mail_outline sales@mediastorehouse.com
The Adoration of the Magi, 1526. Creator: Quentin Metsys IThe Adoration of the Magi, 1526
Portrait of a Woman, ca. 1520. Creator: Quentin Metsys IPortrait of a Woman, ca. 1520
The Moneylenders, c1515, (1912). Artist: Quentin Metsys IThe Moneylenders, c1515, (1912). From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]
The Moneylender and his Wife, 1514. Artist: Quentin Metsys IThe Moneylender and his Wife, 1514. Painting housed in the Louvre, Paris. From A History of Painting, Volume IV by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]
Head of Christ, c15th century, (1905). Artist: Quentin Metsys IHead of Christ, c15th century. From The Connoisseur Vol XL [Otto Limited, London, 1905.]
St Mary Magdalene, (1927). Artist: Quentin Metsys ISt Mary Magdalene, (1927). Found in the collection of the Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium. A print from Flemish and Belgian art 1300-1900
Petrus Aegidius, (1927). Artist: Quentin Metsys IPetrus Aegidius, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London
The Misers, c1480-1530 (1843). Artist: J JacksonThe Misers, c1480-1530 (1843). An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843
Quentin Matsys, painter in the Flemish tradition, (1825). Artist: John CornerQuentin Matsys, painter in the Flemish tradition, (1825). An engraving of Matsys (1466-1530) from John Corners Portraits of Celebrated Painters, (London, 1825)
The Adoration of the Magi, 1526. Artist: Quentin Metsys IThe Adoration of the Magi, 1526. Located in the collection at, Metropolitan Museum of Art, New York
Paracelsus Aracelsus (1493-1541), Swiss-born German physician and alchemistParacelsus Aracelsus (Theophrastus Bombastus Von Hohenheim) (1493-1541), Swiss-born German physician and alchemist. Paracelsus studied at Vienna University before becoming a military surgeon in
Triptych, c1486-1530. Artist: Quentin Metsys ITriptych, c1486-1530. A triptych with the Crucifixion as the main panel flanked by panels of donors and saints