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Supporting Collection (#2)

Background imageSupporting Collection: They have flown, 1799. Artist: Francisco Goya

They have flown, 1799. Artist: Francisco Goya
They have flown, 1799. Plate 61 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political

Background imageSupporting Collection: The Death of Napoleon the Great, 5 May 1821, 1825

The Death of Napoleon the Great, 5 May 1821, 1825. Napoleon Bonaparte (Napoleon I) (1769-1821), Emperor of France 1804-1815

Background imageSupporting Collection: Piazzi Madonna ( Virgin and Child ), 1420-1430s. Artist: Donatello

Piazzi Madonna ( Virgin and Child ), 1420-1430s. Artist: Donatello
Piazzi Madonna ( Virgin and Child ), 1420-1430s. From the Staatliche Museum, Berlin

Background imageSupporting Collection: Madonna and Child ( Madonna of the Book ), 1483. Artist: Sandro Botticelli

Madonna and Child ( Madonna of the Book ), 1483. Artist: Sandro Botticelli
Madonna and Child ( Madonna of the Book ), 1483. The Child is seated on the Virgins lap, looking questioningly into his mothers face. Round his wrist is a crown of thorns

Background imageSupporting Collection: Madonna and Child, 1230. Artist: Barone Berlinghier

Madonna and Child, 1230. Artist: Barone Berlinghier
Madonna and Child, 1230. This image shows a strong Byzantine influence. From the Metropolitan Museum, New York

Background imageSupporting Collection: Pieta of Saint-Germain-des-Pres, c1500

Pieta of Saint-Germain-des-Pres, c1500. The scene is the deposition of the cross. The Virgin Mary supports the body of Christ on her lap. Behind her is St John the Apostle

Background imageSupporting Collection: Lamentation over Christ, early 16th century. Artist: Gerard David

Lamentation over Christ, early 16th century. Artist: Gerard David
Lamentation over Christ, early 16th century. The Virgin Mary kisses the head of the dead Christ whose forehead shows the wounds inflicted by the crown of thorns

Background imageSupporting Collection: The Trinity, 14th century. Artist: Robert Campin

The Trinity, 14th century. Artist: Robert Campin
The Trinity, 14th century. The Father, Son and the Holy Ghost, represented by the dove on Christs shoulder. Left wing of a triptych. From the Hermitage Museum, St Petersburg, Russia

Background imageSupporting Collection: The Descent from the Cross, stained glass, Chartres Cathedral, France, 1194-1260

The Descent from the Cross, stained glass, Chartres Cathedral, France, 1194-1260

Background imageSupporting Collection: The Madonna and Child with the Infant Baptist ( The Garvagh Madonna ), c1509-1510. Artist: Raphael

The Madonna and Child with the Infant Baptist ( The Garvagh Madonna ), c1509-1510. Artist: Raphael
The Madonna and Child with the Infant Baptist ( The Garvagh Madonna ), c1509-1510. Jesus takes a pink from the hand of John the Baptist clothed in an animal skin. From the National Gallery, London

Background imageSupporting Collection: World War 2: Free French propaganda poster c1942-1944

World War 2: Free French propaganda poster c1942-1944
World War 2: Free French propaganda poster c1942-44. The poster contains the Cross of Lorraine, the Free French symbol, and shows the French army fighting for France

Background imageSupporting Collection: The Dead Christ Supported by Angels, 1465-1470. Artist: Giovanni Bellini

The Dead Christ Supported by Angels, 1465-1470. Artist: Giovanni Bellini
The Dead Christ Supported by Angels, 1465-1470. From the National Gallery, London

Background imageSupporting Collection: The Three Maries ( The Dead Christ Mourned ), c1604. Artist: Annibale Carracci

The Three Maries ( The Dead Christ Mourned ), c1604. Artist: Annibale Carracci
The Three Maries ( The Dead Christ Mourned ), c1604. The Virgin Mary, lamenting, holds the body of the dead Christ in her lap

Background imageSupporting Collection: Altarpiece of the Moreel chantry, 1484. Artist: Hans Memling

Altarpiece of the Moreel chantry, 1484. Artist: Hans Memling
Altarpiece of the Moreel chantry, 1484. In the centre St Christopher carries the Christ Child across the water. Also depicted are the Benedictine monk St Maurus (left)

Background imageSupporting Collection: Drunken Silenus, 1747. Artist: Carle Vanloo

Drunken Silenus, 1747. Artist: Carle Vanloo
Drunken Silenus, 1747. In classical myth, Silenus is the teacher and friend of Bacchus, god of wine. In Renaissance art he is depicted as fat, drunk and naked, a bloated lord of the revels

Background imageSupporting Collection: The Virgin and Child with Angels, 1512. Artist: Francesco dei Tatti

The Virgin and Child with Angels, 1512. Artist: Francesco dei Tatti
The Virgin and Child with Angels, 1512. From the Musee des Beaux-Arts de Nancy, France

Background imageSupporting Collection: Madonna and Child, c1510. Artist: Titian

Madonna and Child, c1510. Artist: Titian
Madonna and Child, c1510. From the Metropolitan Museum of Art, New York, USA

Background imageSupporting Collection: The Martyrdom of St Agatha, c1756. Artist: Giovanni Battista Tiepolo

The Martyrdom of St Agatha, c1756. Artist: Giovanni Battista Tiepolo
The Martyrdom of St Agatha, c1756. From the Staatliche Museen, Berlin, Germany

Background imageSupporting Collection: Virgin of Humility, 15th century. Artist: Giovanni di Paolo

Virgin of Humility, 15th century. Artist: Giovanni di Paolo
Virgin of Humility, 15th century

Background imageSupporting Collection: The Virgin and the Child, 15th century(?)

The Virgin and the Child, 15th century(?). From the Pushkin Museum of Fine Art, Moscow

Background imageSupporting Collection: The Three Ages of Man, allegory, late 16th century. Artist: Jacob de Backer

The Three Ages of Man, allegory, late 16th century. Artist: Jacob de Backer
The Three Ages of Man, allegory, late 16th century. From the Hermitage Museum, Saint Petersburg, Russia

Background imageSupporting Collection: Madonna and Child, late 14th / early 15th century. Artist: Taddeo di Bartolo

Madonna and Child, late 14th / early 15th century. Artist: Taddeo di Bartolo
Madonna and Child, late 14th/early 15th century

Background imageSupporting Collection: Madonna and Child with the Young Saint John the Baptist, c1497. Artist: Fra Bartolomeo

Madonna and Child with the Young Saint John the Baptist, c1497. Artist: Fra Bartolomeo
Madonna and Child with the Young Saint John the Baptist, c1497. From the Metropolitan Museum of Art, New York

Background imageSupporting Collection: Old Man Playing with Child, 1635-1640. Artist: Rembrandt Harmensz van Rijn

Old Man Playing with Child, 1635-1640. Artist: Rembrandt Harmensz van Rijn
Old Man Playing with Child, 1635-1640. From the British Museum, London

Background imageSupporting Collection: David and Jonathan, 1642. Artist: Rembrandt Harmensz van Rijn

David and Jonathan, 1642. Artist: Rembrandt Harmensz van Rijn
David and Jonathan, 1642

Background imageSupporting Collection: Ancient Egyptian cosmos, c1025 BC

Ancient Egyptian cosmos, c1025 BC. Nut (heaven), stretches over the Earth, represented by her brother Geb, who lies below her

Background imageSupporting Collection: Image of the Egyptian creative myth from the Papyrus of Anhai

Image of the Egyptian creative myth from the Papyrus of Anhai, showing Shu (the god of air) supporting the boat of Khefri (the scarab-headed god of creation)

Background imageSupporting Collection: Poster paying tribute to the war effort, French, World War I, 1914-1918

Poster paying tribute to the war effort, French, World War I, 1914-1918. A wounded French soldier saying that civilians are also supporting the war effort by making their individual financial

Background imageSupporting Collection: Egyptian goddess Nut supporting the sky, New Kingdom, Ancient Egypt, 14th-13th century BC

Egyptian goddess Nut supporting the sky, New Kingdom, Ancient Egypt, 14th-13th century BC. Wall painting from the tomb of Horemheb, last king of the 18th dynasty, who reigned from c1319-c1292 BC

Background imageSupporting Collection: Ivory headrest supported by a figure, Ancient Egyptian, 18th Dynasty, c1325 BC

Ivory headrest supported by a figure, Ancient Egyptian, 18th Dynasty, c1325 BC. From the Treasure of Tutankhamun (ruled 1333-1323 BC)

Background imageSupporting Collection: Eponine et Sabinus, 1802. Artist: Nicolas Andre Monsiau

Eponine et Sabinus, 1802. Artist: Nicolas Andre Monsiau
Eponine et Sabinus, 1802

Background imageSupporting Collection: Virgin and Child with Saint Dominic and Saint Hyacinth, 1740-1750. Artist: Giovanni Battista Tiepolo

Virgin and Child with Saint Dominic and Saint Hyacinth, 1740-1750. Artist: Giovanni Battista Tiepolo
Virgin and Child with Saint Dominic and Saint Hyacinth, 1740-1750. From the Art Institute of Chicago, Illinois, USA

Background imageSupporting Collection: The Deliverance of Arsinoe, after 1560-1594. Artist: Jacopo Tintoretto

The Deliverance of Arsinoe, after 1560-1594. Artist: Jacopo Tintoretto
The Deliverance of Arsinoe, after 1560-1594. From the Gemaeldegallerie Alte Meister, Dresden, Germany

Background imageSupporting Collection: The Virgin and Child, c1570-1576. Artist: Titian

The Virgin and Child, c1570-1576. Artist: Titian
The Virgin and Child, c1570-1576. From the National Gallery, London

Background imageSupporting Collection: A Common Sorrow, 1881. Artist: Joseph Swain

A Common Sorrow, 1881. Artist: Joseph Swain
A Common Sorrow, 1881. Britannia comforts America after the death of the President on the 19th September 1881. James A Garfield was shot

Background imageSupporting Collection: The Supporters of the Working Man, 1859

The Supporters of the Working Man, 1859. Disraeli introduced his Reform Bill to the House early in 1859. However, because it was seen as a blatant attempt to conjure up extra Conservative votes



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