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Charles Samuel Keene Collection (page 2)

Background imageCharles Samuel Keene Collection: Tomkins Degree Supper and How it Ended, 1868. Creator: Charles Samuel Keene (British, 1823-1891)

Tomkins Degree Supper and How it Ended, 1868. Creator: Charles Samuel Keene (British, 1823-1891)
Tomkins Degree Supper and How it Ended, 1868

Background imageCharles Samuel Keene Collection: The Three Names, 1869. Creator: Charles Samuel Keene (British, 1823-1891)

The Three Names, 1869. Creator: Charles Samuel Keene (British, 1823-1891)
The Three Names, 1869

Background imageCharles Samuel Keene Collection: The Coat with a Fur Lining, 1869. Creator: Charles Samuel Keene (British, 1823-1891)

The Coat with a Fur Lining, 1869. Creator: Charles Samuel Keene (British, 1823-1891)
The Coat with a Fur Lining, 1869

Background imageCharles Samuel Keene Collection: Study for a Little Girl. Creator: Charles Samuel Keene (British, 1823-1891)

Study for a Little Girl. Creator: Charles Samuel Keene (British, 1823-1891)
Study for a Little Girl

Background imageCharles Samuel Keene Collection: Study for Mind and Matter. Creator: Charles Samuel Keene (British, 1823-1891)

Study for Mind and Matter. Creator: Charles Samuel Keene (British, 1823-1891)
Study for " Mind and Matter"

Background imageCharles Samuel Keene Collection: Study for A Woman Hater. Creator: Charles Samuel Keene (British, 1823-1891)

Study for A Woman Hater. Creator: Charles Samuel Keene (British, 1823-1891)
Study for " A Woman Hater"

Background imageCharles Samuel Keene Collection: Study of a Drunken Man Passing a Bank. Creator: Charles Samuel Keene (British, 1823-1891)

Study of a Drunken Man Passing a Bank. Creator: Charles Samuel Keene (British, 1823-1891)
Study of a Drunken Man Passing a Bank

Background imageCharles Samuel Keene Collection: Study of a Child in Helmet and Boots. Creator: Charles Samuel Keene (British, 1823-1891)

Study of a Child in Helmet and Boots. Creator: Charles Samuel Keene (British, 1823-1891)
Study of a Child in Helmet and Boots

Background imageCharles Samuel Keene Collection: Portrait of Little Corbauld. Creator: Charles Samuel Keene (British, 1823-1891)

Portrait of Little Corbauld. Creator: Charles Samuel Keene (British, 1823-1891)
Portrait of Little Corbauld

Background imageCharles Samuel Keene Collection: Our Christmas Turkey, Mr. Bobsby Concerned, 1868. Creator: Charles Samuel Keene (British

Our Christmas Turkey, Mr. Bobsby Concerned, 1868. Creator: Charles Samuel Keene (British
Our Christmas Turkey, Mr. Bobsby Concerned, 1868

Background imageCharles Samuel Keene Collection: How I Lost My Whiskers, 1866. Creator: Charles Samuel Keene (British, 1823-1891)

How I Lost My Whiskers, 1866. Creator: Charles Samuel Keene (British, 1823-1891)
How I Lost My Whiskers, 1866

Background imageCharles Samuel Keene Collection: House in Hammersmith. Creator: Charles Samuel Keene (British, 1823-1891)

House in Hammersmith. Creator: Charles Samuel Keene (British, 1823-1891)
House in Hammersmith

Background imageCharles Samuel Keene Collection: What Came of Killing a Rich Uncle One Christmas Time, 1865. Creator: Charles Samuel Keene (British)

What Came of Killing a Rich Uncle One Christmas Time, 1865. Creator: Charles Samuel Keene (British)
What Came of Killing a Rich Uncle One Christmas Time, 1865

Background imageCharles Samuel Keene Collection: Smoking Strictly Prohibited, 1868. Creator: Charles Samuel Keene (British, 1823-1891)

Smoking Strictly Prohibited, 1868. Creator: Charles Samuel Keene (British, 1823-1891)
Smoking Strictly Prohibited, 1868

Background imageCharles Samuel Keene Collection: Smoking Strictly Prohibited. Creator: Charles Samuel Keene (British, 1823-1891)

Smoking Strictly Prohibited. Creator: Charles Samuel Keene (British, 1823-1891)
Smoking Strictly Prohibited

Background imageCharles Samuel Keene Collection: Charles Keene as a Volunteer. Creator: Charles Samuel Keene (British, 1823-1891)

Charles Keene as a Volunteer. Creator: Charles Samuel Keene (British, 1823-1891)
Charles Keene as a Volunteer

Background imageCharles Samuel Keene Collection: Lady Nelly - the Flirt, 1869. Creator: Charles Samuel Keene (British, 1823-1891)

Lady Nelly - the Flirt, 1869. Creator: Charles Samuel Keene (British, 1823-1891)
Lady Nelly - the Flirt, 1869

Background imageCharles Samuel Keene Collection: Lady Nelly - the Flirt, 1865. Creator: Charles Samuel Keene (British, 1823-1891)

Lady Nelly - the Flirt, 1865. Creator: Charles Samuel Keene (British, 1823-1891)
Lady Nelly - the Flirt, 1865

Background imageCharles Samuel Keene Collection: An Actors Holiday, 1867. Creator: Charles Samuel Keene (British, 1823-1891)

An Actors Holiday, 1867. Creator: Charles Samuel Keene (British, 1823-1891)
An Actors Holiday, 1867

Background imageCharles Samuel Keene Collection: Memorial Place Jean Jacobs, Brussels, Belgium, 1906), c2014-2017. Artist: Alan John Ainsworth

Memorial Place Jean Jacobs, Brussels, Belgium, 1906), c2014-2017. Artist: Alan John Ainsworth
Memorial Place Jean Jacbs, Brussels, Belgium, c2014-2017. Joseph van Neck, architect; Charles Samuel, scupltor: 1906

Background imageCharles Samuel Keene Collection: Elizabethan soldier shot, c1843-c1891. Artist: Charles Samuel Keene

Elizabethan soldier shot, c1843-c1891. Artist: Charles Samuel Keene
Elizabethan soldier shot, c1843-c1891; showing the soldier reeling backwards from his post, injured. He grasps the wall with one hand and his weapon in the other

Background imageCharles Samuel Keene Collection: Lady in Elizabethan Dress, 19th century. Artist: Charles Samuel Keene

Lady in Elizabethan Dress, 19th century. Artist: Charles Samuel Keene
Lady in Elizabethan Dress, 19th century

Background imageCharles Samuel Keene Collection: Seated Man, in Doublet and Cloak, 19th century

Seated Man, in Doublet and Cloak, 19th century

Background imageCharles Samuel Keene Collection: John Everett Millais (1829-1896), British artist, 1898. Artist: Charles Samuel Keene

John Everett Millais (1829-1896), British artist, 1898. Artist: Charles Samuel Keene
John Everett Millais (1829-1896), British artist, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

Background imageCharles Samuel Keene Collection: Sharps the Word!, 1888

Sharps the Word!, 1888. The concept of cremation was still a very new one in 1888. However, the problems of living with mother-in-law are unchanging

Background imageCharles Samuel Keene Collection: Ways and Means, 1888

Ways and Means, 1888. A young man explains his own unique method of balancing his books and making ends meet on a salary of £ 300 per annum. From Punch, or the London Charivari, July 7, 1888

Background imageCharles Samuel Keene Collection: Might Be Worse!, 1888

Might Be Worse!, 1888. When enjoying a days fishing, it is important to ensure that the most important items have been packed. From Punch, or the London Charivari, June 23, 1888

Background imageCharles Samuel Keene Collection: The Music of the Future, 1887

The Music of the Future, 1887. Wagners conception of opera as a unification of musical, poetic and scenic elements, which revolutionised the 19th century conception of the genre

Background imageCharles Samuel Keene Collection: A satirical look at the chances of the average police constables ability to catch a cold, 1886

A satirical look at the chances of the average police constables ability to catch a cold, 1886
A satirical look at the chances of the average police constables ability to catch a cold. From Punch, or the London Charivari, October 30, 1886

Background imageCharles Samuel Keene Collection: Our Medical Students, 1886. Artist: Joseph Swain

Our Medical Students, 1886. Artist: Joseph Swain
Our Medical Students, 1886. The developments in doctors training is illustrated in this cartoon. Major advances in medical technology and research had been made during the course of the century

Background imageCharles Samuel Keene Collection: Is it Possible?, 1885

Is it Possible?, 1885. A solid and respectable city gent is amazed at the business affairs of his younger, slicker, colleague. From Punch, or the London Charivari, December 19, 1885

Background imageCharles Samuel Keene Collection: His First!, 1885

His First!, 1885. Following Irish campaigns of violence, security at public buildings was tight and, in this cartoon, a suspicious policeman questions a barrister carrying his brief

Background imageCharles Samuel Keene Collection: Tight and Needy, 1884

Tight and Needy, 1884. An illustration of a Spoonerism with an implicit moral judgment on the effects of alcohol. From Punch, or the London Charivari, November 15, 1884

Background imageCharles Samuel Keene Collection: Her Rights, 1882

Her Rights, 1882. Punch always enjoyed its little digs at the world of womens rights, and this cartoon shows a lady of opinion being outwitted by a comfortably seated gentleman

Background imageCharles Samuel Keene Collection: The Anti-Semitic Movement, 1881

The Anti-Semitic Movement, 1881. Punch illustrates how anti-Semitism was rife in both teaching and culture in 1881. From Punch, or the London Charivari, July 30, 1881

Background imageCharles Samuel Keene Collection: Christmas Bills, 1872

Christmas Bills, 1872. A husband and wife take very different views of the benefits of striking. There had been many strikes in London, and throughout England, during 1872

Background imageCharles Samuel Keene Collection: Likes His Moneys Worth, 1872

Likes His Moneys Worth, 1872. The discomforts of the night trains are highlighted in this cartoon. Bunks were not provided in second class and passengers had to find their comfort where they might

Background imageCharles Samuel Keene Collection: Education, 1872

Education, 1872. The Squire is told why his farmworkers child has been withdrawn from school. Whilst much had been done to promote the value of educating children

Background imageCharles Samuel Keene Collection: Defiant Definition, 1872

Defiant Definition, 1872. This cartoon illustrates a common difference of opinion on what exactly represents enough. From Punch, or the London Charivari, August 17, 1872

Background imageCharles Samuel Keene Collection: The Conscience Clause, 1872

The Conscience Clause, 1872. A father bemoans the fact that his son, having attended school for a day, began to pass on the lecture about the evils of drink

Background imageCharles Samuel Keene Collection: Both Sides of the Question, 1871

Both Sides of the Question, 1871. The tradesman has his pint pot of beer to hand. Beer was the staple tipple of manual labourers

Background imageCharles Samuel Keene Collection: Gratitude, 1871

Gratitude, 1871. The vagrant exclaims And they Ain t half Buttered! I could a done as well if I d Gone up the Lane to the Union

Background imageCharles Samuel Keene Collection: Police Tyranny, 1870

Police Tyranny, 1870. The outcasts and the poor are seen lining up outside the police station. They are being subjected to police tyranny of the Victorian era

Background imageCharles Samuel Keene Collection: Nae That Fou!, 1870. Artist: Charles Samuel Keene

Nae That Fou!, 1870. Artist: Charles Samuel Keene
Nae That Fou!, 1870. This cartoon illustrates the growing difficulties that the middle-classes were experiencing in finding, and retaining, good servants

Background imageCharles Samuel Keene Collection: Tyranny, 1870. Artist: Charles Samuel Keene

Tyranny, 1870. Artist: Charles Samuel Keene
Tyranny, 1870. A group of labourers and criminals are shown discussing initiatives that were designed both to improve the education of the working-classes, and to cut crime

Background imageCharles Samuel Keene Collection: An Open Secret, 1888

An Open Secret, 1888. The blind man is not an honest beggar, but is instead intent, along with his little dog, on fleecing a philanthropic public. From Punch, or the London Charivari, December 8, 1888

Background imageCharles Samuel Keene Collection: Reprisals, 1888

Reprisals, 1888. The top-hatted gentleman has hit upon the perfect revenge for the disturbance he suffers from the neighbours noisy children. From Punch, or the London Charivari, August 16, 1888

Background imageCharles Samuel Keene Collection: Patent First-Class Costume for the Collision Season, 1876. Artist: Charles Samuel Keene

Patent First-Class Costume for the Collision Season, 1876. Artist: Charles Samuel Keene
Patent First-Class Costume for the Collision Season, 1876. Travel by train was a risky business in the 1870s and collisions were not uncommon



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