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Bartolomeo Crivellari Collection

Background imageBartolomeo Crivellari Collection: A group of elegantly dressed people playing the harp and a guitar, 1740-68

A group of elegantly dressed people playing the harp and a guitar, 1740-68

Background imageBartolomeo Crivellari Collection: Plate 6: Ulysses driving a burning stake into Polyphemus eye, 1756

Plate 6: Ulysses driving a burning stake into Polyphemus eye, 1756

Background imageBartolomeo Crivellari Collection: A group of elegantly dressed people playing cards, 1740-68

A group of elegantly dressed people playing cards, 1740-68

Background imageBartolomeo Crivellari Collection: Plate 1: cross-section of the Hall of the Institute of Bologna

Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault, 1756

Background imageBartolomeo Crivellari Collection: Plate 7: the blinded Polyphemus, guarding the entrance of his cavern

Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins, 1756

Background imageBartolomeo Crivellari Collection: Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his ship... 1756

Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his ship... 1756
Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck, 1756

Background imageBartolomeo Crivellari Collection: Plate 2: cross-section of the Hall of the Institute of Bologna, 1756

Plate 2: cross-section of the Hall of the Institute of Bologna, 1756

Background imageBartolomeo Crivellari Collection: Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea, 1756

Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea, 1756

Background imageBartolomeo Crivellari Collection: Plate 24: Ulysses's companions stealing the oxen sacred to Apollo, 1756

Plate 24: Ulysses's companions stealing the oxen sacred to Apollo, 1756

Background imageBartolomeo Crivellari Collection: Plate 22: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari

Plate 22: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari
Plate 22: two nude figures wearing veils, 1756

Background imageBartolomeo Crivellari Collection: Plate 19: figure seen from behind with left hand raised, 1756

Plate 19: figure seen from behind with left hand raised, 1756

Background imageBartolomeo Crivellari Collection: Plate 18: two nude figures wearing veils, seen from behind, 1756

Plate 18: two nude figures wearing veils, seen from behind, 1756

Background imageBartolomeo Crivellari Collection: Plate 17: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari

Plate 17: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari
Plate 17: two nude figures wearing veils, 1756

Background imageBartolomeo Crivellari Collection: Plate 20: bearded figure, half clothed, 1756. Creators: Bartolomeo Crivellari

Plate 20: bearded figure, half clothed, 1756. Creators: Bartolomeo Crivellari
Plate 20: bearded figure, half clothed, 1756

Background imageBartolomeo Crivellari Collection: Plate 15: mythological figure wearing a helmet and holding a shield, 1756

Plate 15: mythological figure wearing a helmet and holding a shield, 1756

Background imageBartolomeo Crivellari Collection: Plate 5: view of the ceiling with its ornaments and frescoed paintings, 1756

Plate 5: view of the ceiling with its ornaments and frescoed paintings, 1756

Background imageBartolomeo Crivellari Collection: Plate 16: mythological figure holding a mirror, 1756. Creators: Bartolomeo Crivellari

Plate 16: mythological figure holding a mirror, 1756. Creators: Bartolomeo Crivellari
Plate 16: mythological figure holding a mirror, 1756

Background imageBartolomeo Crivellari Collection: Plate 10: Ulysses compelling Circe to restore his companions human shapes

Plate 10: Ulysses compelling Circe to restore his companions human shapes, which she had changed into monsters, 1756

Background imageBartolomeo Crivellari Collection: Plate 8: Ulysses receiving the winds in a leather bag from Aeolus, 1756

Plate 8: Ulysses receiving the winds in a leather bag from Aeolus, 1756

Background imageBartolomeo Crivellari Collection: Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at l... 1756

Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at l... 1756
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left, 1756

Background imageBartolomeo Crivellari Collection: Three bearded men, one wearing fur, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling

Three bearded men, one wearing fur, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
Three bearded men, one wearing fur, 1756

Background imageBartolomeo Crivellari Collection: A standing man in a niche reaching forward with one arm, 1756

A standing man in a niche reaching forward with one arm, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
A standing man in a niche reaching forward with one arm, 1756

Background imageBartolomeo Crivellari Collection: Plate 40: the division of the elect from the reprobate, 1756

Plate 40: the division of the elect from the reprobate, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
Plate 40: the division of the elect from the reprobate, 1756

Background imageBartolomeo Crivellari Collection: Minerva assisting Prometheus as he attempts to scale the heavens, 1756

Minerva assisting Prometheus as he attempts to scale the heavens, 1756. Creators: Bartolomeo Crivellari
Minerva assisting Prometheus as he attempts to scale the heavens, 1756

Background imageBartolomeo Crivellari Collection: Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children, 1756

Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children, 1756


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