Bible Scene Collection (page 19)

Exodus 10: 1-20: the plague of the locusts, one of The Seven Plagues of Egypt. Artist
Exodus 10:1-20: the plague of the locusts, one of The Seven Plagues of Egypt. Facsimile copy of a 15th century manuscript of the German School

Exodus 8: 20-32: Moses and the swarm of flies, one of the Seven Plagues of Egypt. Artist
Exodus 8:20-32: Moses and the swarm of flies, one of the Seven Plagues of Egypt. Facsimile copy of a 15th century manuscript of the German School

Exodus 3: 1-22 and 4: 1-4: the burning bush amd God arming Moses with the miraculous rod
Exodus 3:1-22 and 4:1-4: the burning bush amd God arming Moses with the miraculous rod. Facsimile copy of a 15th century manuscript of the German School

Genesis 18: 2: Abraham and the three angels
Genesis 18:2: Abraham and the three angels. Facsimile copy of a 15th century manuscript of the German School

The Judgement of Solomon. Depiction of the scene from Kings 3: 16-28. After a 15th century German manuscript

Moses receiving the Ten Commandments. Depiction of the scene from Exodus 20:1-5. After a 15th century German manuscript

Jacobs Ladder. Depiction of Jacobs dream of angels ascending the ladder to Heaven from Genesis 28. After a 15th century German manuscript

Building the Tower of Babel. Depiction of the scene from Genesis 11: 1-9. After a 15th century German manuscript

Eli questioning Samuel regarding his vision, 1870s. Artist: Siegfried Detlev Bendixen
Eli questioning Samuel regarding his vision, 1870s. From a Bible printed by Edward Gover, 1870s

Noahs Ark, 1483, (1947). Artist: William Caxton
Noahs Ark, 1483, (1947). Illustration from Caxtons Golden Legend. From The English Bible, by Sir Herbert Grierson [Collins, London, 1947]. (Colorised black and white print)

Elijah Restoring the Widows Son, 1868, (1947). Artist: Ford Madox Brown
Elijah Restoring the Widows Son, 1868, (1947). Part of the collection of the Victoria and Albert Museum, London. From The English Bible, by Sir Herbert Grierson [Collins, London, 1947]

The Just Upright Man Is Laughed To Scorn, c1825, (1947). Artist: William Blake
The Just Upright Man Is Laughed To Scorn, c1825, (1947). Illustration to the Book of Job, Morgan Library & Museum, NY. From The English Bible, by Sir Herbert Grierson [Collins, London, 1947]

Woodcut from the Great Bible, 1539, 1539, (1947). From The English Bible, by Sir Herbert Grierson [Collins, London, 1947]

The Annunciation, 1434-1436. Artist: Jan van Eyck
The Annunciation, 1434-1436. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Christ at the Sea of Galilee, c1575-1580 Artist: Jacopo Tintoretto
Christ at the Sea of Galilee, c1575-1580. The painting is part of the Kress Collection, National Gallery of Art, Washington DC

Judith with the Head of Holofernes, 1495-1500. Artist: Andrea Mantegna
Judith with the Head of Holofernes, 1495-1500. The painting is part of the Widener Collection, National Gallery of Art, Washington DC

The Adoration of the Shepherds, 1505-1510. Artist: Giorgione
The Adoration of the Shepherds, 1505-1510. The painting is part of the Kress Collection, National Gallery of Art, Washington DC

The Adoration of the Magi, c1475-1476. Artist: Sandro Botticelli
The Adoration of the Magi, c1475-1476. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC

The Youthful David, c1450. Artist: Andrea del Castagno
The Youthful David, c1450. The painting is part of the Widener Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

The Annunciation, c1449-1454. Artist: Alesso Baldovinetti
The Annunciation, c1449-1454. The painting is part of the Kress Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

The Annunciation, c1435-1440. Artist: Filippo Lippi
The Annunciation, c1435-1440. The painting is part of the Kress Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Saint John in the Desert, c1445-1450. Artist: Domenico Veneziano
Saint John in the Desert, c1445-1450. The painting is part of the Kress Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Ultima Roboris Simfonici, 1735. Artist: Hieronymus Sperling
Ultima Roboris Simfonici, 1735. Samson pulling down the Philistine Temple of Dagon. From Physica Sacra, by By Johannes Jacobus Scheuchzer and Johannes Andreas Pfeffel

The Resurrection, 1483, (1947). Page of the Caxtons Golden Legend, 1483. From the collection of the Corpus Christi College, Cambridge

Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the arm of St Peter in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the arm of St Peter in `The Last Supper`, c1494-c1499 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the head of St Philip in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of St Philip in `The Last Supper`, c1494-c1499 (1883). Drawn in black chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Drawn in red chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883). Drawn in red chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

The wall painting of `The Last Supper`, at Milan, 1883. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

The Woman Clothed with the Sun and the Seven-Headed Dragon, 1498 (1906). Artist: Albrecht Durer
The Woman Clothed with the Sun and the Seven-Headed Dragon, 1498 (1906). Scene from the Apocalypse. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und

St John Devouring the Book, 1498 (1906). Artist: Albrecht Durer
St John Devouring the Book, 1498 (1906). Scene from the Apocalypse. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt

The Four Avenging Angels, 1498 (1906). Artist: Albrecht Durer
The Four Avenging Angels, 1498 (1906). Scene from the Apocalypse. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

The Opening of the Fifth and Sixth Seals, 1498 (1906). Artist: Albrecht Durer
The Opening of the Fifth and Sixth Seals, 1498 (1906). Scene from the Apocalypse. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig

The Seven Trumpets are Given to the Angels, 1498 (1906). Artist: Albrecht Durer
The Seven Trumpets are Given to the Angels, 1498 (1906). Scene from the Apocalypse. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig

Samson Rending the Lion, 1497 (1906). Artist: Albrecht Durer
Samson Rending the Lion, 1497 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

Agony in the Garden, 1515 (1906). Artist: Albrecht Durer
Agony in the Garden, 1515 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

The Nativity, 1504 (1906). Artist: Albrecht Durer
The Nativity, 1504 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

Adam and Eve, 1504 (1906). Artist: Albrecht Durer
Adam and Eve, 1504 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

The Betrothal of the Virgin, 1506 (1906). Artist: Albrecht Durer
The Betrothal of the Virgin, 1506 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig

The Presentation of the Virgin in the Temple, 1506 (1906). Artist: Albrecht Durer
The Presentation of the Virgin in the Temple, 1506 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und

The Nativity, c1900 (1903-1904). Artist: Charles Holroyd
The Nativity, c1900 (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

Return of the Prodigal, c20th century (1914-1915). Artist: Charles Sargeant Jagger
Return of the Prodigal, c20th century (1914-1915). A design for a relief by Charles Sargeant Jagger (1885-1934). From The Studio Volume 63. [The Offices of the Studio, London, 1914-1915]

Eve, c1900 (1903-1904. Artist: Charles Holroyd
Eve, c1900 (1903-1904. From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

Moses views the land of Israel, 19th century. Artist: Julius Schnorr von Carolsfeld
Moses views the land of Israel, 19th century. Lantern slide

Detail from the Apocalypse, 1498 (1964). A print from A History of Wood Engraving, by Douglas Percy Bliss, Spring Books, London, 1964

Christ before Pilate, 1488 (1964) From Leven ons Heeren, a Dutch translation of Vita Christi (Life of Christ) by the 14th century theologian Ludolph of Saxony, published in Delft, 1488

Herodias with the head of John the Baptist, 1488 (1964). From Leven ons Heeren, a Dutch translation of Vita Christi (Life of Christ) by the 14th century theologian Ludolph of Saxony

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