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Plate 11 for Ariosto's Orlando Furioso, 1772. Creators: Daniel Nikolaus Chodowiecki, Daniel BergerPlate 11 for Ariosto's Orlando Furioso, 1772. From Almanac Genealogique, 1772. Italian epic poem written by Ludovico Ariosto in the early 16th century
Plate 5 for Ariosto's Orlando Furioso, 1772. Creators: Daniel Nikolaus Chodowiecki, Daniel BergerPlate 5 for Ariosto's Orlando Furioso, 1772. From Almanac Genealogique, 1772. Italian epic poem written by Ludovico Ariosto in the early 16th century
Plate 10 for Ariosto's Orlando Furioso, 1772. Creator: Daniel BergerPlate 10 for Ariosto's Orlando Furioso, 1772. From Almanac Genealogique, 1772
Plate 9 for Ariosto's Orlando Furioso, 1772. Creator: Daniel BergerPlate 9 for Ariosto's Orlando Furioso, 1772. From Almanac Genealogique, 1772
Plate 2 for Ariosto's Orlando Furioso, 1772. Creator: Daniel BergerPlate 2 for Ariosto's Orlando Furioso, 1772. From Almanac Genealogique, 1772
Plate 1 for Ariosto's Orlando Furioso, 1772. Creator: Daniel BergerPlate 1 for Ariosto's Orlando Furioso, 1772. From Almanac Genealogique, 1772
The Beaucousin Collection at the National Gallery - "Ariosto" by Titian, 1860. Creator: UnknownThe Beaucousin Collection at the National Gallery - "Ariosto" by Titian, 1860. Engraving of a painting later attributed to Palma Vecchio and titled Portrait of a Poet, c1516
A Reciter of "Orlando Furioso" at the Molo, Naples, 1839. Creator: Constantin HansenA Reciter of "Orlando Furioso" at the Molo, Naples, 1839
Orlando and Angelica Arrive at Charlemagne's Camp. Creator: Jean-Honore FragonardOrlando and Angelica Arrive at Charlemagne's Camp
Isabella Abandons Her Home to Follow Odorico and His Men. Creator: Jean-Honore FragonardIsabella Abandons Her Home to Follow Odorico and His Men
Orlando Kills the Orc with an Anchor. Creator: Jean-Honore FragonardOrlando Kills the Orc with an Anchor
Rinaldo, Astride Baiardo, Flies Off in Pursuit of Angelica, c. 1795. Creator: Jean-Honore FragonardRinaldo, Astride Baiardo, Flies Off in Pursuit of Angelica, c. 1795
Bradamante Tries to Catch Hold of the Hippogryph [recto], 1780s. Creator: Jean-Honore FragonardBradamante Tries to Catch Hold of the Hippogryph [recto], 1780s
Angelica Is Exposed to the Orc, 1780s. Creator: Jean-Honore FragonardAngelica Is Exposed to the Orc, 1780s
Plate 4 for Ariosto's Orlando Furioso, 1772. Creator: Daniel BergerPlate 4 for Ariosto's Orlando Furioso, 1772. Book: Almanac Genealogique, 1772
Angelica lying across the lap of Medoro and writes their names on a tree trunk, 1784-1836. Angelica e Medoro in varj modi / legati insieme di diversi nodi
The Challenge Of Rodomont To Rogero, 1827. Creator: Henry Perronet BriggsThe Challenge Of Rodomont To Rogero, 1827
Angelica and Medoro; the couple embracing, Medoro carving their names in the bark of a tree; Cupid holding a torch in the background, ca. 1570. After Teodoro Ghisi
Ruggiero Rescuing Angelica, 1565. Creator: Cornelis CortRuggiero Rescuing Angelica, 1565
Vignette for the first chant of Roland Furieux, 18th century. Segue Rinaldo il suo destrier Baiardo Ed Angelica incontra che fuggia
Canto 13, Stanza 38, from Orlando Furioso, 1772-74. 1772-74. Creator: Nicolas de LaunayCanto 13, Stanza 38, from Orlando Furioso, 1772-74. [A chi l petto, a chi l ventre, a chi la testa, / A chi rompe le gambe, a chi le braccia]
Canto 22, Stanza 86, from Orlando Furioso, 1772. 1772. Creator: Nicolas de LaunayCanto 22, Stanza 86, from Orlando Furioso, 1772. [Lo scudo non pur lor gli occhi abbarbaglia, / Ma fa che ogn altro senso attonito erra]
Canto 42, Stanza 64, from Orlando Furioso, 1774. 1774. Creator: Nicolas de LaunayCanto 42, Stanza 64, from Orlando Furioso, 1774. [Gli disse quel che dianzi dir non volle: / Sappi, Rinaldo, il nomee mio e lo Sdegno, / Venuto sol per sciorti il giogo indegno]
Canto 39, Stanza 57, from Orlando Furioso, 1774. 1774. Creator: Nicolas de LaunayCanto 39, Stanza 57, from Orlando Furioso, 1774. [Che nel tirar, che fece il fiato in suso / Tutto il voto, maraviglioso caso]
Canto 31, Stanza 70, from Orlando Furioso, 1774. 1774. Creator: Nicolas de LaunayCanto 31, Stanza 70, from Orlando Furioso, 1774. [Si che una sorte uguale ambi li getta / Nell acqua, e gran rimbombo al ciel ne riede]
Canto 14, Stanza 45, from Orlando Furioso, 1774. 1774. Creator: Nicolas de LaunayCanto 14, Stanza 45, from Orlando Furioso, 1774. [Scudi spezza, elmi schiaccia, e un colpo spesso / Spegne i cavalli a i cavalieri appresso]
Angelica and Medoro; they stand next to a stream as Medoro carves their names into a tree, a putto is seated at left with a torch and another putto walks towards them with a goat, 1590-98
Canto 26, Stanza 39, from Orlando Furioso, 1774. 1774. Creator: Nicolas de LaunayCanto 26, Stanza 39, from Orlando Furioso, 1774. [Sappiate che costor che qui scritto hanno nel marmo i nomi, al mondo mai non furo]
The Damsel and Orlando, ca. 1793. Creator: Benjamin WestThe Damsel and Orlando, ca. 1793
Angelica and Medoro, possibly early 1630s. Creator: Jacques BlanchardAngelica and Medoro, possibly early 1630s