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Adam Collection (page 8)

Background imageAdam Collection: Of all the streets of Paris the Seine is the most interesting, c1927, (1927)

Of all the streets of Paris the Seine is the most interesting, c1927, (1927). Artist: Henry Franks Waring
Of all the streets of Paris the Seine is the most interesting, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageAdam Collection: The Canal St. Martin, c1927, (1927). Artist: Henry Franks Waring

The Canal St. Martin, c1927, (1927). Artist: Henry Franks Waring
The Canal St. Martin, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageAdam Collection: These foreign-looking streets, c1927, (1927). Artist: Henry Franks Waring

These foreign-looking streets, c1927, (1927). Artist: Henry Franks Waring
These foreign-looking streets, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927.]

Background imageAdam Collection: Val De Grace, c1927, (1927). Artist: Henry Franks Waring

Val De Grace, c1927, (1927). Artist: Henry Franks Waring
Val De Grace, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageAdam Collection: Double-lined with forlorn palaces, c1927, (1927). Artist: Henry Franks Waring

Double-lined with forlorn palaces, c1927, (1927). Artist: Henry Franks Waring
Double-lined with forlorn palaces, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageAdam Collection: The first Paris road was her river, c1927, (1927). Artist: Henry Franks Waring

The first Paris road was her river, c1927, (1927). Artist: Henry Franks Waring
The first Paris road was her river, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageAdam Collection: The Revolutions own street of Saint-Antoine, c1927, (1927). Artist: Henry Franks Waring

The Revolutions own street of Saint-Antoine, c1927, (1927). Artist: Henry Franks Waring
The Revolutions own street of Saint-Antoine, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Background imageAdam Collection: Eve - Notre Commune Mere, 1403, (1939). Artist: Master of Berrys Cleres Femmes

Eve - Notre Commune Mere, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Eve - Notre Commune Mere, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees) by Giovanni Boccaccio

Background imageAdam Collection: Adan, (Adam), 1507, (c1934). Artist: Albrecht Durer

Adan, (Adam), 1507, (c1934). Artist: Albrecht Durer
Adan, (Adam), 1507, (c1934). One of a pair of paintings by German artist Albrecht Durer. According to creation myth, Adam and Eve were the first man and woman and the ancestors of all humans

Background imageAdam Collection: A View of Ben Eim, 1813. Artist: Samuel Middiman

A View of Ben Eim, 1813. Artist: Samuel Middiman
A View of Ben Eim, 1813. Otherwise known as Bla Bheinn - or Blaven. One of the most magnificent mountains in Britain; a great isolated citadel of rock stands apart from the rest of the Cuillin Ridge

Background imageAdam Collection: Bearnaise, c19th century. Artist: Charles Etienne Pierre Motte

Bearnaise, c19th century. Artist: Charles Etienne Pierre Motte
Bearnaise, c19th century. Charles Motte was a French lithographer and publisher who encouraged early 19th century artists to reproduce their work. After Jean Victor Adam (1801-1867)

Background imageAdam Collection: Lake Victoria Nyanza, c1880

Lake Victoria Nyanza, c1880. From The Life and Explorations of Dr Livingstone. [Adam & Co. London, c1880]

Background imageAdam Collection: A Dangerous Enemy, c1880

A Dangerous Enemy, c1880. From The Life and Explorations of David Livingstone The Great Missionary Traveller. [Adam & Co. London, c1880]

Background imageAdam Collection: A Troublesome Road, c1880

A Troublesome Road, c1880. From The Life and Explorations of David Livingstone The Great Missionary Traveller. [Adam & Co. London, c1880]

Background imageAdam Collection: A Forest in Central Africa, c1880

A Forest in Central Africa, c1880. From The Life and Explorations of David Livingstone The Great Missionary Traveller. [Adam & Co. London, c1880]

Background imageAdam Collection: Lion Hunting At Night, c1880

Lion Hunting At Night, c1880. From The Life and Explorations of David Livingstone The Great Missionary Traveller. [Adam & Co. London, c1880]

Background imageAdam Collection: Lions Attacking A Buffalo, c1880

Lions Attacking A Buffalo, c1880. From The Life and Explorations of David Livingstone The Great Missionary Traveller. [Adam & Co. London, c1880]

Background imageAdam Collection: Travelers Stung By Bees, c1880

Travelers Stung By Bees, c1880. From The Life and Explorations of David Livingstone The Great Missionary Traveller. [Adam & Co. London, c1880]

Background imageAdam Collection: African Traveller Attacked by A Lion, c1880

African Traveller Attacked by A Lion, c1880. From The Life and Explorations of David Livingstone The Great Missionary Traveller. [Adam & Co. London, c1880]

Background imageAdam Collection: Women Filling Egg Shells and Skins with Water, c1880

Women Filling Egg Shells and Skins with Water, c1880. From The Life and Explorations of David Livingstone The Great Missionary Traveller. [Adam & Co. London, c1880]

Background imageAdam Collection: Chasing the Ostrich, c1880

Chasing the Ostrich, c1880. From The Life and Explorations of David Livingstone The Great Missionary Traveller. [Adam & Co. London, c1880]

Background imageAdam Collection: The Hartebeest, c1880

The Hartebeest, c1880. From The Life and Explorations of David Livingstone The Great Missionary Traveller. [Adam & Co. London, c1880]

Background imageAdam Collection: Table Mountan - Cape of Good Hope, c1880

Table Mountan - Cape of Good Hope, c1880. From The Life and Explorations of David Livingstone The Great Missionary Traveller. [Adam & Co. London, c1880]

Background imageAdam Collection: Mamma, Don t Make Me Beg in Vain, Please Read That Pretty Book Again, c1808. Artist: Adam Buck

Mamma, Don t Make Me Beg in Vain, Please Read That Pretty Book Again, c1808. Artist: Adam Buck
Mamma, Don t Make Me Beg in Vain, Please Read That Pretty Book Again, c1808. From The Connoisseur Vol LIX, [Otto Limited, London, 1921]

Background imageAdam Collection: I Could Not Learn My Book Mama, c1810. Artist: Adam Buck

I Could Not Learn My Book Mama, c1810. Artist: Adam Buck
I Could Not Learn My Book Mama, c1810, (1921). From The Connoisseur Vol LIX, [Otto Limited, London, 1921]

Background imageAdam Collection: As You Like It. Act 2. Scene 6. Orlando & Adam, 1798. Artist: George Noble

As You Like It. Act 2. Scene 6. Orlando & Adam, 1798. Artist: George Noble
As You Like It. Act 2. Scene 6. Orlando & Adam, 1798. After Robert Smirke (1753-1845). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

Background imageAdam Collection: Garricks Villa, Hampton, c1910

Garricks Villa, Hampton, c1910. Garricks Temple to Shakespeare in the grounds of his villa. Garricks Villa is a Grade I listed country house located on Hampton Court Road, Richmond upon Thames

Background imageAdam Collection: Mary Anne Clarke at the base of a statue, 1803. Artists: Mary Anne Clarke, Adam Buck

Mary Anne Clarke at the base of a statue, 1803. Artists: Mary Anne Clarke, Adam Buck
Mary Anne Clarke at the base of a statue, 1803. From The Connoisseur Volume XLI. [The Connoisseur Ltd. London, 1915]

Background imageAdam Collection: Portrait of a Lady, 1804. Artist: Adam Buck

Portrait of a Lady, 1804. Artist: Adam Buck
Portrait of a Lady, 1804. From The Connoisseur Volume XLII. [The Connoisseur Ltd. London, 1915]

Background imageAdam Collection: The Creation of Eve, 1882. Artist: George Frederick Watts

The Creation of Eve, 1882. Artist: George Frederick Watts
The Creation of Eve, 1882. Painting held within the Watts Gallery, Surrey. From The Studio Volume 64. [London Offices of the Studio, London, 1915]

Background imageAdam Collection: The Student, c1877. Artist: Adam Diston

The Student, c1877. Artist: Adam Diston
The Student, c1877. From The Studio Volume 1 [London Offices of the Studio, London, 1893]

Background imageAdam Collection: Sion House, view d from opposite Isleworth Church, c1760. Artist: Edward Rooker

Sion House, view d from opposite Isleworth Church, c1760. Artist: Edward Rooker
Sion House, view d from oposite Isleworth Church, c1760. Formerly the site of an abbey, the estate at Syon was acquired after the dissolution of the monasteries by Edward Seymour

Background imageAdam Collection: Archers, c1799. Artist: Wright & Ziegler

Archers, c1799. Artist: Wright & Ziegler
Archers, c1799. After Adam Buck (1759?1833). From The Connoisseur Volume XCII, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]

Background imageAdam Collection: One of a pair of Adam side-tables, the top painted in the manner of Pergolesi, 18th century

One of a pair of Adam side-tables, the top painted in the manner of Pergolesi, 18th century. Artist: Robert Adam
One of a pair of Adam side-tables, the top painted in the manner of Pergolesi, 18th century. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]

Background imageAdam Collection: Harewood House, the residence of the Rt. Hon. The Earl of Harewood, c1913

Harewood House, the residence of the Rt. Hon. The Earl of Harewood, c1913
Harewood House, The Residence of the Rt. Hon. The Earl of Harewood, c1913. Harewood House, near Leeds, West Yorkshire. Designed by John Carr and Robert Adam

Background imageAdam Collection: An Interior at Hove, c19th century. Artist: Patrick William Adam

An Interior at Hove, c19th century. Artist: Patrick William Adam
An Interior at Hove, c19th century. From The Studio Volume 59 by Ralph Nevill. [The Offices of the Studio, London, 1913]

Background imageAdam Collection: Pulteney Bridge, Bath, Somerset, c1925

Pulteney Bridge, Bath, Somerset, c1925. The Pulteney Bridge was designed by Robert Adam (1728-1792) in a Palladian style. Crossing the River Avon It was completed by 1774

Background imageAdam Collection: Admiral de Winter resigning his sword on board the Venerable, 11 October 1797 (c1857)

Admiral de Winter resigning his sword on board the Venerable, 11 October 1797 (c1857). Artist: H Lemon
Admiral de Winter resigning his sword on board the Venerable, 11 October 1797 (c1857). Admiral Jan Willem De Winter (1761-1812), commander of the Dutch fleet, surrendering on board HMS Venerable

Background imageAdam Collection: Admiral Duncans victory over the Dutch fleet, North Sea, 11 October 1797, (c1857). Artist: J Rogers

Admiral Duncans victory over the Dutch fleet, North Sea, 11 October 1797, (c1857). Artist: J Rogers
Admiral Duncans victory over the Dutch fleet, North Sea, 11 October 1797, (c1857). Adam Duncan (1731-1804), Viscount Duncan of Camperdown, defeating the Dutch fleet off Camperdown (north of Haarlem)

Background imageAdam Collection: The east side of Fitzroy Square, London, 1807 (1907)

The east side of Fitzroy Square, London, 1807 (1907). Fitzroy Square was developed in the late 18th and early 19th century by Charles Fitzroy, 1st Baron Southampton

Background imageAdam Collection: Lansdowne House, Berkeley Square, London, c19th century (1907). Artist: Sparrow

Lansdowne House, Berkeley Square, London, c19th century (1907). Artist: Sparrow
Lansdowne House, Berkeley Square, London, c19th century (1907). The residence of the Marquess of Lansdowne, designed by Robert Adam

Background imageAdam Collection: Lansdowne House, Westminster, London, 1815. Artist: J Shury

Lansdowne House, Westminster, London, 1815. Artist: J Shury
Lansdowne House, Westminster, London, 1815. The residence of the Marquess of Lansdowne, designed by Robert Adam

Background imageAdam Collection: Union officers before the fall of Petersburg, American Civil War, 1864 (1955)

Union officers before the fall of Petersburg, American Civil War, 1864 (1955).GH Teague, Captain Charles Francis Adams Jr and Captain E A Flint

Background imageAdam Collection: Carved mahogany china case influenced by the Adam Brothers, 1911-1912. Artist: Edwin Foley

Carved mahogany china case influenced by the Adam Brothers, 1911-1912. Artist: Edwin Foley
Carved mahogany china case influenced by the Adam Brothers, 1911-1912. A print from The Book of Decorative Furniture its Form, Colour and History, Volume II by Edwin Foley, TC and EC Jack Ltd

Background imageAdam Collection: Juliette Adam, French author and feminist, 1929

Juliette Adam, French author and feminist, 1929. A photograph from Album de Photographies dans L Intimite de Personnages Illustres, 1860-1920, 6th album, Editions MD, Paris

Background imageAdam Collection: Ugbrooke, Devon, home of Lord Clifford, c1880

Ugbrooke, Devon, home of Lord Clifford, c1880. The house and grounds were remodelled in the 18th century by Robert Adam and Capability Brown

Background imageAdam Collection: Compton Verney, Warwickshire, home of Lord Willoughby de Broke, c1880

Compton Verney, Warwickshire, home of Lord Willoughby de Broke, c1880. The house had interiors designed by Robert Adam, with the grouds laid out by Capability Brown

Background imageAdam Collection: Paulus and Adam van Vianen, Dutch silversmiths, c1870. Artist: H Sluyter

Paulus and Adam van Vianen, Dutch silversmiths, c1870. Artist: H Sluyter
Paulus and Adam van Vianen, Dutch silversmiths, c1870. A print from Nederlands Geschiedenis en Volksleven in Schetsen, by J Van Lenner and J Ter Gouw. (Leiden, AW Sijthoff, c1870)



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