Aureliano De Beruete Collection

Las Hilanderas, (The Spinners), 1657, (c1934). Artist: Diego Velasquez
Las Hilanderas, (The Spinners), 1657, (c1934). Traditionally, believed to depict women workers in the tapestry workshop of Santa Isabel, iconography suggests Ovids Fable of Arachne

La Maja Desnuda, (The Naked Maja), c. 1797-1800, (c1934). Artist: Francisco Goya
La Maja Desnuda, (The Naked Maja), c.1797-1800, (c1934). Possibly commissioned by Manuel de Godoy, to hang in his private collection An image of Venus in the nude

La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Artist: Francisco Goya
La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Rococo cartoon produced by Spanish artist Francisco de Goya for tapestries at the Royal Palace of El Pardo

El Pelele, (The Straw Manikin), 1791-1792, (c1934). Artist: Francisco Goya
El Pelele, (The Straw Manikin), 1791-1792, (c1934). Four young women laugh and play, blanket-tossing a doll or manikin. The blanket-tossing of a doll is used here by Goya as a clear allegory of

Retrato de Hans Imhoff, (Portrait of Hans Imhoff), 1521, (c1934). Artist: Albrecht Durer
Retrato de Hans Imhoff, (Portrait of Hans Imhoff), 1521, (c1934). Portrait of a merchant, possibly Hans Imhoff, by German painter, printmaker and theorist of the German Renaissance, Albrecht Durer

Carlos V En La Batalla De Muhlberg, (Carlos V at the Battle of Muhlberg), 1548, (c1934). Artist: Paolo Veronese
Carlos V En La Batalla De Muhlberg, (Carlos V at the Battle of Muhlberg), 1548, (c1934). Commemorating the victory of Charles V (1500-1558) over the Schmalkaldic League at Muhlberg on April 24, 1547

La Sagrada Cena, (he Last Supper), 1562, (c1934). Artist: Juan De Juanes
La Sagrada Cena, (The Last Supper), 1562, (c1934). commissioned for the high altar of the church of San Esteban of Valencia

Retrato Del Pintor Don Francsico Goya, (The painter Francisco de Goya), 1826, (c1934). Artist: Vicente Lopez y Portana
Retrato Del Pintor Don Francsico Goya, (The painter Francisco de Goya), 1826, (c1934). Francisco de Goya y Lucientes (1746-1828 ) was a Spanish painter and engraver

Escenas Del 3 De Mayo De 1808, (May 3, 1808 in Madrid), 1814, (c1934). Artist: Francisco Goya
Escenas Del 3 De Mayo De 1808, (May 3, 1808 in Madrid), 1814, (c1934). The executions of patriots in Madrid, illustrating the capture

La Maja Vestida, (The Clothed Maja), 1800-1808, (c1934). Artist: Francisco Goya
La Maja Vestida, (The Clothed Maja), 1800-1808, (c1934). First owned by Prime Minister Manuel de Godoy, who was known as a womaniser

La Vendimia, (The Grape Harvest or Autumn), 1786, (c1934). Artist: Francisco Goya
La Vendimia, (The Grape Harvest or Autumn), 1786, (c1934). Dressed in yellow clothes symbolising autumn, a young man offers a cluster of black grapes to a lady

El Cacharrero, (The Crockery), 1778-1778, (c1934). Artist: Francisco Goya
El Cacharrero, (The Crockery), 1778-1778, (c1934). A complex scene of city and street life. A Valencian crockery seller distributes his wares on the street

La Familia de Carlos IV (Grupo central), (The Family of Charles IV), 1800, (c1934). Artist: Francisco Goya
La Familia de Carlos IV (Grupo central), (The Family of Charles IV), 1800, (c1934). Portrait of the family of King Carlos IV (1748-1819)

Retrato de Familia, (Painters Family), 1612-1622, (c1934). Artist: Jacob Jordaens
Retrato de Familia, (Painters Family), 1612-1622, (c1934). Set in a garden, wife Catherine van Noort, sits next to the little girl

La Vendedora De Frutas, (The Fruit Seller), 1636, (c1934). Artist: Frans Snyders
La Vendedora De Frutas, (The Fruit Seller), 1636, (c1934). Frans Snyders was a Flemish painter of animals and still lifes. A woman stands at a table laden with a variety of fruits. Oil on canvas

La Reina Maria De Inglaterra, (Mary Tudor, Queen of England), 1554, (c1934). Artist: Antonis Mor
La Reina Maria De Inglaterra, (Mary Tudor, Queen of England), 1554, (c1934) The Queen sits in a crimson velvet chair, holding the red rose of Tudor in hand she has a tense

El Juicio De Paris, (The Judgment of Paris), 1639, (c1934). Artist: Peter Paul Rubens
El Juicio De Paris, (The Judgment of Paris), 1639, (c1934). Commissioned by Philip IV of Spain, to illustrate a story from Greek mythology, Paris

El Jardin Del Amor, (The Garden of Love), 1633, (c1934). Artist: Peter Paul Rubens
El Jardin Del Amor, (The Garden of Love), 1633, (c1934). Scene of a party in a park, the home of Rubens in Antwerp. The cherubs are symbolic of love and idepicted wearing crowns

Ninfas Sorprendidas Por Satiros, (Diana and Nymphs Surprised by Satyrs), 1639-1640, (c1934). Artist: Peter Paul Rubens
Ninfas Sorprendidas Por Satiros, (Diana and Nymphs Surprised by Satyrs), 1639-1640, (c1934). Diana appears on far right of composition with her nymphs attacked by a group of satyrs in a forest

Eva, (Eve), 1507, (c1934). Artist: Albrecht Durer
Eva, (Eve), 1507, (c1934). One of a pair of paintings by German artist Albrecht Durer. According to creation myth, Adam and Eve were the first man and woman and the ancestors of all humans

Autorretrato, (Self-portrait), 1498, (c1934). Artist: Albrecht Durer
Autorretrato, (Self-portrait), 1498, (c1934). Self-portrait (or Self-portrait at 26) is the second of Albrecht Durers (1471-1528) three painted self-portraits

Adan, (Adam), 1507, (c1934). Artist: Albrecht Durer
Adan, (Adam), 1507, (c1934). One of a pair of paintings by German artist Albrecht Durer. According to creation myth, Adam and Eve were the first man and woman and the ancestors of all humans

Desposorio, (Micer Cassotti Marsilio and his wife Faustina), 1523, c1934. Artist: Lorenzo Lotto
Desposorio, (Micer Cassotti Marsilio and his wife Faustina), 1523, c1934. The Cassotti family were wealthy textile merchants from Bergamo

Jesus Y El Centurio De Cafarnaun, (Jesus and the Centurion), 1571, (c1934). Artist: Paolo Veronese
Jesus Y El Centurio De Cafarnaun, (Jesus and the Centurion), 1571, (c1934). From the Book of Matthew, the encounter between two groups of characters

La Fiesta De Venus, (The Worship of Venus), 1518-1519, (c1934). Artist: Titian
La Fiesta De Venus, (The Worship of Venus), 1518-1519, (c1934). Depicts a Roman rite of worship conducted in honour of the goddess Venus each 1 April

Speech of the Marquis del Vasto, c1540, (c1934). Artist: Titian
Speech of the Marquis del Vasto, c1540, (c1934). Alfonso d Avalos, Marchese del Vasto, (1502-1546) was a noble Neapolitan, who participated in the Battle of Pavia and the conquest of Tunisia in 1535

Venus Con El Musico, (Venus and music), 1550, (c1934). Artist: Titian
Venus Con El Musico, (Venus and music), 1550, (c1934). Venus lies before a large window. At her feet an organist plays his instruments in contemplation of the nakedness of the goddess. Oil on canvas

El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Artist: Raphael
El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Christ Carrying the Cross to his crucifixion, at the moment when he falls, his mother kneels in agony, and devotion

Noli Me Tangere, 1523-1524, (c1934). Artist: Correggio
Noli Me Tangere, 1523-1524, (c1934). On a road, in the shade of a tree, Christ reveals himself to Mary Magdalene, raising an arm

Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). Artist: Raphael
Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). The picture represents a cardinal, probably a member of the papal court of Julius II

La Adoracion de Los Reyes, (Adoration of the Magi), 1485-1500, (c1934). Artist: Hieronymus Bosch
La Adoracion de Los Reyes, (Adoration of the Magi), 1485-1500, (c1934). A triptych panel by Hieronymus Bosch, executed around 1485-1500. Detail of the central panel with the Magi

Ala De Retablo (Santa Barbara), 1438, (c1934). Artist: Robert Campin
Ala De Retablo (Santa Barbara), 1438, (c1934). Right panel of the Werl Triptych, painted by Robert Campin (sometimes called Master of Flemalle). Santa Barbara lived when Christianity was illegal

La Fuente De La Vida, (The Fountain of Grace), 1430-1455, (c1934). Artist: Jan van Eyck
La Fuente De La Vida, (The Fountain of Grace), 1430-1455, (c1934). A theological allegory responding to a point of medieval

St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Artist: Robert Campin
St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Left panel of the Werl Triptych was painted by Robert Campin (sometimes called Master of Flemalle)

La Venida Del Espiritu Santo, (The coming of the Holy Spirit), 1514-1519, (c1934). Artist: El Greco
La Venida Del Espiritu Santo, (The coming of the Holy Spirit), 1514-1519, (c1934). From the altarpiece of Saint Lazarus of Palencia, the Virgin Mary

Cristo En Brazos Del Padre Eterno, (Christ in Arms of the Eternal Father), 1577, (c1934). Artist: El Greco
Cristo En Brazos Del Padre Eterno, (Christ in Arms of the Eternal Father), 1577, (c1934). El Greco painted his only version of the Trinity, with the semi-nude corpse of Christ being supported

La Asuncion, (Assumption), 1660, (c1934). Artist: Mateo Cerezo
La Asuncion, (Assumption), 1660, (c1934). The Catholic Church teaches as dogma that the Virgin Mary having completed the course of her earthly life, was assumed body and soul into heavenly glory

Cristo Llorado Por Un Angel, (Dead Christ she Supported by an Angel), 1646-1652, (c1934). Artist: Alonso Cano
Cristo Llorado Por Un Angel, (Dead Christ Supported by an Angel), 1646-1652, (c1934). A meditation on the death of Christ

Principe Don Carlos hijo de Felipe II, (Prince Carlos de Austria), 1557-1559, (c1934). Artist: Alonso Sanchez Coello
Principe Don Carlos hijo de Felipe II, (Prince Carlos de Austrias), 1557-1559, (c1934). Don Carlos (1545-1548), son of Philip II and his first wife Maria of Portugal

La Concepcion Inmaculada De Maria, (Immaculate Conception), 1660 - 1665, (c1934). Artist: Bartolome Esteban Murillo
La Concepcion Inmaculada De Maria, (Immaculate Conception), 1660 - 1665, (c1934). Immaculate Conception, is a belief of Catholicism which holds that Mary mother of Jesus

Ecce-Homo, 1660 - 1670, (c1934). Artist: Bartolome Esteban Murillo
Ecce-Homo, 1660 - 1670, (c1934). Ecce homo (behold the man), are the Latin words used by Pontius Pilate when he presented Jesus Christ, bound and crowned with thorns

Martirio Del Apostol San Andres, (Martyrdom of San Andres), 1675-1682, (c1934). Artist: Bartolome Esteban Murillo
Martirio Del Apostol San Andres, (Martyrdom of San Andres), 1675-1682, (c1934). Saint Andrew is tied to the cross on which he will die as an exemplary spectacle: labourers prepare

El Divino Pastor, (The Good Shepherd), 1660, (c1934) Artist: Bartolome Esteban Murillo
El Divino Pastor, (The Good Shepherd), 1660, (c1934). The image of the Good Shepherd was seen as a figure of Christ who saves and cares for his sheep, also an allegory of the Eucharist

La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). Artist: Bartolome Esteban Murillo
La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). A tender domestic scene showing Virgin Mary winding a skein of thread and watching the Christ Child

Jesus y Juan El Bautista Ninos, (Jesus and John the Baptist, children), 1670, (c1934). The infant Christ holds a shell for his cousin John to drink

La Anunciacion, (The Annunciation), 1660, (c1934). Artist: Bartolome Esteban Murillo
La Anunciacion, (The Annunciation), 1660, (c1934). New Testament scene depicting Archangel Gabriels Annunciation to the Virgin Mary, accompanied by a sewing basket and book

Rebeca Y Eliecer, (Rebecca and Eliezer ), 1652, (c1934). Artist: Bartolome Esteban Murillo
Rebeca Y Eliecer, (Rebecca and Eliezer ), 1652, (c1934). An episode from Genesis when Abraham asks one of his servants (Eliezer) to find a wife for his son (Isaac)

El Sueno De Jacob, (Jacobs Dream), 1639, (c1934). Artist: Jusepe de Ribera
El Sueno De Jacob, (Jacobs Dream), 1639, (c1934). Jacob appears as a shepherd sleeping, resting on his left shoulder with a tree behind

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