A Rivaud Collection (page 6)

Erasmus (1469-1536), Dutch humanist and theologian, 16th century (1849). A 19th century version of an original 16th century manuscript illustration found in the collection of the Cabinet des Estampes

University of Oxford, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Vice-chancellor and students of different nationalities at the University of Prague, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Leiden University public library, Leiden (Leyden), 1614 (1849)
Leiden University public library, Leiden (Leyden), Netherlands, 1614 (1849). Leiden University was founded in 1575 by Prince William of Orange

Leiden University, Leiden (Leyden), Netherlands, 1614 (1849). Leiden University was founded in 1575 by Prince William of Orange

Fellows of the University of Paris haranguing the Emperor Charles IV (1316-1378) in 1377 (1849)
Fellows of the University of Paris haranguing the Emperor Charles IV (1316-1378) in 1377, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Chroniques

St Bonaventure, (1221-1274), 15th century, (1849). A 19th century version of an original 15th century fresco by Jean Fiesole, held at the Chapel of Nicholas V, Vatican

Seal of the Four Nations or the Facutly of Arts, 16th century (1849). A 19th century version of an original held at the Bibliotheque Nationale de France, Paris

The Emperor Charlemagne (742-814), 1849. The Motto, In scelus exurgo, sceleris discrimina purgo, is written on a scroll round the sword held in his right hand

Single combat between Maximilien and a German knight, 15th century (1849). Artist: Burgmayer
Single combat between Maximilien and a German knight, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Aventures du Chevalier a la Roue

Entrance of the lord chief into the site of the tournament, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Tournois du Roi Rene

Jousting in the time of Queen Isabeau, 15th century, (1849)
Jousting in the time of Queen Isabeau, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Chroniques de Froissart, volume IV

A fight to the death, 15th century (1849). A 19th century version of an original 15th century manuscript illustration held at the British Museum

Single combat subjected to the judgement of God, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Conquetes de Charlemagne

The Judicial Duel, the plaintiff opening his case before the judge, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Ceremonies des Gages de

A knights armament, 1849. A 19th century version of an original manuscript illustration held by the British Museum. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Court of Love, Provence, France, 14th century (1849). A 19th century version based on an original manuscript illustration in Guillaume de Machaut held at the Bibliotheque Nationale de France, Paris

German knight, 15th century (1849). Artist: Burgmayer
German knight, 15th century (1849). A 19th century version of an original manuscript illustration in Vita Imperatoris Maximilani, volume 2

German knights, 15th century (1849). Artist: Burgmayer
German knights, 15th century (1849). A 19th century version of an original manuscript illustration in Vita Imperatoris Maximilani, volume 2

Le passage du viatique, 1493 (1849). Artist: Pierre Wolgmuth
Le passage du viatique, 1493 (1849). A 19th century version based on an original manuscript illustration in Liber Cronicarum at the Cabinet des Estampes, Bibliotheque Royale, Brussels, Belgium

Christmas Eve dance, 1493 (1849). Artist: Pierre Wolgmuth
Christmas Eve dance, 1493 (1849). A 19th century version based on an original manuscript illustration in Liber Cronicarum at the Cabinet des Estampes, Bibliotheque Royale, Brussels, Belgium

Dream of Childeric, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Papesse Jeanne, 15th century (1849). After a 15th century miniature. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Beliefs and popular superstitions, 1493 (1849). Artist: A Bisson
Beliefs and popular superstitions, 1493 (1849). A 19th century version based on an original manuscript illustration in Liber Cronicarum at the Cabinet des Estampes, Bibliotheque Royale, Brussels

Beliefs and superstitions, 1493 (1849). Artist: A Bisson
Beliefs and superstitions, 1493 (1849). A 19th century version based on an original manuscript illustration in Liber Cronicarum at the Cabinet des Estampes, Bibliotheque Royale, Brussels, Belgium

King Charles VII of France (1403-1461), c1445 (1849). Charles was King of France from 1422 to his death. He was a member of the House of Valois and was the son of Charles VI

Exterior decoration of Le Mans Cathedral, Le Mans, France, 15th century (1849). Artist: H Moulin
Exterior decoration of Le Mans Cathedral, Le Mans, France, 15th century (1849). Le Mans Cathedral is a Roman Catholic cathedral situated in Le Mans, France

Bas-relief from the Basilica of Saint Nazaire, Carcassonne, France, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

A siege assault platform, 15th century (1849). A 19th century version based on an original 15th century miniature held by the Bibliotheque Nationale, Paris

The Mezquita, Cordoba, Spain, 1849. Artist: A Bisson
The Mezquita, Cordoba, Spain, 1849. The Mezquita was originally built to be a warehouse/temple/lighthouse. It later became the second-largest mosque in the world

Representation of The Last Supper on enamelled copper, 16th century (1849). Artist: Franz Kellerhoven
Representation of The Last Supper on enamelled copper, 16th century (1849). A 19th century version based on an original 16th century engraving found in the collection of Mr Quedeville, Paris

Saint Catherine of Alexandria, 15th century (1849). Artist: H Moulin
Saint Catherine of Alexandria, 15th century (1849). Catherine is a Christian saint and martyr claimed to have been a noted scholar in the early 4th century

English battle dress, 15th-16th century (1849). Artist: Edward May
English battle dress, 15th-16th century (1849). Featuring English noblemen, 1426; a banneret of the king, 1550; an archer of Edward IV, an English arquebusier, 1450 and Richard de Beauchamp

Womens hats of different classes of society, 13th-16th century (1849). Artist: Thurwanger Freres
Womens hats of different classes of society, 13th-16th century (1849). A 19th century version based on original 13th-16th century manuscript illustrations

Torture, 1541 (1849). Artist: A Bisson
Torture, 1541 (1849). The Estrapade. A 19th century version based on an original manuscript illustration in Praxis Criminis Persequendi

Sculptor, 16th century (1849). Artist: Jost Amman
Sculptor, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

The palace, 16th century (1849). A 19th century version of an original 16th century engraving found in the collection of the Cabinet des Estampes, Bibliotheque Nationale de France, Paris

The cook, 16th century (1849). Artist: Jost Amman
The cook, 16th century (1849). A 19th century version of an original 16th century engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Doctors at the Universite de Paris, 1849. Artist: Edward May
Doctors at the Universite de Paris, 1849. A 19th century version of an original miniature from Chants Royaux, held at the Bibliotheque Nationale de France, Paris

Basin maker, 16th century (1849). Artist: Jost Amman
Basin maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

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