, 1890s, (1946). Print after the painting A Toast In The Idun Society, 1892. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase
Nude Woman at the Door of Her Room, c. 1879, (1946). Artist: Edgar DegasNude Woman at the Door of Her Room, c.1879, (1946). From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase. [The Hyperion Press, Paris, 1946]
The Steeple of Saint-Nicolas-Les-Arras, c. 1870s, (1946). Artist: Jean-Baptiste-Camille CorotThe Steeple of Saint-Nicolas-Les-Arras, c.1870s, (1946). View of the church in the village of Saint-Nicolas-lez-Arras in the Pas-de-Calais department of Northern France
Manao Tupapau (The Spirit of the Dead Watches), c. 1892, (1946). Artist: Paul GauguinManao Tupapau (The Spirit of the Dead Watches), c.1892, (1946). Print after a painting, Spirit of the Dead Watching (Manao tupapau), of Gauguins young Tahitian wife Teha amana lying naked
A Change of Residence, c. 1899, (1946). Artist: Paul GauguinA Change of Residence, c.1899, (1946). Changement de Residence in French, print made during Gauguins second visit to Tahiti
Portrait of Dr. Gachet, c. 1890, (1946). Artist: Vincent van GoghPortrait of Dr. Gachet, c.1890, (1946). Print also known as Portrait of Dr Gachet with Pipe, of Doctor Paul Gachet who took care of Van Gogh during the final months of his life
The Bathers, 1946. Artist: Paul CezanneThe Bathers, 1946. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase. [The Hyperion Press, Paris, 1946]
The Drawing Lesson, c. 1888-1890, (1946). Artist: Berthe MorisotThe Drawing Lesson, c.1888-1890, (1946). Self-portrait of Morisot and her daughter Julie Manet, who like her mother was a painter
Portrait of the Artist, c. 1900, (1946). Artist: Paul CezannePortrait of the Artist, c.1900, (1946). Print after Cezannes Self-Portrait With Beret. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase
Two Bathers, 1946. Artist: Pierre-Auguste RenoirTwo Bathers, 1946. Les deux baigneuses in French). From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase. [The Hyperion Press, Paris, 1946]
The Box with the Gilded Mask, 1893, (1946). Artist: Henri de Toulouse-LautrecThe Box with the Gilded Mask, 1893, (1946). La Loge au mascaron dorU in French, illustraion for a theatre programme for Marcel LuguetAEs play The Missionary (Le Missionnaire)
Half-Length Portrait of Dieterle, c. 1899, (1946). Artist: Pierre-Auguste RenoirHalf-Length Portrait of Dieterle, c.1899, (1946). Print after a painting, Mademoiselle Dieterle La Merveilleuse. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T
Brandes in Her Dressing Room, c. 1895, (1946). Artist: Henri de Toulouse-LautrecBrandes in Her Dressing Room, c.1895, (1946). Portrait of French comedienne JosUphine Brunschwig, also known as Marthe BrandTHs (1862-1930)
Miss Ida Heath, English Dancer, c. 1894, (1946). Artist: Henri de Toulouse-LautrecMiss Ida Heath, English Dancer, c.1894, (1946). A high-kicking woman on stage. Parisian fin-de-siecle nightlife was colourful, with can-can artistes performing without underwear
Au Hanneton, c. 1898, (1946). Artist: Henri de Toulouse-LautrecAu Hanneton, c.1898, (1946). At the Hanneton ; a woman sitting alone at a table at Le Hanneton, one of several women-owned Parisian cafUs that catered for an almost exclusively female
Miss May Belfort Welcoming, c. 1895, (1946). Artist: Henri de Toulouse-LautrecMiss May Belfort Welcoming, c.1895, (1946). Portrait of the Irish singer, May Belfort, who lived and worked in Paris. She gained notoriety for her song, Daddy wouldn t buy me a bow-wow
The Banks of Loing, c. 1880s, (1946). Artist: Alfred SisleyThe Banks of Loing, c.1880s, (1946). Landscape with boats on the Canal du Loing at Saint-MammTHs in France. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T
Noa Noa, c. 1890s, (1946). Artist: Paul GauguinNoa Noa, c.1890s, (1946). During his first visit to Tahiti (1891-1893), Paul Gauguin documented his experiences in his travel journal, Noa Noa
The Mill at Cuincy, 1871-1872, (1946). Artist: Jean-Baptiste-Camille CorotThe Mill at Cuincy, 1871-1872, (1946). Mill near near Douai, in the Nord departement in northern France. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase
The Peacocks, 1869, (1946). Artist: Rodolphe BresdinThe Peacocks, 1869, (1946). Rodolphe Bresdin (1822-1885) was self-taught and restricted himself exclusively to drawing and printmaking
Breaking Cover, c1824. After Henry Thomas Alken(1785-1851). From The Connoisseur Volume LXXXI. [The Connoisseur Ltd. London, 1928]
The Chase of the Roebuck, 1834. Artist: Henry Thomas AlkenThe Chase of the Roebuck, 1834. From The Studio Volume 130. [The Studio Ltd, London & New York, 1945]
The retreat of Belleisle, c1740 (19th century). Charles Louis Auguste Fouquet Belleisle (1684-1761) was an 18th century marshal of France
Pauline Chase as Peter Pan, 1908-1909. Artist: Alfred Ellis & WaleryPauline Chase as Peter Pan, 1908-1909. From Penroses Pictorial Annual 1908-1909, An Illustrated Review of the Graphic Arts, volume 14, edited by William Gamble and published by AW Penrose (London)
Wild boar hunting with dogs, 14th century (1849). A 19th century version of an original 14th century manuscript illustration in Livres du Roy Modus, held at the Bibliotheque Nationale de France
Hunting deer with dogs, 14th century (1849). A 19th century version of an original 14th century manuscript illustration in Livres du Roy Modus, held at the Bibliotheque Nationale de France, Paris
An Armed Merchant Ship Capture, c1813. Artist: William John HugginsAn Armed Merchant Ship Capture, c1813, (1924). On 30 April 1812, after a three day chase, the American armed merchant ship Gipsy was captured by the British Navy. From Old Naval Prints, by Charles N
The mystical chase of the unicorn, which has taken refuge in the lap of the virgin, 15th century, (1)The mystical chase of the unicorn, which has taken refuge in the lap of the virgin, 15th century, (1870). During the Middle Ages, the unicorn, attracted to the Virgin Mary
Dog Chasing a Rat, 19th or early 20th century. Artist: Briton RiviereDog Chasing a Rat, 19th or early 20th century. Found in the collection of the State M Ciurlionis Art Museum, Kaunas, Lithuania
The Chase, c1513-1553. Artist: Augustin HirschvogelThe Chase, c1513-1553. Located in the collection at, Musee de Beaux Arts, Budapest
A Friendly Call, 1895. Artist: William Merritt ChaseA Friendly Call, 1895. Set in Chases elegant summer house at Shinnecock Hills, Long Island, showing two fashionably dressed women
Apollo Pursuing Daphne, c1755-1760. Artist: Giovanni Battista TiepoloApollo Pursuing Daphne, c1755-1760. In Greek mythology Daphne, daughter of river god Peneus, was dedicated to a life of virginity
Postcard with golfing theme, c1900s-c1910s
Business card for Alexander and Schneider Tailors, c1900
That Ballot-Boy Again!, 1872. Artist: Joseph SwainThat Ballot-Boy Again!, 1872. The Ballot Bill stands up to the House of Lords. This relates to the Ballot Bills passage through the Lords in June 1872. Two amendments had been made
Come to Grief, 1872. Artist: Joseph SwainCome to Grief, 1872. A distressed Ballot Bill makes his way from the House of Lords, hotly pursued by the peers. This relates to the Ballot Bills passage through the Lords in June 1872
