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Tonalism Collection (page 6)

Background imageTonalism Collection: La Salute: Dawn, c. 1880. Creator: James McNeill Whistler (American, 1834-1903)

La Salute: Dawn, c. 1880. Creator: James McNeill Whistler (American, 1834-1903)
La Salute: Dawn, c. 1880

Background imageTonalism Collection: La Robe Rouge, 1894. Creator: James McNeill Whistler (American, 1834-1903)

La Robe Rouge, 1894. Creator: James McNeill Whistler (American, 1834-1903)
La Robe Rouge, 1894

Background imageTonalism Collection: La frutiere de la Rue de Grenelle, 1874. Creator: James McNeill Whistler (American

La frutiere de la Rue de Grenelle, 1874. Creator: James McNeill Whistler (American
La frutiere de la Rue de Grenelle, 1874

Background imageTonalism Collection: Japanese Woman Painting a Fan (recto), c. 1872. Creator: James McNeill Whistler (American

Japanese Woman Painting a Fan (recto), c. 1872. Creator: James McNeill Whistler (American
Japanese Woman Painting a Fan (recto), c. 1872. In 1872 Whistler was commissioned to contribute two designs to complete the decorative scheme of 35 monumental portrait mosaics installed in the south

Background imageTonalism Collection: Axenfeld, 1860. Creator: James McNeill Whistler (American, 1834-1903)

Axenfeld, 1860. Creator: James McNeill Whistler (American, 1834-1903)
Axenfeld, 1860

Background imageTonalism Collection: Early Morning: The Thames at Battersea, London, 1878. Creator: James McNeill Whistler (American)

Early Morning: The Thames at Battersea, London, 1878. Creator: James McNeill Whistler (American)
Early Morning: The Thames at Battersea, London, 1878

Background imageTonalism Collection: Garden, 1886. Creator: James McNeill Whistler (American, 1834-1903)

Garden, 1886. Creator: James McNeill Whistler (American, 1834-1903)
Garden, 1886

Background imageTonalism Collection: Gants de Suede, 1890. Creator: James McNeill Whistler (American, 1834-1903)

Gants de Suede, 1890. Creator: James McNeill Whistler (American, 1834-1903)
Gants de Suede, 1890

Background imageTonalism Collection: Gabled Roofs, Vitre, 1893. Creator: James McNeill Whistler (American, 1834-1903)

Gabled Roofs, Vitre, 1893. Creator: James McNeill Whistler (American, 1834-1903)
Gabled Roofs, Vitre, 1893

Background imageTonalism Collection: Fummette, 1858. Creator: James McNeill Whistler (American, 1834-1903)

Fummette, 1858. Creator: James McNeill Whistler (American, 1834-1903)
Fummette, 1858

Background imageTonalism Collection: Fulham. Creator: James McNeill Whistler (American, 1834-1903)

Fulham. Creator: James McNeill Whistler (American, 1834-1903)
Fulham

Background imageTonalism Collection: Fruit Shop. Creator: James McNeill Whistler (American, 1834-1903)

Fruit Shop. Creator: James McNeill Whistler (American, 1834-1903)
Fruit Shop

Background imageTonalism Collection: Afternoon Tea, Mrs. Phillips and Mrs. Charles Whibley. Creator: James McNeill Whistler (American)

Afternoon Tea, Mrs. Phillips and Mrs. Charles Whibley. Creator: James McNeill Whistler (American)
Afternoon Tea, Mrs. Phillips and Mrs. Charles Whibley

Background imageTonalism Collection: Cameo, No. 1. Creator: James McNeill Whistler (American, 1834-1903)

Cameo, No. 1. Creator: James McNeill Whistler (American, 1834-1903)
Cameo, No. 1

Background imageTonalism Collection: Cameo, No. 1 (Mother and Child), c. 1890-1893. Creator: James McNeill Whistler (American

Cameo, No. 1 (Mother and Child), c. 1890-1893. Creator: James McNeill Whistler (American
Cameo, No. 1 (Mother and Child), c. 1890-1893. Among a group of etchings Whistler made from a nude or partly draped model around 1890 was a pair entitled Cameo No. 1 and Cameo No

Background imageTonalism Collection: A Corner of the Palais Royal. Creator: James McNeill Whistler (American, 1834-1903)

A Corner of the Palais Royal. Creator: James McNeill Whistler (American, 1834-1903)
A Corner of the Palais Royal

Background imageTonalism Collection: A Child on a Couch, No. 2. Creator: James McNeill Whistler (American, 1834-1903)

A Child on a Couch, No. 2. Creator: James McNeill Whistler (American, 1834-1903)
A Child on a Couch, No. 2

Background imageTonalism Collection: A Fragment of Piccadilly. Creator: James McNeill Whistler (American, 1834-1903)

A Fragment of Piccadilly. Creator: James McNeill Whistler (American, 1834-1903)
A Fragment of Piccadilly

Background imageTonalism Collection: Adam and Eve Tavern, Old Chelsea. Creator: James McNeill Whistler (American

Adam and Eve Tavern, Old Chelsea. Creator: James McNeill Whistler (American
" Adam and Eve" Tavern, Old Chelsea

Background imageTonalism Collection: Amsterdam from the Tolhuis, 1863. Creator: James McNeill Whistler (American, 1834-1903)

Amsterdam from the Tolhuis, 1863. Creator: James McNeill Whistler (American, 1834-1903)
Amsterdam from the Tolhuis, 1863

Background imageTonalism Collection: An Unsafe Tenement. Creator: James McNeill Whistler (American, 1834-1903)

An Unsafe Tenement. Creator: James McNeill Whistler (American, 1834-1903)
An Unsafe Tenement

Background imageTonalism Collection: Annie. Creator: James McNeill Whistler (American, 1834-1903)

Annie. Creator: James McNeill Whistler (American, 1834-1903)
Annie

Background imageTonalism Collection: Annie Haden, 1860. Creator: James McNeill Whistler (American, 1834-1903)

Annie Haden, 1860. Creator: James McNeill Whistler (American, 1834-1903)
Annie Haden, 1860

Background imageTonalism Collection: Arrangement in Grey and Black No. 1 (Portrait of the Artists Mother), 1871

Arrangement in Grey and Black No. 1 (Portrait of the Artists Mother), 1871. Found in the collection of the Musee d Orsay, Paris

Background imageTonalism Collection: Variations in Flesh Colour and Green: The Balcony, c. 1870. Artist: Whistler

Variations in Flesh Colour and Green: The Balcony, c. 1870. Artist: Whistler, James Abbott McNeill (1834-1903)
Variations in Flesh Colour and Green: The Balcony, c. 1870. Found in the collection of the Freer Gallery of Art, Washington, D.C

Background imageTonalism Collection: La Princesse du Pay de la Porcelaine, 1864. Artist: Whistler, James Abbott McNeill (1834-1903)

La Princesse du Pay de la Porcelaine, 1864. Artist: Whistler, James Abbott McNeill (1834-1903)
La Princesse du Pay de la Porcelaine, 1864. Found in the collection of the Freer Gallery of Art, Washington, D.C

Background imageTonalism Collection: Harmony in Green and Rose: The Music Room, 1860. Artist: Whistler, James Abbott McNeill (1834-1903)

Harmony in Green and Rose: The Music Room, 1860. Artist: Whistler, James Abbott McNeill (1834-1903)
Harmony in Green and Rose: The Music Room, 1860. Found in the collection of the Freer Gallery of Art, Washington, D.C

Background imageTonalism Collection: Caprice in Purple and Gold: The Golden Screen, 1864. Artist: Whistler

Caprice in Purple and Gold: The Golden Screen, 1864. Artist: Whistler, James Abbott McNeill (1834-1903)
Caprice in Purple and Gold: The Golden Screen, 1864. Found in the collection of the Freer Gallery of Art, Washington, D.C

Background imageTonalism Collection: Nocturne: Palaces, c1879 (1904). Artist: James Abbott McNeill Whistler

Nocturne: Palaces, c1879 (1904). Artist: James Abbott McNeill Whistler
Nocturne: Palaces, c1879 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: Old Putney Bridge, 1879 (1904). Artist: James Abbott McNeill Whistler

Old Putney Bridge, 1879 (1904). Artist: James Abbott McNeill Whistler
Old Putney Bridge, 1879 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: The Large Pool, 1879 (1904). Artist: James Abbott McNeill Whistler

The Large Pool, 1879 (1904). Artist: James Abbott McNeill Whistler
The Large Pool, 1879 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: Battersea Bridge, London, 19th century (1904). Artist: James Abbott McNeill Whistler

Battersea Bridge, London, 19th century (1904). Artist: James Abbott McNeill Whistler
Battersea Bridge, London, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: Henry Irving (1838-1905) as Philip of Spain, 19th century (1904)

Henry Irving (1838-1905) as Philip of Spain, 19th century (1904). Artist: James Abbott McNeill Whistler
Henry Irving (1838-1905) as Philip of Spain, 19th century (1904). First trial proof etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London)

Background imageTonalism Collection: Lord Wolseley, 19th century (1904). Artist: James Abbott McNeill Whistler

Lord Wolseley, 19th century (1904). Artist: James Abbott McNeill Whistler
Lord Wolseley, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: Temple Bar, 19th century (1904). Artist: James Abbott McNeill Whistler

Temple Bar, 19th century (1904). Artist: James Abbott McNeill Whistler
Temple Bar, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: A sketch from Billingsgate, 19th century (1904). Artist: James Abbott McNeill Whistler

A sketch from Billingsgate, 19th century (1904). Artist: James Abbott McNeill Whistler
A sketch from Billingsgate, 19th century (1904). Second state etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: The Dam Wood, c1875 (1904). Artist: James Abbott McNeill Whistler

The Dam Wood, c1875 (1904). Artist: James Abbott McNeill Whistler
The Dam Wood, c1875 (1904). First proof etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: Two Ships, 19th century (1904). Artist: James Abbott McNeill Whistler

Two Ships, 19th century (1904). Artist: James Abbott McNeill Whistler
Two Ships, 19th century (1904). Second state etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: Steamboats off the Tower, 1875 (1904). Artist: James Abbott McNeill Whistler

Steamboats off the Tower, 1875 (1904). Artist: James Abbott McNeill Whistler
Steamboats off the Tower, 1875 (1904). Etching.. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: Child on a Couch, 19th century (1904). Artist: James Abbott McNeill Whistler

Child on a Couch, 19th century (1904). Artist: James Abbott McNeill Whistler
Child on a Couch, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: Swinburne, 19th century (1904). Artist: James Abbott McNeill Whistler

Swinburne, 19th century (1904). Artist: James Abbott McNeill Whistler
Swinburne, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: The Model, Lying Down, c1864 (1904). Artist: James Abbott McNeill Whistler

The Model, Lying Down, c1864 (1904). Artist: James Abbott McNeill Whistler
The Model, Lying Down, c1864 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: Tillie, a Model, 1873 (1904). Artist: James Abbott McNeill Whistler

Tillie, a Model, 1873 (1904). Artist: James Abbott McNeill Whistler
Tillie, a Model, 1873 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: Moreby Hall, c1883 (1904). Artist: James Abbott McNeill Whistler

Moreby Hall, c1883 (1904). Artist: James Abbott McNeill Whistler
Moreby Hall, c1883 (1904). Watercolour. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: Maude, Seated, 19th century (1904). Artist: James Abbott McNeill Whistler

Maude, Seated, 19th century (1904). Artist: James Abbott McNeill Whistler
Maude, Seated, 19th century (1904). First state etching with full face. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: Maude, Standing, 1873 (1904). Artist: James Abbott McNeill Whistler

Maude, Standing, 1873 (1904). Artist: James Abbott McNeill Whistler
Maude, Standing, 1873 (1904). Trial proof with light tippet. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: The Velvet Dress, 1873 (1904). Artist: James Abbott McNeill Whistler

The Velvet Dress, 1873 (1904). Artist: James Abbott McNeill Whistler
The Velvet Dress, 1873 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageTonalism Collection: Whistlers Mother, 19th century (1904). Artist: James Abbott McNeill Whistler

Whistlers Mother, 19th century (1904). Artist: James Abbott McNeill Whistler
Whistlers Mother, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)



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