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Wealth Collection (page 22)

Background imageWealth Collection: The Tribute Money, ca 1625. Artist: Dyck, Sir Anthonis, van (1599-1641)

The Tribute Money, ca 1625. Artist: Dyck, Sir Anthonis, van (1599-1641)
The Tribute Money, ca 1625. Found in the collection of the Musei di Strada Nuova, Genoa

Background imageWealth Collection: The Death of Queen Sophie Amalie, 1882. Artist: Zahrtmann, Kristian (1843-1917)

The Death of Queen Sophie Amalie, 1882. Artist: Zahrtmann, Kristian (1843-1917)
The Death of Queen Sophie Amalie, 1882. Found in the collection of the Statens Museum for Kunst, Copenhagen

Background imageWealth Collection: Croesus and Solon. Artist: Platzer, Johann Georg (1704-1761)

Croesus and Solon. Artist: Platzer, Johann Georg (1704-1761)
Croesus and Solon. Found in the collection of the Dresden State Art Collections

Background imageWealth Collection: Shop in the House of Faberge, St Petersburg, Russia, 1910

Shop in the House of Faberge, St Petersburg, Russia, 1910. The House of Faberge is a jewellery firm founded in St Petersburg in 1842 by Carl Faberge

Background imageWealth Collection: Breakfast with a Lobster, Dutch painting of 17th century. Artist: Willem Claesz Heda

Breakfast with a Lobster, Dutch painting of 17th century. Artist: Willem Claesz Heda
Breakfast with a Lobster, Dutch painting of 17th century. Heda, Willem Claesz (1594-1680). Found in the collection of the State Hermitage, St. Petersburg

Background imageWealth Collection: Female portrait, 17th century. Artist: Anthony van Dyck

Female portrait, 17th century. Artist: Anthony van Dyck
Female portrait, 17th century. Dyck, Sir Anthonis, van (1599-1641). Found in the collection of the State Museum Arkhangelskoye Estate, Moscow

Background imageWealth Collection: Irish and American bar, Rue Royale - The Chap Book (Poster), 1896. Artist: Henri de Toulouse-Lautrec

Irish and American bar, Rue Royale - The Chap Book (Poster), 1896. Artist: Henri de Toulouse-Lautrec
Irish and American bar, Rue Royale - The Chap Book (Poster), 1896. Toulouse-Lautrec, Henri, de (1864-1901). Private Collection

Background imageWealth Collection: From the series Hundred Poems by One Hundred Poets: Fujiwara no Yoshitaka, c1830. Artist: Hokusai

From the series Hundred Poems by One Hundred Poets: Fujiwara no Yoshitaka, c1830. Artist: Hokusai
From the series Hundred Poems by One Hundred Poets: Fujiwara no Yoshitaka, c1830. Hokusai, Katsushika (1760-1849). Found in the collection of the State Hermitage, St. Petersburg

Background imageWealth Collection: From the series Hundred Poems by One Hundred Poets: Motoyoshi Shinno, c1830. Artist: Hokusai

From the series Hundred Poems by One Hundred Poets: Motoyoshi Shinno, c1830. Artist: Hokusai
From the series Hundred Poems by One Hundred Poets: Motoyoshi Shinno, c1830. Hokusai, Katsushika (1760-1849). Found in the collection of the State Hermitage, St. Petersburg

Background imageWealth Collection: From the series Hundred Poems by One Hundred Poets: Lady Ise, c1830. Artist: Hokusai

From the series Hundred Poems by One Hundred Poets: Lady Ise, c1830. Artist: Hokusai
From the series Hundred Poems by One Hundred Poets: Lady Ise, c1830. Hokusai, Katsushika (1760-1849). Found in the collection of the State Hermitage, St. Petersburg

Background imageWealth Collection: From the series Hundred Poems by One Hundred Poets: Kisen Hoshi, c1830. Artist: Hokusai

From the series Hundred Poems by One Hundred Poets: Kisen Hoshi, c1830. Artist: Hokusai
From the series Hundred Poems by One Hundred Poets: Kisen Hoshi, c1830. Hokusai, Katsushika (1760-1849). Found in the collection of the State Hermitage, St. Petersburg

Background imageWealth Collection: The Morozov House, Vozdvizhenka Street, Moscow, Russia, early 20th century

The Morozov House, Vozdvizhenka Street, Moscow, Russia, early 20th century. The house was built in 1899. Designed by Art Nouveau architect Victor Mazyrin it was modelled on the Montserrate Palace in

Background imageWealth Collection: The Ponizovsky and Mindovsky houses on Povarskaya Street, Moscow, Russia, 1900s

The Ponizovsky and Mindovsky houses on Povarskaya Street, Moscow, Russia, 1900s. Povarskaya Street is the site of large mamsions built in the 1890s and 1900s

Background imageWealth Collection: Pavel Tretyakov, Russian art patron, collector and gallery founder, 1865

Pavel Tretyakov, Russian art patron, collector and gallery founder, 1865. Tretyakov (1832-1898) amassed a fortune in business

Background imageWealth Collection: Alms, c1870-c1875. Artist: Andrei Osipovich Karelin

Alms, c1870-c1875. Artist: Andrei Osipovich Karelin
Alms, c1870-c1875. Found in the collection of the State Museum of History, Moscow

Background imageWealth Collection: Fantasy of a billionaire: a human chess game, 1904

Fantasy of a billionaire: a human chess game, 1904. An illustration from Le Petit Journal, 17th July 1904

Background imageWealth Collection: France providing civilisation, wealth and peace to Morocco, 19thy November 1911

France providing civilisation, wealth and peace to Morocco, 19thy November 1911. An illustration from Le Petit Journal, 19th November 1911

Background imageWealth Collection: Thomas Tesdale, founder of Pembroke College, Oxford. Artist: J Fittler

Thomas Tesdale, founder of Pembroke College, Oxford. Artist: J Fittler
Thomas Tesdale, founder of Pembroke College, Oxford. A wealthy maltster from the Oxfordshire town of Abingdon, Thomas Tesdale (1547-1610)

Background imageWealth Collection: The royal family of Denmark, 1891. Artist: Henri Meyer

The royal family of Denmark, 1891. Artist: Henri Meyer
The royal family of Denmark, 1891. A print from a supplement to the Le Petit Journal, 26th September 1891

Background imageWealth Collection: Bank of England, London, 20th Century

Bank of England, London, 20th Century. The Bank of England was established in 1694 to act as banker and debt manager for the government

Background imageWealth Collection: Plaque, late 19th / 20th century. Artist: Rene Lalique

Plaque, late 19th / 20th century. Artist: Rene Lalique
Plaque, late 19th/20th century. From the Museu Calouste Gulbenkian, Lisbon, Portugal

Background imageWealth Collection: Portrait of a Man, c1780-1845. Artist: Louis Leopold Boilly

Portrait of a Man, c1780-1845. Artist: Louis Leopold Boilly
Portrait of a Man, 1c1780-1845

Background imageWealth Collection: Madeleine Reclus, 1902. Artist: Ernest Bordes

Madeleine Reclus, 1902. Artist: Ernest Bordes
Madeleine Reclus, 1902. Found in the collection of the Musee des Beaux-Arts, Pau, France

Background imageWealth Collection: Madame Pascal, 1905. Artist: Leon Joseph Florentin Bonnat

Madame Pascal, 1905. Artist: Leon Joseph Florentin Bonnat
Madame Pascal, 1905

Background imageWealth Collection: The Provost of Merchants and His Heir Apparent Charles, 1879. Artist: Lucien Etienne Melingue

The Provost of Merchants and His Heir Apparent Charles, 1879. Artist: Lucien Etienne Melingue
The Prevot of Merchants Etienne Marcel and His Heir Apparent Charles, 1879

Background imageWealth Collection: Reunion at the Mansion, 1849. Artist: Adolph Menzel

Reunion at the Mansion, 1849. Artist: Adolph Menzel
Reunion at the Mansion, 1849. Located in the collection at, National Gallery, Berlin

Background imageWealth Collection: Untitled, c1792-1850. Artist: Vicente Lopez y Portana

Untitled, c1792-1850. Artist: Vicente Lopez y Portana
Untitled, c1792-1850. Found in the collection of the Louvre, Paris

Background imageWealth Collection: All will fall, 1799. Artist: Francisco Goya

All will fall, 1799. Artist: Francisco Goya
All will fall, 1799. Plate 19 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageWealth Collection: To the Count Palatine, 1799. Artist: Francisco Goya

To the Count Palatine, 1799. Artist: Francisco Goya
To the Count Palatine, 1799. To the Count Palatine, or Count of the Palate, plate 33 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Background imageWealth Collection: It is better to be lazy, 1799. Artist: Francisco Goya

It is better to be lazy, 1799. Artist: Francisco Goya
It is better to be lazy, 1799. Plate 73 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageWealth Collection: What one does to another, 1799. Artist: Francisco Goya

What one does to another, 1799. Artist: Francisco Goya
What one does to another, 1799. Plate 77 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageWealth Collection: Why hide them!, 1799. Artist: Francisco Goya

Why hide them!, 1799. Artist: Francisco Goya
Why hide them!, 1799. Plate 30 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political

Background imageWealth Collection: Happy fantasy, 1819-1823. Artist: Francisco Goya

Happy fantasy, 1819-1823. Artist: Francisco Goya
Happy fantasy, 1819-1823. Plate 12 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Background imageWealth Collection: Queen Maria Luisa Teresa of Parma, Prime Minister of Spain, 1799. Artist: Francisco Goya

Queen Maria Luisa Teresa of Parma, Prime Minister of Spain, 1799. Artist: Francisco Goya
Queen Maria Luisa Teresa of Parma, Prime Minister of Spain, 1799. Plate 5 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Background imageWealth Collection: View of the Estate Alkmaar, on the River Commewine, 1813. Artist: John Gabriel Stedman

View of the Estate Alkmaar, on the River Commewine, 1813. Artist: John Gabriel Stedman
View of the Estate Alkmaar, on the River Commewine, 1813. From Narrative, of a Five Years Expedition, against the Revolted Negroes of Surinam, in Guiana, on the West Coast of South Africa, volume II

Background imageWealth Collection: The Cholmondeley Sisters, 1600-1610

The Cholmondeley Sisters, 1600-1610. Double portrait of the sisters sitting in bed, each holding a baby. From the Tate Gallery, London

Background imageWealth Collection: The Duc de Berry, later King Louis XVI, aged 15, c1769. Artist: Louis Michel van Loo

The Duc de Berry, later King Louis XVI, aged 15, c1769. Artist: Louis Michel van Loo
The Duc de Berry, later King Louis XVI, aged 15, c1769. From the Musee National du Chateau, Versailles, France

Background imageWealth Collection: Brooch, late 19th / 20th century. Artist: Rene Lalique

Brooch, late 19th / 20th century. Artist: Rene Lalique
Brooch, late 19th/20th century. From the Museu Calouste Gulbenkian, Lisbon, Portugal

Background imageWealth Collection: The Luncheon in the Conservatory, 1877. Artist: Louise Abbema

The Luncheon in the Conservatory, 1877. Artist: Louise Abbema
The Luncheon in the Conservatory, 1877. Three generations of a prosperous family relax and talk at the end of an informal meal in their conservatory where the plants are as flourishing as their

Background imageWealth Collection: A Young Woman, 1569

A Young Woman, 1569. Half-length portrait of a richly dressed young woman aged 21. From the Tate Gallery, London

Background imageWealth Collection: Pectoral, late 19th / 20th century. Artist: Rene Lalique

Pectoral, late 19th / 20th century. Artist: Rene Lalique
Pectoral, late 19th/20th century. From the Museu Calouste Gulbenkian, Lisbon, Portugal

Background imageWealth Collection: Plaque for eagles and pine choker, c1899-1901. Artist: Rene Lalique

Plaque for eagles and pine choker, c1899-1901. Artist: Rene Lalique
Plaque for eagles and pine choker, c1899-1901. From the Museu Calouste Gulbenkian, Lisbon, Portugal

Background imageWealth Collection: Diadem, late 19th / 20th century. Artist: Rene Lalique

Diadem, late 19th / 20th century. Artist: Rene Lalique
Diadem, late 19th/20th century. From the Museu Calouste Gulbenkian, Lisbon, Portugal

Background imageWealth Collection: Female face pendant, c1898-1900. Artist: Rene Lalique

Female face pendant, c1898-1900. Artist: Rene Lalique
Female face pendant, c1898-1900. From the Museu Calouste Gulbenkian, Lisbon, Portugal

Background imageWealth Collection: Design for an interior, 1868

Design for an interior, 1868

Background imageWealth Collection: Detail of a pendentive in a cupola, Galerie des Batailles, Chateau de Versailles, France

Detail of a pendentive in a cupola, Galerie des Batailles, Chateau de Versailles, France
Detail of a pendentive in a cupola (Louis-Philippes Initials), Galerie des Batailles (Gallery of the Battles), Chateau de Versailles, France

Background imageWealth Collection: The Queens Bedchamber, The Queens Suite (Grand Appartement de la Reine)

The Queens Bedchamber, The Queens Suite (Grand Appartement de la Reine), Chateau de Versailles, France. The Rococo-style woodwork

Background imageWealth Collection: John Law, Comptroller General of France, 1720 (1841)

John Law, Comptroller General of France, 1720 (1841). A Scottish economist, gambler, banker, murderer, royal advisor, exile, rake and adventurer



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