Baron Detlev Von Hadeln Gallery

Angel with Monstrance, 1767-1769, (1928). Artist: Giovanni Battista Tiepolo

Angel with Monstrance, c1767, (1928). Chalk on paper. Part study for the San Pasqual de Baylon, painted 1767-1769, for the high altar of the Monastery Church of Aranjuez which was never erected, only the upper part of the knee-length figure of an angel is in the Prado in Madrid'. At one time known to have been in the collection of Henry Oppenheimer, London. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770), worked not only in Italy, but also in Germany and Spain. He was commissioned to carry out frescoes in churches and palaces, and was elected President of the Academy of Padua. As well as his large-scale majestic works, he also produced etchings and oil paintings, and is widely regarded as one of the most important artists of the period. Illustration from The Drawings of Giovanni Battista Tiepolo, Volume II, by Detlev Baron Von Hadeln. [The Pegasus Press, Paris, 1928]

© The Print Collector / Heritage-Images

God the Father and Angels, c1754, (1928). Artist: Giovanni Battista Tiepolo

God the Father and Angels, c1754, (1928). God the Father holding a crown aloft and surrounded by Angels, chalk on paper. Study for ceiling painting in the Chiesa della Pietà in Venice, Italy. At one time known to have been in the collection of the Kupferstichkabinett, Stuttgart, Germany. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770), worked not only in Italy, but also in Germany and Spain. He was commissioned to carry out frescoes in churches and palaces, and was elected President of the Academy of Padua. As well as his large-scale majestic works, he also produced etchings and oil paintings, and is widely regarded as one of the most important artists of the period. Illustration from The Drawings of Giovanni Battista Tiepolo, Volume II, by Detlev Baron Von Hadeln. [The Pegasus Press, Paris, 1928]

© The Print Collector / Heritage-Images

Study for a page in the Kaisersaal, 1751-1752, (1928). Artist: Giovanni Battista Tiepolo

Study for a page in the Kaisersaal for the Apollo on the Staircase-hall of Würzburg Residence, and Studies of Legs for the Death of Hyacinthus in Bückeburg, 1751-1752, (1928). Apollo; kneeling page; leg and foot studies, chalk on paper. Studies for the ceiling frescoes of the staircase-hall and for Barbarossa's Marriage, fresco in the Kaisersaal of the Würzburg Residence, Germany, and for The Death of Hyacinthus, owned by the Museo Nacional Thyssen-Bornemisza, Madrid, Spain. Staatsgalerie, Stuttgart, Germany. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770), worked not only in Italy, but also in Germany and Spain. He was commissioned to carry out frescoes in churches and palaces, and was elected President of the Academy of Padua. As well as his large-scale majestic works, he also produced etchings and oil paintings, and is widely regarded as one of the most important artists of the period. Illustration from The Drawings of Giovanni Battista Tiepolo, Volume II, by Detlev Baron Von Hadeln. [The Pegasus Press, Paris, 1928]

© The Print Collector / Heritage-Images