Anthropomorphic Collection (page 4)

Now they ll blame me for this?, c1910. Artist: Holmfirth Bamforth and Co
Now they ll blame me for this?, c1910. Postcard posted in 1910

A Jack in Office, c1842 (1904). Artist: Edwin Henry Landseer
A Jack in Office, c1842 (1904). From The Royal Academy From Reynolds to Millais Edited by Charles Holme. [Offices of The Studio, London, Paris and New York, 1904]

Illustration from the book The Complete Tales of Uncle Remus, by Joel Chandler Harris, 1895. Artist: AB Frost
Illustration from the book The Complete Tales of Uncle Remus, by Joel Chandler Harris, 1895. Found in the collection of the Russian State Library, Moscow

Anthrophomorphic Landscape, c1613-1650. Artist: Matthaus Merian
Anthrophomorphic Landscape, c1613-1650

French Postcard, c1900. Private collection

Prehistoric Peeps: A Night Lecture on Evolution, 1894. Artist: Edward Tennyson Reed
Prehistoric Peeps: A Night Lecture on Evolution, 1894. Satirical cartoon showing creatures halfway between men and monkeys listening to a lecture. The lectern is in the form of a pteradoctyl

Terracotta Gorgons head bottle
A terracotta Gorgons head from Rhodes, probably a scent bottle

Coconut-fibre mask from the Torres Straits islands
Coconut-fibre mask, with eyes of coiled wire. From the Torres Straits islands, from the British Museums collection

Detail of a Mayan pottery incense burner, 8th century
Detail of a Mayan pottery incense burner from Guatamala, from the British Museums collection, 8th century

Huaxtec culture spouted jug painted with a human face
Pre-columbian Huaxtec culture spouted jug painted with a human face, from the British Museums collection

Western inuit wooden mask, 19th century
Western inuit wooden mask, North American. From the British Museums collection, 19th century

Native American copper mask representing a killer whale, 19th century
Pacific North-Western Native American mask representing a killer whale, made from scrap copper, from the British Museums collection, 19th century

Chinese bronze lid of a wine-vessel, 11th century BC. h
Early Chou dynasty Chinese bronze lid of a wine-vessel, showing the mask, 11th century BC

Gold death mask of a Mycenaean king, 17th century BC
Gold death mask of a Mycenaean king from a shaft-grave at Myceneae, in the National Archaeological Museum in Athens, 17th century BC

Bronze Scythian pole-top in the early style with later developments
Bronze Scythian pole-top from the Kurgan near Ul (Kuban ). Continues the early period style, but has later developments, such as the bird head on an ibexs neck and an anthropomorphic eye

Chimu culture copper mask
Chimu culture copper alloy mask, pierced for attachment to a mummy bundle. From the Royal Scottish Museum in Edinburgh

Zapotec statuette of the god of lightning and rain, from the Royal Scottish Museum in Edinburgh

Peruvian earthenware bottle in the form of a squatting figure, 5th century
Peruvian earthenware bottle in the form of a squatting figure, from Mochica on the north coast. Currently in the Victoria and Albert Museum, 5th century

Nootka Tribe Native American whalebone club, carved with an eagles head handle. From the Royal Scottish Museum in Edinburgh

Native American dance mask, from the pacific north-west coast of America. Now in the Museum of Mankind in London

Anthropomorphic Landscape, c1600-1635. Artist: Joos de Momper, the younger
Anthropomorphic Landscape, c1600-1635

Trade card for the Fairbank Canning Company, Chicago, Illinois, c1890. Advertisement for Lion Brand corned beef. In the background, cattle are entering an abattoir and canning factory

My new master from Scenes from the Private and Public Life of Animals, ca. 1837-47

I saw a wolf standing guard from Scenes from the Private and Public Life of Animals, ca. 1837-47

I ordinarily opened the ball with the prettiest villager from Scenes from the Private and Public Life of Animals, ca. 1837-47

I left as the Attorney-General of Moinraux in Paris from Scenes from the Private and Public Life of Animals, ca. 1837-47

Here is one who mends by nicely biting from Scenes from the Private and Public Life of Animals, ca. 1837-47

A Stork was called to the presidency... from Scenes from the Private and Public Life of Animals, ca. 1837-47

His son, who looked like him in every way... from Scenes from the Private and Public Life of Animals, ca. 1837-47

He had only his beautiful colors... from Scenes from the Private and Public Life of Animals, ca. 1837-47

Private and Public Life of Animals; Scenes of Customs, ca. 1837-47

We are going to incise the muscles, saw the bones, in a word, heal the sick from Scenes from the Private and Public Life of Animals, ca. 1837-47

Now, I understand the mother wolf of Rome from Scenes from the Private and Public Life of Animals, ca. 1837-47

To pay the landlord, a very harsh man, whose name was M. Vautour from Scenes from the Private and Public Life of Animals, ca. 1837-47

The Wolf pleading against the Fox, in front of the Monkey, ca. 1838

The further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim from Scenes from the Private and Public Life of Animals, ca. 1837-47

The first show that struck me was the wonderful activity of these people from Scenes from the Private and Public Life of Animals, ca. 1837-47

Request of quality dogs from The Complete Works of Beranger, 1836

The favorite object of his studies is the collection of Idylles by Madame Deshouliè
The favorite object of his studies is the collection of Idylles by Madame Deshoulieres from Scenes from the Private and Public Life of Animals, ca. 1837-47

The author of this attack is a delicate little wolf from Scenes from the Private and Public Life of Animals, ca. 1837-47

Only his belly was remarkable from Scenes from the Private and Public Life of Animals, ca. 1837-47

We live between ourselves, we hate the nuisances and the visits from Scenes from the Private and Public Life of Animals, ca. 1837-47

The occupations of my contemplative life were very simple from Scenes from the Private and Public Life of Animals, ca. 1837-47

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