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Ostrich Feathers Collection (page 7)

Background imageOstrich Feathers Collection: Pearly Queen and Pearly Prince, London, 1926-1927. Artist: Hoppe

Pearly Queen and Pearly Prince, London, 1926-1927. Artist: Hoppe
Pearly Queen and Pearly Prince, London, 1926-1927. Cockney Pearly kings (originally costermongers - fruit and vegetable sellers), wore suits covered in mother-of-pearl buttons

Background imageOstrich Feathers Collection: Queen Adelaide, queen consort of King William IV, 19th century. Artist: Roffe

Queen Adelaide, queen consort of King William IV, 19th century. Artist: Roffe
Queen Adelaide, queen consort of King William IV, 19th century. Portrait of Adelaide (1792-1849)

Background imageOstrich Feathers Collection: Prince Leopold of Saxe-Coburg-Saalfeld, 1831. Artist: J Thomson

Prince Leopold of Saxe-Coburg-Saalfeld, 1831. Artist: J Thomson
Prince Leopold of Saxe-Coburg-Saalfeld, 1831. Portrait of Leopold I of the Belgians, later of Saxe-Coburg and Gotha (1790-1865)

Background imageOstrich Feathers Collection: A French Family, 1790. Artist: Samuel Alken

A French Family, 1790. Artist: Samuel Alken
A French Family, 1790. An anti-French view of our continental cousins: a dog wearing clothes, a man with an effete hairstyle, a child showing her legs

Background imageOstrich Feathers Collection: The New-fashioned Phaeton, 1776

The New-fashioned Phaeton, 1776. Sic itur ad astra - Thus do we reach the stars. Illustration from Social Caricature in the Eighteenth Century

Background imageOstrich Feathers Collection: Phaetona, or Modern Female Taste, 1776. Artist: Colley

Phaetona, or Modern Female Taste, 1776. Artist: Colley
Phaetona, or Modern Female Taste, 1776. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds])

Background imageOstrich Feathers Collection: High Change in Bond Street - ou - la Politesse du Grand Monde, 1796

High Change in Bond Street - ou - la Politesse du Grand Monde, 1796. Illustration from Social Caricature in the Eighteenth Century

Background imageOstrich Feathers Collection: People of consequence, 1794. Artist: John O Keeffe

People of consequence, 1794. Artist: John O Keeffe
People of consequence, 1794. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageOstrich Feathers Collection: Such things are, That such things are we must allow, but such things never were till now, 1787

Such things are, That such things are we must allow, but such things never were till now, 1787. A satire on the unflattering fashions of the day

Background imageOstrich Feathers Collection: And catch the living manners as they rise, 1794

And catch the living manners as they rise, 1794. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse

Background imageOstrich Feathers Collection: Shepherds, I have lost my waist! Have you seen my body?... 1795. Artist: Richard Newton

Shepherds, I have lost my waist! Have you seen my body?... 1795. Artist: Richard Newton
Shepherds, I have lost my waist! Have you seen my body? Sacrificed to modern taste, I m quite a hoddy doddy!, 1795. A satire on the unflattering fashions of the day

Background imageOstrich Feathers Collection: Exaltation of Faros daughters, 1796

Exaltation of Faros daughters, 1796. Albinia, Countess of Buckinghamshire (left) and Lady Archer are ridiculed in the stocks, as the mob throw rotten vegetables at them

Background imageOstrich Feathers Collection: Characters in High Life... 1795

Characters in High Life... 1795
Characters in High Life sketched at The New Rooms Opera House - Delightful Task! to teach the young idea how to shoot, 1795. Illustration from Social Caricature in the Eighteenth Century

Background imageOstrich Feathers Collection: Modern Elegance: A Portrait, 1796

Modern Elegance: A Portrait, 1796. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)

Background imageOstrich Feathers Collection: The Two Patriotic Duchesses on their canvass requesting the favour of an early poll, 1784

The Two Patriotic Duchesses on their canvass requesting the favour of an early poll, 1784. Artist: Thomas Rowlandson
The Two Patriotic Duchesses on their canvass requesting the favour of an early poll, 1784. Illustration from Social Caricature in the Eighteenth Century

Background imageOstrich Feathers Collection: The Optic Curls, 18th century

The Optic Curls, 18th century. Gentleman theatre goers use one of their female companions elaborate curls as opera glasses. Illustration from Social Caricature in the Eighteenth Century

Background imageOstrich Feathers Collection: Hints to the ladies to take care of their heads, 1776

Hints to the ladies to take care of their heads, 1776. An elaborate hairdo catches fire. Illustration from Social Caricature in the Eighteenth Century

Background imageOstrich Feathers Collection: The Preposterous Head Dress or The Feathered Lady, 1776

The Preposterous Head Dress or The Feathered Lady, 1776. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily

Background imageOstrich Feathers Collection: Ladies fashions, late 19th century

Ladies fashions, late 19th century. Illustration from Le Coquet fashion magazine

Background imageOstrich Feathers Collection: Lady Peel, early 19th century, (1912). Artist: C Coppier

Lady Peel, early 19th century, (1912). Artist: C Coppier
Lady Peel, early 19th century, (1912). A print from The Connoisseur, (London, 1912)

Background imageOstrich Feathers Collection: Juvenile Retirement, 18th century, (1912). Artist: L Edwards

Juvenile Retirement, 18th century, (1912). Artist: L Edwards
Juvenile Retirement, 18th century, (1912). A print from The Connoisseur, (London, 1912)

Background imageOstrich Feathers Collection: Ballet Costume, (1885). Artist: Martin

Ballet Costume, (1885). Artist: Martin
Ballet Costume, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Background imageOstrich Feathers Collection: Neptune Costume, African Costume, 1885. Artist: Martin

Neptune Costume, African Costume, 1885. Artist: Martin
Neptune Costume, African Queen Costume, 1885. Costumes from the Opera The Queen of Golconda by Gaetano Donizetti (1797-1848)

Background imageOstrich Feathers Collection: Dauberval with Mlle Allard in Sylvie, 1766, (1885). Artist: Louis de Carmontelle

Dauberval with Mlle Allard in Sylvie, 1766, (1885). Artist: Louis de Carmontelle
Dauberval with Mlle Allard in Sylvie, 1766, (1885). French ballet dancer and choreographer Jean Dauberval (1742-1806) is widely credited with the invention of comic ballet

Background imageOstrich Feathers Collection: Costume From The French Theatre, (1885). Artist: Moreau

Costume From The French Theatre, (1885). Artist: Moreau
Costume From The French Theatre, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Background imageOstrich Feathers Collection: The Queen At The Palace, (1885). Artist: Moreau

The Queen At The Palace, (1885). Artist: Moreau
The Queen At The Palace, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Background imageOstrich Feathers Collection: Marie Antoinette And Her Children, c1787, (1885)

Marie Antoinette And Her Children, c1787, (1885). Queen Marie Antoinette (1755-1793), with Louis Joseph Francois, Louis Charles, and Marie Therese Charlotte

Background imageOstrich Feathers Collection: Barbara Villiers, Duchess of Cleveland, Countess of Castlemaine, c1660s. Artist: Peter Lely

Barbara Villiers, Duchess of Cleveland, Countess of Castlemaine, c1660s. Artist: Peter Lely
Barbara Villiers, Duchess of Cleveland, Countess of Castlemaine, c1660s. Portrait of King Charles IIs mistress Barbara Palmer (1640-1709), one of the ladies of the court

Background imageOstrich Feathers Collection: French costume: Restoration, (1882)

French costume: Restoration, (1882). Illustration showing costume from the period of the restoration of the French monarchy, 1815-1830, from The History Of Fashion In France by Augustin Challamel

Background imageOstrich Feathers Collection: Anne of Denmark, early 17th century, (1910)

Anne of Denmark, early 17th century, (1910). Portrait of Anne (1574-1619), the queen of James I. Her clothing is similar to the costume at the end of Elizabeth Is reign

Background imageOstrich Feathers Collection: Queen Elizabeth I, c1580, (1910)

Queen Elizabeth I, c1580, (1910). A 19th-century rendition from the Penshurst portrait, presented to her by Sir Henry Sidney, painted by Zucchero

Background imageOstrich Feathers Collection: Henry Grey, 1st Duke of Suffolk, English nobleman, (1826). Artist: W Freeman

Henry Grey, 1st Duke of Suffolk, English nobleman, (1826). Artist: W Freeman
Henry Grey, 1st Duke of Suffolk, English nobleman, (1826). Grey (c1515-1554) was the father of Lady Jane Grey. Mary I had Grey beheaded on February 23 1554

Background imageOstrich Feathers Collection: Edward Seymour, 1st Duke of Somerset, Lord Protector of England, (1823). Artist: R Cooper

Edward Seymour, 1st Duke of Somerset, Lord Protector of England, (1823). Artist: R Cooper
Edward Seymour, 1st Duke of Somerset, Lord Protector of England, (1823). Seymour (c1506-1552) was the eldest brother of Jane Seymour, King Henry VIIIs third wife

Background imageOstrich Feathers Collection: Sir Nicholas Carew, (1823). Artist: E Scriven

Sir Nicholas Carew, (1823). Artist: E Scriven
Sir Nicholas Carew, (1823). Carew (c1490-1539) was a knight and ambassador to King Henry VIII

Background imageOstrich Feathers Collection: Lieutenant-Colonel Francois-Louis Lessard, Canadian Mounted Infantry, South Africa, 1902

Lieutenant-Colonel Francois-Louis Lessard, Canadian Mounted Infantry, South Africa, 1902. Artist: Gray
Lieutenant-Colonel Francois-Louis Lessard, Canadian Mounted Infantry, South Africa, 1902. Portrait from Celebrities of the Army, published by George Newnes, (London, 1902)

Background imageOstrich Feathers Collection: Lieutenant-General Sir Archibald Hunter, commanding the 10th Division, South Africa, 1902

Lieutenant-General Sir Archibald Hunter, commanding the 10th Division, South Africa, 1902. Artist: Alexander Bassano
Lieutenant-General Sir Archibald Hunter, commanding the 10th Division, South Africa, 1902. Hunter (1856-1936) was amongst those besieged by the Boers at Ladysmith

Background imageOstrich Feathers Collection: Major-General Sir John Carstairs McNeill, Equerry to HM the Queen, 1902. Artist: Elliott & Fry

Major-General Sir John Carstairs McNeill, Equerry to HM the Queen, 1902. Artist: Elliott & Fry
Major-General Sir John Carstairs McNeill, Equerry to HM the Queen, 1902. McNeill (1831-1904) won the Victoria Cross in 1864 during the Waikato-Hauhau Maori War in New Zealand

Background imageOstrich Feathers Collection: Major-General John Talbot Coke, commanding 10th Brigade, South Africa Field Force, 1902

Major-General John Talbot Coke, commanding 10th Brigade, South Africa Field Force, 1902. Portrait from Celebrities of the Army, published by George Newnes, (London, 1902)

Background imageOstrich Feathers Collection: Lieutenant-General Sir Frederick Carrington, on Special Service in South Africa, 1902

Lieutenant-General Sir Frederick Carrington, on Special Service in South Africa, 1902. Artist: Maull & Fox
Lieutenant-General Sir Frederick Carrington, on Special Service in South Africa, 1902. Portrait from Celebrities of the Army, published by George Newnes, (London, 1902)

Background imageOstrich Feathers Collection: Sir William Lockhart, Commander in Chief in India, c1900 (1902). Artist: Alexander Bassano

Sir William Lockhart, Commander in Chief in India, c1900 (1902). Artist: Alexander Bassano
Sir William Lockhart, Commander in Chief in India, c1900 (1902). Lockhart (1841-1900) served at the Khyber Pass and in Kabul, later being appointed Commander-in-Chief in India in 1898

Background imageOstrich Feathers Collection: Major-General Sir John C Ardagh, Director of Military Intelligence, 1902. Artist: Maull & Fox

Major-General Sir John C Ardagh, Director of Military Intelligence, 1902. Artist: Maull & Fox
Major-General Sir John C Ardagh, Director of Military Intelligence, 1902. Portrait of Ardagh (1856-1924) from Celebrities of the Army, published by George Newnes, (London, 1902)

Background imageOstrich Feathers Collection: Major-General GH Marshall, Commanding Royal Artillery, South Africa Field Force, 1902

Major-General GH Marshall, Commanding Royal Artillery, South Africa Field Force, 1902. Artist: C Knight
Major-General GH Marshall, Commanding Royal Artillery, South Africa Field Force, 1902. Portrait from Celebrities of the Army, published by George Newnes, (London, 1902)

Background imageOstrich Feathers Collection: Pocahontas, 1616

Pocahontas, 1616. Pocahontas (c1595-1617) was a Native American princess who married an Englishman and came to London. Unfortunately

Background imageOstrich Feathers Collection: The Departure of Telemachus from Egypt, 1775. Artist: W Walker

The Departure of Telemachus from Egypt, 1775. Artist: W Walker
The Departure of Telemachus from Egypt, 1775. A plate from The Copper-Plate Magazine or A Monthly Treasure, London, 1775

Background imageOstrich Feathers Collection: The Prince of Wales, 1862

The Prince of Wales, 1862. Portrait of the future King Edward VII (1841-1910). The frame is surmounted by ostrich feathers, the heraldic badge of the Heir Apparent

Background imageOstrich Feathers Collection: Philip II of Spain, 1631-1640, (1896)

Philip II of Spain, 1631-1640, (1896). Illustration after a portrait from the studio of Rubens in the Royal Collection at Windsor Castle, of Philip (1527-1598) who was King of Spain from 1556-1598

Background imageOstrich Feathers Collection: Portrait of Helena Fourment, c1630-32. Artist: Peter Paul Rubens

Portrait of Helena Fourment, c1630-32. Artist: Peter Paul Rubens
Portrait of Helena Fourment, c1630-32. In 1630, Rubens married Helena Fourment, daughter of a wealthy silk and tapestry merchant in the city of Antwerp

Background imageOstrich Feathers Collection: Prince Albert of Saxe-Coburg and Gotha, consort of Queen Victoria, c1840-1861 (1910)

Prince Albert of Saxe-Coburg and Gotha, consort of Queen Victoria, c1840-1861 (1910). Artist: George Baxter
Prince Albert of Saxe-Coburg and Gotha, husband and consort of Queen Victoria, c1840-1861 (1910). Prince Albert (1819-1861) married his first cousin, Queen Victoria, in 1840



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