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The C-r-l-e Column, 1821. Artist: John BakerThe C-r-l-e Column, 1821.Queen Caroline (depicted non-satirically) wearing Bergamis miniature stands on the columns summit
A companion to the Q-ns ass... 1821A Companion to the Q(uee)-ns Ass in a Band Box, 1821. Lord Francis Conyngham sits on a zebra with a human face (Alderman Wood)
Mother Cole, 1821. An inebriated Queen Caroline is shown slumped in an armchair with a glass of brandy in her hand; behind her stands a servile
An Irish wake... 1821An Irish wake, or the Whisky Club singing a requiem to the manes of the persecuted and - Queen, 1821. George IV, William Curtis, Viscount Castlereagh
Bat, Cat and Mat, how happy could I be with either, 1821. Queen Caroline, Bergami and Matthew Wood dance arm in arm on a road between Calais and St Omer
Delicious Dreams! Castles in the air! Glorious prospects!, 1821. Queen Caroline and her supporters (Flinn, Hume, Lady Anne Hamilton, Alderman Wood)
Grand entrance to Bamboozl em, 1821. Queen Caroline and Alderman Matthew Wood heading a procession through the City, met by a group of Radical reformers
Humpty Dumpty sat on a Wall... 1821. Artist: Richard DightonHumpty Dumpty sat on a Wall... 1821. Alderman Wood lies in the mud outside Brandenburgh House. The cartoon refers to the fact that although Wood supported her
A late arrival at Mother Wood s, 1820. Queen Caroline appears on the balcony of Alderman Sir Matthew Woods house before a street full of traffic
The exile restored... 1820The exile restored or the spies, spawns & spewers of scurrility abuse & defamation set to work, 1820. Sir John Stoddart sitting on a chair
Carlton House, Westminster, London, 1821. Artist: J SidgwickCarlton House, Westminster, London, 1821. View of Carlton House with the coach of Queen Caroline, consort of George IV, in procession surrounded by a crowd
Scene on the Thames at Brandenburgh House, Hammersmith, London, 1820. Artist: F VincentScene on the Thames at Brandenburgh House, Hammersmith, London, 1820. The Watermen and Lightermen of the River Thames and parishioners of St Saviour
Indelicate Investigation or the Spying D-glass s, 1813. Artist: George CruikshankIndelicate Investigation or the Spying D-glass s, 1813. Lady Douglas and her husband kneel on the floor, peering through spyglasses at the Princess of Wales lying on a sofa
Queen Carolines processionLuciferas procession, Fairy-queen, 1821. Queen Caroline as Lucifera sitting in a coach made of objects which figured in the evidence against her
Design for a new coat of arms... 1821Design for a new coat of arms dedicated to Mothers Wood, Windsor & Co & all the fancy queens, 1821. This is an anti-Queen Caroline satire which refers to her alleged infidelity
An old friend with a new face or the baron in disguise, 1821. A bison with the head of Bartolomeo Pergami is embraced by Queen Caroline
The man of the woods & the cat-o -mountain, 1821. A monkey with Alderman Matthew Woods head squats beside a plump cat with the head of Queen Caroline; he puts his left hand on her shoulder
Moments of pleasure, 1820. Queen Caroline, seated on a couch receives the news of the Bill of Pains and Penalties being dropped and Alderman Matthew Wood dances around in front of her
The secret insult! or bribery & corruption rejected!!!, 1820. Queen Caroline stands facing Lord Hutchinson, who begs her to abandon her claim to the throne; on the right is Alderman Matthew Wood in
Stewards Court of the Manor of Torre Devon, 1820. ArtistStewards Court of the Manor of Torre Devon, 1820. Scene of the House of Lords as arranged for the Bill of Pains and Penalties intended to strip Queen Caroline of her tittles
View of the residence of Queen Caroline in Portman Street, Marylebone, London, c1820
Brandenburgh House, Hammersmith, London, 1820 (1821). View of Brandenburgh House during the addresses declaring loyalty to Queen Caroline during the governmental attempts to deprive her of her title
Honi soit qui mal y pense, 1821. A crowd gazing at prints in Humphreys shop window. All the prints are careful copies from the series published by Humphrey attacking Queen Caroline
Caroline, Consort of George IV, 1820. Artist: C DyerCaroline, Queen Consort of George IV, 1820, as she appeared at the balcony at Alderman Matthew Woods on her arrival in London
Returning Justice lifts aloft her Scale, 1821. Caroline of Brunswick, between Bergami and Alderman Wood, falls from the tilting summit of a breaking pillar which rests on the word Adultery
A Wooden Substitute, or Any Port in a Storm, 1821. Alderman Wood takes Caroline of Brunswicks left arm, staring at her and grinning inanely; in the background Bergami stands with arms raised
The Q-ns Ass in a Band-box, 1821. Caroline of Brunswick, inside a box, sits on a zebra which stands in a round band-box; the zebra, with the head of Alderman Wood
The Royal Extinguisher, or the King of Brobdingnag & the Lilliputians, 1821. George IV, surrounded by admiring ministers, holds up an extinguisher made of paper
View of the River Thames at Brandenburgh House, Hammersmith, London, 1821. ArtistView of the Watermen and Lightermen of the River Thames at Brandenburgh House, Hammersmith, London, 1821. Presenting a loyal address to Caroline of Brunswick during the governmental attempts to
Queen Caroline travelling to St Pauls Cathedral, London, 20th November 1820 (1821). Panoramic view of Caroline, Queen Consort of George IV travelling in state to St Pauls Cathedral to give thanks for
How to get un-married, ay, theres the rub!, 1820. Artist: JL MarksHow to get un-married, ay, theres the rub!, 1820. George IV and Queen Caroline are tied back to back; the Queens hand is held by the figure of Justice; Lord Brougham stands on the left; the King is
The Unexpected Visit or more free than welcome, 1820. George IV, seated on a cushion in the Brighton Royal Pavilion, throwing up his arms in horror at the entry of the Queen closely followed by
King Henry VIII, act II, scene iv, c1820. ArtistKing Henry VIII, act II, scene iv, c1820. A performance of the play. George IV, as Henry VIII, sits on the dais under a canopy; two cardinals gape at Queen Caroline who, as Catherine of Aragon
Ghost as seen in the Hamlet of St Stephens Chapel, 1820. A scene in the House of Lords at the trial of Queen Caroline; the Queen throws up her arms in terror at the appearance of the first witness
St Stephens Bell Man, 1820. Viscount Castlereagh, in a bell-mans caped coat, shouts outside Alderman Woods house in South Audley Street. Queen Caroline replies from an open window
Mother Wood, the popular procuress!, 1820. Artist: Isaac Robert CruikshankMother Wood, the popular procuress!, 1820. Alderman Wood, dressed as an elderly woman, stands in the porch of his house in South Audley Street holding a bottle inscribed Popularity; the allusion is
Fracas Royal Extraordinaire, 1820. Artist: Isaac Robert CruikshankFracas Royal Extraordinaire, 1820. The Duke of York punching King George IV in the face, watched by Queen Caroline, Alderman Matthew Wood and others. With satirical verses beneath
Queen Caroline and Mrs Wood, 1820. Brandenburgh House theatricals, a Wood scene in a new farce now performing with the greatest eclat at the Hammersmith theatre
Anticipations for the Pillory, 1813. A pillory stands on a scaffold in Chesterfield Walk outside Montague House, Blackheath, residence of the Princess of Wales
Alderman Sir Matthew Wood and King George IVThe Modern Belshazzers Feast; Alderman Sir Matthew Wood presents an envelope marked the Queens letter to the Prince Regents dinner table which falls into disarray
Caroline of Brunswick, Consort of George IV, 1820. Artist: James LonsdalePortrait of Caroline of Brunswick, Consort of George IV, 1820. She holds a letter and wears a blue velvet empire line dress
Caroline of Brunswick, 1935. Caroline of Brunswick (1768-1821) was Queen of the United Kingdom by marriage to King George IV from 29 January 1820 until her death in 1821
Caroline of Brunswick (1768-1821), Queen of George IV, 1798, (c1915). Artist: Thomas LawrenceCaroline of Brunswick (1768-1821), Queen of George IV, 1798, (c1915). The painting is held by the Victoria and Albert Museum, London. From International Art: Past and Present by Alfred Yockney
Queen Caroline (1768-1821) being turned away from Westminster Abbey, 1820 (c1895). From Cassells Illustrated History of England, volume VII (c1895)
Henry Broughams speech for the defence during the trial of Queen Caroline, 1820 (c1895). From Cassells Illustrated History of England, volume VII (c1895)
The Princess of Wales, 19th century. Artist: EdwardsThe Princess of Wales, 19th century. Possible Princess Caroline of Brunswick
William Austin, early 19th century. Austin was the protege of Caroline of Brunswick, queen consort of King George IV
William Austin, 1821. Artist: R PageWilliam Austin, 1821. Austin was the protege of Caroline of Brunswick, queen consort of King George IV
