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Assistance Collection (page 7)

Background imageAssistance Collection: The Assumption, c1677-1727. Artist: Melchior Steidl

The Assumption, c1677-1727. Artist: Melchior Steidl
The Assumption, c1677-1727

Background imageAssistance Collection: The Descent, 16th century. Artist: Michel Damaskinos

The Descent, 16th century. Artist: Michel Damaskinos
The Descent, 16th century

Background imageAssistance Collection: Banquet Scene, 1350 BC

Banquet Scene, 1350 BC. Fragment of wall painting from the tomb of Nebamun, British Museum

Background imageAssistance Collection: Assist the Alsatian soldiers, French World War I poster, 1916

Assist the Alsatian soldiers, French World War I poster, 1916

Background imageAssistance Collection: Lady at her toilet, cave fresco, Ajanta, India. 1st-5th century. (20th century)

Lady at her toilet, cave fresco, Ajanta, India. 1st-5th century. (20th century)

Background imageAssistance Collection: Yvett razor advertisement, 1915

Yvett razor advertisement, 1915. A print from Le Flambeau (the Torch), 18th September 1915

Background imageAssistance Collection: French romantic postcard, c1900

French romantic postcard, c1900

Background imageAssistance Collection: They spruce themselves up, 1799. Artist: Francisco Goya

They spruce themselves up, 1799. Artist: Francisco Goya
They spruce themselves up, 1799. Plate 51 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageAssistance Collection: A bad night, 1799. Artist: Francisco Goya

A bad night, 1799. Artist: Francisco Goya
A bad night, 1799. Plate 36 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political

Background imageAssistance Collection: Even thus he cannot make her out, 1799. Artist: Francisco Goya

Even thus he cannot make her out, 1799. Artist: Francisco Goya
Even thus he cannot make her out, 1799. Plate 7 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Background imageAssistance Collection: The Injured Mason, 1786-1787. Artist: Francisco Goya

The Injured Mason, 1786-1787. Artist: Francisco Goya
The Injured Mason, 1786-1787. An injured laborer is carried by his colleagues, Prado Museum, Madrid, Spain

Background imageAssistance Collection: La Cometa, (The Kite), 1778. Artist: Francisco Goya

La Cometa, (The Kite), 1778. Artist: Francisco Goya
La Cometa, (The Kite), 1778. Located in the collection at, Prado Museum, Madrid, Spain

Background imageAssistance Collection: The Parosol, 1777. Artist: Francisco Goya

The Parosol, 1777. Artist: Francisco Goya
The Parosol, 1777. Located in the collection at, Prado Museum, Madrid, Spain

Background imageAssistance Collection: The Church of Santa Maria degli Angely Near Assisi, 1909. Artist: Henri Edmond Cross

The Church of Santa Maria degli Angely Near Assisi, 1909. Artist: Henri Edmond Cross
The Church of Santa Maria degli Angely Near Assisi, 1909. As a result of a journey to Italy, Cross produced a number of such scenes of Perugia and Assisi

Background imageAssistance Collection: St. Nicholas, (fragment), 18th century

St. Nicholas, (fragment), 18th century

Background imageAssistance Collection: The Entombment, 1450s. Artist: Dieric Bouts

The Entombment, 1450s. Artist: Dieric Bouts
The Entombment, 1450s. Christs body is being lowered into the tomb. The group includes the Virgin Mary, holding Christs wrist, and the other three Marys who were present at the Crucifixion

Background imageAssistance Collection: Baptism of Jesus and the Raising of Lazarus, 1336. Artist: Sargis Pidsak

Baptism of Jesus and the Raising of Lazarus, 1336. Artist: Sargis Pidsak
Baptism of Jesus and the Raising of Lazarus, 1336. In the top of the image Jesus is being baptised by his cousin St John the Baptist

Background imageAssistance Collection: The Deposition from the Cross, 1443-1445. Artist: Agnolo Bronzino

The Deposition from the Cross, 1443-1445. Artist: Agnolo Bronzino
The Deposition from the Cross, 1443-1445. The Virgin Mary, surrounded by supporters, cradles the body of Christ in her lap. The crown of thorns has fallen from his head and lies on the ground (left)

Background imageAssistance Collection: Madonna and Child ( Madonna of the Book ), 1483. Artist: Sandro Botticelli

Madonna and Child ( Madonna of the Book ), 1483. Artist: Sandro Botticelli
Madonna and Child ( Madonna of the Book ), 1483. The Child is seated on the Virgins lap, looking questioningly into his mothers face. Round his wrist is a crown of thorns

Background imageAssistance Collection: Crucifixion, early 16th century. Artist: Gerard David

Crucifixion, early 16th century. Artist: Gerard David
Crucifixion, early 16th century. From the Metropolitan Museum, New York

Background imageAssistance Collection: The Deposition from the Cross, c1268. Artist: T oros Roslin

The Deposition from the Cross, c1268. Artist: T oros Roslin
The Deposition from the Cross, c1268. Two figures hold the body of Christ as a third removes the nails from the feet to free it fully from he cross

Background imageAssistance Collection: Johann Wolfgang von Goethe, 19th century. Artist: JJ Scheller

Johann Wolfgang von Goethe, 19th century. Artist: JJ Scheller
Johann Wolfgang von Goethe, 19th century. Goethe (1749-1832) German poet, dramatist and scientist, with his secretary

Background imageAssistance Collection: The Game Dealer, 16th century. Artist: Pieter Aertsen

The Game Dealer, 16th century. Artist: Pieter Aertsen
The Game Dealer, 16th century. From the Hermitage Museum, St Petersburg, Russia

Background imageAssistance Collection: Pieta of Saint-Germain-des-Pres, c1500

Pieta of Saint-Germain-des-Pres, c1500. The scene is the deposition of the cross. The Virgin Mary supports the body of Christ on her lap. Behind her is St John the Apostle

Background imageAssistance Collection: Lamentation over Christ, early 16th century. Artist: Gerard David

Lamentation over Christ, early 16th century. Artist: Gerard David
Lamentation over Christ, early 16th century. The Virgin Mary kisses the head of the dead Christ whose forehead shows the wounds inflicted by the crown of thorns

Background imageAssistance Collection: The Baptism of Jesus by St John the Baptist, c1334. Artist: Vardan Lorets i

The Baptism of Jesus by St John the Baptist, c1334. Artist: Vardan Lorets i
The Baptism of Jesus by St John the Baptist, c1334. St John and Jesus, with his hand lifted in blessing with three fingers raised

Background imageAssistance Collection: The Raising of Lazarus, mid 15th century. Artist: Albert van Ouwater

The Raising of Lazarus, mid 15th century. Artist: Albert van Ouwater
The Raising of Lazarus, mid 15th century. Jesus raised Lazarus, brother of Martha and Mary (left) from the tomb after four days. The scene is set inside a church

Background imageAssistance Collection: The Glory of Louis XIV - Triumph of Time, 17th century. Artist: Baldassare Franceschini

The Glory of Louis XIV - Triumph of Time, 17th century. Artist: Baldassare Franceschini
The Glory of Louis XIV - Triumph of Time, 17th century. From the Musee National du Chateau, Versailles, France

Background imageAssistance Collection: The Dead Christ Supported by Angels, 1465-1470. Artist: Giovanni Bellini

The Dead Christ Supported by Angels, 1465-1470. Artist: Giovanni Bellini
The Dead Christ Supported by Angels, 1465-1470. From the National Gallery, London

Background imageAssistance Collection: The Raising of Lazarus, c1268. Artist: T oros Roslin

The Raising of Lazarus, c1268. Artist: T oros Roslin
The Raising of Lazarus, c1268. Martha and Mary, sisters of Lazarus, kneel at Jesus feet as Lazarus is led from tomb in his shroud

Background imageAssistance Collection: Jesus raising Lazarus after four days, c1280

Jesus raising Lazarus after four days, c1280
Jesus raising Lazarus after four days c1280. Martha and Mary, sisters of Lazarus, kneel at Jesus feet. From an Armenian Evangelistary

Background imageAssistance Collection: The Three Maries ( The Dead Christ Mourned ), c1604. Artist: Annibale Carracci

The Three Maries ( The Dead Christ Mourned ), c1604. Artist: Annibale Carracci
The Three Maries ( The Dead Christ Mourned ), c1604. The Virgin Mary, lamenting, holds the body of the dead Christ in her lap

Background imageAssistance Collection: Altarpiece of the Moreel chantry, 1484. Artist: Hans Memling

Altarpiece of the Moreel chantry, 1484. Artist: Hans Memling
Altarpiece of the Moreel chantry, 1484. In the centre St Christopher carries the Christ Child across the water. Also depicted are the Benedictine monk St Maurus (left)

Background imageAssistance Collection: Jesus performing miracles, 1394. Artist: Rotakes

Jesus performing miracles, 1394. Artist: Rotakes
Jesus performing miracles, 1394. Jesus curing the man possessed of a devil (top) and raising Lazarus, brother of Martha and Mary, after four days (bottom)

Background imageAssistance Collection: Descent from the Cross, 16th century. Artist: Jacopo Bassano il vecchio

Descent from the Cross, 16th century. Artist: Jacopo Bassano il vecchio
Descent from the Cross, 16th century. From the Museu Nacional de Arte Antiga, Lisbon, Portugal

Background imageAssistance Collection: Train Crash at Bellevue in 1842 (19th century)

Train Crash at Bellevue in 1842 (19th century). From the Chateau of Sceaux, France

Background imageAssistance Collection: The Three Ages of Man, allegory, late 16th century. Artist: Jacob de Backer

The Three Ages of Man, allegory, late 16th century. Artist: Jacob de Backer
The Three Ages of Man, allegory, late 16th century. From the Hermitage Museum, Saint Petersburg, Russia

Background imageAssistance Collection: Painting, unknown title, 17th century. Artist: Baldassare Franceschini

Painting, unknown title, 17th century. Artist: Baldassare Franceschini
Painting, unknown title, 17th century

Background imageAssistance Collection: Christ and the Woman of Samaria, 1659. Artist: Rembrandt Harmensz van Rijn

Christ and the Woman of Samaria, 1659. Artist: Rembrandt Harmensz van Rijn
Christ and the Woman of Samaria, 1659

Background imageAssistance Collection: Jacob Fights the Angel, 1660. Artist: Rembrandt Harmensz van Rijn

Jacob Fights the Angel, 1660. Artist: Rembrandt Harmensz van Rijn
Jacob Fights the Angel, 1660. From the Gemaldegalerie, Staatliche Museen, Berlin

Background imageAssistance Collection: Rembrandt and Saskia in the parable of the Prodigal Son, c. 1635

Rembrandt and Saskia in the parable of the Prodigal Son, c. 1635. Artist: Rembrandt van Rhijn (1606-1669)
Rembrandt and Saskia in the parable of the Prodigal Son, c. 1635. Found in the collection of the Dresden State Art Collections

Background imageAssistance Collection: he Parable of the prodigal son, 1620. Artist: Francken, Frans, the Younger (1581-1642)

he Parable of the prodigal son, 1620. Artist: Francken, Frans, the Younger (1581-1642)
he Parable of the prodigal son, 1620. Found in the collection of the Rijksmuseum, Amsterdam

Background imageAssistance Collection: Byzantine mosaic of the rising of Peters wifes mother, 14th century

Byzantine mosaic of the rising of Peters wifes mother, 14th century
Byzantine mosaic of the rising of Peters wifes mother by Christ, in the Church of St Saviour in Istanbul, 14th century

Background imageAssistance Collection: Roman depiction of bathing a baby

Roman depiction of bathing a baby from a sarcophagus, from the Capitoline Museums collection in Rome

Background imageAssistance Collection: Roman relief of a womans hair being dressed

Roman relief of a womans hair being dressed
Detail of a Roman relief from an altar at Neumagen, Germany, of a womans hair being dressed. From the Landes Museums Collection in Trier

Background imageAssistance Collection: Detail from the Greek Ludovisi throne, 5th century BC

Detail from the Greek Ludovisi throne, 5th century BC
Detail from the Greek Ludovisi throne, showing the birth of Aphrodite, in the centre. From the National Museums collection in Rome, 5th century BC

Background imageAssistance Collection: Chicago police telephone box, 1886

Chicago police telephone box, 1886. A Chicago policeman telephoning from a police call box to bring help to an injured pedestrian. From Les Applications de l Electricite by E Hospitalier

Background imageAssistance Collection: Office holders certificate of the Female Lodge of the Manchester Unity Friendly Society, 1929

Office holders certificate of the Female Lodge of the Manchester Unity Friendly Society, 1929. Friendly societies first grew up in Britain and Europe in the 17th and 18th centuries



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