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Rejection Collection

Background imageRejection Collection: A Rakes Progress, Plate 1, June 25, 1735. Creator: William Hogarth

A Rakes Progress, Plate 1, June 25, 1735. Creator: William Hogarth
A Rakes Progress, Plate 1, June 25, 1735

Background imageRejection Collection: Radha Rejecting Krishna, c1760. Creator: Unknown

Radha Rejecting Krishna, c1760. Creator: Unknown
Radha Rejecting Krishna, c1760

Background imageRejection Collection: Pastoral Cruelty, n.d. Creator: Johann Lorenz Rugendas I

Pastoral Cruelty, n.d. Creator: Johann Lorenz Rugendas I
Pastoral Cruelty, n.d

Background imageRejection Collection: Ramagadi Ragini, Folio from a Ragamala (Garland of Melodies), c1775. Creator: Unknown

Ramagadi Ragini, Folio from a Ragamala (Garland of Melodies), c1775. Creator: Unknown
Ramagadi Ragini, Folio from a Ragamala (Garland of Melodies), c1775

Background imageRejection Collection: Marche funèbre!!... 1855. Creator: Honore Daumier

Marche funèbre!!... 1855. Creator: Honore Daumier
Marche funebre!!... 1855. Funeral march!! Two men carrying a pile of items labelled Refuse - (Rejected). From L'Exposition Universelle

Background imageRejection Collection: Hermione Rejecting Orestes, c. 1799. Creator: Girodet de Roucy-Trioson

Hermione Rejecting Orestes, c. 1799. Creator: Girodet de Roucy-Trioson
Hermione Rejecting Orestes, c. 1799

Background imageRejection Collection: 'Tess of the D'Urbervilles', By Thomas Hardy; 'She slid down upon her knees beside his foot...1891

"Tess of the D'Urbervilles", By Thomas Hardy; "She slid down upon her knees beside his foot...1891
"Tess of the D'Urbervilles", By Thomas Hardy; "She slid down upon her knees beside his foot...... In the name of Heaven, forgive me ! she whispered", 1891

Background imageRejection Collection: Revolutionary allegory: Freedom, Equality and Civilization rejecting despotism, c1789-1799

Revolutionary allegory: Freedom, Equality and Civilization rejecting despotism, c1789-1799. Creator: Unknown
Revolutionary allegory: Freedom, Equality and Civilization rejecting despotism, between 1789 and 1799

Background imageRejection Collection: A Rejected Address, 1854 Creator: George Cruikshank

A Rejected Address, 1854 Creator: George Cruikshank
A Rejected Address, 1854 From "Cassells Illustrated Family Paper; London Weekly 31/12/1853 - 30/12/1854"

Background imageRejection Collection: Joachim's Offering Refused, c. 1513. Creator: Albrecht Altdorfer

Joachim's Offering Refused, c. 1513. Creator: Albrecht Altdorfer
Joachim's Offering Refused, c. 1513

Background imageRejection Collection: Joachim's Offering Refused, c. 1513. Creator: Albrecht Altdorfer

Joachim's Offering Refused, c. 1513. Creator: Albrecht Altdorfer
Joachim's Offering Refused, c. 1513

Background imageRejection Collection: Away!, plate seven from Othello, 1844. Creator: Theodore Chasseriau

Away!, plate seven from Othello, 1844. Creator: Theodore Chasseriau
Away!, plate seven from Othello, 1844

Background imageRejection Collection: Away!, plate seven from Othello, 1844. Creator: Theodore Chasseriau

Away!, plate seven from Othello, 1844. Creator: Theodore Chasseriau
Away!, plate seven from Othello, 1844

Background imageRejection Collection: Away!, plate seven from Othello, 1844. Creator: Theodore Chasseriau

Away!, plate seven from Othello, 1844. Creator: Theodore Chasseriau
Away!, plate seven from Othello, 1844

Background imageRejection Collection: The Excommunication of Robert the Pious, 1875. Artist: Jean-Paul Laurens

The Excommunication of Robert the Pious, 1875. Artist: Jean-Paul Laurens
The Excommunication of Robert the Pious, 1875. Nicknamed the Pious, Robert II (972-1031) was King of France from 996. He was temporarily excommunicated by Pope Gregory V

Background imageRejection Collection: Joseph fleeing from Potiphars wife, ca. 1515-25. Creator: Marcantonio Raimondi

Joseph fleeing from Potiphars wife, ca. 1515-25. Creator: Marcantonio Raimondi
Joseph fleeing from Potiphars wife, ca. 1515-25

Background imageRejection Collection: A Convicts Home, 1881. Creator: John Thomson

A Convicts Home, 1881. Creator: John Thomson
A Convicts Home, 1881. A work made of woodburytype, plate 1 in the book " street incidents" (1881)

Background imageRejection Collection: Noli Me Tangere [verso], c. 1600. Creator: Unknown

Noli Me Tangere [verso], c. 1600. Creator: Unknown
Noli Me Tangere [verso], c. 1600

Background imageRejection Collection: A Rakes Progress, Plate 7, June 25, 1735. Creator: William Hogarth

A Rakes Progress, Plate 7, June 25, 1735. Creator: William Hogarth
A Rakes Progress, Plate 7, June 25, 1735

Background imageRejection Collection: Plate 14: Cupid airborne fleeing from Psyche, from The Fable of Psyche, 1530-60

Plate 14: Cupid airborne fleeing from Psyche, from The Fable of Psyche, 1530-60

Background imageRejection Collection: Count Burckhardt (for 'Once a Week, 'September 27, 1862), 1862

Count Burckhardt (for "Once a Week, "September 27, 1862), 1862
Count Burckhardt (for " Once a Week, " September 27, 1862), 1862. The ballad Burckhardt von Keller tells of a count bewitched, leaving his bethrothed to wonder what has befallen him

Background imageRejection Collection: St. Ambrose, Archbishop of Milan, Turning Back Emperor Theodosius, 1681

St. Ambrose, Archbishop of Milan, Turning Back Emperor Theodosius, 1681

Background imageRejection Collection: The Rejection of Joachims Offering, from The Life of the Virgin, ca. 1504

The Rejection of Joachims Offering, from The Life of the Virgin, ca. 1504

Background imageRejection Collection: The Foolish Virgins Rejected, ca. 1635. Creator: Abraham Bosse

The Foolish Virgins Rejected, ca. 1635. Creator: Abraham Bosse
The Foolish Virgins Rejected, ca. 1635

Background imageRejection Collection: Plate 40: the division of the elect from the reprobate, 1756

Plate 40: the division of the elect from the reprobate, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
Plate 40: the division of the elect from the reprobate, 1756

Background imageRejection Collection: Ramkali Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1605-06

Ramkali Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1605-06. woman anxiously waiting for her lover, who arrives far too late, she suspects he has been with another woman

Background imageRejection Collection: The Rejected, 1920. Artist: Molly Campbell

The Rejected, 1920. Artist: Molly Campbell
The Rejected, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Background imageRejection Collection: A Rakes Progress, 1735; plate VII of VIII. Artist: William Hogarth

A Rakes Progress, 1735; plate VII of VIII. Artist: William Hogarth
A Rakes Progress, 1735; plate VII of VIII. Tom Rakewell is confined to Fleet Prison, London, for debt, and being harangued by his wife

Background imageRejection Collection: Wallace rejects the English proposals, 1297 (1864). Artist: James William Edmund Doyle

Wallace rejects the English proposals, 1297 (1864). Artist: James William Edmund Doyle
Wallace rejects the English proposals, 1864. William Wallace, (c1270-1305)) rejects the English proposals, carried by two Dominican monks

Background imageRejection Collection: The Wedding of Mrs. Fox, 1901. Artist: Edward Henry Wehnert

The Wedding of Mrs. Fox, 1901. Artist: Edward Henry Wehnert
The Wedding of Mrs. Fox, 1901. The Wedding of Mrs. Fox is two German fairy tales collected under the same title by the Brothers Grimm in Grimms Fairy Tales

Background imageRejection Collection: La Complaisante Amie, c1920, (1923). Artist: Maxime Dethomas

La Complaisante Amie, c1920, (1923). Artist: Maxime Dethomas
La Complaisante Amie, c1920, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

Background imageRejection Collection: A Rakes Progress - 7: Fleet Prison, 1733. Artist: William Hogarth

A Rakes Progress - 7: Fleet Prison, 1733. Artist: William Hogarth
A Rakes Progress - 7: Fleet Prison, 1733. Tom Rakewell is confined to Fleet Prison, London, for debt, and being harangued by his wife

Background imageRejection Collection: A Rakes Progress; scene I, 1735. Artist: William Hogarth

A Rakes Progress; scene I, 1735. Artist: William Hogarth
A Rakes Progress ; scene I, 1734. Tom Rakewell is taking possession of his miserly fathers effects. Kneeling beside him is a tailor measuring him up for a new set of clothes

Background imageRejection Collection: The Rejection of Joachims Offering, 1506 (1906). Artist: Albrecht Durer

The Rejection of Joachims Offering, 1506 (1906). Artist: Albrecht Durer
The Rejection of Joachims Offering, 1506 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig

Background imageRejection Collection: Oliver Cromwell (1599-1658) refusing the Crown, 1937

Oliver Cromwell (1599-1658) refusing the Crown, 1937
Oliver Cromwell rejecting the crown, 1657. Oliver Cromwell (1599-1658), English military leader and politician, turns down the offer of the English crown

Background imageRejection Collection: The Virtuous Parent. Laetitia Endeavours In Vain By Parents To Reconcile Her Parents, 1789

The Virtuous Parent. Laetitia Endeavours In Vain By Parents To Reconcile Her Parents, 1789. Artist: John Raphael Smith
The Virtuous Parent. Laetitia Endeavours In Vain By Presents To Reconcile Her Parents, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Background imageRejection Collection: Polly, 1893. (1898). Artist: Ernest Borough Johnson

Polly, 1893. (1898). Artist: Ernest Borough Johnson
Polly, 1893. After a sketch by Ernest Borough Johnson (1866-1949). From The Studio, Volume Eight [London Offices of the Studio V, London, 1898]

Background imageRejection Collection: Joseph and Potiphars Wife, c1626. Artist: Guido Reni

Joseph and Potiphars Wife, c1626. Artist: Guido Reni
Joseph and Potiphars Wife, c1626. A scene from the Old Testament. Joseph, after being sold into slavery by his brothers, is taken to Egypt where he becomes head of the household of Potiphar

Background imageRejection Collection: Good and Evil, 19th century. Artist: Andre Jacques Victor Orsel

Good and Evil, 19th century. Artist: Andre Jacques Victor Orsel
Good and Evil, 19th century. The rewards women might expect as a result of their conduct. Christ sits in judgment (top), sorting the blessed on his right from the damned on his left

Background imageRejection Collection: Mezzetin, 1718-1720. Artist: Jean-Antoine Watteau

Mezzetin, 1718-1720. Artist: Jean-Antoine Watteau
Mezzetin (half-measure), 1718-1720. Mezzetin, a stock character of the commedia dell arte, the improvisational theater form of Italian origin

Background imageRejection Collection: Susanna and the Two Elders, c1804

Susanna and the Two Elders, c1804. Susannah rejecting the advances of the Elders who are trying to persuade her to commit adultery with them

Background imageRejection Collection: Zeuxis Choosing a Model from the Beautiful Girls of Croton, 1789. Artist: Francois-Andre Vincent

Zeuxis Choosing a Model from the Beautiful Girls of Croton, 1789. Artist: Francois-Andre Vincent
Zeuxis Choosing a Model from the Beautiful Girls of Croton, 1789. From the Musee du Louvre, Paris, France


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