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Bible Scene Collection (page 20)

Background imageBible Scene Collection: Bathsheba, 1498 (1964)

Bathsheba, 1498 (1964). The Book of Samuel describes how Bathsheba, the wife of Uriah the Hittite, was seduced by King David after he saw her bathing from the roof of his palace

Background imageBible Scene Collection: Adam and Eve, 1505 (1964)

Adam and Eve, 1505 (1964). from Antoine Verards Bible en Francoys, A print from A History of Wood Engraving, by Douglas Percy Bliss, Spring Books, London, 1964

Background imageBible Scene Collection: Egyptians plagued, 1480 (1964)

Egyptians plagued, 1480 (1964). According to the Book of Exodus, the Ten Plagues were inflicted by God on Egypt to persuade the Pharaoh to release the Israelite slaves. From the Cologne Bible

Background imageBible Scene Collection: Moses praying for the victory of Israel, 1480 (1964)

Moses praying for the victory of Israel, 1480 (1964). From the Cologne Bible. A print from A History of Wood Engraving, by Douglas Percy Bliss, Spring Books, London, 1964

Background imageBible Scene Collection: Belshazzars Feast, 19th century(?). Artist: J Horsburgh

Belshazzars Feast, 19th century(?). Artist: J Horsburgh
Belshazzars Feast, 19th century(?). Scene from the Bible ( Daniel V.17.28)

Background imageBible Scene Collection: David sees the naked Bathsheba from the roof of his palace

David sees the naked Bathsheba from the roof of his palace. King David of Israel looks down from the roof of his palace and sees Bathsheba, wife of Uriah the Hittite, naked at the fountain

Background imageBible Scene Collection: Christ and the two disciples at Emmaus, 1814

Christ and the two disciples at Emmaus, 1814. Jesus appearing before two of his followers after his resurrection. They recognise him as the risen Christ after they invite him to join them for supper

Background imageBible Scene Collection: Conversion of the gaoler, 1815

Conversion of the gaoler, 1815. St Paul converting the Philippian jailer. From the Bible, Acts 16

Background imageBible Scene Collection: Christ before Caiaphas, 1814

Christ before Caiaphas, 1814. The high priest then asked Jesus of his disciples, and of his doctrine. From the Bible, John 18:19

Background imageBible Scene Collection: Christs friendly warning to Peter, 1814. Artist: P Rothwell

Christs friendly warning to Peter, 1814. Artist: P Rothwell
Christs friendly warning to Peter, 1814. But I have prayed for thee, that thy faith fail not: and when thou art converted, strengthen thy brethren. From the Bible, Luke 22:32

Background imageBible Scene Collection: Christ raising Lazarus, 1814

Christ raising Lazarus, 1814. From the Bible, John 11:1-46

Background imageBible Scene Collection: A woman accused of adultery, 1813

A woman accused of adultery, 1813. So when they continued asking him, he lifted up himself, and said unto them, he that is without sin among you, let him first cast a stone at her

Background imageBible Scene Collection: Simeons benediction, 1814

Simeons benediction, 1814. Then took he him up in his arms, and blessed God, and said.... Simeon was a righteous man who blessed Jesus and his parents in the Jerusalem Temple

Background imageBible Scene Collection: Birth of Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar

Birth of Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Birth of Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Background imageBible Scene Collection: Annunciation of the Virgin Mary, c1350 (1955). Artist: Master of the Vyssi Brod Altar

Annunciation of the Virgin Mary, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Annunciation of the Virgin Mary, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

Background imageBible Scene Collection: The Last Supper, 1498 (1870)

The Last Supper, 1498 (1870). After the painting by Leonardo da Vinci in the Convent of Santa Maria delle Grazie, Milan. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris

Background imageBible Scene Collection: Presentation of Jesus in the Temple, 1510 (1870). Artist: Bertrand

Presentation of Jesus in the Temple, 1510 (1870). Artist: Bertrand
Presentation of Jesus in the Temple, 1510 (1870). After the painting by Vittore Carpaccio in the collection of the Gallerie dell Accademia, Venice

Background imageBible Scene Collection: Judith and Holofernes, 1870

Judith and Holofernes, 1870. After the painting of c1495 by Andrea Mantegna in the collection of the Louvre, Paris. The Jewish heroine Judith was living in Bethulia when it was besieged by

Background imageBible Scene Collection: Scenes from the Life of Christ: Raising of Lazarus, 1304-1305 (1870). Artist: Franz Kellerhoven

Scenes from the Life of Christ: Raising of Lazarus, 1304-1305 (1870). Artist: Franz Kellerhoven
Scenes from the Life of Christ: Raising of Lazarus, 1304-1305 (1870). Fresco in the Cappella Scrovegni (Arena Chapel), Padua

Background imageBible Scene Collection: David Killing Goliath

David Killing Goliath. David killing the Philistine giant with a stone from his sling. According to the Bible, Goliath was 6 cubits (approximately 3 metres) tall. From the Bible (1 Samuel 17:I)

Background imageBible Scene Collection: The Pearl of Great Price, 1864 (1901)

The Pearl of Great Price, 1864 (1901). A print from The Magazine of Art, Cassell and Company, Limited, 1901

Background imageBible Scene Collection: David wrote a letter to Joab, and sent it by the hand of Uriah, c1850

David wrote a letter to Joab, and sent it by the hand of Uriah, c1850
And it came to pass in the morning, that David wrote a letter to Joab, and sent it by the hand of Uriah, c1850. Samuel, chapter 11, verse 14

Background imageBible Scene Collection: But he denied before them all saying, I know not what thou sayest, c1850. Artist: William French

But he denied before them all saying, I know not what thou sayest, c1850. Artist: William French
But he denied before them all saying, I know not what thou sayest, c1850. Matthew, chapter 26, verse 70

Background imageBible Scene Collection: Lay not thine hand upon the lad for now I know that thow fearest God, c1850

Lay not thine hand upon the lad for now I know that thow fearest God, c1850. Artist: Albert Henry Payne
Lay not thine hand upon the lad for now I know that thow fearest God, c1850. Genesis chapter 22, verse 12

Background imageBible Scene Collection: The Four Horsemen of the Apocalypse, 1926. Artist: Peter von Cornelius

The Four Horsemen of the Apocalypse, 1926. Artist: Peter von Cornelius
The Four Horsemen of the Apocalypse, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 1: The Birth of Christianity, edited by RG Parsons and AS Peake

Background imageBible Scene Collection: The Last Supper, 1523 (1906). Artist: Albrecht Durer

The Last Supper, 1523 (1906). Artist: Albrecht Durer
The Last Supper, 1523 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

Background imageBible Scene Collection: Christ Taken Captive, 1510 (1906). Artist: Albrecht Durer

Christ Taken Captive, 1510 (1906). Artist: Albrecht Durer
Christ Taken Captive, 1510 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

Background imageBible Scene Collection: Salome Presenting the Head of St John the Baptist to Herodias, 1511 (1906). Artist: Albrecht Durer

Salome Presenting the Head of St John the Baptist to Herodias, 1511 (1906). Artist: Albrecht Durer
Salome Presenting the Head of St John the Baptist to Herodias, 1511 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig

Background imageBible Scene Collection: The Beheading of St John the Baptist, 1510 (1906). Artist: Albrecht Durer

The Beheading of St John the Baptist, 1510 (1906). Artist: Albrecht Durer
The Beheading of St John the Baptist, 1510 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

Background imageBible Scene Collection: The Assumption and Coronation of the Virgin, 1510 (1906). Artist: Albrecht Durer

The Assumption and Coronation of the Virgin, 1510 (1906). Artist: Albrecht Durer
The Assumption and Coronation of the Virgin, 1510 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig

Background imageBible Scene Collection: The Death of the Virgin, 1510 (1906). Artist: Albrecht Durer

The Death of the Virgin, 1510 (1906). Artist: Albrecht Durer
The Death of the Virgin, 1510 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig

Background imageBible Scene Collection: Christ among the Doctors, 1506 (1906). Artist: Albrecht Durer

Christ among the Doctors, 1506 (1906). Artist: Albrecht Durer
Christ among the Doctors, 1506 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig

Background imageBible Scene Collection: The Rest during the Flight to Egypt, 1506 (1906). Artist: Albrecht Durer

The Rest during the Flight to Egypt, 1506 (1906). Artist: Albrecht Durer
The Rest during the Flight to Egypt, 1506 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig

Background imageBible Scene Collection: The Presentation of Christ in the Temple, 1506 (1906). Artist: Albrecht Durer

The Presentation of Christ in the Temple, 1506 (1906). Artist: Albrecht Durer
The Presentation of Christ in the Temple, 1506 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig

Background imageBible Scene Collection: The Visitation, 1506 (1906). Artist: Albrecht Durer

The Visitation, 1506 (1906). Artist: Albrecht Durer
The Visitation, 1506 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

Background imageBible Scene Collection: The Annuciation, 1506 (1906). Artist: Albrecht Durer

The Annuciation, 1506 (1906). Artist: Albrecht Durer
The Annuciation, 1506 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt

Background imageBible Scene Collection: The Seven-Headed Beast and the Beast with Lamb`s Horns, 1498 (1906). Artist: Albrecht Durer

The Seven-Headed Beast and the Beast with Lamb`s Horns, 1498 (1906). Artist: Albrecht Durer
The Seven-Headed Beast and the Beast with Lamb`s Horns, 1498 (1906). Scene from the Apocalypse. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und

Background imageBible Scene Collection: Moses and the Burning Bush, 19th century. Artist: Julius Schnorr von Carolsfeld

Moses and the Burning Bush, 19th century. Artist: Julius Schnorr von Carolsfeld
Moses and the Burning Bush, 19th century. In the Book of Exodus, the burning bush is a miracle that God uses to inform Moses of his divine calling. Lantern slide

Background imageBible Scene Collection: The entombment of Christ, 19th or 20th century. Artist: Newton & Co

The entombment of Christ, 19th or 20th century. Artist: Newton & Co
The entombment of Christ, 19th or 20th century. Lantern slide

Background imageBible Scene Collection: Moses receives the law, late 19th or early 20th century

Moses receives the law, late 19th or early 20th century. Moses receiving the Ten Commandments from God on Mount Sinai, as described in Exodus. Lantern slide

Background imageBible Scene Collection: Adoration of the Child, after 1430 (1955). Artist: Master of the Carrying of the Cross, Vyssi Brod

Adoration of the Child, after 1430 (1955). Artist: Master of the Carrying of the Cross, Vyssi Brod
Adoration of the Child, after 1430 (1955). Part of a dismantled alterpiece. Found in the collection of the Szepmuveszeti Museum, Budapest

Background imageBible Scene Collection: Crucifixion, before 1400 (1955). Artist: Workshop of the Master of the Trebon Altarpiece

Crucifixion, before 1400 (1955). Artist: Workshop of the Master of the Trebon Altarpiece
Crucifixion, before 1400 (1955). From the workshop of the Master of the Trebon Altarpiece. Found in the collection of The National Gallery in Prague

Background imageBible Scene Collection: The Vyssi Brod Crucifixion, before 1400 (1955). Artist: Master of the Vyssi Brod Altar

The Vyssi Brod Crucifixion, before 1400 (1955). Artist: Master of the Vyssi Brod Altar
The Vyssi Brod Crucifixion, before 1400 (1955). Found in the collection of The National Gallery in Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Background imageBible Scene Collection: The Tomb of Christ, Master of the Trebon Altarpiece, about 1380, (1955)

The Tomb of Christ, Master of the Trebon Altarpiece, about 1380, (1955). Artist: Master of the Trebon Altarpiece
The Tomb of Christ, c1380 (1955). Detail from the Trebon Altarpiece. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

Background imageBible Scene Collection: Adoration of the Three Kings, c1360 (1955)

Adoration of the Three Kings, c1360 (1955). Morgan panels. Found in the collection of The Morgan Library and Museum. A print from Gothic Painting in Bohemia 1350-1450

Background imageBible Scene Collection: The Kaufmann Crucifixion, c1350 (1955). Artist: Master of the Vyssi Brod Altar

The Kaufmann Crucifixion, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Kaufmann Crucifixion, c1350 (1955). Found in the collection of the Gemaldegalerie, Berlin. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Background imageBible Scene Collection: Ascension, c1350 (1955). Artist: Master of the Vyssi Brod Altar

Ascension, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Ascension, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Background imageBible Scene Collection: Descent of the Holy Ghost, c1350 (1955). Artist: Master of the Vyssi Brod Altar

Descent of the Holy Ghost, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Descent of the Holy Ghost, c1350 (1955).Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450



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