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Tomkins Degree Supper and How it Ended, 1868. Creator: Charles Samuel Keene (British, 1823-1891)Tomkins Degree Supper and How it Ended, 1868
The Three Names, 1869. Creator: Charles Samuel Keene (British, 1823-1891)The Three Names, 1869
The Coat with a Fur Lining, 1869. Creator: Charles Samuel Keene (British, 1823-1891)The Coat with a Fur Lining, 1869
Study for a Little Girl. Creator: Charles Samuel Keene (British, 1823-1891)Study for a Little Girl
Study for Mind and Matter. Creator: Charles Samuel Keene (British, 1823-1891)Study for " Mind and Matter"
Study for A Woman Hater. Creator: Charles Samuel Keene (British, 1823-1891)Study for " A Woman Hater"
Study of a Drunken Man Passing a Bank. Creator: Charles Samuel Keene (British, 1823-1891)Study of a Drunken Man Passing a Bank
Study of a Child in Helmet and Boots. Creator: Charles Samuel Keene (British, 1823-1891)Study of a Child in Helmet and Boots
Portrait of Little Corbauld. Creator: Charles Samuel Keene (British, 1823-1891)Portrait of Little Corbauld
Our Christmas Turkey, Mr. Bobsby Concerned, 1868. Creator: Charles Samuel Keene (BritishOur Christmas Turkey, Mr. Bobsby Concerned, 1868
How I Lost My Whiskers, 1866. Creator: Charles Samuel Keene (British, 1823-1891)How I Lost My Whiskers, 1866
House in Hammersmith. Creator: Charles Samuel Keene (British, 1823-1891)House in Hammersmith
What Came of Killing a Rich Uncle One Christmas Time, 1865. Creator: Charles Samuel Keene (British)What Came of Killing a Rich Uncle One Christmas Time, 1865
Smoking Strictly Prohibited, 1868. Creator: Charles Samuel Keene (British, 1823-1891)Smoking Strictly Prohibited, 1868
Smoking Strictly Prohibited. Creator: Charles Samuel Keene (British, 1823-1891)Smoking Strictly Prohibited
Charles Keene as a Volunteer. Creator: Charles Samuel Keene (British, 1823-1891)Charles Keene as a Volunteer
Lady Nelly - the Flirt, 1869. Creator: Charles Samuel Keene (British, 1823-1891)Lady Nelly - the Flirt, 1869
Lady Nelly - the Flirt, 1865. Creator: Charles Samuel Keene (British, 1823-1891)Lady Nelly - the Flirt, 1865
An Actors Holiday, 1867. Creator: Charles Samuel Keene (British, 1823-1891)An Actors Holiday, 1867
Memorial Place Jean Jacobs, Brussels, Belgium, 1906), c2014-2017. Artist: Alan John AinsworthMemorial Place Jean Jacbs, Brussels, Belgium, c2014-2017. Joseph van Neck, architect; Charles Samuel, scupltor: 1906
Elizabethan soldier shot, c1843-c1891. Artist: Charles Samuel KeeneElizabethan soldier shot, c1843-c1891; showing the soldier reeling backwards from his post, injured. He grasps the wall with one hand and his weapon in the other
Lady in Elizabethan Dress, 19th century. Artist: Charles Samuel KeeneLady in Elizabethan Dress, 19th century
Seated Man, in Doublet and Cloak, 19th century
John Everett Millais (1829-1896), British artist, 1898. Artist: Charles Samuel KeeneJohn Everett Millais (1829-1896), British artist, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)
Sharps the Word!, 1888. The concept of cremation was still a very new one in 1888. However, the problems of living with mother-in-law are unchanging
Ways and Means, 1888. A young man explains his own unique method of balancing his books and making ends meet on a salary of £ 300 per annum. From Punch, or the London Charivari, July 7, 1888
Might Be Worse!, 1888. When enjoying a days fishing, it is important to ensure that the most important items have been packed. From Punch, or the London Charivari, June 23, 1888
The Music of the Future, 1887. Wagners conception of opera as a unification of musical, poetic and scenic elements, which revolutionised the 19th century conception of the genre
A satirical look at the chances of the average police constables ability to catch a cold, 1886A satirical look at the chances of the average police constables ability to catch a cold. From Punch, or the London Charivari, October 30, 1886
Our Medical Students, 1886. Artist: Joseph SwainOur Medical Students, 1886. The developments in doctors training is illustrated in this cartoon. Major advances in medical technology and research had been made during the course of the century
Is it Possible?, 1885. A solid and respectable city gent is amazed at the business affairs of his younger, slicker, colleague. From Punch, or the London Charivari, December 19, 1885
His First!, 1885. Following Irish campaigns of violence, security at public buildings was tight and, in this cartoon, a suspicious policeman questions a barrister carrying his brief
Tight and Needy, 1884. An illustration of a Spoonerism with an implicit moral judgment on the effects of alcohol. From Punch, or the London Charivari, November 15, 1884
Her Rights, 1882. Punch always enjoyed its little digs at the world of womens rights, and this cartoon shows a lady of opinion being outwitted by a comfortably seated gentleman
The Anti-Semitic Movement, 1881. Punch illustrates how anti-Semitism was rife in both teaching and culture in 1881. From Punch, or the London Charivari, July 30, 1881
Christmas Bills, 1872. A husband and wife take very different views of the benefits of striking. There had been many strikes in London, and throughout England, during 1872
Likes His Moneys Worth, 1872. The discomforts of the night trains are highlighted in this cartoon. Bunks were not provided in second class and passengers had to find their comfort where they might
Education, 1872. The Squire is told why his farmworkers child has been withdrawn from school. Whilst much had been done to promote the value of educating children
Defiant Definition, 1872. This cartoon illustrates a common difference of opinion on what exactly represents enough. From Punch, or the London Charivari, August 17, 1872
The Conscience Clause, 1872. A father bemoans the fact that his son, having attended school for a day, began to pass on the lecture about the evils of drink
Both Sides of the Question, 1871. The tradesman has his pint pot of beer to hand. Beer was the staple tipple of manual labourers
Gratitude, 1871. The vagrant exclaims And they Ain t half Buttered! I could a done as well if I d Gone up the Lane to the Union
Police Tyranny, 1870. The outcasts and the poor are seen lining up outside the police station. They are being subjected to police tyranny of the Victorian era
Nae That Fou!, 1870. Artist: Charles Samuel KeeneNae That Fou!, 1870. This cartoon illustrates the growing difficulties that the middle-classes were experiencing in finding, and retaining, good servants
Tyranny, 1870. Artist: Charles Samuel KeeneTyranny, 1870. A group of labourers and criminals are shown discussing initiatives that were designed both to improve the education of the working-classes, and to cut crime
An Open Secret, 1888. The blind man is not an honest beggar, but is instead intent, along with his little dog, on fleecing a philanthropic public. From Punch, or the London Charivari, December 8, 1888
Reprisals, 1888. The top-hatted gentleman has hit upon the perfect revenge for the disturbance he suffers from the neighbours noisy children. From Punch, or the London Charivari, August 16, 1888
Patent First-Class Costume for the Collision Season, 1876. Artist: Charles Samuel KeenePatent First-Class Costume for the Collision Season, 1876. Travel by train was a risky business in the 1870s and collisions were not uncommon