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Romanesque Collection (page 7)

Background imageRomanesque Collection: Crucifixion of St. Peter, 12th century carving

Crucifixion of St. Peter, 12th century carving

Background imageRomanesque Collection: The Vocation of St. Peter, sculptural relief, marble, c

The Vocation of St. Peter, sculptural relief, marble, c. 1160-1165, from the Monastery of San Pere de Rodes, by the Master of Cabestany

Background imageRomanesque Collection: Detail of Christ of Solsona, polychromed carving c. 1300

Detail of Christ of Solsona, polychromed carving c. 1300

Background imageRomanesque Collection: Detail of the Christ of Escunhau, carving in polychromed wood

Detail of the Christ of Escunhau, carving in polychromed wood

Background imageRomanesque Collection: Capital with polychromed stone sculpture representing the abbot of Camprodon with

Capital with polychromed stone sculpture representing the abbot of Camprodon with the monastic community, it comes from the monastery of Sant Pere de Camprodon

Background imageRomanesque Collection: Frieze with hunting scene made of sandstone, it comes from the Collegiate from Santa

Frieze with hunting scene made of sandstone, it comes from the Collegiate from Santa Maria de Solsona

Background imageRomanesque Collection: Seated Virgin and Child on the left knee, carving in polychromed wood

Seated Virgin and Child on the left knee, carving in polychromed wood

Background imageRomanesque Collection: Back of a Polyptych with Saints Peter and Paul, from Sant Marti Sarroca, Penedes

Back of a Polyptych with Saints Peter and Paul, from Sant Marti Sarroca, Penedes

Background imageRomanesque Collection: Lipsanoteca (reliquary as a box) of the consecration of Santa Eugenia de Berga, sealed

Lipsanoteca (reliquary as a box) of the consecration of Santa Eugenia de Berga, sealed by Bishop Oliba with the seal of his brother, Bernat Tallaferro the Earl of Besalu

Background imageRomanesque Collection: Staff of gilded copper, work in pit, chiselling and at burin, from the Benedictine

Staff of gilded copper, work in pit, chiselling and at burin, from the Benedictine abbey of Sant Genis de Fontanes

Background imageRomanesque Collection: Capital from the crypt of the church of San Pedro de Madrona

Capital from the crypt of the church of San Pedro de Madrona

Background imageRomanesque Collection: Cathedral of Santiago de Compostela, facade of Platerias: expulsion from paradise

Cathedral of Santiago de Compostela, facade of Platerias: expulsion from paradise

Background imageRomanesque Collection: Church of Santiago, detail of the front door with sculpture of Santiago on horseback

Church of Santiago, detail of the front door with sculpture of Santiago on horseback and Jesus Christ enthroned

Background imageRomanesque Collection: Church of Santiago in Villafranca del Bierzo (Leon), detail of a capital of the front door

Church of Santiago in Villafranca del Bierzo (Leon), detail of a capital of the front door

Background imageRomanesque Collection: Cathedral of Santiago, the Platerias door, detail of tympanum with scenes

Cathedral of Santiago, the Platerias door, detail of tympanum with scenes from the life of Jesus Christ

Background imageRomanesque Collection: Santiago de Compostela Cathedral, facade of the Platerias: centaur (relief)

Santiago de Compostela Cathedral, facade of the Platerias: centaur (relief)

Background imageRomanesque Collection: Cathedral of Santiago de Compostela, the Platerias door, detail of the sculptures on the front

Cathedral of Santiago de Compostela, the Platerias door, detail of the sculptures on the front

Background imageRomanesque Collection: Detail of the tympanum with the image of Santiago on horseback at the Church of Santiago

Detail of the tympanum with the image of Santiago on horseback at the Church of Santiago in Betanzos (A Coruna)

Background imageRomanesque Collection: Female Head, capital of the facade of the church of San Luis de Alos d Aneu

Female Head, capital of the facade of the church of San Luis de Alos d Aneu

Background imageRomanesque Collection: Adam and Eve after the Original Sin, bas-relief on the facade of the church

Adam and Eve after the Original Sin, bas-relief on the facade of the church of San Luis de Alos d Aneu

Background imageRomanesque Collection: Frames of a polyptych with the Virgin of the Annunciation and a King of the Epiphany

Frames of a polyptych with the Virgin of the Annunciation and a King of the Epiphany, from Sant Marti Sarroca, Penedes

Background imageRomanesque Collection: Victoria Cross, year 908, preserved in the Holy Chamber of the Oviedo Cathedral

Victoria Cross, year 908, preserved in the Holy Chamber of the Oviedo Cathedral

Background imageRomanesque Collection: Front of the altar in the chapel of Santa Margarita, detail Table with scenes of

Front of the altar in the chapel of Santa Margarita, detail Table with scenes of the martyrdom of the saint, from Sant Marti Sescorts

Background imageRomanesque Collection: Detail of the altar front in the chapel of Santa Margarita, with a scene of a dragon

Detail of the altar front in the chapel of Santa Margarita, with a scene of a dragon devouring the saint, from Sant Marti Sescorts

Background imageRomanesque Collection: Detail of the Virgin of Help, from the parish of Santa Maria in Agramunt (Lleida)

Detail of the Virgin of Help, from the parish of Santa Maria in Agramunt (Lleida), sculpture in polychromed wood

Background imageRomanesque Collection: Chest - Sacrarium, made in polychromed wood

Chest - Sacrarium, made in polychromed wood

Background imageRomanesque Collection: Mural painting from the apse of the church of Saint Michael, two persons contemplating

Mural painting from the apse of the church of Saint Michael, two persons contemplating Jesus ascension

Background imageRomanesque Collection: Batllo Majesty, polychromed sculpture from Olot

Batllo Majesty, polychromed sculpture from Olot

Background imageRomanesque Collection: Espinelves Frontal (or the three kings), panel painting

Espinelves Frontal (or the three kings), panel painting. Mother of God dominates the center of the Painting, next to her the kings of the East: David, Jeremiah, Isaiah, Ezekiel, Daniel and Zechariah

Background imageRomanesque Collection: Bathing the Baby Jesus in a wooden bowl, scene inspired by the apocryphal gospels

Bathing the Baby Jesus in a wooden bowl, scene inspired by the apocryphal gospels. Detail of mural paintings in the apse, Polinya c. 1122

Background imageRomanesque Collection: Monastery of Bellpuig les Avellanes. Founded in 1166 by Ermengol VII of Urgell

Monastery of Bellpuig les Avellanes. Founded in 1166 by Ermengol VII of Urgell. Capitel of the cloister decorated with a zoomorphic figure: an eagle

Background imageRomanesque Collection: Room decorated with the image of the Virgin of Montserrat The Black Madonna (The Moreneta) (1947)

Room decorated with the image of the Virgin of Montserrat The Black Madonna (The Moreneta) (1947)

Background imageRomanesque Collection: Capital decorated with the Good Shepherd with two figures on each side carrying a lamb

Capital decorated with the Good Shepherd with two figures on each side carrying a lamb and wolves biting their legs, in the west gallery of the monastery of Sant Cugat del Valles

Background imageRomanesque Collection: Front door of St. Peters Cathedral, crowned by the seated image of Saint Peter Pope

Front door of St. Peters Cathedral, crowned by the seated image of Saint Peter Pope, embedded in the old Romanesque wall

Background imageRomanesque Collection: View of the Church of the Assumption in the village Coll de Tor built with large stone blocks

View of the Church of the Assumption in the village Coll de Tor built with large stone blocks

Background imageRomanesque Collection: Murals in the apse with scenes of Jesus childhood and Pantocrator, Polinya c

Murals in the apse with scenes of Jesus childhood and Pantocrator, Polinya c.1122. They come from the parish church of San Salvador de Polinya, work of the group of the Osormort Master

Background imageRomanesque Collection: Baptism of the fishermen, one of the panels of the south gate of the Baptistery of St

Baptism of the fishermen, one of the panels of the south gate of the Baptistery of St. John in the Florence Cathedral, designed by Andrea Pisano

Background imageRomanesque Collection: Facade of the Monastery of Santa Maria de Ripoll in which the 12 months of the

Facade of the Monastery of Santa Maria de Ripoll in which the 12 months of the year are represented. September: The grape harvest

Background imageRomanesque Collection: The original Sin, mural painting belonging to the triumphal arch of the central

The original Sin, mural painting belonging to the triumphal arch of the central apse of the nave of the church of Santa Maria de Barbera

Background imageRomanesque Collection: Annunciation to the Shepherds, detail of a shepherd playing the flageolet

Annunciation to the Shepherds, detail of a shepherd playing the flageolet. Mural painting in the Royal Mausoleum

Background imageRomanesque Collection: Standard of Saint Odon with a figure on a prayer

Standard of Saint Odon with a figure on a prayer. Cloth in embroidered linen with polychromed silk, from the workshops of the Urgell Cathedral between 1905 and 1122

Background imageRomanesque Collection: Pantocrator. Mural painting from the apse of the church of San Clemente de Taüll (Lleida)

Pantocrator. Mural painting from the apse of the church of San Clemente de Taüll (Lleida)
Pantocrator. Mural painting from the apse of the church of San Clemente de Taull (Lleida)

Background imageRomanesque Collection: Master of Soriguerola altar frontal from Estoll parish church, municipality of Urtx (La Cerdanya)

Master of Soriguerola altar frontal from Estoll parish church, municipality of Urtx (La Cerdanya)

Background imageRomanesque Collection: Front in the facade of Boi, dedicated to St. Peter, from a missing church outside Boi

Front in the facade of Boi, dedicated to St. Peter, from a missing church outside Boi

Background imageRomanesque Collection: Relief with Christ and St. Peter, high-relief in stone from Vic Cathedral

Relief with Christ and St. Peter, high-relief in stone from Vic Cathedral

Background imageRomanesque Collection: Berbegal facade, made in the workshop of Sijena (?) at 1200-1210

Berbegal facade, made in the workshop of Sijena (?) at 1200-1210. Tempera on wood from the former collegiate church of Santa Maria la Blanca in Berbegal (Huesca)

Background imageRomanesque Collection: Saint Paul indoctrinating Santa Tecla. Altar front in white marble in the cathedral of Tarragona

Saint Paul indoctrinating Santa Tecla. Altar front in white marble in the cathedral of Tarragona

Background imageRomanesque Collection: Epiphany, wall Painting from the church of Navasa (Huesca)

Epiphany, wall Painting from the church of Navasa (Huesca)



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