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Bathsheba, 1498 (1964). The Book of Samuel describes how Bathsheba, the wife of Uriah the Hittite, was seduced by King David after he saw her bathing from the roof of his palace
Adam and Eve, 1505 (1964). from Antoine Verards Bible en Francoys, A print from A History of Wood Engraving, by Douglas Percy Bliss, Spring Books, London, 1964
Egyptians plagued, 1480 (1964). According to the Book of Exodus, the Ten Plagues were inflicted by God on Egypt to persuade the Pharaoh to release the Israelite slaves. From the Cologne Bible
Moses praying for the victory of Israel, 1480 (1964). From the Cologne Bible. A print from A History of Wood Engraving, by Douglas Percy Bliss, Spring Books, London, 1964
Belshazzars Feast, 19th century(?). Artist: J HorsburghBelshazzars Feast, 19th century(?). Scene from the Bible ( Daniel V.17.28)
David sees the naked Bathsheba from the roof of his palace. King David of Israel looks down from the roof of his palace and sees Bathsheba, wife of Uriah the Hittite, naked at the fountain
Christ and the two disciples at Emmaus, 1814. Jesus appearing before two of his followers after his resurrection. They recognise him as the risen Christ after they invite him to join them for supper
Conversion of the gaoler, 1815. St Paul converting the Philippian jailer. From the Bible, Acts 16
Christ before Caiaphas, 1814. The high priest then asked Jesus of his disciples, and of his doctrine. From the Bible, John 18:19
Christs friendly warning to Peter, 1814. Artist: P RothwellChrists friendly warning to Peter, 1814. But I have prayed for thee, that thy faith fail not: and when thou art converted, strengthen thy brethren. From the Bible, Luke 22:32
Christ raising Lazarus, 1814. From the Bible, John 11:1-46
A woman accused of adultery, 1813. So when they continued asking him, he lifted up himself, and said unto them, he that is without sin among you, let him first cast a stone at her
Simeons benediction, 1814. Then took he him up in his arms, and blessed God, and said.... Simeon was a righteous man who blessed Jesus and his parents in the Jerusalem Temple
Birth of Christ, c1350 (1955). Artist: Master of the Vyssi Brod AltarBirth of Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina
Annunciation of the Virgin Mary, c1350 (1955). Artist: Master of the Vyssi Brod AltarAnnunciation of the Virgin Mary, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450
The Last Supper, 1498 (1870). After the painting by Leonardo da Vinci in the Convent of Santa Maria delle Grazie, Milan. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris
Presentation of Jesus in the Temple, 1510 (1870). Artist: BertrandPresentation of Jesus in the Temple, 1510 (1870). After the painting by Vittore Carpaccio in the collection of the Gallerie dell Accademia, Venice
Judith and Holofernes, 1870. After the painting of c1495 by Andrea Mantegna in the collection of the Louvre, Paris. The Jewish heroine Judith was living in Bethulia when it was besieged by
Scenes from the Life of Christ: Raising of Lazarus, 1304-1305 (1870). Artist: Franz KellerhovenScenes from the Life of Christ: Raising of Lazarus, 1304-1305 (1870). Fresco in the Cappella Scrovegni (Arena Chapel), Padua
David Killing Goliath. David killing the Philistine giant with a stone from his sling. According to the Bible, Goliath was 6 cubits (approximately 3 metres) tall. From the Bible (1 Samuel 17:I)
The Pearl of Great Price, 1864 (1901). A print from The Magazine of Art, Cassell and Company, Limited, 1901
David wrote a letter to Joab, and sent it by the hand of Uriah, c1850And it came to pass in the morning, that David wrote a letter to Joab, and sent it by the hand of Uriah, c1850. Samuel, chapter 11, verse 14
But he denied before them all saying, I know not what thou sayest, c1850. Artist: William FrenchBut he denied before them all saying, I know not what thou sayest, c1850. Matthew, chapter 26, verse 70
Lay not thine hand upon the lad for now I know that thow fearest God, c1850. Artist: Albert Henry PayneLay not thine hand upon the lad for now I know that thow fearest God, c1850. Genesis chapter 22, verse 12
The Four Horsemen of the Apocalypse, 1926. Artist: Peter von CorneliusThe Four Horsemen of the Apocalypse, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 1: The Birth of Christianity, edited by RG Parsons and AS Peake
The Last Supper, 1523 (1906). Artist: Albrecht DurerThe Last Supper, 1523 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]
Christ Taken Captive, 1510 (1906). Artist: Albrecht DurerChrist Taken Captive, 1510 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]
Salome Presenting the Head of St John the Baptist to Herodias, 1511 (1906). Artist: Albrecht DurerSalome Presenting the Head of St John the Baptist to Herodias, 1511 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig
The Beheading of St John the Baptist, 1510 (1906). Artist: Albrecht DurerThe Beheading of St John the Baptist, 1510 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]
The Assumption and Coronation of the Virgin, 1510 (1906). Artist: Albrecht DurerThe Assumption and Coronation of the Virgin, 1510 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig
The Death of the Virgin, 1510 (1906). Artist: Albrecht DurerThe Death of the Virgin, 1510 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig
Christ among the Doctors, 1506 (1906). Artist: Albrecht DurerChrist among the Doctors, 1506 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig
The Rest during the Flight to Egypt, 1506 (1906). Artist: Albrecht DurerThe Rest during the Flight to Egypt, 1506 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig
The Presentation of Christ in the Temple, 1506 (1906). Artist: Albrecht DurerThe Presentation of Christ in the Temple, 1506 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig
The Visitation, 1506 (1906). Artist: Albrecht DurerThe Visitation, 1506 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]
The Annuciation, 1506 (1906). Artist: Albrecht DurerThe Annuciation, 1506 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt
The Seven-Headed Beast and the Beast with Lamb`s Horns, 1498 (1906). Artist: Albrecht DurerThe Seven-Headed Beast and the Beast with Lamb`s Horns, 1498 (1906). Scene from the Apocalypse. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und
Moses and the Burning Bush, 19th century. Artist: Julius Schnorr von CarolsfeldMoses and the Burning Bush, 19th century. In the Book of Exodus, the burning bush is a miracle that God uses to inform Moses of his divine calling. Lantern slide
The entombment of Christ, 19th or 20th century. Artist: Newton & CoThe entombment of Christ, 19th or 20th century. Lantern slide
Moses receives the law, late 19th or early 20th century. Moses receiving the Ten Commandments from God on Mount Sinai, as described in Exodus. Lantern slide
Adoration of the Child, after 1430 (1955). Artist: Master of the Carrying of the Cross, Vyssi BrodAdoration of the Child, after 1430 (1955). Part of a dismantled alterpiece. Found in the collection of the Szepmuveszeti Museum, Budapest
Crucifixion, before 1400 (1955). Artist: Workshop of the Master of the Trebon AltarpieceCrucifixion, before 1400 (1955). From the workshop of the Master of the Trebon Altarpiece. Found in the collection of The National Gallery in Prague
The Vyssi Brod Crucifixion, before 1400 (1955). Artist: Master of the Vyssi Brod AltarThe Vyssi Brod Crucifixion, before 1400 (1955). Found in the collection of The National Gallery in Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina
The Tomb of Christ, Master of the Trebon Altarpiece, about 1380, (1955). Artist: Master of the Trebon AltarpieceThe Tomb of Christ, c1380 (1955). Detail from the Trebon Altarpiece. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955
Adoration of the Three Kings, c1360 (1955). Morgan panels. Found in the collection of The Morgan Library and Museum. A print from Gothic Painting in Bohemia 1350-1450
The Kaufmann Crucifixion, c1350 (1955). Artist: Master of the Vyssi Brod AltarThe Kaufmann Crucifixion, c1350 (1955). Found in the collection of the Gemaldegalerie, Berlin. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina
Ascension, c1350 (1955). Artist: Master of the Vyssi Brod AltarAscension, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina
Descent of the Holy Ghost, c1350 (1955). Artist: Master of the Vyssi Brod AltarDescent of the Holy Ghost, c1350 (1955).Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450