Skip to main content

Unidentified Photographer Collection

Background imageUnidentified Photographer Collection: Post-Mortem on Pillow, Vertical, c. 1850. Creator: Unidentified Photographer

Post-Mortem on Pillow, Vertical, c. 1850. Creator: Unidentified Photographer
Post-Mortem on Pillow, Vertical, c. 1850. Children have always been particularly cherished subjects for photography. Portraits were made to preserve the memory of their stages of growth

Background imageUnidentified Photographer Collection: Young Woman in Bloomers, c. 1855. Creator: Unidentified Photographer

Young Woman in Bloomers, c. 1855. Creator: Unidentified Photographer
Young Woman in Bloomers, c. 1855. Although portrait sittings were directed by the photographer, sitters had some input in shaping their identities by choosing their pose, clothing, possessions

Background imageUnidentified Photographer Collection: The Music Teacher and His Wife, c. 1850s. Creator: Unidentified Photographer

The Music Teacher and His Wife, c. 1850s. Creator: Unidentified Photographer
The Music Teacher and His Wife, c. 1850s. Although portrait sittings were directed by the photographer, sitters had some input in shaping their identities by choosing their pose, clothing

Background imageUnidentified Photographer Collection: Untitled (Landscape with Dog), c. 1910. Creator: Unidentified Photographer

Untitled (Landscape with Dog), c. 1910. Creator: Unidentified Photographer
Untitled (Landscape with Dog), c. 1910

Background imageUnidentified Photographer Collection: Untitled (Landscape), early 1860s. Creator: Unidentified Photographer

Untitled (Landscape), early 1860s. Creator: Unidentified Photographer
Untitled (Landscape), early 1860s

Background imageUnidentified Photographer Collection: Untitled (Genre scene with four women and a man), late 19th Century

Untitled (Genre scene with four women and a man), late 19th Century

Background imageUnidentified Photographer Collection: Unititled, late 1850s. Creator: Unidentified Photographer

Unititled, late 1850s. Creator: Unidentified Photographer
Unititled, late 1850s

Background imageUnidentified Photographer Collection: Untitled (Venetian Gondola), late 19th Century. Creator: Unidentified Photographer

Untitled (Venetian Gondola), late 19th Century. Creator: Unidentified Photographer
Untitled (Venetian Gondola), late 19th Century

Background imageUnidentified Photographer Collection: Untitled (Rocky Arcade), 19th century. Creator: Unidentified Photographer

Untitled (Rocky Arcade), 19th century. Creator: Unidentified Photographer
Untitled (Rocky Arcade), 19th century

Background imageUnidentified Photographer Collection: Untitled, c. 1915. Creator: Unidentified Photographer

Untitled, c. 1915. Creator: Unidentified Photographer
Untitled, c. 1915

Background imageUnidentified Photographer Collection: Untitled (Case with portraits of a man and woman and hair ornaments), c. 1870s. Creator

Untitled (Case with portraits of a man and woman and hair ornaments), c. 1870s. Creator
Untitled (Case with portraits of a man and woman and hair ornaments), c. 1870s

Background imageUnidentified Photographer Collection: Untitled (Pifferari), c. 1851-1855. Creator: Unidentified Photographer

Untitled (Pifferari), c. 1851-1855. Creator: Unidentified Photographer
Untitled (Pifferari), c. 1851-1855. Taken to catalogue and document cultural practices, both of these photographs were intended as portraits of professions or ethnographic types rather than portraits

Background imageUnidentified Photographer Collection: Untitled (Bridge with Town in Distance), 19th century. Creator: Unidentified Photographer

Untitled (Bridge with Town in Distance), 19th century. Creator: Unidentified Photographer
Untitled (Bridge with Town in Distance), 19th century

Background imageUnidentified Photographer Collection: Untitled, c. 1870s. Creator: Unidentified Photographer

Untitled, c. 1870s. Creator: Unidentified Photographer
Untitled, c. 1870s

Background imageUnidentified Photographer Collection: Townhouse Facade, c. 1900. Creator: Unidentified Photographer

Townhouse Facade, c. 1900. Creator: Unidentified Photographer
Townhouse Facade, c. 1900

Background imageUnidentified Photographer Collection: Two Oxen and Driver, 1850s. Creator: Unidentified Photographer

Two Oxen and Driver, 1850s. Creator: Unidentified Photographer
Two Oxen and Driver, 1850s

Background imageUnidentified Photographer Collection: Two Children with Toys, c. 1855. Creator: Unidentified Photographer

Two Children with Toys, c. 1855. Creator: Unidentified Photographer
Two Children with Toys, c. 1855. Children have always been particularly cherished subjects for photography. Portraits were made to preserve the memory of their stages of growth

Background imageUnidentified Photographer Collection: Two Men Staging a Fight in a Studio, c. 1860. Creator: Unidentified Photographer

Two Men Staging a Fight in a Studio, c. 1860. Creator: Unidentified Photographer
Two Men Staging a Fight in a Studio, c. 1860. Although portrait sittings were directed by the photographer, sitters had some input in shaping their identities by choosing their pose, clothing

Background imageUnidentified Photographer Collection: The Great Whirlpool, Niagara, c. 1880s. Creator: Unidentified Photographer

The Great Whirlpool, Niagara, c. 1880s. Creator: Unidentified Photographer
The Great Whirlpool, Niagara, c. 1880s

Background imageUnidentified Photographer Collection: Syros, Center of the Levant Trade, c. 1850s. Creator: Unidentified Photographer

Syros, Center of the Levant Trade, c. 1850s. Creator: Unidentified Photographer
Syros, Center of the Levant Trade, c. 1850s

Background imageUnidentified Photographer Collection: Study of Orchids, c. 1870s. Creator: Unidentified Photographer

Study of Orchids, c. 1870s. Creator: Unidentified Photographer
Study of Orchids, c. 1870s

Background imageUnidentified Photographer Collection: Study of a Young Peasant Girl, c. 1860. Creator: Unidentified Photographer

Study of a Young Peasant Girl, c. 1860. Creator: Unidentified Photographer
Study of a Young Peasant Girl, c. 1860. These striking portraits of working-class girls were made as ethnographic or artistic studies of types

Background imageUnidentified Photographer Collection: Street in Dijon, before 1870. Creator: Unidentified Photographer

Street in Dijon, before 1870. Creator: Unidentified Photographer
Street in Dijon, before 1870

Background imageUnidentified Photographer Collection: Portrait of Man Leaning Away from Camera, late 1840s. Creator: Unidentified Photographer

Portrait of Man Leaning Away from Camera, late 1840s. Creator: Unidentified Photographer
Portrait of Man Leaning Away from Camera, late 1840s. Although portrait sittings were directed by the photographer, sitters had some input in shaping their identities by choosing their pose

Background imageUnidentified Photographer Collection: Mother and Child, c. 1855. Creator: Unidentified Photographer

Mother and Child, c. 1855. Creator: Unidentified Photographer
Mother and Child, c. 1855. Some of the most inventive and technically skilled practitioners in the early history of photography are as yet unidentified

Background imageUnidentified Photographer Collection: Mother and Child, c. 1860. Creator: Unidentified Photographer

Mother and Child, c. 1860. Creator: Unidentified Photographer
Mother and Child, c. 1860

Background imageUnidentified Photographer Collection: Courtyard with Painters, late 1860s. Creator: Unidentified Photographer

Courtyard with Painters, late 1860s. Creator: Unidentified Photographer
Courtyard with Painters, late 1860s. This photographer inventively expanded the medium to create a rare example of both early genre (everyday life) photography and documentation of artists at work

Background imageUnidentified Photographer Collection: View of Rome, c. 1860. Creator: Unidentified Photographer

View of Rome, c. 1860. Creator: Unidentified Photographer
View of Rome, c. 1860

Background imageUnidentified Photographer Collection: The Hold-Up, 1880s. Creator: Unidentified Photographer

The Hold-Up, 1880s. Creator: Unidentified Photographer
The Hold-Up, 1880s. Since the beginning of photography, objects and people have been purposefully arranged, or staged, for the camera

Background imageUnidentified Photographer Collection: Child with Drum, 1850s. Creator: Unidentified Photographer

Child with Drum, 1850s. Creator: Unidentified Photographer
Child with Drum, 1850s. For this finely toned daguerreotype, an unknown photographer skillfully manipulated a bulky camera into a low vantagepoint, ensured even lighting

Background imageUnidentified Photographer Collection: Child Standing on a Chair Holding Flowers, with Mother, c

Child Standing on a Chair Holding Flowers, with Mother, c. 1855. Until the mid-1850s the daguerreotype process was the method preferred by the commercial photographers willing to meet

Background imageUnidentified Photographer Collection: Boy with Cigar, c. 1855. Creator: Unidentified Photographer

Boy with Cigar, c. 1855. Creator: Unidentified Photographer
Boy with Cigar, c.1855

Background imageUnidentified Photographer Collection: Doorway Through an Inner Enclosure, Angkor Wat, Cambodia, c

Doorway Through an Inner Enclosure, Angkor Wat, Cambodia, c. 1880

Background imageUnidentified Photographer Collection: Durham Cathedral, 1858. Creator: Unidentified Photographer

Durham Cathedral, 1858. Creator: Unidentified Photographer
Durham Cathedral, 1858

Background imageUnidentified Photographer Collection: Panorama dalla Cupola di S. Pietro, Rome, c. 1860s. Creator: Unidentified Photographer

Panorama dalla Cupola di S. Pietro, Rome, c. 1860s. Creator: Unidentified Photographer
Panorama dalla Cupola di S. Pietro, Rome, c. 1860s

Background imageUnidentified Photographer Collection: Black Horseman in Front of a Doorway, c. 1855. Creator: Unidentified Photographer

Black Horseman in Front of a Doorway, c. 1855. Creator: Unidentified Photographer
Black Horseman in Front of a Doorway, c. 1855. The genre of equestrian portraiture dates back to classical antiquity, but translating it to photography was tricky because of the long exposures

Background imageUnidentified Photographer Collection: Allegorical Study of a Woman, late 1850s. Creator: Harrison(?) (American)

Allegorical Study of a Woman, late 1850s. Creator: Harrison(?) (American)
Allegorical Study of a Woman, late 1850s

Background imageUnidentified Photographer Collection: Dead Child On a Sofa, c. 1855. Creator: Unidentified Photographer

Dead Child On a Sofa, c. 1855. Creator: Unidentified Photographer
Dead Child On a Sofa, c. 1855. This carefully staged daguerreotype of a dead child is an outstanding example of a very common subject: the postmortem portrait

Background imageUnidentified Photographer Collection: Artist with His Palette and Brushes, c. 1850s. Creator: Unidentified Photographer

Artist with His Palette and Brushes, c. 1850s. Creator: Unidentified Photographer
Artist with His Palette and Brushes, c. 1850s. This unidentified photographer created a disarmingly personal portrait of a painter holding the tools of his craft


All Professionally Made to Order for Quick Shipping